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#dr. james 'can sing songs from chorus line' wilson
grinchwrapsupreme · 1 year
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Obsessed with Dr. James “Knows Theatre Schedules and Terminology” Wilson
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dweemeister · 6 years
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2017 Movie Odyssey Awards
For all my followers out there, I have two final posts left for this year’s Movie Odyssey. This is the penultimate one and the second-most important of all: the awards ceremony. Based on 230+ feature- and short-films that I saw this year for the first time in their entirety, here is an Oscar-like ceremony celebrating twenty-six categories of filmmaking completed over a hundred years. The ten best motion pictures of the year that I saw this year lead us off.
Thanks again for everyone’s support. A Happy New Year to you and your loved ones, and the full list for the 2017 Movie Odyssey will be out at around 8 PM Pacific!
Best Pictures (I'm naming ten, I'm not distinguishing one above the other nine)
A Brighter Summer Day (1991, Taiwan)
Captain Blood (1935)
Friendly Persuasion (1956)
In the Mood for Love (2000, Hong Kong)
The Lady Vanishes (1938)
Lonely Are the Brave (1962)
A Man There Was (1917, Sweden)
Sweet Smell of Success (1957)
Tokyo Twilight (1957, Japan)
A Touch of Zen (1971, Taiwan)
In the Mood for Love, The Lady Vanishes, Sweet Smell of Success, Tokyo Twilight, and A Touch of Zen received 10/10 ratings. All others received 9.5/10.
Best Comedy
Blackbeard’s Ghost (1968)
Destry Rides Again (1939)
Dr. Jack (1922)
The Great Muppet Caper (1981)
Kung Fu Hustle (2004, Hong Kong/China)
Mr. & Mrs. ’55 (1955, India)
Much Ado About Nothing (1993)
Porco Rosso (1992, Japan)
The Sandlot (1993)
Yoyo (1965, France)
Hey, I’m just looking for the movie that made me laugh the most here.
Best Musical
Coco (2017)
Funny Face (1957)
The Great Muppet Caper
It’s Always Fair Weather (1955)
Kid Galahad (1962)
Mr. & Mrs. ‘55
Nashville (1975)
Pink Floyd – The Wall (1982)
Take Me Out to the Ball Game (1949)
You Were Never Lovelier (1942)
It’s not a fully original musical, but it contains some of the best arrangement of George and Ira Gershwin music you could find. You Were Never Lovelier and Mr. & Mrs. ‘55 and It’s Always Fair Weather also threatened here.
Best Animated Feature
The Breadwinner (2017)
Castle in the Sky (1986, Japan)
Fantastic Planet (1973, France/Czechoslovakia)
My Life as a Zucchini (2016, Switzerland)
My Neighbor Totoro (1988, Japan)
Ponyo (2008, Japan)
Porco Rosso
The Red Turtle (2016, France/Belgium/Japan)
Your Name (2016, Japan)
A much stronger year for animation this year than the previous Movie Odyssey. Fantastic competition, with what I think is a great winner.
Best Documentary
Don’t Look Back (1967)
The Horse with the Flying Tale (1960)
Jungle Cat (1959)
Life, Animated (2016)
Monterey Pop (1968)
The Statue of Liberty (1985)
Swim Team (2016)
The Tattooed Police Horse (1964)
Tyrus (2015)
Best Non-English Language Film
Aguirre, the Wrath of God (1972), West Germany
A Brighter Summer Day, Taiwan
Charulata (1964), India
In the Mood for Love, Hong Kong
My Life as a Zucchini, Switzerland
My Neighbor Totoro, Japan
The Salesman (2016), Iran
Sound of the Mountain (1954), Japan
Tokyo Twilight, Japan
A Touch of Zen, Taiwan
Best Silent Film
Camille (1921)
Dr. Jack
Ducks and Drakes (1921)
The Last of the Mohicans (1920)
A Man There Was
Now or Never (1921 short)
Sparrows (1926)
Strike (1925, Soviet Union)
Tokyo Chorus (1931, Japan)
West of Zanzibar (1928)
Personal Favorite Film
Akeelah and the Bee (2006)
Coco
Destry Rides Again
The Goonies (1985)
The Great Muppet Caper
Lady Bird (2017)
The Lady Vanishes
Lonely Are the Brave
My Life as a Zucchini
Pollyanna (1960)
It might be one of the best neo-Westerns I have ever seen. Kirk Douglas said it was his personal favorite movie, and it’s obvious and you can see why.
Best Director
Michael Curtiz, Captain Blood
Stanley Donen, Funny Face
Alfred Hitchcock, The Lady Vanishes
King Hu, A Touch of Zen
Rex Ingram, The Four Horsemen of the Apocalypse
Alexander Mackendrick, Sweet Smell of Success
Jean Renoir, The Southerner (1945)
Victor Sjöström, A Man There Was
Wong Kar-wai, In the Mood for Love
Edward Yang, A Brighter Summer Day
Holy hell this is a strong field. I desperately wanted to find an excuse to put in Greta Gerwig as Best Director for Lady Bird, but I never found it. Congrats to Hitchcock, for may be the best-directed work I’ve seen from him.
Best Acting Ensemble
A Brighter Summer Day
Caged (1950)
Fences (2016)
Friendly Persuasion
Pollyanna
Road to Perdition (2002)
Sense and Sensibility (1995)
Sound of the Mountain
Sweet Smell of Success
Tokyo Twilight
Now, none of the actors from Fences are going to win an individual award as you seen down below. But together, they were outstanding and surpassed all comers this year.
Best Actor
Gary Cooper, Friendly Persuasion
Tony Curtis, Sweet Smell of Success
Kirk Douglas, Lonely Are the Brave
Charles Laughton, Island of Lost Souls (1932)
Gregory Peck, Twelve O’Clock High (1949)
Edward G. Robinson, Scarlet Street (1945)
Andy Serkis, War for the Planet of the Apes (2017)
Victor Sjöström, A Man There Was
Denzel Washington, Fences
Robin Williams, What Dreams May Come (1998)
I’ve already commented how brilliant Douglas is here. Also in prime contention were Robinson, Serkis, and, yes, Robin Williams.
Best Actress
Ineko Arima, Tokyo Twilight
Leslie Caron, Lili (1953)
Maggie Cheung, In the Mood for Love
Viola Davis, Fences
Olivia de Havilland, Captain Blood
Chôko Iida, Record of a Tenement Gentleman (1947, Japan)
Dorothy McGuire, Friendly Persuasion
Madhabi Mukherjee, Charulata
Eleanor Parker, Caged
Mary Pickford, Sparrows
As a lonely wife, Mukherjee does so much with so little dialogue. You almost wonder if she could have excelled in silent film, too. Cheung, de Havilland, and Iida were also considered the strongest contenders here.
Best Supporting Actor
Dan Duryea, Scarlet Street
Henry Gibson, Nashville
Stephen Henderson, Fences
Burt Lancaster, Sweet Smell of Success
Paul Newman, Road to Perdition
Anthony Perkins, Friendly Persuasion
Alan Rickman, Sense and Sensibility
Patrick Stewart, Logan (2017)
Gustav von Seyffertitz, Sparrows
Mykelti Williamson, Fences
Supporting categories love a villain. And as the immoral columnist J.J. Hunsecker, Burt Lancaster commands Sweet Smell of Success whenever he is on screen. A terrific performance.
Best Supporting Actress
Ronee Blakley, Nashville
Hope Emerson, Caged
Elsa Lanchester, The Big Clock (1948)
Charlotte Mineau, Sparrows
Agnes Moorehead, Caged
Kay Thompson, Funny Face
Lily Tomlin, Nashville
Michelle Williams, Manchester by the Sea (2016)
May Whitty, The Lady Vanishes
Kate Winslet, Sense and Sensibility
I’m usually not kind to comedic performances, but I have to give it to Kay Thompson here. She was ebullient and heavens-to-goodness hilarious in Funny Face. A great singing voice, too.
Best Adapted Screenplay
James Bernard, Roy Boulting, Paul Dehn, and Frank Harvey, Seven Days to Noon (1950)
Kenneth Branagh, Much Ado About Nothing
Sidney Gilliat and Frank Launder, The Lady Vanishes
Yasunari Kawabata and Yôko Mizuki, Sound of the Mountain
Al Morgan and José Ferrer, The Great Man (1956)
Clifford Odets and Ernest Lehman, Sweet Smell of Success
Satyajit Ray, Charulata
Bernard C. Schoenfeld and Virginia Kellogg, Caged
Céline Sciamma, Claude Barras, Germano Zullo, and Morgan Navarro, My Life as a Zucchini
Michael Wilson, Friendly Persuasion
Best Original Screenplay
Sean Baker and Chris Bergoch, The Florida Project (2017)
Guillermo del Toro and Vanessa Taylor, The Shape of Water (2017)
Asghar Farhadi, The Salesman
Greta Gerwig, Lady Bird
Tadao Ikeda and Yasujirô Ozu, Record of a Tenement Gentleman
Frances Marion, Joe Farnham, and Martin Flavin, The Big House (1930)
Yasujirô Ozu and Kôgo Noda, Tokyo Twilight
William A. Wellman, Robert Carson, Dorothy Parker, and Alan Campbell, A Star Is Born (1937)
Wong Kar-wai, In the Mood for Love
Edward Yang, Hung Hung, Alex Yang, and Mingtang Lai, A Brighter Summer Day
Best Cinematography
Hoyte van Hoytema, Dunkirk (2017)
William H. Daniels, The Far Country (1954)
John F. Seitz, The Four Horsemen of the Apocalypse
Ray June, Funny Face
Christopher Doyle and Mark Lee Ping Bin, In the Mood for Love
Karl Struss, Island of Lost Souls
Julius Jaenzon, A Man There Was
Conrad Hall, Road to Perdition
James Wong Howe, Sweet Smell of Success
Hua Hui-ying, A Touch of Zen
Best Film Editing
Lee Smith, Dunkirk
Frank Bracht, Funny Face
Norman R. Palmer, The Incredible Journey (1963)
William Chang, In the Mood for Love
R.E. Dearing, The Lady Vanishes
Gene Havlick and Gene Milford, Lost Horizon (1937)
Ray Boulting and John Boulting, Seven Days to Noon
King Hu and Wing Chin-chen, A Touch of Zen
Tom Held, San Francisco (1936)
Henri Lanoë, Yoyo
Best Adaptation or Musical Score
Richard Baskin, Nashville
Adolph Deutsch, Funny Face
Adolph Deutsch, Take Me Out to the Ball Game
Bob Dylan, Pat Garrett and Billy the Kid (1973)
Leigh Harline, You Were Never Lovelier
O.P. Nayyar, Mr. & Mrs. ‘55
Alfred Newman and Lionel Newman, There’s No Business Like Show Business
André Previn, It’s Always Fair Weather
Joe Raposo, The Great Muppet Caper
Richard M. Sherman, Robert B. Sherman, and Buddy Baker, Summer Magic (1963)
This comes to the strength of the entire adaptation or musical score, not just the best songs. As a whole, I felt like It’s Always Fair Weather had the most going for it compared to the other seen here. I didn’t care for Baskin’s or Dylan’s work outside of a single song from each. Funny Face, Mr. & Mrs. ‘55, and There’s No Business Like Show Business were next in line.
Best Original Score
David Arnold, Independence Day (1996)
Elmer Bernstein, Sweet Smell of Success
Alexandre Desplat, Valerian and the City of a Thousand Planets (2017)
Patrick Doyle, Sense and Sensibility
Jerry Goldsmith, MacArthur (1977)
Joe Hisaishi, Castle in the Sky
Erich Wolfgang Korngold, Captain Blood
Thomas Newman, Road to Perdition
Dimitri Tiomkin, Friendly Persuasion
John Williams, Star Wars: The Last Jedi (2017)
Tiomkin has never won yet, but now one of my favorite movie composers has finally triumphed in this category with a gorgeous, lush score that swats away close competition from Independence Day, Castle in the Sky, and Captain Blood.
Best Original Song
“Blue Gardenia”, music and lyrics by Bob Russell and Lester Lee, arranged by Nelson Riddle, The Blue Gardenia (1953)
“Bonjour, Paris!”, music and lyrics by Roger Edens and Leonard Gershe, Funny Face
“I Like Myself”, music by André Previn, lyrics by Betty Comden and Adolph Green, It’s Always Fair Weather
“I’m Easy”, music and lyrics by Keith Carradine, Nashville
“Knockin’ on Heaven’s Door”, music and lyrics by Bob Dylan, Pat Garrett and Billy the Kid
“My Neighbor Totoro”, music by Joe Hisaishi, lyrics by Hayao Miyazaki, My Neighbor Totoro
“No Wrong Way Home”, music by Alexis Harte and J.J. Weisler, lyrics by Alexis Harte, Pearl (2016 short film)
“Remember Me (Recuérdame)”, music and lyrics by Robert Lopez and Kristen Anderson-Lopez, Coco
“San Francisco (Be Sure to Wear Flowers in Your Hair)”, music and lyrics by John Phillips, Monterey Pop
“Zenzenzense”, music and lyrics by Yôjirô Noda, Your Name
Thanks again to all those who participated!
Best Costume Design
Milo Anderson, Captain Blood
Edith Head and Hubert de Givenchy, Funny Face
Dorothy Jeakins, My Cousin Rachel (1952)
Walter Plunkett, Pollyanna
Adrian, San Francisco
Jenny Beavan and John Bright, Sense and Sensibility
Leo Bei, Gerdago, and Franz Szivats, Sissi (1955, Austria)
Leo Bei, Gerdago, and Franz Szivats, Sissi: The Young Empress (1956, Austria)
Charles LeMaire, Travilla, and Miles White, There’s No Business Like Show Business
Li Chia-Chih, A Touch of Zen
Best Makeup and Hairstyling
Roy Ashton and Frieda Steiger, Brides of Dracula (1960)
Tom Savini, Taso N. Stavrakis, Katharine Vickers, and Cecilia Verardi, Friday the 13th (1980)
Charles Gemora and Wally Westmore, Island of Lost Souls
Sarah Craig and Stephanie Ingram, It (2017)
Uncredited, Jigoku (1960, Japan)
Jordan Samuel and Paula Fleet, The Shape of Water
Fritz Jelinek, Jupp Paschke, and Heinz Stamm, Sissi
Uncredited, The Southerner
Uncredited, Sparrows
Thi Thanh Tu Nguyen and Félix Puget, Valerian and the City of a Thousand Planets
Best Production Design
Anton Grot, Captain Blood
Joseph Calder and Amos Myers, The Four Horsemen of the Apocalypse
J. Michael Riva and Rick Carter, The Goonies
Stephen Goosson and Babs Johnstone, Lost Horizon
Carroll Clark, Robert Clatworthy, Emile Kuri, and Fred M. MacLean, Pollyanna
Cedric Gibbons, San Francisco
Fritz Jüptner-Jonstorff, Sissi: Fateful Years of an Empress (1957, Austria)
Fritz Jüptner-Jonstorff, Sissi: The Young Empress
Chen Shang-Lin, A Touch of Zen
Eugenio Zanetti and Cindy Carr, What Dreams May Come
Achievement in Visual Effects (all films nominated here are winners because it’s unfair to have a 1930s film with groundbreaking visual effects compete with a 2010s film)
Captain Blood
Dawn of the Planet of the Apes
Dunkirk
Independence Day
Kong: Skull Island (2017)
Lost Horizon
San Francisco
Star Wars: The Last Jedi
Tom Thumb (1958)
Tremors (1990)
Valerian and the City of a Thousand Planets
War for the Planet of the Apes
What Dreams May Come
Worst Picture
Ben (1972)
Beyond the Poseidon Adventure (1979)
Dr. Goldfoot and the Bikini Machine (1965)
Friday the 13th
The Happening (2008)
Independence Day: Resurgence (2016)
Olaf’s Frozen Adventure (2017 short)
Return of the Fly (1959)
Willard (1971)
The X from Outer Space (1967, Japan)
OH GOD WHY
HONORARY AWARDS
Five Came Back (TV series), for illustrating the history of WWII experiences through the prism of Hollywood
Loving Vincent (2017), for giving new meaning to the phrase “every frame a painting” – an international artistic triumph
National Film Board of Canada (NFB), for decades of delights and invention in its animated short films
June Foray (posthumously), for a long, accomplished career that made her one of the greatest voice actresses in film history
Pearl, for innovative use of virtual reality in animated filmmaking
Robert Osborne (posthumously), for many years of introducing classic movies on TCM – a calming, erudite presence to his fans and a hero to this blogger
Jack Shaheen (posthumously), for his tireless research spotlighting and critiquing portrayals of Arabs and Muslims in cinema
Tyrus Wong (posthumously), for his impactful artistry long overlooked – one of the greatest artists that ever worked in Hollywood   
FILMS WITH MULTIPLE NOMINATIONS (61... excluding Worst Picture) Eight: Funny Face; Sweet Smell of Success
Seven: Captain Blood; Friendly Persuasion; In the Mood for Love
Six: The Lady Vanishes; Nashville
Five: A Brighter Summer Day; Fences; A Man There Was; Sense and Sensibility; Sparrows; Tokyo Twilight; A Touch of Zen
Four: Caged; The Four Horsemen of the Apocalypse; The Great Muppet Caper; Lonely Are the Brave; My Life as a Zucchini; Pollyanna; Road to Perdition; San Francisco
Three: Charulata; Coco; Dunkirk; Independence Day; Island of Lost Souls; It’s Always Fair Weather; Lost Horizon; Mr. & Mrs. ‘55; My Life as a Zucchini; My Neighbor Totoro; Sound of the Mountain; There’s No Business Like Show Business; Valerian and the City of a Thousand Planets; What Dreams May Come
Two: Aguirre, the Wrath of God; The Big House; Castle in the Sky; Destry Rides Again; Dr. Jack; The Goonies; Lady Bird; Monterey Pop; Much Ado About Nothing; Pat Garrett and Billy the Kid; Porco Rosso; Record of a Tenement Gentleman; The Salesman; Scarlet Street; Seven Days to Noon; The Shape of Water; Sissi; Sissi: The Young Empress; Sound of the Mountain; The Southerner; Star Wars: The Last Jedi; Take Me Out to the Ball Game; War for the Planet of the Apes; You Were Never Lovelier; Your Name; Yoyo
WINNERS (excluding honorary awards and Worst Picture... 31) 3 wins: In the Mood for Love; Lonely Are the Brave; Sweet Smell of Success 2 wins: Captain Blood; Dunkirk; Friendly Persuasion; Funny Face; The Lady Vanishes; A Man There Was; Valerian and the City of a Thousand Planets; What Dreams May Come 1 win: Blackbeard’s Ghost; A Brighter Summer Day; Charulata; Coco; Dawn of the Planet of the Apes; Fences; Independence Day; It’s Always Fair Weather; Kong: Skull Island; Lost Horizon; Monterey Pop; The Red Turtle; Road to Perdition; San Francisco; Sissi; Star Wars: The Last Jedi; Tokyo Twilight; Tom Thumb; Tremors; War for the Planet of the Apes
111 films were nominated in 26 categories.
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