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#If those were ghost drawn than the artist gets insane props from me for coming remarkably close to Schulz's style. Good job dude.
linesonscreens · 2 months
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Let's Read Peanuts (Yup, still at it) – May 1954
There are lots of great strips I just don't have room to comment on. I strongly encourage everybody to read the full month at the official GoComics page. Today's month starts HERE.
May 3, 1954
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~tugs collar~
Yeah... About that.
May 9, 1954
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Aw yeah, here we go! I was wondering when this would pop up.
May 15, 1954
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1) That's not a joke
2) Yes, Violet. I got that from him kicking the radio.
Also I hope you enjoyed this strip because “Charlie Brown doesn't like coconut” is now a running gag.
May 16, 1954
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This definitively proves that adults exist in the Peanuts Cinematic Universe, they just happen to be 20 feet tall for some reason. Or maybe the kids are like 2 feet tall? It depends on how you look at it I guess.
May 23, 1954
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Oh man! What's going to happen!? I'm freaking out!
May 24, 1954
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Lucy is so unbelievably awful to Linus in these early years. Granted, she's literally four(?) years old so I can cut her a bit of slack but god damn do these kind of interactions not endear you to her.
Weirdly enough though, I actually like that the strip doesn't punish her for doing stuff like this. Others have made this observation long before I came along but the fact that Schulz is willing to just sort of... let bad things happen without immediately having the universe make an example of the perpetrator or teach them a lesson is one of the things that sets Peanuts apart from the competition. Life just kind of be like that sometimes and it's OK to show it.
May 30, 1954
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(No, really. That's the last one)
Thoughts:
The golf tournament arc is kind of notorious and nobody really knows what the hell is up with it. You have continuity in the Sunday strips (very unusual due to how they are made), weird off-model art, the cast acting out of character, and of course, on-screen adults. Then it all just kind of... stops. It's very odd.
I've heard people speculate that this might actually have been ghost drawn (is that a term?) by another artist but I'm not sure if I buy that. The art is a bit different but it still very much feels like Schulz to me, particularly in how he draws his backgrounds. I ~do~ think there might be something to the idea that this is a repurposed experiment from another project though.
What this feels like to me is Schulz experimenting with “bigger” stories, perhaps something intended to be sold as a proper comic book rather than just a collection of strips. The art looks different because he's trying to set it apart from the strips by adding more detail and action (kind of like when an animated TV sitcom gets a theatrical movie).
As for why it just ends like that? Well that's a sort of punchline Schulz does in a lot in his daily strips so it's not actually that weird if you think about it. I think he just didn't realize that this kind of anticlimax punchline works with a 4-panel strip but not a 4-page event comic.
There's no official word on the matter though so your guess is as good as mine.
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