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#from the day it released until the day fitf came out
louisloulouie · 11 months
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I’m so excited for The Show to finally be released, but why am I mourning Heartbreak Weather and the NTMY Tour?
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We have spoken about it lots of times before but is it even really an achievement for Harry if he puts out a song and it is a hit. No matter how bad the song is, no matter how bad his album is, it’s going to be a hit. It will be played a million times on radio and will be on top of any playlist imaginable. Not because it’s good, only because it’s released by Sony Columbia under his name. His last album was so bad that his own fans were calling it a spoof album when it was leaked. That it couldn’t be the real album he was putting out. Then when it became official it was treated as Jesus’ second coming.
Yes, Louis has to swim against the tide but at least that will keep him motivated to put out music he really feels like creating, that he really feels like putting out. He doesn’t atleast have to sing songs about women’s vaginas while also pretending to be gay in front of a brain dead audience.
Louis has this freedom, which he’s talked about at concerts. His audience allows him the breadth of exploration and experimentation to keep his musical mind sharp, and to keep making music that both he and fans will like. He’s a musician making music, not the latest trend wagging the “musician” as we so often hear on the radio.
The other day I heard a song from Harry’s House for the first time (something cinema), and tbh I didn’t recognize that it was Harry until almost the end of the song. On first listen, it wasn’t bad or good. The song was like any background music that someone uses to promote an IG reel or TikTok makeup tutorial: a generic, inoffensive copy of an idea someone had decades ago, with a hook that repeats ad nauseum.
To be fair, pop music isn’t the Mona Lisa and most of it is generic and derivative. Art is hard. Originality is hard. Beauty is subjective and almost impossible to do commercially.
The Grammy has become an award given by industry to reward its pet projects. The votes are meaningless. There is no integrity. The same goes for the Brits, MTV EMA, and every major music award.
Still, there is a difference between a musician whose primary focus is music, and someone who is simply a celebrity. People might gossip about the Beatles fallout, but there is never any question that the Beatles signature will always be music-> not nail polish, not costumes, not romances, not perfumes.
Taylor Swift is a mega-celebrity, but decades later, she will be known for her songs and her discography.
Elvis and Michael Jackson are modern pop culture myths, but they are remembered for their songs and performances.
No one cares that Beyoncé has never won AOTY. She has made her mark in music history. These milestones have become so corrupted that they became meaningless.
The reason is because music still has meaning for ordinary people. Heartbreak, compassion, grief, and solace are, and always will be, part of the human experience.
Louis isn’t there yet in terms of establishing his discography, but he has a good chance and he’s on the right path. Of course there are no guarantees that his future work will be good, but a promising sign is that Walls was already better than anything from 1D, and FITF was a huge leap ahead still. The best songs came from not mimicking a specific genre or artist but creating something new — Copy Of A Copy Of A Copy or Written All Over Your Face would be prime examples.
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