BLACKER | Chapter 2: Office Politics
An obnoxious white guy’s life is turned upside down by some actual black girl magic.
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Directed by Rhett Owen.
Written by Eric Lockley and Rhett Owen.
Series created by Rhett Owen and Eric Lockley.
Cast (alphabetical):
Kyle Bary
Brittany Bellizeare
Esther Chen
Alexis Kelley
Eric Lockley
Rich Orlow
Rhett Owen
Reid Prebenda
Ian Stearns
Shara Ashley Zeiger
Director of Photography: Joe Bearese
Editing: Liza Renzulli
Sound: Matthew Casuccio and Kevin Hastings
Composer: Taylor Fuchs
1st Asst. Camera: Ari Moore
Key Grip: Jared Diaw
Gaffer: David Finn
Hair/Make-up: Morgan Cronheim
Production Coordinator: Ian Stearns
Casting: Rhett Owen and Eric Lockley
Special Thanks:
Harris, St. Laurent & Chaudhry LLP
Jon Harris
Jay Stull
Ben Pelteson
Chris Vernale
El Raven Productions
Joe Webb
SAG-AFTRA
© 2018 Naughty Puppy Productions, LLC
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JOSH PAN – NOWHERE (Official Video)
nowhere, no air, no heir
“the video is a commentary on the chaotic, rapidly-evolving state of politics, media, war, free speech and its oppression”
Written & Directed by: Liam Underwood
Producer: COLOSSALE
DP: Sing Howe Yam
Edit & Color: Liam Underwood
VFX: Dan Gaud
Likes: 265
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I hate politics, but I love rights
Caio Teixeira on his last trip for the rights on Sunzal (El Salvador).
Caio Teixeira em sua última viagem para as direitas de Sunzal.
Editor : Pedro Scansetti
Filming : Mario Filmmaker
Soundtrack : Edu Lobo – Upa Neguinho
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Political Collage Video
Trump v Hillary in a nutshell
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My Cultural Divide Feature Documentary
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Accompanied by his ailing mother, Lutchmedial takes us on a very personal journey to bridge the gap between his heritage in Bangladesh and his life in Canada. He connects his politics with his humanity, and weaves together a story that is both thought provoking and touching.
Starting from the opening scene My Cultural Divide questions the logic of the hardcore political activist, and wonders aloud whether ethical consuming actually does anything good for the workers behind the machines. Because of family connections director Faisal Lutchmedial makes his way into some of the worst factories in Bangladesh, and talks frankly with the workers inside about their job and living conditions.
This documentary has been made available on the internet under a Attribution Noncommercial-Share Alike 2.5 Canada license through the Creative Commons. Please encourage others to watch and discuss this important topic, and feel free to visit the film’s website: https://ift.tt/2tg8z21
Comments are welcome and encouraged.
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Wealth Inequality in America
Published on Nov 20, 2012
Infographics on the distribution of wealth in America, highlighting both the inequality and the difference between our perception of inequality and the actual numbers. The reality is often not what we think it is.
References:
https://ift.tt/1UTOfXr;
https://ift.tt/37kJQs2;
https://ift.tt/2QexFaM;
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Office Politics
The Nov. 4th edition of “New in November.” Myself and several others are trying to make new movies every weekday this month.
This was shot with Rob of ThreadBanger.com and Justin of Muxtape.com – Rob is hosting an interview show, WEPCTV, and our first guest was Justin. I couldn’t help but suggest we take a couple minutes and pump something out!
I set up the premise, Rob and Justin did a GREAT job improv’ing the rest.
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No, we can’t – Obama’s struggles
Visual Story produced for DER SPIEGEL 14/2016 and SPIEGEL ONLINE International.
Author, Editing and Motion Design: myself
Illustration: Michael Meissner
Translation: David Lindsey
Voice Over: Kris Storey
Photo Editing: Matthias Krug and myself
Editor in Chief: Jens Radü
Get further Information:
Draper, Robert: Do Not Ask What Good We Do (2012)
Todd, Chuck: The Stranger: Barack Obama in the White House (2014)
Woodward, Bob: The Price of Politics (2013)
The New York Times: Inside The Power Of The N.R.A.
PBS Frontline: Inside Obama’s Presidency
PBS Frontline: Obama’s Deal
Photo Credits:
AARON M. SPRECHER / DPA, AFP (3), ALAMY / MAURITIUS IMAGES, ALEX WONG / GETTY IMAGES, AP (2), ARNAUD BOUISSOU / PICTURE-ALLIANCE / DPA, AUDE GUERRUCCI / POLARIS / STUDIO X, BILL CLARK / CQ-ROLL CALL GROUP / GETTY IMAGES, BRYNN ANDERSON / AP, CHARLES DHARAPAK / AP, CHET STRANGE / THE NEW YORK TIMES / REDUX / LAIF, CHIP LITHERLAND / THE NEW YORK TIMES / REDUX / LAIF, DENNIS BRACK / SIPA USA / DDP IMAGES, IMAGO (3), JEAN PIERRE PAPIS / POLARIS / LAIF (3), JIM LO SCALZO / DPA, JOE RAEDLE / GETTY IMAGES (3), JONATHAN ERNST / REUTERS (2), JONATHAN ERNST / ULLSTEIN BILD, KEVIN DIETSCH / DDP IMAGES, KHALED OMAR / EYEVINE / INTERTOPICS, KRISTOFFER TRIPPLAAR / SIPA, LARRY DOWNING / REUTERS, MANDEL NGAN / AFP, MARK WILSON / GETTY IMAGES, MICHAEL REYNOLDS / DDP IMAGES, MICHAEL REYNOLDS / PICTURE-ALLIANCE / DPA (2), PAUL HENNESSY / POLARIS / STUDIO X, PAUL J. RICHARDS / AFP, PETE SOUZA / POLARIS / LAIF, PETE SOUZA / SIPA USA / DDP IMAGES, PETE SOUZA / THE WHITE HOUSE (38), PICTURE ALLIANCE / DPA, REX FEATURES / ACTION PRESS, RICHARD TSONG-TAATARII / ZUMA PRESS / CORBIS, ROBERT KING / POLARIS / STUDIO X, RON SACHS / DDP IMAGES, RUTH FREMSON / THE NEW YORK TIMES / REDUX / LAIF, SCOTT J. FERRELL / CQ-ROLL CALL GROUP / GETTY IMAGES, STEPHEN CROWLEY / THE NEW YORK TIMES / REDUX / LAIF, STEVE MARCUS / REUTERS, TOM WILLIAMS / CQ-ROLL CALL GROUP / GETTY IMAGES (2), WIN MCNAMEE / GETTY IMAGES, YIN BOGU / XINHUA / IMAGO, ZACH GIBSON / THE NEW YORK TIMES / REDUX / LAIF, ZUMA PRESS / IMAGO (3), ELIJAH NOUVELAGE / GETTY IMAGES
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FECIA A LIFE WITH CARTOONS sub
In the documentary, Feica candidly reflects how since his younger days the outlook and mindsets of our nation have evolved. How the politics paved way for religious fanaticism, which further led to the present crisis that our country suffers.
Producer: Zahid Gill
Director: Waseem Abbas
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Eminem – The Storm – (Donald Trump Diss) – with instrumental
#Eminem #TheStorm #Trump #Diss #antiTrump
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“It’s the calm before the storm right here
Wait, how was I gonna start this off?
I forgot… oh, yeah
That’s an awfully hot coffee pot
Should I drop it on Donald Trump? Probably not
But that’s all I got ’til I come up with a solid plot
Got a plan and now I gotta hatch it
Like a damn Apache with a tomahawk
Imma walk inside a mosque on Ramadan
And say a prayer that every time Melania talks
She gets a mou… Ahh, Imma stop
But we better give Obama props
‘Cause what we got in office now’s a kamikaze
That’ll probably cause a nuclear holocaust
And while the drama pops
And he waits for s**t to quiet down, he’ll just gas his plane up and fly around ’til the bombing stops
Intensities heightened, tensions are risin’
Trump, when it comes to giving a s**t, you’re stingy as I am
Except when it comes to having the b***s to go against me, you hide ’em
‘Cause you don’t got the f**king n**s like an empty asylum
Racism’s the only thing he’s fantastic for
‘Cause that’s how he gets his f**king rocks off and he’s orange
Yeah, sick tan
That’s why he wants us to disband
‘Cause he cannot withstand
The fact we’re not afraid of Trump
F**k walkin’ on egg shells, I came to stomp
That’s why he keeps screamin’ ‘Drain the swamp’
‘Cause he’s in quicksand
It’s like we take a step forwards, then backwards
But this is his form of distraction
Plus, he gets an enormous reaction
When he attacks the NFL so we focus on that
Instead of talking Puerto Rico or gun reform for Nevada
All these horrible tragedies and he’s bored and would rather
Cause a Twitter storm with the Packers
Then says he wants to lower our taxes
Then who’s gonna pay for his extravagant trips
Back and forth with his fam to his golf resorts and his mansions?
Same s**t that he tormented Hillary for and he slandered
Then does it more
From his endorsement of Bannon
Support for the Klansmen
Tiki torches in hand for the soldier that’s black
And comes home from Iraq
And is still told to go back to Africa
Fork and a dagger in this racist 94-year-old grandpa
Who keeps ignoring our past historical, deplorable factors
Now if you’re a black athlete, you’re a spoiled little brat for
Tryina use your platform or your stature
To try to give those a voice who don’t have one
He says, ‘You’re spittin’ in the face of vets who fought for us, you bastards!’
Unless you’re a POW who’s tortured and battered
‘Cause to him you’re zeros
‘Cause he don’t like his war heroes captured
That’s not disrespecting the military
F**k that! This is for Colin, ball up a fist!
And keep that s**t balled like Donald the b**ch!
‘He’s gonna get rid of all immigrants!’
‘He’s gonna build that thang up taller than this!’
Well, if he does build it, I hope it’s rock solid with bricks
‘Cause like him in politics, I’m using all of his tricks
‘Cause I’m throwin’ that piece of s**t against the wall ’til it sticks
And any fan of mine who’s a supporter of his
I’m drawing in the sand a line: you’re either for or against
And if you can’t decide who you like more and you’re split
On who you should stand beside, I’ll do it for you with this:
F**k you!
The rest of America stand up
We love our military, and we love our country
But we f**king hate Trump”
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I am (not) a monster Trailer
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‘To act is to begin something new’ said Hannah Arendt, one of the greatest thinkers of all time who coined the concept of the ‘banality of evil’.
‘I am (not) a monster’ investigates the act of thinking in the twenty-first century as well as fears associated with it. An original and unapologetic performance on political theorist Hannah Arendt (1906-1975), whose book The Origins of Totalitarianism (1951) and essays such as Truth and Politics (1967) are introduced as ‘urgently’ relevant to our times – with a recent spike of interest in her work, now translated into dozens of languages.
Interviewing Hannah Arendt’s former students and key philosophers and activists, ‘designer of experiences’ and alternative educator Nelly Ben Hayoun takes Hannah Arendt on a world tour in 16 cities; an impossible pursuit through four continents – looking for the origins, mechanics and power dynamics behind knowledge. Trained by Noh theatre and Kabuki experts in Japan, with puppets in hand, Ben Hayoun is questioning the ownership and plurality of our thoughts, and the means by which freedom of learning and innovative educative federations can exist in contemporary times. She is hoping to return from her travels in Japan, Ethiopia, California, Arizona, New York State, United Kingdom, Italy, France and Germany with the source of knowledge in her suitcase so that she can share it with her students, down below, in the university she founded, the University of the Underground.
According to director, Nelly Ben Hayoun:
‘The film introduces some of my core beliefs in thinking through experiences, experimental actions and independent education; namely for me: 1) education should be free and we should make our own economic systems to maintain it; 2) education should exist beyond nation states as a transnational entity – independent from governmental politics; 3) schools have to maintain plurality both in their approach but also in leadership.
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LINKS:
Website and trailer: https://ift.tt/37kn1F1
Instagram: https://ift.tt/2Qzevv6
Twitter: https://twitter.com/notamonster_NBH
Newsletter: https://ift.tt/36fJfI4
Press pictures/press pack/short clips/trailer: https://ift.tt/2QziDer
I am (not) a Monster
Director
Nelly Ben Hayoun-Stépanian
Produced by
Nelly Ben Hayoun Studios Ltd. & I am (not) a Monster Ltd.
Executive Producers
Nelly Ben Hayoun at Nelly Ben Hayoun Studios, Christopher Hird at Dartmouth Films
Director of Photography
Fiona Braillon
Editor
David Potter
Visual Effects
Bob Weisz
Production Managers
Monika Baran
Chloe McClellan
Production Manager (Japan)
Marie Otsuka
Soundtracks
RVNG Intl. and Pussy Riot
R&D phase co-produced by
Nelly Ben Hayoun Studios Ltd., UK
I am (not) a Monster Ltd. , UK
Z33, House for Contemporary Art, Hasselt, Belgium
MU, Eindhoven, Netherlands
Dartmouth Films, UK
Project partners
The SETI Institute
Hannah Arendt Centre for Politics and the Humanities at Bard College
London Premiere presented by BFI Southbank in collaboration with 4:3 Boiler Room
Interviewees for I am (not) a monster include:
Noam Chomsky – Philosopher and Professor of Linguistics, University of Arizona. Nadezhda Andreyevna Tolokonnikova – Activist, Pussy Riot
Magid Magid – Lord Mayor of Sheffield
Arjun Appadurai – Hannah Arendt’s Student and Professor of Anthropology Efrem Amare – Director of The National Museum of Ethiopia
Neil Harbisson – Cyborg Artist
Tosa Novmichi – Maywa Denki, Nonsense Artist
Hisa Uzawa – Noh Theatre Lead Performer, Japan’s Living, National Treasure
Richard Bernstein – Hannah Arendt’s Student and Professor, The New School
Roger Berkowitz – Director of the Hannah Arendt Center for Politics and Humanities, Bard College Hiroshi Ishiguro – Director of the Intelligent Robotics Laboratory
Leon Botstein – Hannah Arendt’s Student and President of Bard College
Shishido Hiroyuki – Shinto Priest and Rapper
Brewster Kahle – Director of the Internet Archive
Metasebia Endalamaw – Curator of The National Museum of Ethiopia
Kanjuro Kiritake II – Bunraku Puppetry Master, Japan’s Living National Treasure
Adrienn Almásy – Curator in the Department of Ancient Egypt and Sudan, The British Museum Allan McRobie – Professor in Engineering, Cambridge University
Samantha Hill – Assistant Director of the Hannah Arendt Center for Politics and Humanities Erica – Humanoid
Hiroshi Ishiguro – Humanoid
Sarah Steele – VR Program Manager at Google
Zachary Lieberman – Founder of the School for Poetic Computation Takako Furukawa – Hypnotherapist
And many more…
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Man is a Political Animal
On the 18th of September 2014, Scotland held a referendum to vote whether or not the country would stay part of the United Kingdom or break away to become independent for the first time since 1707.
In a time of political unrest, smaller and more personal stories continued. A father and son with a difficult history return to the highlands to discuss, reunite and remember.
Music by Liam Martin (me)
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Lost In The Game: A Musical Story of Relationships, Sex and Gender Politics
Based on our set from the 2015 ICHSAs — a meditation on the unhealthy sexual relationships and gender stereotypes contained in the messages of popular music and culture — XIV Hours is proud to present a long-form music video in three acts, utilizing parts of 18 different songs to tell the story. This video was six months in the making, but its roots reach back much further to a campus-wide dialogue that began around issues of respect. In working on the set for our first ICHSA competition (https://ift.tt/1KadUYt), we realized that we wanted to deliver an important message and inspire conversation on a larger level about relationship expectations and the mixed messages teens navigate through the music they listen to every day.
Act One asks: what if people actually said in real life what “club anthems” discuss? The overtly sexual nature of some of those lyrics, when sung by teens, can be uncomfortable to hear or watch.
Act Two follows a couple whose relationship is intentionally vague, and is complicated by the fact that they are dealing with weighty decisions at a young age and may not be communicating with each other clearly.
Act Three begins cluttered and asymmetrical, showing the fallout from hookup culture: broken hearts and loneliness. In a breakthrough moment, our characters realize that open communication and holding each other up, rather than tearing each other down, is at least a start toward navigating relationships safely.
Songs (in order of appearance):
– How To Be A Heartbreaker – Marina & The Diamonds
– Tik Tok – Ke$ha
– I’m A Slave 4 U – Britney Spears
– Bang Bang – Jessie J, Ariana Grande, Nicki Minaj
– Get Lucky – Daft Punk
– Hot In Herre – Nelly
– Blurred Lines – Robin Thicke
– I Am Woman – Jordin Sparks
– Stay – Rihanna feat. Mikky Ekko
– Stay With Me – Sam Smith
– Will You Still Love Me Tomorrow – Carole King
– Bad Romance – Lady Gaga
– Say Something – A Great Big World
– Oops! … I Did It Again – Britney Spears
– I Can’t Make You Love Me – Bonnie Raitt/Bon Iver
– Don’t You (Forget About Me) – Simple Minds
– Both Of Us – B.o.B. feat. Taylor Swift
– Just Give Me A Reason – Pink
Audio recorded, edited, mixed, and mastered by Liquid 5th Productions (listen with headphones for best audio experience)
Video recorded and edited by Brad Hodgin, Derek Brown, and Michael L. Meyer
Music arrangements by Michael L. Meyer
Vocal percussion by Derek Brown
Special thanks to Piedmont Restaurant
Produced by XIV Hours and Durham Academy
XIV Hours is on Facebook and Twitter @XIVHours
Durham Academy: www.da.org
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From ‘disorder’ to political action: De-individualising conversations about eating concerns by Kristina Lainson
Concerns about eating and its effects on bodies are often articulated in terms of individualised pathologies. This video describes an interweaving of narrative practices which has proved helpful for a number of women experiencing such concerns. By inviting collective considerations to their individual experiences, and by recognising and naming their existing commitments and agentive responses to societal expectations, it became more possible to move away from ideas of ‘stuckness’ towards a sense of being influential both in their own life, and possibly in the lives of others similarly concerned.
Kristina is a Narrative Therapist based in Aotearoa New Zealand. Most of her work to date has been in a small community based counselling service. She is currently working on a PhD in which she hopes to unsettle some of the less helpful discourses about people whose lives are impacted by ‘anorexia’.
Further Reading
Denborough, D. (2008). Collective Narrative Practice. Adelaide, Australia: Dulwich Centre Publications.
Kitzinger, C., & Perkins, R. (1993). Changing our minds: Lesbian feminism and psychology. New York, USA: New York University.
Saukko, P. (2008). ‘I Feel Ridiculous About Having Had it’ – Critical Readings of Lived and Mediated Stories on Eating Disorders. (Chapter 2). In M. Riley, M. Burns, H. Frith, S. Wiggins & P. Markula (Eds). Critical Bodies: Representations, Identities and Practices of Weight and Body Management. Basingstoke UK: Palgrave Macmillan. [Book Chapter]
This post can be found on our website at the following link: https://ift.tt/2ZBScsB
Published September 30, 2016
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History of Political Philosophy in Urdu
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The Challenges of Being a Female Hollywood Producer
Wendy Finerman is a movie producer with films like Forrest Gump and The Devil Wears Prada to her name. But pursuing her career has often meant being the only woman in a crew of men. In recent years, Finerman has prioritized movies that are directed by women and have prominent female characters. In this short film, she discusses the lessons she’s learned in Hollywood and how she balances the many aspects of her life. “Just at the moment where I’m coasting and I have to go on location or I have to go meet with an important person, that’s always the moment when your kid gets sent home sick,” she says. “I don’t think you can have it all.”
This is the third episode of The Atlantic’s video series “Women and Leadership,” which explores insights and advice from five women in politics, entertainment, and tech. It was directed by Kristina Sorge.
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Challenging Power, Changing Politics September 7, 2012 Full Show
The conventions are over — Now it’s time for some thinking outside the box. This week on Moyers & Company, Bill talks with Vermont Senator Bernie Sanders, who’s been an independent on Congress longer than anyone in American history; and Green Party candidates Jill Stein and Cherie Honkala about their role in — and what they’ve learned about — American politics.
In 2010, Sanders made national news when he delivered an eight-and-a-half-hour speech attacking the agreement President Obama and the Republicans had made to extend the Bush tax cuts for the rich. Stein graduated from Harvard Medical School to become an internist specializing in environmental health. Her running mate, Honkala, is a formerly homeless single mother who co-founded the Poor People’s Economic Human Rights Campaign.
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