bucky has a disability??
he doesn’t have an arm.
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Bran, Hodor, Jojen and Meera make their way out to the lake tower in Queenscrown
By Michael Komarck for the 2009 A Song of Ice & Fire Calendar
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#siblings
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🔹 Saying that it's okay to write or read about dark and taboo topics but only when they're portrayed in a certain way is still censorship.
🔹 Wanting to ban or forbid media that you believe portrays a negative topic in a positive light, by glorifying, romanticizing, or fetishizing it is still censorship.
🔹 There is no objective metric to decide if a story is portraying a negative topic the 'right' way.
🔹 Just because a piece of fiction doesn't explicitly condemn or portray an evil action in a bad light in the text doesn't mean the author thinks its good or is trying to persuade the audience that it is good.
🔹 Survivors of trauma will not always write fiction about their trauma in a way that seems 'right' or 'normal' to you.
🔹 Banning fiction because it portrays dark, taboo topics in a way you consider gross or disgusting is still censorship.
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Don't worry, the US government is investigating Israel for any war crimes. Don't worry about it. ok?
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Selvig’s blackboard explained, from Thor: The Dark World - The Art of the Movie.
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They’re going to the movies
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Starbee commission piece!
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Bubblegum Bitch
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@farewelltocats
It puzzles me when people cite LOTR as the standard of “simple” or “predictable” or “black and white” fantasy. Because in my copy, the hero fails. Frodo chooses the Ring, and it’s only Gollum’s own desperation for it that inadvertently saves the day. The fate of the world, this whole blood-soaked war, all the millennia-old machinations of elves and gods, comes down to two addicts squabbling over their Precious, and that is precisely and powerfully Tolkien’s point.
And then the hero goes home, and finds home a smoking desolation, his neighbors turned on one another, that secondary villain no one finished off having destroyed Frodo’s last oasis not even out of evil so much as spite, and then that villain dies pointlessly, and then his killer dies pointlessly. The hero is left not with a cathartic homecoming, the story come full circle in another party; he is left to pick up the pieces of what was and what shall never be again.
And it’s not enough. The hero cannot heal, and so departs for the fabled western shores in what remains a blunt and bracing metaphor for death (especially given his aged companions). When Sam tells his family, “Well, I’m back” at the very end, it is an earned triumph, but the very fact that someone making it back qualifies as a triumph tells you what kind of story this is: one that is too honest to allow its characters to claim a clean victory over entropy, let alone evil.
“I can’t recall the taste of food, nor the sound of water, nor the touch of grass. I’m naked in the dark. There’s nothing–no veil between me and the wheel of fire. I can see him with my waking eyes.”
So where’s this silly shallow hippie fever-dream I’ve heard so much about? It sounds like a much lesser story than the one that actually exists.
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Robert had been jesting with Jon and old Lord Hunter as the prince circled the field after unhorsing Ser Barristan in the final tilt to claim the champion’s crown. Ned remembered the moment when all the smiles died, when Prince Rhaegar Targaryen urged his horse past his own wife, the Dornish princess Elia Martell, to lay the queen of beauty’s laurel in Lyanna’s lap. He could see it still: a crown of winter roses, blue as frost.
- Eddard XV, aGoT
Upper row: Horton Redfort, Jon Arryn, Robert Baratheon, Eon Hunter
Middle row: Brandon Stark, Lyanna Stark, Benjen Stark, Ned Stark
Lower row: Jon Connington, Arthur Dayne, Ashara Dayne, Elia Martell
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Please take the time to read and share this🙏
Together we will make a difference
For every ‘Free Congo’ item purchased, we donate directly to a globalgiving.org project dedicated to rescuing and rehabilitating these children, offering them a path towards a brighter, hope-filled future.
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