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8dpromo · 6 months

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Kohib - Take One (Beatservice Records)

8DPromo · Kohib - Take One (Beatservice Records)

Kohib is back in Beatservice action, joining forces with vocalist Karoline Stensland on the delightfully deviant "Take One." Since releasing last year's mesmerizing "Today's Tales Of Tomorrow," Øivind Sjøvoll took a short break from his Kohib project to deliver some heavy dancefloor textures under his Ransel alter ego. Fortunately, we didn't have to wait too long for Kohib's return, and he picked up where he left off with a typically refined slice of subterranean immersion. Fans of Sjøvoll's back catalog will know to expect the unexpected with each evolving release, and, true to form, the producer, DJ, and party promoter keeps audiences on their collective toes with a distinctly floor-focused turn. "Take One" sees crunching house drums power aberrant bass and detuned synth leads as brooding acid and tension-building strings add to the nocturnal mood. Karoline Stensland pitches in with a stirring vocal performance, flitting between snarling spoken word to searing soul as verse transitions into chorus. Driving, elegantly sinister, and steeped in soul, this is certified dancefloor fire from Kohib.

Psycho-Jones (Kater Blau) – “Killer! Can’t wait to spin it.” Al Mackenzie (Retroforward) – “Big fan of Kohib. This doesn’t disappoint.” Sumsuch (Colour and Pitch) – “Ooh I’ll take one please!” Jean Jérome (Kut ‘N’ Paste) – “Twisted! A great track.” Black Mighty Wax (GRU Radio) – “It makes me move – that’s a good sign.” Simon Kirk (Proton Radio) – “Love this. I can see two copies being worked.”

Available Now From: Bandcamp, Beatport, Apple Music, And Spotify.

#House #Deep House #Kohib #Beatservice Records

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djmusicbest · 4 months

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GRIFFO - XMAS 2023 CHART Wolf Hackmine

- Artists: Wolf Hackmine DATE CREATED: 2023-12-28 GENRES: House, Indie Dance, Techno (Peak Time / Driving), Tech House, Deep House, Electro (Classic / Detroit / Modern) Tracklist : 1. Kohib - Take One(Original Mix) 2. Eric Shans - When Night Falls(Original Mix) 3. Second City Firsts - Tribal Tattoo(Original Mix) 4. Ursula 1000 - Movin' 2 The Sound(Acid Jerks Refix) 5. Boblebad - Veiarbeid(Original Mix) 6. Temzar - Back & Fourth(Original Mix) 7. Gatto - Celebrate You(Original Mix) 8. Papaverhof - Bijtend(Original Mix) 9. Tony H - Passion(Original Mix) 10. Justin Bond, Mindbender - One Night In Stockholm(Richard Norris Remix) 11. Udumusic - Moving to Space(Original Mix) 12. Becka, Jason Merle, Dan Laino - I Want You (feat. Becka)(Original Mix) 13. Frankie Deep - Frequencies(Original Mix) 14. Josh Wink - Sexy Bot(Charlie Soul Clap Remix) 15. Coeo - Voyager(Piano Mix) 16. Mark E - Vertigo(Original Mix) 17. Brian Kage - Planet Lumina(Original Mix) 18. Read the full article

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muznew · 4 months

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GRIFFO - XMAS 2023 CHART Wolf Hackmine

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swedeandsour · 5 years

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PREMIERE: Kohib - So Good (feat. Dagny) (Disco Mix)

A little bit of Nordic disco thunder to rejuvenate Kohib’s earlier collaboration with Dagny, the Norwegian producers reimagines "So Good” with a cosmic, italo-pop energy. Written back in 2012, Dagny and Kohib both from the northern city of Tromsø recorded the original version in 2012 with the track appearing on Kohib’s “Solar Day” EP. However, it wasn’t long before Dagny made herself Norway’s pop darling with her breakout hit “Backbeat” and Kohib felt the song needs an update to suit her newly-found stature as he explains:

“‘So Good’ was originally a organ-bass driven house tune, which in the last minute before delivery, Dagny came along and recorded a killer vocal. I never quite felt that her vocals came through on this track, so a new release with a re-edit has been planned for a while now."

Pumping through the robotic energy of its bleeps and booms, Dagny tops off the track with a fun and inviting vocal. With the cheerful charm of Dagny’s voice complimenting the jumpy staccato of the track, glitchy synths dance between the acidic snarl of percolating synth cascades and the track’s intergalactic wonder.

A blast from the not-so-distant past, you can revisit Kohib’s update to “So Good” alongside the original, and her high-profile collaboration with Steve Aoki on the blurting bass and penetrating sound of “Hit Your Heart”.

“Hit Your Heart”

“So Good” (Original Mix)

“So Good” (Disco Mix)

#kohib #dagny #Norwegian music

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djdennisswe · 5 years

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LV168 Winter Season Vibes

Lounge Vibes Live Podcast - Winter Season Vibes A bi-weekly Deep, Funky and Soulful, House mix. This time with the warm and sunny feeling of springtime here in Serre Chevalier, France. Enjoy! 1) Lempo ft. Victoria-Jane No More (Toni Toolz Remix) 2) Tom Chubb I Want You (Original Mix) 3) DeeAfro ft. Lizzie France Desire (Original Mix) 4) LaShonda & Master Fale Better (Deeper Club Mix) 5) Martin Sharp Digital Funk Connection (Nick Hook Remix) 6) Kohib So Good (Reggie Got Beats Remix) 7) Soulvation & Mr. V Free Your Mind (Benny Royal Remix) 8) Hazzaro I Want U (Original Mix) 9) Daniel Chapman ft. The APX Tease (Original Mix) 10) Kode Breakerz Going Back (Original Mix) 11) Sam Collins That's Right 12) Cathy Battistessa & Rob Hayes Good Times & Misfits (Deeptrak Remix) 13) Soul Avengerz & Supa Hi Running Away (Original Mix) 14) Flevans ft. Laura Vane Who’s Got Me (Art Of Tones Extended Remix) 15) ABX Magic (Original Mix) More on-line mixes are available in the mixes section or directly over the airwaves 10PM (Central European Time) Friday evenings at Imagine - La Radio, France (selected regional radio of the year 2019 in Paris during European Radio Show) . The KUVO Playlist for the purchase of tracks from Winter Season Vibes. Read the full article

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myrecordsgr · 2 years

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Kohib - In Mountains LP | Beatservice | BS219LP

Kohib – In Mountains LP | Beatservice | BS219LP

Kohib is an important member of the Tromsø electronic music scene, equally as a club organizer, DJ, and producer. His debut was on the Prima Norsk 3 compilation in 2005, followed by an album, a remix-album, and a string of highly regarded EPs and singles. Kohib has had success both with his electronica-style releases (the track “Hear This” from his debut album was licensed to the Buddha Bar XIV…

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graemepark · 4 years

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THIS IS GRAEME PARK: LONG LIVE HOUSE RADIO SHOW 23OCT 2020

This week’s Long Live House Radio Show features Groove Armada, Róisín Murphy, Crystal Waters & DJ Spen, Lenny Fontana, Sounds Of Blackness, Armand Van Helden, Mark Knight, Jamiroquai, Michael Gray and more.

For an exclusive, extended and uninterrupted mix of the first hour that is published every Monday featuring extra tracks not included here from 2 Puerto Ricans, A Blackman & A Dominican, 95 North, Angelo Ferreri and more, please subscribe to Mixcloud Select.

THIS IS GRAEME PARK: LONG LIVE HOUSE RADIO SHOW 23OCT 2020

Title (Mix), Artist

Love (Greg Wilson & Ché Wilson Original Mix), The Emanations

Europe, Sound Support

It's On Tonight (Lakehouse Remix), Reggie Got Beats

We're Free (Ashley Beedle North Street West Remix), Groove Armada feat. Roseau

Sorry For The Late Reply (Original Mix), COEO

Keep The Fire Burning (Graeme Park Baseroom Throb Mix), Pandella

Kingdom Of Ends, Róisín Murphy

Party People (Mike Dunn BlackBall Mix), Crystal Waters & DJ Spen

So Good (Reggie Got Beats Remix), Kohib

A Mystical Journey (Club Mix), Lenny Fontana & Galaxy People

I Believe (Classic Gospel Mix), Sounds Of Blackness

Let Me Be Your Fantasy (Dr Packer Remix), The Love Symphony Orchestra

Give It Up (Hands In The Air Mix), Lenny Fontana

Power Of Bass (Extended), Armand Van Helden x Solardo x Hervé

House Of Wh0, Wh0

If It's Love (Original Mix), Mark Knight feat. Laura Davie & The Melody Men

Dancin' At The Disco (Underneath The Lights Edit), LAX

Cosmic Girl (DFP Remix Paul Goodyear Re-Edit), Jamiroquai

Push In The Bush (Birdee Remix), Michael Gray

Break 4 Love (Rob Made Disco Paul Goodyear Edit), Raze

Real Love (Kevin McKay Extended Edit), Sam Dexter & Elliotte Williams-N'Dure

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theam-cjsw · 4 years

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June 29, 2020 podcast

Missed posting this last week, but better late than never, I suppose. Find the stream over at Soundcloud or at CJSW.com, and have a gander at the playlist below.

Hour One:

Spaces Kohib • In Mountains

Comfort Teen Daze • Reality Refresh

Four59 Various Artists, featuring J.Alpinist • The Sled Island Lemonade Stand Vol. 1 & 2

Night Flower Art Feynman • Half Price at 3:30

Time Zone Discovery Zone • Remote Control

Farpoint zeta ii reliculi • voyager

Lampara DJ Python • Derretirse

On Kelly Lee Owens • Single

Cliffside Various Artists, featuring Netrvnner • The Sled Island Lemonade Stand Vol. 1 & 2

Self Synchronise Pye Corner Audio • Where Things Are Hollow 2

Hour Two:

Purple World Various Artists, featuring Hair Control • The Sled Island Lemonade Stand Vol. 1 & 2

Music for Clouds Night Glitter • Night Glitter

Beta Franco Battiato • Pollution

Connaissais De Face Khruangbin • Mordechai

Mae Kha Som Tam Onuma Singsiri • Sound of Siam - Leftfield Luk Thung, Jazz & Molam in Thailand 1964-1975

Soul Lam Plearn The Petch Phin Thong Band • Sound of Siam - Leftfield Luk Thung, Jazz & Molam in Thailand 1964-1975

Up All Night SAULT • 5

Take Off Your Clothes and Feel the Setting Sun Wolfgang Dauner Quintet • The Oimels

Solace Adrian Younge, Ali Shaheed Muhammad & Roy Ayers • Roy Ayers JID 002

Cebando L'Eclair • нощта

Hour Three:

Setting Sun Various Artists, featuring Witch Victim • The Sled Island Lemonade Stand Vol. 1 & 2

Was & Always Will Be Zoon • Bleached Wavves

On a Summer's Day Sonic Boom • All Things Being Equal

Cold Summer Sahara • Pure Glass

Victim Yves Jarvis • Single

Silent Confirmations Nick Zubeck • Venusian Blues

Still City Hermitess • Tower EP

The La La Song Psychic TV • Trip/Reset

Rabbit Hole Bastien Keb • Single

I Talk to the Wind Dana Gavanski • Single

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skistarmovies · 4 years

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Eyes Wide Open (Field Productions 2009)

SkiStar Movies Rating: 5/5 Stars

Aksel Lund Svindal, Henrik Harlaut, Aleksander Aurdal, Tom Wallisch, Even Sigstad, Russ Henshaw, Asbjorn E Naess, Eirik Finseth, Asmund Thorsen, Eric Hjorleifson, PK Hunder, JT Holmes, Jon Olsson, Wiley Miller, Chris Rubens, Anders Backe, Christopher Frankum

Filip Christensen and his band of, largely, Scandinavian skiers go bigger, farther and spin more times than ever before. Christensen’s vision of what a ski film should look like is coming into its own as his edits get more inventive and intentionally, or not, more dramatic. Nothing engages the attention like leaving the shot when a skier is still up in the air in the middle of a certain crash and cutting to the same skier on the same run but in another attempt. Simple, but it works as a visual hook. Opening with an awesome sequence at Mica Heli Guides’ locale in south-central British Columbia with Norwegians Asmund Thorsen and Eirik Finseth along with Canadians Chris Rubens and Eric Hjorleifson surfing down pillows and coasting through beautiful gladed runs sending showers of snow skyward. Soundtracked with The Deftones' "Hole In The Earth", it's an electric dream that sucks you right in. As with his other films, Christensen continues to be a great musical selector. Jon Kennedy's “East Is East" elevates a kickin’ urban sequence in Stockholm and Helsinki with a Bhangra flavored backpack hip-hop beat which then flows smoothly into a Euro-popped-out synth and vocal harmony track from Norway's F.A.C.E. as PC Fosse, Christopher Frankum, Even Sigstad, Aleksander Aurdal and Anders Backe launch themselves into outer space in a wickedly cool big air sequence. That kind of uncanny blend of the sonics and the visuals works throughout "Eyes Wide Open". The most riveting sequence of the piece has got to be the not just “big mountain” but “massive mountain” footage from Sogndal and Sunnmore, Norway with the deep space techno vibe of Kohib's "Dogs Don't Bite"s over top of some absolutely surreally arresting film of the boys screaming down the steeps. While the crew is peppered with stars like PK Hunder, Anders Backe and Tom Wallisch, there's a serious deep bench in the Field Productions team including mad underrated talents like Even Sigstad and Christopher Frankum. “Eyes Wide Open” is a terrific step forward for director Christensen. By Mark “The Attorney General” Quail

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hetmusic · 8 years

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A conversation with Dagny | HumanHuman

Thanks to a discovery by The Indie Curator, we’ve had one eye on rising Norwegian star Dagny for almost two years now. However, things really started hotting up 8 months ago when her debut single “Backbeat” was premiered by Beats 1. The launch of her punchy, high-energy pop hit was swiftly followed by a string of live sessions, festival bookings and of course agrees by our community who know something promising when they hear it.

The sheer vitality of that first single isn’t only a product of the recording studio, as Dagny radiates confidence and excitement as we talk about her sudden rise to popularity, not only in the HumanHuman community but amongst the music world as a whole.

So, I heard you signed a record deal?

Yep!

Can you tell me about that?

Well, it’s a deal with Republic Records in America, which is obviously in my opinion the best company in the world. They’re one of the top record labels, so I’m in company with really great people. It’s a massive compliment! It’s kind of mind-blowing, even when you’re in it, I still sometimes have to pinch my arm. I also signed with Island UK and a company called Propellor Recordings in Norway, which is also amazing and more of an indie record label. It’s really, really exciting and I have a good team.

I feel like everytime I check in on your social media, you’re jetting off to another country or doing something equally cool in the music studio. What has this year been like for you?

Thinking back to a year, nothing was really happening. Around this time last year we recorded “Backbeat”, and we really had no plan whatsoever other than to record music and put it out. I was actually going to go back to Norway and go to school in July, but then at last minute I changed my mind. We ended up staying in London and we released “Backbeat” in September - then everything kicked off! It’s amazing to see how quick things can turn around. Suddenly, we were spending two days in LA and three days in New York and meeting all these people and…. I don’t know, it was really weird! Since then, it’s been an absolute adventure. I’ve been travelling, writing, recording and meeting amazing people. I’m one of those people who is at their happiest when they’re super, super busy. Jumping around from one thing to the next and never really sitting still, so I literally feel like I’m doing what I want to be doing. I’m in the right place at the right time and I’ve learnt so much. I feel like I’m using my whole self and that’s a really good feeling.

Have you had a highlight from the year?

Oh, it’s been good. I think that the trip to LA and writing every day was amazing! Getting up in the morning, going to get a bagel, going to the studio for twelve hours, meeting up with some people and then going home. It was so creative and I was so inspired and meeting all these other creative people; that’s probably a highlight. I mean, there’s been many highlights but that felt like it changed me. It opened up a whole new world that I had never visited before. It’s crazy, but it’s good.

You mentioned “Backbeat” there, did you know you were onto a hit when you first wrote or recorded it?

I get this question a lot actually. Did I know? No, I didn’t. I knew something was different with it. It was the second song that we did that was more this new direction; it was like I had finally taken control and getting a lot more energy into it, which is much more me. I wrote it and I knew that I loved it - it made me excited! The other day I found an email to my management team being like, “here’s my new song, I hope you like it and don’t worry about the title, it’s just a working title.” I had no idea what people were going to think! It was so different from the rest of my music and I knew there was something about it, but I didn’t know it would kick off or anything. At the end of the day, it’s the audience that will either like it or not.

It’s obviously a really upbeat pop song, are all of your songs so positive?

We do a lot of different stuff, but I think they all have that slightly energetic thing about them. Music hits me when it has that sense of hope. It doesn’t have to be a hopeful song, but it just needs to make me feel like something is good. I like those kinds of songs that make me feel uplifted, so yeah, I think there’s probably a recurring theme and I think my outlook will be a part of the soundscape.

“Music hits me when it has that sense of hope.”— Dagny

We’re talking about your new material here, but you were previously known as something of a folk songwriter. What made you change to pop?

I think it’s getting older and taking more control. I did a lot of songwriting with a lot of people and I learnt a lot, but it was all taking over my own sound.

When you were doing the folk stuff, you didn’t feel like you were in control of it?

I was in control, because I was obviously doing it and writing it, but I don’t know if I knew exactly what I wanted. I love folk and country music, and I love a lot of really mellow stuff, but playing that live, it never made me lose myself in any way, like it does when I go on stage now. I’m still learning, but I think I’ve taken more control over this new stuff.

You said that you’re still learning, so what do you think is the most important thing you’ve learnt so far?

Sometimes you have to stick with your own instinct, but also in songwriting, just be honest. Don’t be scared, because they might be stupid ideas, but they also be great! I’ve met some people that made me more confident. Yeah, I met some people that I really vibed with and suddenly we found ourselves in this studio just fucking vibing stuff out and being so excited. It’s like when “Backbeat” happened, we just made a backing beat, put up a mic and I just started singing something! It just came out. It wasn’t so precious in any way.

You’ve changed a lot in that sense then, but have your listening tastes also changed?

Not really, no. Obviously, five, six, seven years ago, it was a different time and Jason Mraz was the biggest thing and I was really inspired by songwriters. I also listen to a lot of pop-heavy stuff though. I think your music tastes naturally develop and grows with you as a person. You discover new things and maybe that inspires you. I used to listen to a lot of folk and country and americana, and I still listen to that. I’ve never really been into what’s current, sometimes it hits you and sometimes it doesn’t, and sometimes you realise that this is your new favourite song and you listen one hundred times on repeat! I think I’ve always had quite a broad music taste.

Do you have a current favourite artist?

Oh, I love Børns! I’m kind of obsessed with him. I actually wrote with the guy who wrote and produced his album with him. I really like his stuff. I secretly want to be a female Børns! [laughs]

That’s a good aspiration! You’ve already said that you’re diverse in your listening tastes and I guess diverse in your career too, as you’ve done folk, pop and you also sang of tracks by Kohib, which is very much EDM.

Oh yeah! I’ve had a lot of projects. When I lived back in Tromsø, I used to pop over to Kohib’s studio and he would play me some tracks and I would vocals for it. It’s nice that you mentioned that, I didn’t expect that at all!

Well, you know I had to give it a listen! Do you think it’s important for an artist to be diverse in their creativity?

Absolutely! You have to challenge yourself. I don’t think you should set so many limits on yourself. I think for me it’s been crucial to find what I want to do now, to try all these things. Sometimes people from a very young age know exactly what they want, but I was never that person! I’m twenty-five and I’m still figuring everything out. I don’t think there’s any shame in that, because some people find things early and for others it takes time. For me, going through all of those phases of doing different music and on top of that growing up in a household with jazz and Brazilian music - it’s been really diverse. For me, that’s all been crucial to land here, to become more confident and to know what I want. It’s been such a learning curve. If you have a project that you love, that doesn’t mean you have to limit yourself to that forever. You’ve got to change, to develop, and I think that’s healthy.

“Sometimes people from a very young age know exactly what they want, but I was never that person! I’m twenty-five and I’m still figuring everything out.”— Dagny

If you could learn from and work with anyone, who would it be?

Ryan Adams. I just love him - his lyrics, his voice, his everything. I’m kind of obsessed with him too. I also really like Feist too. These are people I’ve been listening to for years.

So, you’re currently based in London, what’s your favourite thing about the music scene there?

There’s always stuff going on! I love that. People in London just seem to be playing and playing and playing. You know what, where I come from we were used to the fact that whenever you played, you got paid, and I think that’s really good that musicians are getting paid, that people see the value of music. Then I came here and people are doing five shows a week, and it’s also important to do shows, because you learn so much. There’s so much music in London, it’s very cultured and I love it.

What other differences have you noticed between the music scenes in the UK and Norway?

Obviously, London is much bigger and you can go out and meet people you know at the shows, because it’s a fairly small community, but when I first got here, oh my god, it seemed so massive! I’m still getting used to the fact that when big artists go on tour, they will always visit London, because where I grew up it was maybe once in your childhood. When Spice Girls were on tour, we were lucky that they visited Oslo, which is two hours away from where I lived. Here, you can just pop down to big shows and that’s kind of hard to get used to. Other than that… well, you find that musicians are pretty similar anywhere in the world.

People often use to term “scandi-pop” to describe Northern European artists, but do you think growing up in Norway has influenced the music that you make?

I don’t think I’m typically scandi-pop, because a lot of that is more electronic and it has that Nordic sound. However, I think I’m definitely inspired from being in Norway. You know, when I was growing up most lyrics had something with nature in it or was inspired by the nature around you. I see that with a lot of artists back home, and I pay attention to what people are doing, they lyrically have something about their surroundings and nature that is definitely reflected in their music. I’ve probably moved a little bit away from that now. I’ve also realised that even with the happy songs, there’s something melancholic in it, which is quite Nordic.

Do you have any other key influences? You’ve said nature and melancholy so far.

Well, I was just saying those things in general, I’m not sure how much at the moment my music is inspired by that. For me now, if I was going to narrow it down, I’ve been inspired by chemistry between people and by energy. I know that sounds super pretentious, but I honestly believe that when you meet someone who blows you away, there’s very few feelings that are as strong as that. The whole thing, you know, how you obsess about them, think about them, feel about them. I always write better when I have recently experienced that feeling, and not just like relationships, but also if someone becomes a very close friend. I find that chemistry between people very interesting.

I think we’re all really exciting to hear the follow-up to “Backbeat”, can you give us a hint of what to expect next? Maybe it’s a song about chemistry?

Ah maybe, well there’s quite a few coming up. We’re doing an EP and I hope that people will like it. It’s not going to be like another “Backbeat”, because that has happened and it has it’s own life. I’m very proud of it, but I can’t focus on “Backbeat” every time I go to do a session. Whatever is vibing at the moment, I’ll probably go for it. The EP is quite a mix of different songs, and it will be really interesting to see what people think of it, because I think there’s some good stuff on it. I don’t think I would release something if I didn’t feel like it wasn’t good enough, so you’re just going to have to trust that! I hope that people love it.

https://humanhuman.com/articles/interview-dagny

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8dpromo · 1 year

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Ransel - Phoenix (Beatservice Records)

8DPromo · Ransel - Phoenix (Beatservice Records)

Beatservice Records presents the latest single from Øivind Sjøvoll's recently birthed Ransel moniker, the talented artist taking time out from his familiar Kohib project to craft the powerfully atmospheric brooder, "Phoenix." Sjøvoll launched the Ransel project in 2022 as an outlet for his more club-focused productions, maintaining his immaculate production aesthetic while constructing subtly new sounds with a kinetic charge at their core. Having released a dazzling body of work on some of the underground's most revered labels as Kohib, he's long been a key feature in Beatervice Record's roundly compelling roster. His latest material is just as engaging as one comes to expect from this unique musical voice. "Phoenix" launches with gorgeously evocative chords simmering over a percussive rhythm. Effortlessly building as the arrangement unfolds, haunting motifs and dubbed-out delays meander across the panorama, with sinister bass notes and grainy synth textures adding tension before the seductive groove resolves into a pulsating heads-down strut.

Deep, vivid, and gently poignant in tone, this is sublime work once again from Sjøvoll, his Ransel alter-ego demonstrating another string to his creative bow.

Jon Fugler (Fluke) – “Loving the effortlessly cool vibes here. A treat to drift away to.” Chris Simmonds (Cross Section Music) – “Super chilled. Will support.” Merlyn Martin (Baker Street Recordings) – “This is a very solid release.” Jamie Topham (Summer Soulstice) – “Silky production and late night vibes.” Sumsuch (Colour and Pitch) – “STUNNING! A must for the show this month. Love me some hangdrum.” Simon Kirk (Proton Radio) – “A real treasure here. Beautiful chords and those delicate, thoughtful melodies fill me with joy.”

Available Now From: Beatport, Bandcamp, Apple Music, And Spotify.

#Ransel #Kohib #Deep House #Beatservice Records #Norway

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ihouseucom · 5 years

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Kohib – So Good http://dlvr.it/R52khZ http://dlvr.it/R52khZ

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44faced · 5 years

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Kohib - So Good (Discomix)

Check out the new single by Kohib, "So Good (Discomix)" on Spotify: https://open.spotify.com/track/3CC60aMphgb9UyC6U0NGcz #newmusic #nowplaying #np

https://open.spotify.com/track/3CC60aMphgb9UyC6U0NGcz

Check out the new single by Kohib, “So Good (Discomix)” on Spotify: https://open.spotify.com/track/3CC60aMphgb9UyC6U0NGcz

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discocafesociety · 5 years

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KOHIB - So Good (Discomix)

#DiscoCafeSociety

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beatservicerecords · 7 years

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Get into the summer vibes with this cool Summer Chill playlist! Including the new singles Petrified from Flunk, and Ting Som Vi Gjør from Peanut Holmes, along with other chill/downbeat gems from the Beatservice Records catalogue. Including tracks from Flunk, Cinque Cento, The Electones, Kohib, Peanut Holmes, Ralph Myerz, Slowpho, Sternklang, Howard Maple, Fenomenon, Xploding Plastix, Dennis Jr, AM and the UV, Cordion and Autoband. Enjoy! Spotify: https://goo.gl/frH7TL Apple: https://goo.gl/oKagGJ Tidal: https://goo.gl/n559pf #downbeat #downbeatlounge #chillout #summerlounge #summerchill

#downbeat #downbeatlounge #summerchill #chillout #summerlounge

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indiediscotheque · 8 years

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My Command by Kohib

#Kohib

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