#Like I’ve been thinking a lot about order being an extreme version of marinas idelologies where they could be what she fears of being

[laniemae]

What’s up with this table scene in Deep Cover? (And another theory on colour symbolism and that final scene)

In this one scene where she’s eyeing the chess peices of Kazui, Amane and Mikoto is really confusing to me. This scene (and the one after) depicts only these three. Like I can understand as Kazui was the one who stopped Kotoko from fully beating up Fuuta, and Amane and Mikoto were the guilty prisoners she wasn’t able to fully inflict pain on but it’s interesting how she’s only eyeing these three here.

And when the camera starts spinning there’s no chess pieces for the other prisoners, only indescribable rubble that doesn’t match up with the pieces (I’ll get to that later). And even Fuuta’s and Mahiru’s pieces aren’t here, but when it keeps spinning it goes back to Kazui, Amane and Mikoto’s pieces still on the table. So what’s up with this? And there’s no sign of Kotoko’s throne which would be right next to Mikoto’s chair. But interestingly enough her chair is back not long later when she’s standing on the table?

This is really interesting but I don’t know exactly what to make of this. All other prisoners that aren’t Kazui, Amane or Mikoto have been completely removed from this scene, and Kotoko’s chair as well. Instead she’s sitting on the other’s chairs instead of her own. Although it seems that may not be the case for Amane, as it looks like she’s sitting on the table there. Or maybe she’s just sitting sideways, it’s hard to tell.

There’s also how in the scene right after this where there’s only one Kotoko, and she’s standing between Amane and Mikoto’s chairs.

She’s eyeing Mikoto’s broken piece, smiling and laughing, representing her overblown hate for him.(which I still don’t exactly know why she really wants to kill him so badly? Some of the things she’s said makes me think it may be ableism but I don’t think it’s just that.)

And unlike the others who’s chess pieces are in front of their own chairs, his piece is broken in front of her, perhaps even with the likely guilty verdict she may try to attack him again.

There’s also the colours here, where the purple and blue colours often show when she’s breaking the chess pieces or other violent scenes, which is just a little detail I really like. But it also makes the thumbnail scene interesting as that has the more normal grey palette? Thinking about it perhaps this colour scheme represents her desire to take everyone down, as Amane and Mikoto’s pieces are broken here but she only really attacked Fuuta and Mahiru in real life. But that’d make it interesting considering Kazui’s piece is not broken here but at the end it is.

So going back to the rubble thing I mentioned earlier, there appears to be shattered pieces of stone all around the table that do not look like the broken prisoner chess pieces, as this rubble is more broken and doesn’t have any colour.

It’s interesting as this rubble has just appeared out of nowhere, and replaced the other prisoners chess pieces in this scene as well. And it surrounds Kazui’s piece despite it not being broken. And in the scene where she’s on the table, the remains of the guilty prisoners and the other rubble swirl around her in a ring.

And this is where I want to talk about the layout of the chairs and the rubble more as this shot is incredibly confusing to me.

So right off the bat there’s something really strange here. Again there’s rubble all over the table but this time it’s in weird clumps. There appears to be 3 maybe 4 clumps on the table, in a position where it looks like it could represent the guilty prisoners perhaps, but if you look closely they do not match up with where the prisoners seats would be, and they’re just everywhere, and it doesn’t seem like the individual chess pieces are here either.

But in the end, the table has been completely destroyed and the entire mindscape has been engulfed in the bright blues and pinks, which I mentioned could represent her violent desires. The innocent prisoner’s chess pieces have been destroyed with blood all over them and the guilty ones nowhere to be seen. And Kotoko’s piece, the only one intact is the only one that remains, and is covered in blood.

Ok so just going to go off topic here but I just thought about this final scene while writing. If the pink and blue colours represent her desires, perhaps the overly saturated colours represent her desires going out of control and killing everyone. This could explain why Kazui’s chess piece wasn’t broken in the table scene with these colours but it is now.

Perhaps this final scene isn’t exactly what Kotoko wants, but is what she is scared she will become if she doesn’t try to stop herself. She’s struggling at the beginning to hold herself together and gives up, with the shadow of the werewolf emerging from her. The wolves are Kotoko’s representation of her justice, this werewolf is the violent justice that destroys. She’s afraid of what she could become here, that’s why she’s so horrified at the end. She doesn’t exactly want this outcome, she doesn’t want to kill all the prisoners. But she’s scared that how far she’s been going into her extreme ideologies could lead her down this path.

#Milgram #Milgram theory #Kotoko yuzuriha #LanieMae’s theories #I’ve noticed a lack of theories lately and especially with deep cover I’m adding some speculation fuel here #The last theory about kotoko not wanting that final outcome and representing her ideals going out of hand is actually inspired by side orde #Like I’ve been thinking a lot about order being an extreme version of marinas idelologies where they could be what she fears of being #And then I thought about kotoko and realised that’s exactly what the last scene is implying here #I’ll need to talk about splatoon and Marina another day but it’s really interesting how they both have ideals that could be incredibly #dangerous if they were left to an extreme. With order and justice respectively #And order (the character) and the werewolf being physical representations of what could happen #I’m screaming right now I love this so much this is such a cool concept