#but the tea party idea possessed me and this practically wrote itself after a certain point

[youngpettyqueen]

ummm um fic recs….in a horrible turn of events garak and bashir have to babysit the ds9 kids?

ive been wracking my brains over how Garak and Julian would end up babysitting a bunch of the kids and I had a hard time figuring out something that would work with Jake and Nog, since theyre older and dont really need a babysitter, so I went with them babysitting Molly and Yoshi! I hope that's alright <3

Garak isn't sure what to expect when he the door to the O'Briens quarters slides open. All he knows is that Julian told him to come, and his only answer to Garak's many questions was to repeat himself with a don't ask just do it tone.

So, Garak had. He'd come. In the middle of the work day, something he's not planning on letting the Doctor forget. He'd come, and he steps inside as the door slides open, and he doesn't know what he was expecting to find here, but it certainly wasn't... this.

Julian is sitting on the floor by the coffee table, the infant Kirayoshi cradled securely in one arm. He also has what appears to be a plastic crown on his head, which is several sizes too small, and perches awkwardly atop his hair. The older of the O'Brien offspring, Molly, is sitting beside him, in what Garak would guess is a human princess costume, all shiny fabric and very, very pink.

Garak comes to pause, considering the scene before him. There are little plastic teacups and plates set out. A few larger plush toys are also around the table, with teacups and plates of their own. It's quite the little set up.

"Good morning, Doctor. Molly," He greets, turning a quizzical raised brow on Julian, "Might I ask why I was called here?"

Julian gives him a look that is very, very tired. "Good morning, Mr. Garak," He replies, "You were called here because you have been invited to Princess Molly's tea party." He informs him.

"Tea party?" Garak echoes.

"I'll explain later," Julian tells him, "Just come sit." He gestures to an open space at the other end of the coffee table.

"Wait!" Molly pipes up, quickly standing. Julian winces at her volume, quietly shushing her as he looks at Kirayoshi, who appears to be sleeping. Garak turns his attention to the child, who holds her head up high and informs him, "You have to bow first."

Garak considers her for a moment. He catches Julian stop himself from laughing in the corner of his eye. Of course, Garak knows about royalty systems, so he knows what a princess is. And he can't imagine himself bowing to one, but Molly has a very stern look on her very little face, and he has a feeling he's in for a fight if he doesn't comply.

He bows. Dramatically, with a flourish. Molly giggles, and the sound is... pleasing.

"Thank you for the invitation, Princess," Garak bids her, continuing to play along as he straightens himself, "May I...?" He gestures to the open seat.

Molly, to his surprise, shakes her head. "Not there," She tells him, "You have to sit with Uncle Julian. Miss Flutterhooves will move." She gestures at the plush sitting on Julian's opposite side- an equine, if he remembers his Earth animals correctly, except this one is... purple, and it has a shiny silver horn protruding from its forehead.

He goes with it. Why not, at this point? He's clearly not getting out of this. "Of course," He says agreeable, stepping closer. Since the plush toy can't move, for obvious reasons, he gently picks it up, "Pardon me, Miss... Flutterhooves," He shoots Julian a quick glance, who nods approvingly, and he proceeds with moving the toy to the open spot at the end of table, and then going to take his own seat beside Julian. He shuffles in as much as possible, awkwardly crossing his legs and trying to keep his knees from tucking under the table, "There we are. This is... very lovely." He compliments as he settles into a somewhat-comfortable position.

"Very lovely," Julian agrees, looking at Molly, "You've done a wonderful job, Princess Molly."

Molly gives Julian a pleased little smile. "Thank you!" She squeaks. Then she suddenly perks up again, like she's heard something, "Oh! I have to go get the tea. It's done sleeping." She stands and, tucking up her skirts like a proper lady, she hurries off to go and... wake the tea, apparently.

"Steeping," Julian offers, as Garak gives him a confused look, "She means steeping."

Garak nods. That doesn't explain... anything else that's going on here. "Tea party?" He asks. Again.

"An old Earth game, of sorts," Julian replies, "Human children commonly pretend to hold tea parties, usually with their parents and their toys involved. Hence," He gestures around the table with his free hand, "All this."

"I see," Garak says, "And I was invited, why...?"

Julian suddenly won't make eye contact. "Molly insisted," He tells him, quick and clearly not the entire truth, "And I just got Kirayoshi to sleep for the first time all day, so I wasn't about to risk Molly getting upset and waking him," He does look at Garak again, this time with a surprising amount of desperation for a man sitting in front of a plastic teacup, with a plastic crown on his head, "He cried for three. Hours. Garak." He stresses each word, exhaustion and desperation oozing from every syllable.

Garak knows of the infant's tendency towards tears. He has no idea how Kirayoshi manages to wail for so long, considering how tiny his lungs are, but he's been able to hear the shrieking from across the promenade.

"I'm not sure the Chief would approve my being here," He points out, "Or Mrs. O'Brien, for that matter."

"I won't tell if you won't. Just play along," Julian implores him, "That's all I ask, just play along. Molly is very sweet, and also very stubborn, and I promise you I'll make it up to you if you just humour her." He's very nearly begging.

Garak has seen Julian less desperate in active crisis situations. He sighs, making a point to be melodramatic about it. "Very well, my dear," He agrees, "I suppose I can find it in myself to play along with the whims of a little girl. What's the worst that could happen?"

"Don't invite that on yourself," Julian warns, "You haven't seen her when she's cranky."

At that moment, Molly returns. In her hands she carries a teapot that matches her teacups, and she proudly brings it to the table and sets it down in the middle of everything. "Ta-da!" She announces, prompting Julian to gently shush her again, "Tea time!" She does not heed his shushing, "Want the first cup, Uncle Julian?" She asks, holding the pot out to him.

Just like that, Julian is smiling again. "I would love the first cup, Princess Molly," He says. He holds the teacup up, and it's comically small in his hand, "Thank you very much."

Molly tips the teapot forward. No actual tea comes out. Still, she holds it like that for a few seconds, before she tips it back. "There you go!" She chirps. Right, pretend. She turns her smile on Garak, and offers him the pot, "Tea?"

Garak delicately picks the teacup up by the handle, which he has to pinch between two claws. "I would be honoured," He says, laying it on thick. Molly pours the pretend tea into his cup, and he gives her his most winning smile, "Thank you, Princess."

Molly goes around the table, pouring tea for the other guests. Garak resists the urge to comment on the teapot apparently being bottomless, and instead glances at Julian. "Uncle Julian?" He questions, an amused smirk curling on his face.

"I'm her favourite uncle." Julian grins.

"I'm sure," Garak murmurs. Molly retakes her seat, and he turns to her, "Ah, Princess, allow me," He reaches across the table to take the teapot, and he pours her her own cup. He's not sure of the exact method to this, but he counts to 3 and then stops, and she looks satisfied, "Could I ask you a question, Princess?" He asks as he sits back, setting the pot down.

"First, cheers," Molly insists. She thrusts her cup up into the air, and Julian raises his, so Garak follows their lead. They clink their little teacups together- literally, "Clink!" She says.

"Clink." Julian echoes.

"Clink," Garak adds. Then Molly sips, and so does Julian, so he follows. When that's done, he inquires, "May I ask my question now?" Molly nods, and he smiles, "Ah, thank you. Yes, my question is, what made you invite me to the tea party, Princess Molly?"

Molly sets her teacup down. "For Uncle Julian." She replies.

Garak can see Julian looking pointedly away from him in his peripheral. "I see," He says, "And why was I invited for Uncle Julian?" He follows up.

"Cause you're married." Molly replies, like it's the most obvious thing in the Quadrant.

Julian chokes on nothing. Garak's eyes widen. "Married?" He echoes. He turns to Julian, who's gone a truly impressive shade of red, right up to the tips of his ears, "Married?" He repeats.

"Yeah!" Molly says, apparently an expert on the subject, "That's what grown-ups do when they're in love! Like my mommy and daddy. You," She points at Garak, "And Uncle Julian are in love, so you're married."

"She's 5." Julian hisses under his breath, just loud enough for Garak to hear.

Garak needs to take a deep breath. He's not often truly caught off guard, but that... he feels like he's just been knocked flat on his back. Alright. Married. He can go along with that. He's certainly gone along with far worse things.

Suddenly he understands Julian's exhaustion and desperation a few moments prior.

"Well, it was... very polite of you to invite me, Princess," He manages to get out, trying to slot back into his role here, "It's nice to spend time with my... husband." That makes Julian turn even redder. He looks like he's about to start glowing.

"Mommy and daddy wanted together-time today," Molly tells him, looking oh-so-serious for a girl of 5 years old, "So you and Uncle Julian probably want together-time, too. That's what married grown ups want." She explains.

Garak can't help but chuckle. "You're very wise," He says. Because she isn't... wrong. When it comes to him and Julian, at least, "I did want together-time with Uncle Julian today." He admits. They were supposed to see each other for lunch today, but then Julian got called away to babysit the O'Brien children, so it was to be rescheduled. And, soft as it makes him, those lunches are truly about... the only thing he looks forward to, so, yes. He did want together-time, as she put it, with Julian.

Molly glances at Julian, and then she leans over the table. "He did, too," She whispers, except it's very loud, and Julian can obviously hear her, "He told me he missed your lunchtime."

Garak glances at Julian, who's again very much not looking at him. He can't help but melt, just a bit, just enough to soften up. "Did he now?" He hums, "Well, that's alright. We have this tea party, don't we?" He puts his hand on the table, holding it out to Julian.

Julian looks at his hand. Then looks up at him, all round eyes and surprise. And then he smiles, all warm and affectionate. "That we do." He says, taking Garak's hand and giving it a squeeze.

"Ew," Molly pulls a face, "You're being gross like mommy and daddy."

Julian snorts a laugh. Garak chuckles. They let go of their hands and go back to their teacups, following Molly's lead as she sips at air again. Then she insists on refilling their cups, and they sit back and let her.

Julian's hand finds his on the floor. Garak takes it, brushes his thumb over Julian's knuckles. They exchange a private look, a small smile, Julian still red in the cheeks.

Maybe this isn't such a bad way to spend an afternoon, after all.

#star trek: ds9 #fic bitching #elim garak #julian bashir #molly o'brien #kirayoshi o'brien #otp: I need to know that someone forgives me #wow this turned out WAY fluffier than expected #I went into this to write pure comedy and shenanigans and got all this fluff?? #this is so sweet my teeth hurt #but also I like it a lot #so I hope you do too anon! #sorry for not getting all the kids involved #I tried to think of something that would work to have Jake and Nog involved #but I couldnt think of anything that really made sense #I hope I did Molly justice and made up for the lack of other kids #because I love her and she was fun to write #I had to look up her age and calculate how old she was when Yoshi was born for this dkfgjhdkfjghd #but the tea party idea possessed me and this practically wrote itself after a certain point #soooooo much fun to write #anyways this is a lot of tags now #hope you like!!!!

[sun-moonflowers]

Decluttering thoughts

I’m not too sure where exactly to begin writing this because my thoughts have been extremely crowded recently. I attempted to clear this up, perhaps unsuccessfully, in terms of finding some resolution or peace with myself. Writing has not proved itself to appease, however unrelentingly I have scribbled in the past few days about worries both real and petty. To first account for my decision of putting this up here instead of my proxy for the few reasons being this is primarily text and the latter does not serve this purpose in its primary function; it also takes the formality out of the context that i wish to preserve; neither do I have to consider the relevance or ill-relevance of an image to match this murk for whichever image I choose will either be unequable in what I am trying to convey. In part, I owe this slightly pretentious formality to what I have been reading — it is fascinating to consider how what we read affects our manner of speech so readily, how we are such malleable creatures — most of which are academic, some incoherent and others dense but illuminating, all of which in their certain positives have momentarily assumed my speech as so. I have marked my prose with sub-headers, if you wish to skip the parts that less interest you, do feel free. 

An indefinite break from social media

I have a couple of thoughts lately, which I refer to as contemplations because they involve an action or call to action which I am pondering over its necessity and consequence. Among it includes the consideration to do away with my proxy platform. This in part is due to a larger desire to distance myself from social media and go offline for an extended period — by this I mean an indefinite hiatus. Lately it has occurred to me that this pressure of visibility is unwarranted and unnecessary, even distracting to making good art or good work. It is something I could do without because neither my life nor my income depends on it (though I have no income to speak of currently.) If I am finding nothing meaningful in whatever I post and all these actions are in fact mere gestures, self-aggrandising and therefore possessing the power to do otherwise, should it not be without a question to do without so as to do better? Another of which stems from the inadequacy of the platform in presenting thought and coherence as I would like it. Owing to my obsessive natures in this respect, it is frustrating to deal with it all the time. So for those of you who read this will know then, that if my silence has become obvious, it is not without reason. I would then request for you to write to me instead, if you so wish to know how I am. Letters are most welcome, but the instantaneous messages over mobile devices will not be shunned either. This distance is aimed at breaking the attachments formed between my sense of self, time and occupation with the entrapment of social media and its dangers, folly, excessive — not friendships.  

Academic woes: a headache basically

A rut that I have been within in the past couple of days has been with regards to my next essay. This predicament can be attributed to a few things that form my incoherence and hence no sense of direction in which to take for this essay. To provide context, I am researching on Orientalism in the 19th century. My initial idea was to compare and contrast ballet repertoires choreographed during the late 19th century to early 20th century, and their representation of the Orient/ Exotic/ Other through the female body. Ideally, this would create many opportunities for discussion: fear projected in terms of imperialism, or perhaps classism thereby leading to ornamentalism rather than Said’s Orientalism; the male gaze and the female nude as prevailing practices and the Orient is a means of perpetuating that rather than representing anything; using Freud’s analysis on dreams and the erotic to explore if perhaps the sexualisation and sensualisation of the exotic is a deeper desire concealed by the Europeans than necessarily a means of subjugating the Other, for the Other is perhaps merely a means in which to distance such desires from themselves as they would hope to preserve as pristine, godly, restrained. 

But, not everything goes as we intend it to be. There is a sore lack of research on Orientalism in ballet, and a greater cavity in the archival footages of ballet in the past. In part, photography was only gaining momentum in its infancy and the acclaimed  Diaghilev also made sure that no recording of his choreography was permitted. That poses the question: how do you write about ballet if you have yet to see it live for yourself, even if through a screen? I can only read about it, and as with all secondary accounts, they might not be entirely factual; and as with all theatrics, there is a habit of exaggeration in play that I expect no less of an extravagance like ballet. So right now I am left with the ballet-russes of the 20th century, not 19th century — and only one was extensively publicised and studied over (that being Schehezerade, inspired by the Arabian Nights), and perhaps Salome, but that is a biblical tale, not exactly about the Eastern culture at all. I ever thought of doing a cross study of ballet, painting and perhaps poetry or literature, but none quite inspires as much as my initial imperative. 

A part of me also wishes to make study the psychological/ social use of the East to represent sensuality and sexuality during that time. Perhaps as time continues to pass, I will not have the liberty to be choosy about this. Having written all these down, I surprisingly might find a way around this. I shall first delve into the possibility of the latter as my directive and see if there are possibilities for such. It feels like such a huge task because there is so little written about it, which might be an optimistic thing, in terms of originality, yet it also places such immense pressure on validating the arguments. It could go right with this, or very very wrong. I have rambled too much about my homework, which I would assume, not even make much sense to anyone other than myself. But all this is cathartic in a way. Now moving on —

The New Year and Turning 21

It is the doubling of the new year and turning a year older that always somehow leaves me more troubled and reclusive during this period than one would perhaps expect of in the festivity of the new year. This year has proven more weighing than the others, and if you may ask what turning 21 feels like, I think I have an answer compared to any one who thinks there’s not much change. It is only those still amid transitionary states do they feel most deeply what the ‘coming-of-age’ truly entails. Most days I am rattled by the worries of finances, and the ability to manage it properly and more than just adequately. I admit that I have ridiculous savings plans that require me to eat myself but I am confident that they are not impossible. This ridiculous savings plan is a method of future planning because this will be my funding after I graduate and anticipate the few months that I need to fight very crazily hard to stay here. It is almost sickening to think that if I save half of my allowance every month, I would have only saved a year of my tuition fees by the time I graduate. But it also reveals to me how hard I need to make my education worthwhile and my time here more worthwhile than anyone else. I also loathe the financially-conscious me who has to opt out of everything because it just isn’t within my priority nor means to do so. If you read this, I am not asking for sympathies or what not, maybe just the courtesy of not talking about it because it is already on my mind 24/7 and I just don’t want to talk about it further. 

Money is a very real and disgusting problem, but we cannot do away with it, that would require an upheaval of entire economies and world that we have long set in stone for ourselves to relinquish. So as always this still stands: to beat the system is to excel in it, and gain the freedom in which it will allow you the options to stay away from it. I spent New Year’s Eve and countdown vacuuming the house and changing my sheets, making my house clean after two weeks of holiday. It’s the reality that a celebration is momentary and there are more important things to see to — the celebration can perhaps wait until you are in the mood for it. While everyone is planning some big party and joyous thing, I’m just thinking if I should catch that movie cause it would cause money; if I should go for tea as a treat to myself but that would also cost unnecessarily which I can instead use for classes or something else; staying at home alone would seem too sad and sorry; maybe I should take my film camera out for the afternoon and explore London instead. (But I am looking forward to dinner with Lynn that evening.) 

Yesterday, I wrote a list of goals for the year: things I wish to accomplish in this year. It is encouraging and motivating to have that list up on my desk wall. Let’s hope I do stick to realising them. And perhaps I should even do away with using the word ‘hope’ excessively, because it only provides excuses and consolation for when I do not actually accomplish anything. To also reduce the dependency on these words: ‘just’, ‘maybe’, ‘hope’. 

Unemployment; recruitment is a pain

Currently still unemployed. It is disheartening when you can’t even get a temporary job under your school because it’s by a first come first serve basis — and though you think you would be the first when you reply to the email immediately, you’re just that few letters short of time. How shameless can one also get? Or which desperation drives us into. I applied for the same job which rejected my application last October because I really really want to work there. There is no reply and I only think of the worst lately. Next week, I tell myself to grit my teeth and go to a few places to ask if they have any part-time vacancies. I am crossing my fingers I get some good news with that. If I have this job, then I wouldn’t have to worry so much about finances. I also tell myself it is only 4 months since I’ve moved here and I need to give London some time, so time I will take. But recruitment, you really are a pain. 

My thoughts have presently escaped me and I shall pause here till they return, should they ever. School reopens tomorrow and many things await but taking a step at a time. Adulthood is terrifying and burdensome and whoever thought of this vicious cycle is a maniac. (We are worse, for buying into it and living it.)