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#eh we're all freaking dust at the end anyway
mantra4ia ยท 3 years
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Debris 1x13 "Celestial Body": rewatch Reaction'd, questions and comments
So if all those people are experiencing emotional convergence, who are they converging from? Who's sending the emotional signal that the debris is channeling, or is it the debris manifesting it's "consciousness" in a way that we can understand it by way of human conduits?
Maddox is clearly trading debris pieces with Irina (perhaps the piece that he took out of storage off the books), and Irina is on the phone with presumably her handler/ boss to negotiate this trade. She gives him lateral (which I assume means latitudinal) readings and then he asks for longitudinal readings which we don't get to hear. They are: Lateral 105, 112, 115, 120, 113, 110, 109
What's the significance of these measures? Latitude goes from 0ยฐ to 90ยฐ from the equator, so that doesn't track unless the scene is cut wrong and they're meant to be longitudinal (E/W) readings, which go to 180ยฐ relative to the prime meridian. That would make more sense, because after Irina is done with the first set of readings, the unknown caller on the phone says "drop to level two for vertical" and latitudes are North/South.
If we're talking Western longitudes, notable landmarks include: Denver, Salt Lake City UT / Phoenix AZ / nearly Sedona AZ - aka where the telesphere went, Las Vegas, Lake Tahoe/ Nevada border, Great Salt Lake, Alberta-Saskatchewan border, and the Utah-Arizona border.
Or perhaps they're not part of terrestrial measurement at all. The act of "lateral reading" could just mean verifying your sources/accuracy as you go, where as vertical reading is reading for content first to see if something is worth evaluating for sources.
However, if they are part of coordinates, then is the fragment that Maddox is trading with Irina a legitimate "mapmaker" piece like George previously said Influx was seeking? Ya know, when he lied to his daughter. Can a mapmaker piece track moving/animate debris akin to the telesphere? Are those black dust cloud beings George is running from made up of animate debris?
Bryan: After becoming a parent you're in a heightened emotional state, emotionally raw.
George: Higher highs, lower lows, the joy of having a child, the postpartum depression, and the fear of getting it wrong.
Me: Are we in a pensive, self-reflective mood, George? Are you practicing your pub trivia Bryan, delivering exposition, or are you speaking from personal character experience? Seriously, how would you know?!
John Noble as Otto, man why does he always make such a good villain?
What is with the cryptic vagueness when Maddox tells Irina, "You know I can't let you leave with that case right? I mean you know that. There's another door for you Irina, one that only you can go through." They seemed almost on good terms in a previous episode, like friends or something more in a past life "nice car, i almost left / no you didn't", he wouldn't kill her, would he? Or is it more like a code between them, a sort of "I'm being watched, take the back exit"?
Hey, so why is it that sometimes George's eye seems opaque and damaged from the debris implant, but then when he's talking to Finola after he distracts Bryan while being Debris whisperer, his eye seems fine? PS: I googled Tyrone Benskin just to see what he looks like when he's not playing George Jones and I didn't know he's a former member of Canadian Parliament. Don't trust the government, eh?
George: "You're such a compassionate person, you always have been. So much of your mother in you." That's the second time that Finola's mother has been mentioned in the series, back from the pilot. Is it a coincidence that the first piece of debris that chose to interact with Finola resonated her mom? More than just Finola's desire being reflected by the debris, but the debris emoting it's first impression of her as someone compassionate that it can trust?
It also raises my heckles that George repeats, almost word for word, something that Finola said in episode 3. "If we can't help people, we do not deserve this debris / if we don't use this debris on these people, we are not worthy to have it." Are father and daughter that ideologically similar, or has he been spying on her progress this whole time, or both?
George: "I took my life to allow myself a rebirth, I paid the price. I want you to know that not one day goes by that I don't think of you and your sister. I want you to know this." This coincides with my initial impression that George staged his death to get away from Orbital after he assessed how his research was being used/abused.
George: "You never wanted to go into the pool, I had to throw you in, and you kicked and screamed, but you always did better that way." Immabout to throw you George, just keep talking!!!! I'm sorry, this charicature of absentee father reminiscing about the good old days really ticks me off from personal experience.
Also, as a person with a disability, I am not particularly pleased with the use of Dario as a plot device instead of a thoughtful character with a backstory at this point in the show for 13 whole episodes now. Pretty pissed off actually, so they better do something phenomenal and pivotal with Christian Rose (Dario) in season 2 [maybe have his character interact with debris in a similar way to Caroline]. But that's another rant about ableism in screenwriting for another angry day....
George: "A telesphere was born yesterday. It came from a pocket dimension inside Orbital. I think it's birth may have triggered the debris." This is perhaps the one-ish episode that I find George remotely interesting and also infuriating, particularly because of the way he speaks, like he's finally taken off the guise of the old, well-meaning eccentric and turned into a sharp, cunning, and at times calculatingly ruthless individual. I find it peculiar that he says a telesphere is born. Makes me think that the debris is not just part of a spacecraft, but a hybrid of the beings piloting that craft.
I get tremendous satisfaction from Finola head-butting people. This should continue.
I'm not familiar with all of the work of JH Wyman to know if this is a running theme or an ongoing joke. But does he keep his writing staff in a constant state of starvation? Is that why pieces of debris are called "Nachos", and why Influx has "Beans" to shield them from debris side effects, and why Bryan is always eating junk food? Should I be worried about the writer's room and start sending them healthy snacks?!? Just give me an SOS in the credit roll.
Speaking of: is the "Bean" that Finola ingested a piece of debris? Similar to the pieces of debris that fused with Anson Ash? Will it impart some physical benefits to her moving forward?
"I won't lose you again...you belong with me." What are you talking about George Jones, you made the conscious decision to leave your family. You didn't lose Finola, she lost you. In this version of reality at least. Or (unscripted backstory) did Jones and his wife separate prior to her death / was Finola brought up mostly by her mother? That doesn't seem the case if she was buying her father birthday presents and took it upon herself to settle his affairs after his death.
Why do the Influx Operatives Otto and Anson have tattoos on their hands, but not Loeb? Is he like the low end of the totem pole FNG who hasn't earned his stripes, hence why Otto gives him s***: aka "Careful you cretin. All the finesse of a butcher."
What is the hierarchy of Influx anyway? Despite being an anti-government "for the people/ elevate the human consciousness" organization they do still seem to have a governing hierarchy and Otto and George seem to be on the same level, pretty high in rank / they talk with confidence to each other like they go back a while.
What is that weird thing that Otto does with his hands to Bryan's head? What are all the weird things Otto does, including his massacre at the petrol station? Ick.
Why is it that Leob and George are freaked out by the black smoke (debris particle?) man, but Anson and Otto aren't? They seem to see them(?), but don't overtly react.
Bryan: "It seems like we're entering some kind of new phase." Gee where have I heard that one before? Oh yeah, the story of "Blackwater grandfather" and the black wind that they're still teasing endlessly while refusing to tether it into some kind of world building lore. Agggghh!
Lololol, Bryan and Finola's dynamic even in the midst of a very serious episode makes me laugh. "Devon Reese / two e's? / Two e's!" "This one smells like baby diapers. Almost as bad as the tech section of the plane/ You mean your section of the plane. / Almost." That zinger ๐Ÿ‘
Paraphrasing Bryan: "[recapping, recap, and did I mention recap]...something about George doesn't feel right." Personal pet peeve: I HATE IT when episodes have intentional explanatory lines like this to point out the fact that we as audience are privy to information that the main characters aren't. Not only does it make the main characters seem less intelligent, it breaks the fourth wall a little bit and gives the impression that the audience, which is ahead of the plot, is not as intelligent and needs a reminder that we're ahead. Lackadaisical writing drives me nuts!!! I can't outright say that it's "bad" dialogue, but it's not a choice I would make if I wanted uninterrupted viewer immersion.
Finola: "My instincts are good" Me: You are an emotionally intelligent decision maker with gaping personal blind spots.
George: You belong with me, your father.
Finola: My father died six months ago, and you are not him.
Me: Chef's kiss ๐Ÿ‘๐Ÿ‘๐Ÿ‘
Otto: "It would never have worked out with that girl [Finola], not in any iteration." Definitely makes me lean towards the fan theory that the alt!Finola in (presumably) suspensia in Sedona Arizona got plucked from another reality.
Surprisingly, the ending credit roll has no voiceover as all the previous episodes of the season have. Disappointed that there's no potential teaser to a season 2 if the show gets renewed. But I find it curious that the extras who were demonstrating emotional convergence were credited as: chess board persons. Not sure if that's relevant, but I definitely feel like this show is playing games with me and my emotions.
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