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BLOG POST #3

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BLOG #3

"THE SNIPER"

Liam O'Flaherty's "The Sniper" is a compelling and stimulating narrative that explores the harsh realities of war and its devastating effects on people. The plot centers on a Republican sniper who is perched on a rooftop and is involved in a life-or-death battle with an enemy sniper across the street during the Irish Civil War.

This story's ability to depict the psychic cost of war is one of the things that particularly stood out to me about it. The protagonist has internal conflict, and there is always a danger to his life. This environment is tense and cramped. O'Flaherty expertly captures the sniper's mental condition as he engages his adversary in a physical and emotional struggle. The narrative makes us ponder the dehumanizing impacts of war, in which people are pushed to their breaking points and compelled to make split-second decisions that may have unalterable repercussions.

The story also examines the deconstruction of stereotypes and the issue of identity. The protagonist questions the idea of a faceless foe through his thoughts and deeds. The Republican sniper feels guilty and curious as the enemy sniper collapses to the ground after being shot. In an unexpected turn of events, he learns that his opponent was not just an enemy warrior but also his brother. This realization leads him to face the terrible effects of war, where ideological differences can even destroy family relationships.

The sad remark on the futility of war and the cyclical nature of violence provided by "The Sniper" is also noteworthy. The protagonist reflects on the "terrible beauty" of war in both the story's opening and closing lines, implying an ironic adoration for its nefarious potential. However, the awareness of his brother's passing causes him to feel a great feeling of loss and to reflect on the principles and convictions that produced this unfortunate result. O'Flaherty reminds us that conflicts frequently leave a path of devastation, tearing apart communities and harming the human soul beyond repair.

The book "The Sniper" leaves the reader feeling sorrowful and reflective. It makes us reflect on the human cost of war and the pressing need for understanding and empathy in the face of entrenched differences. We are compelled by O'Flaherty's potent narrative to consider how we contribute to violent cycles and to look for peaceful solutions that can prevent the dreadful outcomes the novel foreshadows.

Overall, "The Sniper'' is a tribute to how literature has always been able to shed light on the grim realities of war. Liam O'Flaherty's short story delivers a profound reflection on the devastating repercussions of violence and the significance of maintaining our shared humanity even in the darkest of times through its evocative narrative and heartbreaking themes.

DISCLAIMER: THE IMAGES ABOVE WAS DIGITALLY DRAWED.

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MOVI TITLE: MISTAH

Mistah is a Tagalog-language Action-Drama film created by Mario Cario and Humilde'meek' Roxas that was released in 1994. The movie, which was created by Bebong Osorio and Ricardo Bebong P. Osorio was produced by Vic Del Rosario Jr. as part of the name Viva Films. Consider the troops who put their lives in danger to defend the people. Sacrificing their fulfillment to serve their country. Mistah stars Robin Padilla in the movie's lead role, as well as Bb Gandanghari, Roi Vinzon, Daniel Fernando, Joko Diaz, Ana Roces, and Rommel Padilla. The screenplay for the movie was composed by Meek Roxas. The sound was created by Mandy Ferrer in collaboration with Robinhood C. Padilla. The cinematography was executed by Joe Batac and Ricardo Herrera and rearranged by Rene Tala. The film has a runtime of 119 minutes. It was released on January 2nd, 1994.

I was a devoted fan of Robin's films, but I never went so far as to smoke or replicate his on-screen antics. I was more captivated by his acting approach, which was extremely innovative at the time. He wasn't a 'pa-pogi' or a 'pa-cute' type, but rather a 'barumbado pero maginoo' kind. He, like FPJ, frequently played masa characters, such as a 'tambay' or a 'Kanto kid' who continually protects the underprivileged against the affluent and powerful. But, unlike FPJ, Robin generally had parts that gave a new meaning to the word 'astig'. 

Robin portrays Sgt. Mar Cariño in Mistah, a battle-hardened soldier sent to a Scout Ranger battalion combating Muslim militants in Mindanao. His battalion was always in danger, with combat patrols frequently involving armed conflicts and multiple casualties. Cariño, a war enthusiast, commanded combat patrols and was frequently at odds with his Platoon Leader, Lieutenant Duterte. Duterte was chastised for his long hair and disrespectful manner, which heightened tensions and led to Cariño shooting his M16 following a fight with Duterte. Duterte said that the security situation in the region was serious and that all troops in the detachment needed to be ready. 

Duterte was replaced as Lieutenant by Rustom Padilla, and the two got along well at first. After witnessing the new Platoon Leader battle in an engagement, Cariño congratulated him for his bravery. A heated disagreement, however, resulted in a fistfight, which was stopped short because of rebel harassment. A cease-fire was declared, and soldiers met with insurgents in Mindanao to discuss the situation, but no solid deal was achieved. The rebel leader acknowledged Sgt. Cariño "amanos na tayo" after saving his nephew from drowning and himself from being killed while swimming in a river.

The film includes a scenario in which a soldier is brutally murdered, and his wife is raped by rebels, which has a huge influence on the morale of his comrades. The truce agreement is violated, and the platoon's detachment is attacked with overwhelming force. The troops, reaching weariness, use their bolos to challenge and battle the rebels. The insurgents attack their fortifications, but helicopters and reinforcements arrive, forcing them to withdraw. Sgt Cariño is disoriented and fatigued, bemoaning the folly of war and the anguish of losing his buddies.

Watching this film made me wonder whether it was based on a true narrative because every moment is so intense. The way they act catches my interest, and the movie itself has a lot to say to everyone. No one chose to leave their side because they cherish everyone, even in the face of death and life. The way they mend things quietly and without using any substance that might injure others makes me respect their attitude and patience. Seeing the suffering of each army during the conflict makes me want to learn more about the events occurring in a war. What is the true impact of a conflict with a fellow citizen? What is the mental, physical, and emotional impact of this conflict on everyone? Aside from that, I am proud of everyone who fights for everyone's freedom since they make greater sacrifices, such as abandoning their families and sacrificing their happiness. The movie Mistah sends a message to me that we should appreciate our friendships as much as we treasure our loved ones since friendships may survive longer than partnerships.

DISCLAIMER: THE PHOTO USED IS NOT MINE, CREDITS TO THE RIGHTFUL OWNER. 

BLOG POST #5

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BOOK TITLE: HE'S INTO HER He's Into Her is a perfect blend of mystery, adventure, and love, offering a unique narrative and escape from a horrible world. This review focuses on Max and Deib, TAGURO and SENSUI, and showcases the essence of perfection in this story.

The romance novel "HE'S INTO HER" on Wattpad is a captivating and unpredictable story set in a typical school setting. The story explores themes of love, loyalty, family, and identity, with twists, turns, and spins. The story features a near-perfect love story, challenges, and a mysterious side, as well as a HAMBOG side and perceived-as-GAYISH-ness. The author's updates ensure satisfaction and keep readers engaged. This is no fairy tale, unlike other tales featuring princesses, knights, and clumsy girls. Instead, it features TAGURO and SENSUI, without fairy godmothers, knights, or princes. The story is unique in that it doesn't involve a poor woman selling herself to a wealthy man for love. The story revolves around a misperception between a jovial male character and a stereotypically obese and bullied female lead. The male character miscalculated the female lead's abilities, leading to their argument. The female lead, on his level, attempted to maintain a low profile and mystique, but he persisted in tormenting her. Eventually, they met and fell in love, with feelings developing and releasing. The story highlights the importance of understanding one's own perceptions and embracing one's own strengths. Taguro and Sensui, two of the coolest names in Ghost Fighter, are two characters that will stick in your cute little brain, will get on our nerves, and casts that will undoubtedly toy with our emotions. It was quite funny to me. A rare and special term of endearment for lovers. Sensui for Deib since he's tall and relatively slender, and Taguro for Max because she's fat and a vixen. It appears so innocent, yet cool! Maxpein Zin Del Valle Moon, a musical artist, is a unique figure from the Moon family in North Korea. She is known for her impregnable exterior and unique personality, guarding her family like a strong tower. Born into a wealthy family, she has a secret identity and is known for her threatening atmosphere. She is a genius with an outstanding intellect and is known for her morbid or crazy past. She is known for her ability to protect her family and is known for her obscene wealth and strict adherence to laws. Deib Lohr Enrile is a well-known combat striker and bully, known for his MVP awards in basketball. He initially aimed at Kimeniah Sirvey Gozon but ultimately chose not to. Deib is expressive, sweet, loyal, and envious, making Yakiro Tobi Yanai and Lee Roi Gozon feel cherished and unique. He has a homosexual personality, enjoying physical affection and naggery. Despite his lack of knowledge about her identity, he embraces and defends her, even though he has no idea of her identity. Deib's love for Yakiro and her unique experiences make him a strong and devoted partner. MAXINEJIJI, a Filipino writer with an intelligent mind and a remarkable talent, has achieved immense success. Her book appeals to readers' interests and passions, making her audience stay. She is a genius with a mind that is incredibly intelligent, remarkable, and amazing. Her success is attributed to her ability to create a unique and captivating genre, making it challenging for others to imitate her. She is simply amazing and will continue to do so for her success. The novel HIH evoked a lively mood in the reader, evoking diverse emotions. The characters were endearing, adorable, and humorous, making the reader feel a flood of feelings. The story is filled with emotions, such as Max's hurt feelings and Deib's joy. The protagonist also shares her emotions through dances and singing, and expresses disappointment when she cannot control her emotions. The final chapter of the book is now in sight, and the reader hopes Taguro and Sensui will continue to show the reality of happily ever after. The book is a best-selling and widely-read work, and the reader is eagerly anticipating its future film or television series.

DISCLAIMER: THE PHOTO USED IS NOT MINE, CREDITS TO THE RIGHTFUL OWNER.

BLOG POST # 4

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"How I Broke, and Botched, the Brandon Teena Story," by Donna Minkowitz, is a magnificent piece that appeals to profound thought on the complicated interaction of storytelling, personal introspection, and journalists' responsibilities to communicate captivating narratives. As I've followed Minkowitz's introspective journey, I was struck by the complexity that arises when reporting collides with the fragility of one's perceptions and preconceptions. Minkowitz's examination of his part in relaying the narrative of transgender man Brandon Teena serves as a compelling reminder of the perils of storytelling. He tackles his errors and blunders, revealing the limitations of his earlier tale as well as its emotional consequences. Minkowitz challenges readers to consider the nature of truth in the narrative as well as journalists' ethical responsibilities to convey actual experiences. He admits to his prejudices and highlights the significance of challenging previous notions and investigating how they may impact the narrative. Minkowitz's journey is a sobering reminder that even well-intended tales may perpetuate prejudices and misrepresent vulnerable populations. Minkowitz's story focuses on the effects of social expectations, biases, and limits on people like Brandon Teena. He emphasizes the difficulties that people who deviate from these standards encounter, as well as the implications of an absence of acknowledgment and comprehension. Minkowitz's reflection challenges us to address our involvement in the perpetuation of negative stereotypes and prejudices, encouraging better sentiment along with a welcoming narrative. He also criticizes the role of the legal system in defending vulnerable populations, noting its flaws and limits. Minkowitz's appeal for legislative change and social advancement advances the cause of a society with greater equity and justice. Minkowitz's piece reminds me of the capability of narrative to change the way we collectively understand. It emphasizes the value of adopting modesty, reflection, and compassion as we deal with the complicated landscape of stories intersecting both individual occurrences and challenges in society. Minkowitz's commitment to embracing her faults is a crucial lesson that applies to all narrators, encouraging us to continue to examine our assumptions, controversy, and prejudices, and aim for more honest and inclusive narrative visualization. To put it simply, Donna Minkowitz's piece, "How I Broke, and Botched, the Brandon Teena Story," is an engaging and thoughtful work that provokes deep thought on the intricacies of narrative. It provides a compelling indication of journalists' and storytellers' ethical responsibilities to investigate their prejudices, challenges cultural standards, and strives for more authenticity and diversity in their storytelling. We are urged to participate in self-reflection, promote societal change, and make certain that the narratives we tell properly portray complicated human interactions through Minkowitz's journey.

BLOG POST # 2

Disclaimer: the narrative that I have made has a picture that I used that is not mine, credited to the rightful owner.

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DERNIER

On every lonely night, she barely sights

She can see her dead body, it is hanging comfortably

Her life was near its end

The blood that belongs to her however blend

Blood, the blood in her neck continuous to flow

How she wished she will continue to grow

The rope is slowly cutting her throat

Now she can hear the music of the flute.

The desire of being free is in her eyes,

Now her body is as cold as ice.

She even used a blade more than thrice

And tried to kill herself more than twice.

No one saw her multiple attempts,

No one knew the slashes in her pulse.

She tried, she tried to fight the temptation,

To kill herself in an hour duration.

She can’t handle the grief,

She can’t explain herself in brief.

She can hear the noises,

She didn’t know where are the voices.

The voices in her head, the voices that she wanted to execute

The voices that are so brute.

She shouted and make noises but it wasn’t enough

She didn’t save herself.

Her room was now empty

The silence reigned.

Her traces were the only ones left,

Everyone did not expect her to be like this. 

Everyone was not pleased by her action,

Most of them have their own opinion.

But the truth can’t be hidden,

The real cause of her death wasn’t able to find

The sorrow that she felt,

The sadness kills her guilt.

The depression that she tried to forget,

Presently the reason for her death.

No more sobs to be heard, no more cries to care

No more pain to fear, there is no fight up here.

She is now resting in peace, in a safe place.

Where she can feel the hot embrace.

Disclaimer: the poem that I have made is inspired by the poem by Sylvia Plath entitled " Edge". The picture also that I used is not mine, credited to the rightful owner.

blog post #1