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#Lucienne waited in the dreaming and of course we know death missed dream also
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Currently thinking about The New Inn and how Hob literally made Dream his own little corner of the waking world to come back to. This man literally bought a pub next door to The White Horse so that when His Stranger deigned it fit to see him again (because of course Hob didn't know he was imprisoned), he wouldn't have to look far from where they'd always met. He literally wrote instructions on the barrier of The White Horse directing him to the place he bought SPECIFICALLY for this, specifically for when Dream showed up.
And I hesitate to call it a home in Dreams regard, but I absolutely do believe Hob lives in a modest flat above the Inn. Part of this is because it makes financial sense- why buy a house elsewhere and have the extra cost of that + travel (home -> brief stop at the pub -> work -> pub for the rest of the day, waiting for Dream -> home). But also, living there means that when His Stranger shows up (because Hob knows he will, he wouldn't have bought a whole pub for the man if he thought he wouldn't), Hob will be the first to know. If he lives there, it doesn't matter if Dream comes knocking at 3 am, Hob will be there to open the doors for him. He asks his bartenders, daily, if someone unusual had come in - pale, hair as dark as night, beautiful as the sun is bright - and at this point they answer him before he even asks. Even if His Stranger was waiting until their next centennial meeting in 2089, just on the off chance that he wasn't...Hob would be the first to know of his arrival.
So anyway, while I wouldn't refer to the inn as Dreams home (yet...) I would call it Hob's, and he built it with His Stranger in mind. And I don't even think Hob would realise the gravity of this after Dream escapes from his imprisonment. Dream returned to his realm and found it partially deserted- his subjects had left in his absence (save for a key few), he returned and found his family had continued as usual (or as usual as the endless are) without him, the waking world only felt his absence because of the consequences it brought (people not waking up, etc).
Yet there is Hob Gadling and his inn.
There is a place, built specifically for when Dream returned to him. A small corner in the waking world where someone- no not just someone but Hob- had built him a pub, a resting place, with the intention of waiting for him. Hob had carved out this little place, so close to The White Horse, with the intention of making it easy for Dream to find, to come back. After so many people leaving him, or moving on, or just plain not knowing he was even gone in the first place- to come back and find a pub, dedicated to him and his companionship with Hob Gadling...thats gotta do something to you man.
So anyway, yeah. Thinking about how Dream feels when he meets up with Hob, after a century of imprisonment, to find that despite their last meeting...Hob had waited for him. And not only that, but he had built an Inn for him- had made a safe place in the waking world, anticipating his return. Hob had never lost faith in him, and Dream would never turn his back on that again.
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neil-gaiman · 3 years
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More casting news on Sandman...
Every afternoon I get an email telling me that there are “dailies” from The Sandman ready to be watched. It's the best bit of the day. Once every few weeks I get an email letting me know that there's a finished episode waiting for me to watch it. It's the best bit of the month.
The Sandman is being made, and it's... well, it's The Sandman. Which is the best thing of all.
You may know that The Sandman is based on my comic book series of the same name. A rich blend of modern myth and dark fantasy in which contemporary fiction, historical drama and legend are interwoven, The Sandman follows the people and places affected by Morpheus, the Dream King, as he mends the cosmic — and human — mistakes he's made during his vast existence.
You might already know that Tom Sturridge (he/him) is Dream of the Endless, Gwendolyn Christie (she/her) is Lucifer, Sanjeev Bhaskar (he/him) and Asim Chaudhry (he/him) are Cain and Abel, Charles Dance (he/him) is Roderick Burgess, Vivienne Acheampong (she/her) is Lucienne, and Boyd Holbrook (he/him) is The Corinthian.
But there are more parts to be announced. And I thought it would be fun to tell you about some of them, and the thinking behind them.
DEATH – Dream's wiser, nicer, and much more sensible sister. Significantly harder to cast than you might imagine (well, than I imagined, anyway). Hundreds of talented women from all around the planet auditioned, and they were brilliant, and none of them were right. Someone who could speak the truth to Dream, on the one hand, but also be the person you'd want to meet when your life was done on the other. And then we saw Kirby Howell-Baptiste's (she/her) audition and we knew we had our Death.
DESIRE – Dream's sibling and everything you want, whatever you want and whoever you are. Desire is also trouble for Dream. Families are complicated. We had barely started looking when Mason Alexander Park (they/them) reached out on Twitter, and threw their hat into the ring. We were thrilled when they got the part.
DESPAIR – Desire's twin, Dream's sister. She is the moment when all hope is gone, the bleakest of the Endless. Donna Preston (she/her) will be playing her, and her performance is chilling and sad. You feel her pain.
JOHANNA CONSTANTINE – Eighteenth Century occult adventuress, John Constantine’s great-great-great grandmother. This Sandman character became so popular that she even had her own spin-off series. I created her to fill the role that John Constantine does in the past. When we broke down the first season, given that we knew that we would be encountering Johanna in the past, we wondered what would happen if we met a version of her in the present as well. We tried it and the script was sparkier, feistier, and in some ways even more fun. So having written her, we just had to cast her. Jenna Coleman (she/her) gave us the Johanna of our dreams – tough, brilliant, tricky, haunted and probably doomed.
ETHEL CRIPPS – Roderick Burgess's love, John Dee's mother, is a small but vital role in the comics, but she became more important as we told our story. In the 1920s and 30s, she is played by Niamh Walsh (she/her): a betrayed and determined young woman seeking to survive. In the present day, now a woman of a hundred identities and a thousand lies, she's played by the brilliant Joely Richardson (she/her).
JOHN DEE – Ethel's son is dangerous. He was driven mad, long ago. Now he's out and on a quest for Truth that may destroy the world. We needed an actor who could break your heart and keep your sympathy while taking you into the darkest places. We were lucky that David Thewlis (he/him) took the part.
Now we're shooting The Doll's House, the second big Sandman storyline. It's the story of:
ROSE WALKER – a young woman on a desperate search for her missing brother, who finds a family she didn't know that she had, and a connection to Dream that neither of them can escape. We needed someone young who could make you care as she ventures into some very dangerous places. Boyd Holbrook's Corinthian is waiting for her, after all. Kyo Ra (she/her) achieves that as Rose.
LYTA HALL – Rose’s friend, a young widow mourning her husband Hector. Rose doesn't know that Hector has started showing up in Lyta's dreams, though. Or that strange things are happening. Razane Jammal (she/her) is Lyta, and she's terrific.
UNITY KINKAID - Heiress, Rose's mysterious benefactor. She has spent a century asleep. Now she's awake, having missed out on her life. She's played by Sandra James Young (she/her).
GILBERT – Rose Walker's debonair protector. A dab hand with a paradox and a sword cane. Stephen Fry (he/him) is a National Treasure, and we forget sometimes that he's also a remarkable actor. Seeing him in costume and make up on the dailies made me blink: it was as if the comic had come to life.
MATTHEW  – Dream’s trusted emissary. A raven. I expected our animals to be CGI, and was both taken aback and thrilled when the dailies started coming in, and there was Dream talking to... well, a raven. But ravens don't really talk. The question was, could we find an actor who could make you care about a dead person who was now a bird in the Dreaming – one who isn't certain what's going on, or whether any of this is a good idea? And could we find a voice performer who was also the kind of Sandman fan who used to stand in line to get his Sandman comics signed? The answer was, we could if we asked Patton Oswalt (he/him). And Patton was the first person we asked, and the first person we cast, the day before we pitched The Sandman to Netflix.
Of course, there are more delights and nightmares cast than I've listed here, and we have a few more secrets up our sleeves. I can't wait until you can start watching.
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