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swampwizard · 9 days
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this may or may not be a fantasy writing exercise for me. please reblog
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swampwizard · 26 days
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🥚@reniadeb✨
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swampwizard · 1 month
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The divine act of creation. To craft and mold yourself to completion.
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swampwizard · 1 month
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I loved how everyone was so chill when you tried to tell them about your darker thoughts.
Also, sorry I still don't know how to color scenes at night...
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swampwizard · 1 month
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Astarion class swap🔮🧙‍♀️ Collab with @heph!
We swapped Gale and Astarions classes in a "what if" scenario. Here's comp I sketched + Rogue!Gale concept :] We honestly think he'd be a terrible rogue lol
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swampwizard · 2 months
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Baymax in the new Baymax! show buying pads for a girl who got her first period and getting help from people, including a trans man.
Some people are really mad about this, when he is literally a health care robot interested in people's physical and emotional needs.
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swampwizard · 2 months
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a chance encounter 🚏👁
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swampwizard · 2 months
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Thinking about the difference between podcast main characters
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swampwizard · 2 months
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Khoshekh the loveable Night Vale Community Radio cat, he’s very cute, has his adult kitty spine spikes and floats about four feet off the ground in the studio bathroom, right beside the sink!
No photography please! We don’t know the full consequences of what will happen to you, this is your final warning!
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swampwizard · 2 months
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Night Vale had some of the BEST one off quotes that would just suckerpunch you in the chest leave you breathless
Like the one that stuck with me was this one:
"when a person dies and no one will miss them, the mourning is assigned to a random human. This is why sometimes you just feel sad."
It's been almost 11 years... It haunts me in a good way
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swampwizard · 2 months
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“Arch”
Something I’ve been messing with after work :)
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swampwizard · 2 months
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Void cat making the stinky face. 🐈⬛
Made with iPad, Procreate, and my Genesis Procreate brush set.
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swampwizard · 3 months
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swampwizard · 4 months
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Mexico's goth scene! ☆
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swampwizard · 4 months
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swampwizard · 4 months
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my masks
hey there buckaroos. due to all of the attention the TEXAS LIBRARY ASSOCIATION situation has gotten i am going to take a minute to talk about my personal way as an autistic buckaroo. im going to tell you about my masks.
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im doing this for a few reasons, some are good FUN reasons full of love and some are not so great. 
lets start with the GOOD STUFF. first of all, i am talking about this because speaking on my way can help other buckaroo feel more comfortable speaking on there own way, ESPECIALLY if they are good at ‘passing’ for neurotypical like chuck is. 
unfortunately the NOT SO GREAT reasons im talking about all this dang stuff are two fold. reason one: i have been put into a position of having to explain and justify my needs and boundaries by the TXLA. this is not something that i WANT to be taking up all of my time, but when large organizations do not make space for those who they have pledged to support, it puts us smaller buckaroos into position where were have to defend our existence. it is not plesent but it is necessary.
the second NOT SO GREAT reason is that ‘passing’ bisexual and autistic people like myself are ALWAYS just seconds from being gatekept from folks both outside and inside these communities. there will probably be a day on chucks deathbed where i take off my mask and say hello to this timeline (mostly so you can all see how handsome i am under here but I DIGRESS). i KNOW with absolute certainty (the same way other bi and autistic buckaroos are probably nodding along right now) that when that day comes i will STILL be accused of ‘not being real’ and ‘faking’ because i ‘dont look autistic’ and i have a beautiful ladybuck partner in sweet barbara.
ALL THAT IS TO SAY, i am taking a moment today to talk FOR THE RECORD about my neurodigence and my particular needs. hopefully i will not have to keep diving this deep every time an organization takes a discrimantory action against me, but i will also say this: at least it is a good fight on an important battlefield
anyway buds, here is the story of my way on the spectrum
when i was a young buckaroo i knew that my thought process was different. i could socialize easily, which is unique in contrast to many autistic buds (it is a spectrum after all), but my social ease was for an interesting reason. I ALWAYS KNEW WHAT OTHERS WERE ABOUT TO SAY. it was like a strange ‘human game’ where someone would say one thing and i would think ‘well you actually mean something else’ in a sort of logical way (this is why i later related to DATA from star trek so dang much). at first i remember thinking ‘well i am just NOT going to play along with this human game’. i quickly learned neurotypical buckaroos do not like this, that there is a BOB AND WEAVE to social interactions that must be learned. 
later i realized ‘actually if i WANT to make friends and prove love is real then i can do this like an expert because i can SEE the game where most cant’. this got chuck many buds and took me on many adventures. please understand, i am not saying these connections are not important to me, they are just different. they are full of love, but i express this in my own unique way.
HOWEVER, while growing up i felt disconnected from this timeline in other ways, like an alien or a reverse twin trotting along in a world that is not quite my own. i did not feel emotions the same way my buds did. they would get upset over the ‘human game’ interactions and i would not be moved at all, HOWEVER i could see the way sunlight hit a window and start crying my dang eyes out over the beauty. so my emotion was still there and VERY STRONG, i just felt it in more existential ways (like hearing the call of the lonesome train). these days that feeling has progressed to where i am pretty much in a constant blissed out state of cosmic emotional connection (make of that last sentence what you will, but it is the truth). when i make existential posts online i am not just FIRING OFF SOME CONTENT, i really mean every word. this is really my trot.
anyway as a young buckaroo these feelings made me worry sometimes. i thought about various mental health dianosises and marked the parts and pieces that matched with myself. am i this? am i that? sometimes, instead of just being’ different’ i worried i might actually be ‘wrong’. 
when i saw david byrne on letterman in my younger days i immediately recognized something connected to myself. i thought ‘wow this is the mystery being solved before my very eyes.’ i could hear it in the music of talking heads too. i started doing research and realized that i might be on autism spectrum, something that was later confirmed by a therapist (back then the diagnosis was called asperger's). it was a glorious and fulfilling moment. i was SO EXCITED TO BE AUTISTIC LIKE MY HERO. i felt very cool because of it, and i still feel very cool because of it.
one of the big reasons i talk so much about being autistic these days is because i want to make sure OTHER buckaroos can have that same moment that i did. they can see chuck and think ‘wow i really like this autistic artist, maybe being autistic is cool’
so what does an average day WITHOUT wearing the pink bag look like for me?
my thought process is exactly like ROSE from CAMP DAMASCUS, which is part of why i wrote the book. we have the same stim (complex order of finger taps), we prepare for social interactions the same way, we analyze things in the same logical trot that neurotypical people might think feels ‘detached’ but for me feels natural (certain reviews of camp damascus are very funny to me in this way. you can tell when a reader is just very confused by existing in an autistic brain for 250 pages.)
from the outside you would not be able to tell that i am on the spectrum. in fact you would probably find me very socially adept. 
the problem is, all of that masking can take its toll. i spent years trotting in and out the emergency room, talking to confused doctors who could not figure out the chronic phantom tension and pain that radiated through my body. i eventually accepted the fact that i would either live a life constantly on heavy painkillers or just stop living altogether.
eventually, however, i started noticing a correlation between the way that i felt, and the space that i allowed for chuck and the pink mask. i was exercising that tension, allowing my mental mask of neurotypical existence to take a rest. i started practicing physical therapy and this time THE RESULTS STUCK because i was approaching from two sides, MIND AND BODY. after a while, i got my pain down to about 5 percent of what it once was. i still have flare ups in times of stress, but the healing has been very real and life changing.
lets get VERY specific now. if i attended the TXLA confrence without a mask and gave my talk i can tell you this: i would do a dang good job. i can work the heck out of a crowd and (not to reveal too much about my secret way) I HAVE BEEN KNOWN TO DO THIS ON OCCASION VERY WELL. however, going home from this event i would very likely be in pain. i would likely need to do physical therapy. i would likely need to stim for a while. i would NOT be emotionally fullfilled in the same way. in other words, without my pink mask i can charm the heck out of buckaroos, but THE SPACE OF CHUCK TINGLE IS NOT THE SPACE FOR THAT. the pink bag is a place for me to not have to put up with that tension. it is a place for me to unmask mentally by masking physically.
this pink bag space SAVED MY LIFE and i am not going to risk blurring these lines. if and when that ever happens it will be MY decision, not someone elses. that is my boundary. the part of me that neurotypically masks could handle a library conference in a purely technical sense, but the part of me that chuck represents absolutely cannot and should not be asked to do that without the pink bag. unfortunately, the complexity of this point makes it even MORE difficult for me to think about and takes up even more of my time, because it forces me to START QUESTIONING MYSELF and my own needs. to be honest, that is the most insidious part of other people questioning your identify and refusing to accept your accommodation needs without ‘proof’.
the thing is, while all of this discussion of disability and accessibility is important, i have a much larger point to make by writing these words.
a conference should not uninvite someone with an unusual physical presentation or a strange way of speaking REGARDLESS of it being classified as a disability. it does not matter WHY i look the way that i look and wear what i wear. i should not have to spend all day writing this post instead of writing my next book, just because my sensibilities are unique and my presentation is unusual. 
fortunately the solution is very simple: let other people be themselves. its not hurting you to simply accept and nod at the buckaroos you think look strange. let us exist
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swampwizard · 4 months
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THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY
just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.
(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)
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i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.
the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.
i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.
PART ONE: BAG OF LOVE
a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)
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ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.
months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’
turns out some things had been going on behind the scenes
at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)
as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.
fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.
when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM
SOME FUN TIMES AT BIG EVENTS BELOW:
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CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:
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well, there has never been an issue.... UNTIL NOW.
PART TWO: RESCINDED
a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask
right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.
of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered
there are a few BIG POINTS to make regarding this choice from the TLA
first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.
second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.
in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.
TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.
i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.
but here we are.
PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?
this is the TLAs official stance on disability issues according to their website:
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when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.
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it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?
i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not
my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.
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at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense
PART FOUR: CLOSE THOSE GATES
it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say
BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?
is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.
if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.
and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?
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(a terrifying display of autism. apparently)
i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.
you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.
if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.
so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.
THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.
as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING
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AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.
any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?
any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?
let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.
when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.
if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?
or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.
PART FIVE: GENDERED
this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.
if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned
PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY
there is a question to be asked here: how could the TLA have done this correctly?
i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'
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putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.
i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY
another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions
PART SEVEN: LOVE IS STILL REAL
i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.
i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)
which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.
if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK
and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME
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KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck
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