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#fucking mbmbam is trending and the takes make me feel Old
cryptkitt3n · 3 years
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2021 bingo card coming in strong
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caden · 4 years
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Honestly thank you for saying that. I also don't hate Travis but can't stand the way he goes about proving his "wokeness" he's obviously good natured but his approach is just so off and it's awkward when listening to the other brothers try to swerve around it, being more self aware than he is. I can't listen to the new Adventure Zone arc because her went out of his way to create a disable character and then be like "are you gonna ask me about my wheelchair" it's just too fucking much dude.
This is a super long rant-y response that doesn’t really say much of consequence, but...
yeah i have not enjoyed his arc so far sadly. I’m still going ahead with it for the time being, it’s worth listening to but honestly TAZ hasn’t gripped me all that much since balance. I feel like one of their issues is that balance really really tactically built up to its big emotional dramatic moments, everything felt really natural and just flowed so well-- whereas with these other arcs, I feel like they just jump the gun and try to constantly have dramatic stuff happening without ***earning*** it. The nature of most roleplaying games is just that they’re long form, and IMO the most important element of nailing a podcast like TAZ is making sure that the downtime is really enjoyable-- that means having really charismatic side characters, engaging and open-ended worldbuilding that allows for lots of different situations, and PCs that have clear and interesting motivations. Travis just isn’t a good enough DM to pull that all off. He’s decent at roleplaying IMO, but his personality / skills are just better suited to being a player. He clearly isn’t as good a storyteller as griffin, and even griffin’s storytelling has been strained from time to time. 
I honestly really really really wish that they would play a more Critical Role / MCDM style DnD game, where the worldbuilding took front-stage over the characters, and where it was assumed that the main players would cycle through MULTIPLE characters because their characters could actually die if it was dramatic-- or even just if the players fucked up in combat. I’d love to feel like they were in a setting that allowed them to have guest players on, where the world has internal consistency (unlike the live shows which are always fun but clearly not sustainable for a long-form story), and where the whole thing isn’t all built along railroading players down an ultra long-form epic story in the vein of Balance. Like one thing that’s great about DnD for me is that if you don’t currently feel like you’re gelling with the character you’re playing, you can just make a new character! If the quest you’re on isn’t incredibly engaging, you can tell the DM that you want to explore something in your character’s past or independently pursue some other motivation instead. I really wish they would experiment with a more freeform, noncommittal story, where they could lean into their improvisation skills (which is what they’re very good at) over their storytelling skills (where they're sort of lacking). 
I also feel like-- and this is just an unintended byproduct of the general vibe that they’re going for-- one big problem that I notice with their storytelling is that all of their characters are just like... too good. I feel like they’re so committed to being wholesome and non-stressful that everything about their worlds just has no edge at all. I’m not saying that I want TAZ to be game of thrones, obviously that would suck-- but so much of the conflict in their worlds feels awkward or forced because they don’t create their characters to be as flawed as I think they should. Justin usually being the exception. I think this is reaaaalllllly coming to the forefront in the new arc, Travis just isn’t capable of putting the kind of tension into his stories that Griffin was because he’s too committed to making his world crunchy and chill and, dare I say, woke. But I think the wheelchair thing is coming from a different sort of bad storytelling-- writers put a diverse character into their story and then feel so immediately proud of themselves that they forget to actually make the character interesting or memorable beyond that, inadvertently tokenizing the characters. 
Griffin also did something really smart when he was DMing, which was that he intentionally never told us anyone’s race. He explicitly said that it being an audio medium allowed the listener the freedom to imagine whatever race they want, as well as imagine trans-ness, disability, etc. Which, even though it might sound kind of like a cop-out, is IMO the best way to handle it. If they play characters outside of their race, people will be mad. If they don’t have enough diversity, people will be mad. If they have explicit diversity but portray something insensitively, people will be mad. I personally think that griffin would have been smart enough to do these things sensitively, but he’s always erred on the side of caution. The only exception in balance was them explicitly stating that Lup was a trans woman, which was also handled very well IMO. Travis just isn’t taking that level of subtlety to his DMing because he isn’t as perceptive about these things as Griffin is. He’s stating all this stuff explicitly because he wants people to know that his world is diverse. Which is cool, but it comes with the baggage of actually having to execute that diversity with some level of insight. In this case, I honestly think the players should be more comfortable going ahead and making characters that are explicitly NOT cis white (or white-coded) men. They made the move after balance to start playing women, which was good. The alternative is just constantly having protagonists that, even in fantasy/sci-fi settings, are cis-coded, white-coded, or male-coded. 
All in all, the big issue for me rn with the Mcelroys is that i have much more of a sense now that they’re the types of creators who are entirely just trying to please their fanbase. This is really visible in the style of comedy that they’re doing these days as well. They aren’t trying new things, they’re just finding what’s comfortable, what fans clap for in live shows, and doing more of that. I remember once in a live show they said “okay guys, we’re making a change. we’re no longer gonna allow you guys to ask questions that are just you bragging about a cool thing you did”. That was one of the best decisions they made from a content perspective, lol. Their most interesting work of the last three years has been the Trolls 2 podcast, because it’s stylistically VERY different from their normal stuff, and because NOBODY was asking for it. And as a result, it was able to be a novel, funny concept. I feel like in the age of streamers, youtubers, creators who are basing their brand off of PERSONALITY over CONTENT, we’re gonna be getting more and more of this kind of art. As creators, the Mcelroys aren’t trying to do something new, to create exciting thought-provoking funny content. They’re just repeating the things that have found them the most success. They take the desires of the fans a bit too seriously, which keeps them from going in new directions, because fans can’t validate things that don’t exist yet. The fans shouldn’t be the ones who create new trends or decide the tone of the content. That should be entirely in the hands of the creators. You can sorta tell that at times Griffin and Justin are unhappy about it. I think this was at its worst about a year or so ago, and they’ve realized it and started to work on course-correction. They stopped doing TAZ live shows with the balance characters, which was a good choice. I DON’T think that the issue is that they ran out of ideas, it’s just that they’re overdue for a creative renaissance. I would love it if instead of just doing more TAZ and mbmbam, they continued to do a bunch of small unusual projects in the vein of Trolls 2, the old Monster Factory videos, the new non-DnD TAZ live shows, etc. I’m also enjoying The Besties (I listened to it before it got canned and was excited when it came back), because I feel like Griffin and Justin act more like normal humans on that show and less like Mcelroy brothers. 
WITH ALL THAT SAID, their content is still often very fun, and I think it’s really good that they exist as successful creators. They’re a net positive force in the world, the small attempts people have made to cancel them for dumb shit will always be petty and stupid. They’ve more than earned a spot in the podcasting hall of fame, I don’t think they’re just has-beens, and I will continue to listen to plenty of their stuff for the conceivable future even if it’s not always exactly what I want from them. 
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