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I've had this in queue for a literal year

I have been waiting all year to post this.

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You were once the demon king. “Defeated” by the hero, you went into hiding to pursue a simpler life. Today the “hero” has appeared, threatening you family to pay tribute, not realizing who you actually are. Today you show them what happens when you have something worth fighting to protect.

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Sirius “i need attention, moony!” Black

Remus “i’m trying to do my homework” Lupin

James “can i bother remus with you?” Potter

Peter “poor rem'… i should bother him too!” Pettigrew

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"not all men" you're right remus lupin would never

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You’re a daycare worker, watching over toddlers, when the imminent end of the world is announced. It becomes increasingly clear none of the kids’ parents are going to show up as the end inches nearer.

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The Witch Who Spoke to the Wind

Sequel to Eindred and the Witch

In which Severin, the golden eyed witch, learns that his greatest enemy and truest love is fated to kill him.

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Dealing in prophecies is a dubious work. Anyone who knows anything will tell you as much.

“Think of all of time as a grand tapestry,” his great-grandmother had said, elbow deep in scalding water. Her hands were tomato red, and Severin watched with wide golden eyes as she kneaded and stretched pale curds in the basin. “You might be so privileged to understand a single weave, but unless you go following all surrounding threads, and the threads around those threads, and so on - which, mind you, no human can do - you’ll never understand the picture.”

Severin, who was ten years old and had never seen a grand tapestry, looked at the cheese in the basin and asked if his great-grandmother could make the analogy about that instead.

“No,” she replied. “Time is a tapestry. Cheese is just cheese.”

And that was that.

By fifteen, Severin who was all arms, legs, and untamable black hair, decided he hated prophecies more than anything in the world. He occupied himself instead with long walks atop the white bluffs well beyond his family’s home. Outside, he could look at birds, and talk to the wind, and not think about the terrible prophecy which followed him like a shadow.

His second eldest sister had revealed it - accidentally, of course. Severin lived in a warm and bustling house with his great-grandmother, grandmother, mother, two aunts, and three sisters. All of whom were generously gifted in the art of foretelling (a messy business, each would say if asked), and every one of them had seen Severin’s same bleak thread.

He would die. Willingly stabbed through the heart by his greatest enemy and truest love.

Willingly. That was the worst part, he thought.

Severin, who had no talent in the way of prophecies, but plenty of talent in the realm of wind and sky, marched along the well-worn trail, static sparking around his fingertips as the brackish sea breeze nipped consolingly at his face and hair.

I will protect you if you ask me to, it blustered, and Severin was comforted.

He didn’t care who this foretold stranger was. When this enemy-lover appeared, Severin would ask the wind to pick them up and take them far, far away. Far enough that they could never harm him. The wind whistled in agreement. And so it was settled.

Weiterlesen

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“May you have a life of safety and peace”, said the witch, cursing the bloodthirsty warrior.

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This is how the golden age of piracy ended.

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i think some men hear “hunger” and think: the body when it is an ache, but only just-so. a hunger can be ignored. a hunger can be tricked. 

but this is not my hunger. the hunger of daughters. i inherited it from my mother’s throat, and she cut it from her mother’s ribs, and she stole it from her mother’s hipbones. this is a hunger honed properly. it is not a single empty plate. it is sixteen seasons of starving. this hunger did not erupt. it was taught to me by the sweetness of a closed fist. to be and take and have less.

the hunger is not of food, although sometimes it is of food. each taste of it comes craving up my tongue: tonight’s desire to speak up is a lime orange, frothy and hot. i savor the slime yellow of shoving anger down, of unhysteria, of learning how not-to-shrill at the snakebite. i crunch the holiday venom of slapped on the ass and click it over my teeth at trainstations. 

i am unasking of my boyfriend. i do not nag my father. i let the man talk over me. i smile daintily and laugh quietly and shove all i am into this hole in me, this sliding that never gulps enough, and i say: i will be going into the kitchen now, do you need anything?

i am always, always, always hungry. some days i think if i start to consume i will simply never stop, that i will unhinge from the back of my ears and be able to shove every snippet of sugar i denied myself, every backtalk or unladylike or starving. i will shove cakes and a whole roast beef and every man who thought he knew hunger into my bones and i will say: see! this is hungry! to not only be denied but to teach myself the art of denying, that even i refuse myself the fine things, that even i hold back and cut carbs and stay sitting. that to take feels wrong, and ugly, that to be wanting is selfish, that to desire is raw.

this is hungry: that full should be so ugly that we remove ourselves from our own lives in taxes, to be “not too much”, to be small, and quiet, and passive. this is hungry: when i go to sleep i dream of a knife and only understand it in the context of cutting. this is hungry: that even my desires disgust me.

we daughters with our sallow eyes. we understand: she was committing an act of war, the beautiful persephone.

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my arch nemesis cynthia is, of course, at the bank, because we both were sent like clockwork to pick up the checks of our husbands. she is wearing a lovely long green gown, which i know was on behalf of me, because, as my husband will tell you, our house abhors green and glamour. already the tellers look at each other under their little hats, for they love our tirades, i’m sure, although not more than i hate them. 

“oh, is that your knitting?” my arch nemesis cynthia peers her eyes at my hands. “is it some kind of… sock?” everyone knows she and i used to be close before we were married and our husbands, smartly so, have introduced us to the idea of true vengeance.

“it is a scarf,” i say. i want to tell her that when the time comes and the world gets cold it will go over my mouth and i will breathe warm air and it will fill my lungs and i will be able to run around with my love even in the dark night. “it is not,” i say, “over surprising that you should be caught unawares of a scarf,” i say, “as i’m sure enjoying winter festivities are too beneath the handsome qualities your husband prefers.” pompous ass.

the tellers pass each other eyes for now it has started and they are delighted.

my arch nemesis cynthia thrusts out her hand. a white bottle. “rat poison,” she says. “i would expect the whole town knows about your little problem.” stage whisper. “such a shame, my dear.” then she rustles her long green skirts - which i know she wore on behalf of me - and she shimmies herself out of the room like royalty. oh, she floats everywhere she goes, beautiful black hair behind her. the bottle in my palm is cold. i will devise how to get her back starting first thing tomorrow.

the week, as always, is a long week, for there is much to make and do and knit and be. my husband comes home and i love him for who he is; for he never comes home without checking the state of the house up and down. he is the kind who loves his home so completely and sets each room like a stage for a great band to come playing. i am too ashamed to tell him why so many of the rats go missing, only make him a stew the next morning to celebrate. his favorite, although not mine, i’m afraid. plenty left over.

my arch nemesis today - of course - in a green the color of rotting. a bruise is uncarefully covered on her cheekbone, so striking against all of her dainty. her husband would say it was for her ungraceful nature, and i know mine would agree. i strike first, already delighted by my master plan, shoving over our best picnic basket tied with a bow. “i made you and yours a stew,” i say, “for beneath all that you carry” all that horrible wealth of your husband  “it seems you’re getting rather skinny.” i can’t resist one last comment. “i am worried you’re about to waste to nothing.”

She plucks it out of my hand. “yes, if it weren’t for you and your husband’s dwindling wealth,” her sarcasm is biting, “i’m sure i will be nothing in, oh, 5 weeks time.” she arches a brow. “so long from now.”

“i am counting the days,” i tell her. her lips purse. the tellers behind me make a choked titter. perhaps, by their estimation, i have won this round quite completely. i go home to my husband smiling. he asks where i have been and i tell him i’ve been at the bank, but he checks anyway because i like to get up to tricks and he doesn’t like to fall for it. it is a good game we play. at night, when he is asleep, i am so in love that i must convince myself to pull the covers over my nose and practice breathing. how silly to wake him up for a young girl’s feelings. 

the first week of five: she gives me a solid, ugly ring that requires three knuckles to hold. “i feel so badly for your status, and i must remember to practice charity,” she says. “it such a small thing, but do be careful amongst all that thin pine furnishing of your house, which dents so easily.” my husband appears at the bank’s front door. just checking. so lovely to be picked up by him. at night, in a rage, i try it - beneath the table bends easily. i scuff out the scratch with walnut before my husband can see. i pull the covers over my face in bed and breathe.

the second week: i wear her ugly ring and give her more stew, this time hearty with meat. her dress is a meadow. my heart each time it sees her collapses on itself. she hands me clothes for my husband, since his wealth continues to go missing, and the charity of her heart is so loving. i am so ashamed i bury them far by the old tree, where all my shames go hiding. again, the covers. it, by now, helps me sleep. i have gotten so good at it that i can simply shimmy my shoulders to be perfectly toasty and buried.

the third week: she asks how comes my knitting. i tell her it’s nearly complete. she asks how comes my husband, whom she must know has been ill recently, and who is doing quite badly. i go home to him, shaking. even sick he is a good housekeeper, who comes home examining for dust and dinge so i do not fall behind on my chores. who checks to be sure i spoke to only him and no one more, for fear a man might snatch me. tell me, who else has a man so involved, in this day and age?

the fourth week she is envy green. i shove a whole heaping of stew at her, for now her husband has gotten it. i say it will return him to spirits, she laughs, a sudden, beautiful sound, even in the quiet of a bank. everyone stares. maybe it is the stress that is making her quite improper. i feel the same way. so much is happening and it always seems she knows. she says she heard he has left me nothing in the will, which everyone already knows. she says she doubts either of us can dig upwards from the hole we’re both in. i look at the bruise on her nose. i tell her to mind her own husband, and be careful where she goes.

the fifth week: so final. her, garishly lime green. and i in black, to pick up a check that hardly seems the effort. it will be enough to cover my husband’s funeral. she smiles at me and hands me a silver bottle. she says quietly: now that i am destitute, there is one thing for it all, and everyone would understand quite completely. it would be quiet, and quick, and complete.

it is the night of the new moon, so dark no man can see in it. i receive notice her husband has died, and i am sorry to say i find a terrible joy in it. the air has changed cold. i have left a note asking to be buried in my scarf, the last thing i have made on this earth. i go through each perfect room, but there is nothing else to take with me, for the house has always been his and his alone, and now aches to be gone of him. i would not serve as a good tender for it. having spent so many nights watched carefully, the silly girlish freedom i’d gain would surely set the house ablaze.

i follow her instructions. quick, quiet, complete.

the horrible rustling is what does it. like a million green skirts. and then it is dark, and i am in my own coffin, eerie with pine. my head hurts but i must be quick and quiet. they have listened and buried me with my scarf. i shimmy my shoulders just-so and get it over my face. bring my arms up, ugly ring heavy, and begin to hit as hard as i can, over and over, the thin wood of my husband’s favorite furniture, the cretin. it would be pine, of course - he left me no money to be buried in any nicer recourse.

the wood splits so horribly, and then it is very hard to breathe, harder than under the covers, and i have to remind myself to be patient and continue to dig upwards, while my throat closes and my heart beats so loudly and the whole thing is so heavy it is a universe. the shifting of gravedirt is loud, and loud, and i feel i will be turned into a worm, and i fear everyone has forgotten about me, or i have gotten the timing wrong, or i will really die down here in the dirt and the cold

but then her hand, and my hand, and we are both digging towards each other, and she lifts me so easily from the ground like a plucked turnip and holds me against her, us both panting and muddied. we can only stay like this for so long, here in my pauper grave, and then we are both running to the old tree where we met, and unburying a second thing; my lovely box of shame, and men’s clothes, and all of my husband’s dwindling fortune i have slowly been squirrelling away.

my love and angel cynthia, who has black hair like a curtain and a mind so fast i sometimes am in frank awe at it, who is, even now and dirty and raw: even now the only sun in my life.

like this, i a man in an almost-dawn, and us cleaned by the river, and her smiling so widely, and only a faint bruise on her, and our pasts behind us in ugly garish colors. and her delicate hand and beautiful nose and when i finally get to kiss her it feels like green feels; my favorite color, all warm and nature and sunny grace and grass and lying awake so filled with love it makes you shake.

i hold her, and she holds me, and our future is a love like a dream unburied.

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Cinderella marries the Prince, part 1/2

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cinderella marries the prince

and it’s… fine. The prince is great! They’re in love, he’s very sweet and passionate, writing her poems and songs, giving her anything she wants. The time she spends with her husband is great.

but cinderella is not royalty, her family was noble but she never spent time in those circles. She’s used to being busy, she’s used to cooking and cleaning and mending. There are hours, days, where she has nothing to do.

time passes. cinderella learns the fancy lady type of needlework. Learns to ride horses. Reads a lot.

as is normal for royalty at the time, they travel and are hosted by nobles or stay at castles owned by the king. But even that variety begins to become routine. The prince is distracted, there’s a lot of young women living and working on their route. Daughters of nobles. Younger and prettier with soft hands that have never done a day’s work.

cinderella needs something to spend her time on, and there’s a part of her thinking a couple-only trip might get her husband’s attention again, so she suggests making an old castle that’s fallen into disrepair their “project.” It was built in the time when castles were made to be defensible, so it’s quite sturdy, but it’s overgrown and secluded. The prince doesn’t know why his family stopped living there either. A hundred years ago it was their summer home.

so they go. And they work. And for a while it’s great! But when they leave for winter cinderella’s husband forgets her once again. cinderella resolves to make the best of her life and stop worrying about a man who has gotten what he wanted from her.

summer comes again and this time cinderella goes alone to the old castle (minus staff, of course, but cinderella manages to narrow it down to only repair workers and one maid). She can cook and clean and mend again, but this time it’s her own choice. She is happy.

this summer they make more progress on repairs. The workers say that most of it can be salvaged, except one tower that’s been completely overgrown with vines and briars. It will have to come down, eventually, but for now it can be safely ignored.

cinderella has more free time now. The old castle has a surprisingly untouched library, though time and moisture have damaged many of the books. Behind a collection of greek poetry cinderella finds an old diary. Very old, in fact, at least a hundred years. It’s rude to read a diary, of course, but whoever wrote this is long dead, and cinderella is bored, so…

from the description of activities the author looks to have been nobility. Maybe even a princess. She’s sensitive and sweet and smarter than she seems to realize. If circumstances had been different cinderella wishes they could have been friends…

after the summer ends cinderella returns to her husband. He’s spending a lot of time with a young musician and cinderella can’t even work up the energy to care. She does some research about the castle and the family she’s married into, finds out the name of the princess who wrote the diary.

aurora. Cursed and forgotten. She died young, they say, in a plague that also took out the castle staff and her own parents. Luckily they avoided a succession crisis, but not so lucky for the dead.

time passes. cinderella goes to the old castle again and again, even out of season. Soon enough all that remains to be done is the old tower, and the builders say they should tear it down and fill the gaps before it gets cold.

one night cinderella is restless. The princess from the diary had been fond of that tower, and cinderella is far more attached to a dead woman than she ought to be. She gets out of bed, reads by candlelight, and finally goes to walk the empty halls.

she finds herself going to the tower. Pushing past the vines that don’t seem so troublesome really. They almost part before her. The stairs are perfectly intact, the door at the top is already cracked open. As if she should have done this years ago, cinderella steps into aurora’s bedroom.

she’s as beautiful as the stories say. And sitting under her hands, crossed across her stomach as it rises and falls, is a book of greek poetry.

years later, people will tell the story of cinderella as a cautionary one. Don’t seek above your station. Don’t marry for prestige. After all, a girl who grew up as a servant once married the crown prince, and disappeared after only three years. She ran away, they say, she couldn’t handle the lifestyle.

two old women who run a bookshop together agree with the lesson. Marrying for the wrong reasons never ends well. It’s best to wait for someone you have things in common with, shared interests.

or, failing that, the more linguistic of the two says, wait a decade or ten for someone to fall in love with you from your diary.

her partner laughs and hits her with the socks she is mending.

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It occurs to me that as much as “humans are the scary ones” fits sometimes, if you look at it another way, humans might seem like the absurdly friendly or curious ones.

I mean, who looked at an elephant, gigantic creature thoroughly capable of killing someone if it has to, and thought “I’m gonna ride on that thing!”?

And put a human near any canine predator and there’s a strong chance of said human yelling “PUPPY!” and initiating playful interaction with it.

And what about the people who look at whales, bigger than basically everything else, and decide “I’m gonna swim with our splashy danger friends!”

Heck, for all we know, humans might run into the scariest, toughest aliens out there and say “Heck with it. I’m gonna hug ‘em.”

“Why?!”

“I dunno. I gotta hug ‘em.”

And it’s like the first friendly interaction the species has had in forever so suddenly humanity has a bunch of big scary friends.

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on the topic of humans being the intergalactic “hold my beer” species: imagine an alien stepping onto a human starship and seeing a space roomba™ with a knife duct taped onto it, just wandering around the ship

it doesn’t have any special intelligence. it’s just a normal space roomba. there are other space roombas on the ship and they don’t have knives. it’s just this one. knife space roomba has full clearance to every room in the ship. occasionally crew members will be talking and then suddenly swear and clutch their ankle. knife space roomba putters off, leaving them to their mild stab wounds.

“what is the point?” asks the alien as another crew member casually steps over the knife-wielding robot. “is it to test your speed and agility?”

“no it doesn’t really go that fast,” replies the captain.

“does it teach you to stay ever-vigilant?”

“I mean I guess so but that’s more of a side effect.”

“does it weed out the weak? does it protect you from invaders? do repeated stabbings let your species heal more quickly in the future?”

“it doesn’t stab very hard, it gets us more than it gets our enemies, and no, but that sounds cool — someone write that down.”

“but then what is its purpose?”

“I don’t know,” the captain says, leaning down to give the space roomba an affectionate pat. “it just seemed cool”

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Two identical infants lay in the cradle. “One you bore, the other is a Changeling. Choose wisely,” the Fae’s voice echoed from the shadows. “I’m taking both my children,” the mother said defiantly.

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Everyone who’s been talking to me knows i’ve been working on this comic about wlws and cats for a while and i’m so so happy it’s finally here!!! :D

idea stolen from this post :’3

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You’ve been sentenced to 400 years for multiple murders. It’s been 399 years and your jailers are starting to get nervous.