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dweemeister · 4 years

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2019 Movie Odyssey Award for Best Original Song (preliminary round)

Many of my longtime followers will know what is below. And yes, it’s that time of year again!

There are a few folks I wanted to extend invites to that I wasn’t able to get to in time (because of stuff IRL). If you are listed (and are interested), let me know so I can sort you into a group as soon as possible: @dansmonarbre, @dog-of-ulthar, @fredsbarandgrill, @loveless422, @shadesofhappy, @somequeerdistortion, @thethirdman8. Otherwise, you will still be tagged for the MOABOS final anyways because of your prior participation in previous years.

As is the year-end tradition on my blog, there is an Oscar-like ceremony honoring some of the best achievements from movies that I saw for the first time in their entirety this calendar year (the "Movie Odyssey"). I’ve always considered MOABOS a musical thank-you for your moral support on and offline throughout the year.

An unspecified number of songs have already advanced to the final round. Twenty songs will compete in this preliminary round. Like every year there has been a preliminary, there are two groups - Group A and Group B. Even moreso than last year, songs from musicals dominate and, after a year where personal time has come at a premium, it has also resulted in the most monolingual field we’ve had in a preliminary.

INSTRUCTIONS IN THE GROUP YOU HAVE BEEN SORTED INTO, please rank (#1-10) at least five of your group's songs. Please consider (to the best of your ability): how musically interesting the song is (incl. and not limited to musical phrasing and orchestration); its lyrics; quality of performance; context within the film (contextual blurbs provided for those who haven’t seen these films); choreography/dance direction (if applicable); and the song's cultural impact/life outside the film (if applicable, and the least important factor). Imperfections in audio and video quality may not be used against any song. The top four songs in each group automatically advance to the final round. I reserve the right to pick 0-2 songs from one or both groups that finished outside the top four in their respective groups to contest the final round. This was never a true democracy, as you all know!

The deadline for submission is Tuesday, December 10 at 11 PM Pacific Time. That's Friday, December 11 at 1 AM Central Time / 2 AM Eastern Time / 7 AM GMT / 8 AM CET / 9 AM EET. This deadline may be pushed back if there are a large number of people who have not submitted in time - but I would rather not have that happen, especially because more people are going to be called in for the final round. Feel free to send in comments and reactions with your rankings - it’s always fun to read reactions to individual songs, and it usually makes the process (for everyone) more enjoyable! Tabulation details are under the read-more.

Take your time, and and listen more than once if you wish. Please pay attention to which group you have been sorted into. The songs are (“Song title”, composer and lyricist, film title):

GROUP A

“Can You Imagine That?”, music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, Mary Poppins Returns (2018)

Performed by Emily Blunt, Pixie Davies, Joel Dawson, and Nathanael Saleh

Shortly after Mary Poppins (Blunt) becomes the governess for the Banks children (Davies, Dawson, and Saleh), she draws a bath after the children have covered themselves in dirt. The bath, however, is infused with Mary Poppins’ signature magic, leading to a fantastical segment.

“Detroit”, music and lyrics by Richard M. Sherman and Robert B. Sherman, The Happiest Millionaire (1967)

Performed by John Davidson and Lesley Ann Warren

(partial use in film)

Lovebirds Cordy Biddle (Warren) and Angier “Angie” Buchanan Duke (Davidson in his film debut) have been discussing their future together. Angie does not want to inherit his father’s tobacco business - instead wishing to head to Detroit to be a part of the automotive industry (the film is set in 1916, as the city was booming because of the auto industry).

“Gay Paree”, music by Henry Mancini, lyrics by Leslie Bricusse, Victor/Victoria (1982)

Performed by Robert Preston

In this musical, Carroll “Toddy” Todd (Preston) is a gay performer at the Chez Lui nightclub in Paris. This songs appears shortly after the opening credits and a short introductory scene. The use of the word “gay” in this song may be interpreted however you wish.

“Honolulu Baby”, music and lyrics by Marvin Hatley, Sons of the Desert (1933)

(Initial performance) / (brief reprise) / (non-film version)

First performance by Ty Parvis; reprise by Stan Laurel and Oliver Hardy; full non-film version by The Beau Hunks

Laurel and Hardy have tricked their wives into believing they have taken a Hawaiian cruise rather than attending the national meeting of a fraternity known as the Sons of the Desert - their wives disapprove of the latter for reasons that give away too many jokes in one of the best (and funniest) films I saw all year. The reprise is part of a joke that I’d also rather not spoil.

“I Dug a Ditch”, music by Burton Lane, lyrics by Lew Brown and Ralph Freed, Thousands Cheer (1943)

Performed by the Kay Kyser Band, Kathryn Grayson, Georgia Carroll, Harry Babbitt, Sully Mason, M.A. Bogue, and chorus

NOTE: An entirely separate song, “Should I”, is integrated from 3:04-3:36.

Apologies for the text overlaying the video. The second half of Thousands Cheer is essentially an elaborate revue musical performance for American World War II troops in which the film’s initial pretense of attempting a story is entirely dropped. “I Dug a Ditch” is one of the songs appearing in the film’s second half.

“(I’m Gonna) Love Me Again”, music by Elton John, lyrics by Bernie Taupin, Rocketman (2019)

Performed by Elton John and Taron Egerton

This is the first song played over the end credits of this biopic of Elton John. This is John and Taupin’s (John’s songwriting partner through the 1960s-1990s) first collaboration outside the Sherlock Gnomes series for this decade.

“Into the Unknown”, music and lyrics by Robert Lopez and Kristen Anderson-Lopez, Frozen II (2019)

(end credits version)

Performed by Idina Menzel and AURORA; end credits version performed by Panic! At the Disco

Some years after being crowned Queen of Arendelle (which happened at the end of Frozen), Elsa hears an eerie voice calling out to her - a voice that will connect Elsa to her parents’ tragic fate. The voice’s melody will reprise throughout the film’s score.

“The Shady Dame from Seville”, music by Henry Mancini, lyrics by Leslie Bricusse, Victor/Victoria (1982)

(Initial performance) / (reprise to be watched at your own spoiler-y risk)*

Performed by Julie Andrews; reprise by Robert Preston

*watch at your own spoiler-y risk because it gives away the film’s comical musical ending

Victoria Grant (Andrews), after making her Parisian debut playing a man named “Victor” who is impersonating a woman, has become the hit vaudeville act of Paris. This is one of her signature performances. Preston’s reprise - which appears near the film’s conclusion - was done in one take, hence his sweaty and fatigued appearance at the end.

“Trường Tương Tư”, music and lyrics by Leon Le, Song Lang (2018, Vietnam)

Performed by Isaac and Liên Bỉnh Phát

Lyrics in Vietnamese

English translation and context are in the link.

“(Underneath the) Lovely London Sky”, music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, Mary Poppins Returns

Performed by Lin-Manuel Miranda

This is the opening song in Mary Poppins Returns. Lamplighter Jack (Miranda) is turning out the London gaslights as night turns into morning, as he bikes through the city’s streets - filled with indicators of the Great Depression, industrial pollution, and the general overcast weather that tends to be associated with England. Jack reprises the songs a few times across the film and the song is quoted in the film’s score.

Group A participants include: @addaellis, @cokwong, @halfwaythruthedark, @myluckyerror, @phendranaedge, @plus-low-overthrow, @theybecomestories, @umgeschrieben, @yellanimal. Between six to ten others will be participating in this group, including myself and my sister.

GROUP B

“Crazy World”, music by Henry Mancini, lyrics by Leslie Bricusse, Victor/Victoria (1982)

Performed by Julie Andrews

Victoria Grant (Andrews) is a woman playing a man named “Victor” who is impersonating a woman. Victoria, as Victor, has become the hit vaudeville act of Paris. This is Victoria’s first performance as “Victor” not pretending to be a woman. Is your head spinning yet?

“East Bound and Down”, music and lyrics by Jerry Reed and Dick Feller, Smokey and the Bandit (1977)

Performed by Jerry Reed

This is the theme song for this comedy, which also describes the plot somewhat. Smokey and the Bandit is about two truckers - “Bandit” (Burt Reynolds) and “Snowman” (Reed) - who have been offered $80,000 by a rich Texan to pick up 400 cases of Coors beer from Texarkana, Texas and return to Atlanta within twenty-eight hours. In 1977, Coors was only found in the Western U.S. and transporting it across Southern state lines was illegal (giving Coors a mystique in the Eastern U.S.).

“Fortuosity”, music and lyrics by Richard M. Sherman and Robert B. Sherman, The Happiest Millionaire (1967)

Performed by Tommy Steele

Irish immigrant John Lawless (Steele) is one day off his Transatlantic ferry and is soon to take up a job as the Biddle family’s butler. This is the first song in The Happiest Millionaire, performed shortly after the opening credits. The song is also on the musical rotation for Disney parks’ Main Street and is reprised during the film and quoted in its score.

“Fun and Fancy Free (I’m a Happy-Go-Lucky Fellow)”, music and lyrics by Bennie Benjamin, George David Weiss, Ned Washington, and Eliot Daniel Fun and Fancy Free (1947)

Performed by Dinah Shore, chorus, and Cliff Edwards (as Jiminy Cricket)

Played over the opening credits; the main musical ideas are used a few times in the film’s score. This is Jiminy Cricket’s second appearance in a canonical Disney Animation Studios feature film.

“The Joint Is Really Jumpin’ in Carnegie Hall”, music and lyrics by Roger Edens, Ralph Blane, and Hugh Martin, Thousands Cheer (1943)

Performed by Judy Garland and Jose Iturbi

The second half of Thousands Cheer - where this song is found - is essentially an elaborate revue musical performance for American World War II troops in which the film’s initial pretense of attempting a story is entirely dropped.

“The Next Right Thing”, music and lyrics by Robert Lopez and Kristen Anderson-Lopez, Frozen II (2019)

Performed by Kristen Bell

Anna (Bell) has seemingly lost her friends and her sister at what is the lowest point in the film. Uncertain what to do, she recalls a small piece of advice that leads her forward.

“Nowhere to Go but Up”, music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, Mary Poppins Returns (2018)

Performed by Angela Lansbury, Ben Whishaw, Pixie Davies, Joel Dawson, Nathanael Saleh, Lin-Manuel Miranda, Emily Mortimer, Julie Walters, Jeremy Swift, Kobna Holdbrook-Smith, David Warner, Jim Norton, and company

On a sunny spring day, the Banks family and Mary Poppins go out to the local park to make a day of it. Certain non-lyrical inclusions in this song cannot be explained without spoiling the film. This is the final song of Mary Poppins Returns.

“Sương Chiều”, music and lyrics by Leon Le and Hoàng Song Việt, Song Lang (2018, Vietnam)

Performed by Isaac and Tú Quyên

Lyrics in Vietnamese

English translation and context are in the link.

“Trip a Little Light Fantastic”, music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, Mary Poppins Returns

Performed by Lin-Manuel Miranda, Emily Blunt, Tarik Frimpong, Pixie Davies, Joel Dawson, Nathanael Saleh, and company

After being scolded by their father, the Banks children are taken home by Mary Poppins (Blunt). Along the way, they encounter their friend, lamplighter Jack (Miranda), as they take a lengthy detour. The cycling skills seen in this number are probably anachronistic.

“Woodstock”, music and lyrics by Joni Mitchell, Woodstock (1970)

Performed by Crosby Stills, Nash & Young

This song appears in the end credits to Woodstock - the official documentary film for the eponymous August 1969 musical festival.

Group B participants include: @emilylime5, @ideallaedi, @introspectivemeltdown, @maximiliani, @mindo80, @themusicmoviesportsguy, @nazur, @stephdgray, and @underblackwings. Between six to ten others will be participating in this group, including myself and my sister.

If you have any questions or comments regarding the process or the songs involved, you may contact me at any time in any way you prefer. If you are having difficulty accessing the videos (especially if it is region-locked), please let me know as soon as you can.

Thank you all for being amazing followers and friends, and I thank you for your participation and support for the Movie Odyssey, this blog, and for me personally - no matter how long I’ve known you or in what capacity. I didn’t do as much outreach this year due to personal reasons, but I hope we have a healthy amount of participation. You will all be tagged for the final round regardless of your participation here. If turnout in one group is lagging behind compared to another, I may ask some of the more senior participants to participate in the other group, too. There is no pressure if you can’t do this, everyone. Thank you all again, and happy listening!

TABULATION

This preliminary round uses a points-based, ranked choice method which has been used since the first time I asked friends, tumblr followers, and family to help out. A respondent’s first choice receives 10 points, the second choice receives 9, the third choice receives 8, etc. The winner is the song that ends up with the most total points. This method, for the first time ever, will not be used for the final round. Tiebreakers for above: 1) total points earned; 2) total #1 votes; 3) placement on my ballot; 4) placement on my sister’s ballot; 5) tie declared

#2019 Movie Odyssey Awards

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bm2ab · 6 years

Photo

Castle's Rock - 10 April 2018 Hatley Castle Hatley Park National Historic Site Colwood, British Columbia, Greater Victoria

Hatley Park National Historic Site is located in Colwood, British Columbia, in Greater Victoria. It is the site of Hatley Castle, a Classified Federal Heritage Building. Since 1995, the mansion and estate have been used for the public Royal Roads University. From the 1940s to 1995, it was used for the Royal Roads Military College, a naval training facility.

The extensive grounds of the historic site have formal gardens, former farmland, and trails through mature stands of first and second-growth forest, including large Douglas fir and western red cedar.

n 1906, B.C.'s Lieutenant Governor, James Dunsmuir, who was of Scottish descent, purchased the property. He and his wife Laura commissioned the renowned Canadian architect Samuel Maclure to build a 40-room mansion in the Scottish baronial style; the Tudor revival style was popular in the Edwardian period. The Dunsmuirs created many beautiful formal gardens using the services of renowned American garden designers Franklin Brett and George D. Hall of Boston, Massachusetts. The Dunsmuirs named their estate "Hatley Park", in the tradition of British and European private estates. The castle became a landmark and was occupied by descendants of the Dunsmuir family until the last years of the Great Depression.

Following the death of Laura Dunsmuir in 1937 the estate was sold to the Government of Canada in 1939. The government sold off some of the land and during five days in June 1939, “Maynard & Sons” conducted a public auction of the mansion's contents totaling 927 lots. In 2008, the 100th anniversary of Hatley Castle was celebrated.

A Historic Sites and Monuments Board of Canada plaque reads:

Hatley Park. This superb example of an Edwardian park was laid out for James and Laura Dunsmuir in the early 20th century. At its centre stands a Tudor Revival mansion, whose picturesque design is enhanced by a rich array of decoration and fine craftmanship. The grounds, featuring a variety of native and exotic vegetation, unfold from formal gardens to recreational spaces, farmlands and forests. Acquired by the Canadian armed forces in 1940, Hatley Park evolved to meet the needs of Royal Roads Military College in a manner that has preserved its essential Edwardian character.

The Royal Roads Military College band consisting of 15 pipers and drummers and 30 brass-and-reed musician recorded an LP in 1983–1984. Petty Officer First Class Gabby R. Bruner, RRMC bandmaster from 1979 to 1985, composed "Hatley Park" as the official quick march for the RRMC and "Dunsmuir Castle" for the Visit of Queen Elizabeth to RRMC in 1983.

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placerdiario · 6 years

Video

vimeo

Dropbox: Creative Freedom from Johnny Kelly on Vimeo.

A 60 second film I directed for Dropbox, part of their first ad campaign, by 72andSunny.

The brief: illustrate the amazing things can be done with creative freedom. We approached over 100 collaborators to make a slice of the film each. Julian Glander (julianglander.com) designed and animated the sequence shown in the thumbnail above - please peruse lovely work by the other contributors in the links below.

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Full Credits:

Client / Dropbox: Kristen Spilman Patrick Rowell Sheila Vashee Julie Herendeen Preston Hershorn

Agency / 72andSunny: Chief Creative Officer: Glenn Cole Group Creative Director: Matt Murphy Creative Director/Designer: Robert Teague Creative Director/Writer: Claire Morrisey Sr. Writer: Dave Carlson Designer: Nick Marx Sr. Film Producer: Angelo Mazzamuto Sr. Film Producer: Perrin Rausch Film Producer: Emilie Talermo Group Brand Director: Rhea Curry Brand Director: Shannon Reed Brand Coordinator: Zachary Hill Business Affairs Director: Kallie Halbach Sr. Business Affairs Manager: Lara Drew Business Affairs Coordinator: Calli Howard Business Affairs Coordinator: Michelle Fink Co-Head of Strategy/Group Strategy Director: Bryan Smith Strategy Director: Brooke-Lynn Luat Jr. Strategist: Gigi Braybrooks

Film Credits: Design/Production Company: Nexus Director: Johnny Kelly Executive Creative Director: Chris O'Reilly Sr. Producer: Isobel Conroy Production Manager: Lucy Banks Production Manager: Thomas Cullen Studio Director of Photography: Matthew Day Locations Director of Photography: Matthew Fox Project Lead: Elliott Kajdan Project Lead: David Walker Editor (60): David Slade Editor (30): Nick Gartner Production Design: Stripeland Art Department @Stripeland: Ben Gerlis, Ben Austin, Sean Hogan, Gemma Pearce, Emily Suvanvej, Jack Needle 3D Animation: Eaton Crous, Joao Monteiro 2D Animation: Tom Bunker, James Hatley Compositing: Bence Varga, Pete Baxter Post Production: Time Based Arts Compositor: Sheldon Gardner Colorist: Simone Grattarola

Music & Sound Design Credits: Human

Mix Credits: Formosa Group Mixer: John Bolen, Hermann Thurmann Executive Producer: Lauren Cascio Assistant: Jeff King

Lead Contributors: Iain Acton – iainacton.uk Stine Belden Roed – stinestine.no Valerie Berry – valerieberry.com Marc Bouyer – steakollective.net/author/marc/ Nicolas Brantut Dan Burgess – danburgessart.com Nicholas Burrows / Nous Vous – nousvous.eu Tom Bunker – tombunker.tumblr.com Joey Camacho / Raw & Rendered – rawandrendered.com/301-365/ Loan Casanave Ryan Close – ryanjclose.com Isobel Conroy Mark Conroy Matthew Cooper – matthewcooperfilm.com Andrea Cuius / Nocte – nocte.co.uk Jack Cunningham – jack-cunningham.tumblr.com Valentina D'Efilippo – valentinadefilippo.co.uk Sophie Durston – sophiedurston.co.uk Renaud Futterer / Panoply – panoply.cc Julian Glander – julianglander.com Marcin Ignac / Variable marcinignac.com Jamie Jones - whoisjamiejones.com Jean Michel Kajdan Michael Kirkham – michaelkirkham.com Jim LeFevre – jimlefevre.com Luigi Mazzamuto McBess – mcbess.com Cian McLoughlin – cianmcloughlin.com Denise Nestor – denisenestorillustration.com Charlotte Quillet – charlottequillet.blogspot.co.uk Florent Rousseau – florentrousseau.prosite.com Joelle Snaith – behance.net/joellesnaith Joe Sparrow – joe-sparrow.tumblr.com Karolis Strautniekas - strautniekas.com Yuki Sugiyura - yukisugiura.co.uk Javier Tomassi – javitommasi.com Emmanuelle Walker – emmanuellewalker.com Duncan Wilson / Barber Osgerby – barberosgerby.com Industrial Facility — industrialfacility.com M&E — me-me-me.se

nexusproductions.com johnnykel.ly dropbox.com 72andsunny.com humanworldwide.com/

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kebee-s · 7 years

Video

vimeo

Dropbox: Creative Freedom from Johnny Kelly on Vimeo.

A 60 second film I directed for Dropbox, part of their first ad campaign, by 72andSunny.

—

Full Credits:

Client / Dropbox: Kristen Spilman Patrick Rowell Sheila Vashee Julie Herendeen Preston Hershorn

Music & Sound Design Credits: Human

Mix Credits: Formosa Group Mixer: John Bolen, Hermann Thurmann Executive Producer: Lauren Cascio Assistant: Jeff King

nexusproductions.com mickeyandjohnny.com dropbox.com 72andsunny.com humanworldwide.com/

0 notes