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#he’s MARRIED TO MS MAISEL
fastepp · 10 months
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This was just like realizing Wilson from house md was in dead poets society. I went insane for about 5 minutes
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let-it-raines · 4 years
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CS JJ Day 13: The Spectacular Ms. Swan (1/1)
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1959. New York City.
Women aren’t supposed to have their own voices and opinions, and they certainly aren’t supposed to be funny. Emma Swan, however, has a lot of opinions and is damn funny. She also doesn’t care what anyone thinks. 
Except maybe Killian Jones, a comic who has been her supporter since the day she bailed him out of jail after one of his comedy routines. 
Rating: Teen (language mostly)
a/n: I wrote this one-shot last month after watching the Marvelous Mrs. Maisel and told @shireness-says that I was determined to get it finished before my baby showed up, and she said that baby girl would probably show up early out of spite. She didn’t and @shireness-says doesn’t get bragging powers about being prophetic or something. ❤️
Thanks to the admin at @csjanuaryjoy for keeping this GREAT event running!
Found on AO3 | Here |
-/-
It started on accident.
Really, most things in her life do.
There was the getting pregnant at seventeen and then having to get married because it was 1952 and all sins could be forgiven if she was married to the man she slept with.
“He’s a good man,” her mother had said. “A wealthy man. You’ll never have to work a day in your life. Think about the child. Think about your reputation.”
Then there was being a mother and learning that she actually liked it even if she did have things she wanted to do with her life beside spend her days cooking and cleaning and reading every book in existence to Henry until she had to begin making up her own stories to fuel her son’s seemingly never-ending creativity and imagination.
There’s nothing and no one in the world who Emma loves more than Henry, and that will never change.
But he certainly wasn’t in her plan.
Neither was actually falling in love with Neal or enjoying their life together, at least for the first few years. Because, well, he wanted her to be a housewife who always wore heels and measured her waist and her thighs every day to ensure she didn’t gain weight, and Emma much preferred wearing flat shoes and eating a hot dog at a Yankees game instead of a salad at home or some overpriced restaurant. So, of course, like any man who had a wife who didn’t fit into his carefully drawn out lines, Neal wandered away with woman after woman and always came back…to his secretary.
Emma saw them in her bed in the middle of the day, and as much as she had turned a blind eye in the past, she couldn’t do that anymore. She didn’t say anything that day. What she did, instead, was drop Henry off at her parents’ apartment, go to the Rabbit Hole downtown, get drunk off her ass, and then get on stage and tell a room full of strangers the very intimate details of her life.
They laughed.
And laughed and laughed, and a woman sitting in the back of the room came up to Emma with a business card in hand and said to call her tomorrow when she was the slightest bit more sober because she thought Emma had a career in comedy.
So Emma called.
And now, three years later her son is seven, she’s divorced (thank goodness, she thinks, even if her mother is still disappointed in her), and Emma is traveling around the United States as the opening comedic act for the singer Sky Manhattan, which might be the most ridiculous stage name Emma has ever heard.
But she doesn’t care. Not at all. She doesn’t care about stage names or what kind of airplane or train she’s traveling on. She doesn’t care if she’s wearing the newest brand of shoes (she is) or the most on trend dresses (she’s got those too) with a fabulous collection of hats. All she cares about is that she has this thing that’s hers and hers alone. No one can take it from her or threaten to take her to court over it (well, actually they can, but not if she watches her language while on stage) and it’s hers. It’s not because of her parents or her shitty ex-husband who dumped his secretary for a woman who works at the Revlon counter or anyone else.
It’s because she’s damn funny, and she’s accidentally made a career of it.
She’s not making much money and still can’t afford her own place, but it’s a start. Who cares what anyone else thinks?
Oh, she cares about Henry. That’s the one thing she cares about most of all, and if he asked her to give it all up, she would. He’s the only one she’d do that for, and he’s also the only one who wouldn’t ask. Her mother thinks this is worse than getting pregnant out of wedlock, her father happened to walk into a show where she made a joke about her parents’ sex life, and the both of them have repeatedly asked her why she’s doing this and to stop doing this.
Now, they support her, but they also don’t understand. They both come from wealthy families, her mother the heiress to an oil fortune and her father a lawyer, and they’ve never understood why she’d want to go up on stage and tell crude jokes for a living.
(They’re not all crude, but it does happen sometimes. Okay, most of the time. It depends on the venue. But she’s gotten smart about that because jail is not something that appeals to her.)
But this is what she does, and when she’s finished touring, she’s going to fly back to New York, settle into her parent’s five-bedroom apartment in Manhattan, and spend all of the time that she can with her son. Neal never wants to watch him anyway despite his custody threats, so Henry’s always with her parents when she’s gone.
(“It’s not the man’s job to watch his child,” Neal says. “I’ll take him for a beer when he’s old enough.”)
The only bad thing about her job is leaving Henry, but they talk on the phone every night. She’s doing this so she can be happy, like she wants him to be happy when he gets older and is chasing his own dreams, and so maybe one day she can have a little something for herself that she didn’t have handed to her.
“Emma,” Ruby yells out, “be ready in five minutes. And remember today is a clean show, and what’s our number one rule for clean shows?”
“Don’t say ‘fuck.’”
“And our second rule?”
“Don’t say ‘fuck.’”
“You’re a genius, darling,” Ruby sighs, blowing Emma a kiss before walking out of the room with her heels clacking behind her. “And I’m the best manager on the planet.”
That quip was for Sky’s manager to hear, and Emma has to bite her lip to keep from laughing. Whale will kill her if she laughs at that. Or cut her set time in half. Emma would prefer neither, but she guesses dying won’t really be that bad.
-/-
She only says fuck once during her set, it’s a complete accident, and only two people walked out of the restaurant.
Emma would call that a success.
-/-
“With olives please,” Emma tells the bartender, holding up two fingers.
“You know, you can simply order a bowl of olives, and they’ll bring it to you.”
A smile creeps up on Emma’s face, and she swivels in her chair at the sound of a familiar and far too cheeky British accent. “Killian Jones, as I live and breathe.”
“Emma Swan, as I breathe to live.”
“Oof, not one of your best jokes.”
“Wasn’t meant to be.” He leans in to press his lips against her cheek, one side and then the other. “What the hell are you doing here?”
“At a bar in a hotel in Miami? The better question is what are you doing here?”
Killian scoffs and settles down on the barstool next to her, shrugging his suit jacket off and handing it to her. When she raises her brow, he nods down at her lack of sleeves on her dress and all of her pebbled goosebumps. “You’re chilled, and I don’t think your boy will take it well if you freeze to death on my watch.”
“It’s Florida in May. I’m not going to freeze to death. But aren’t you a gentleman?”
“I’m always a gentleman.” He turns away from her quickly and holds up a finger to get the bartender’s attention. “Can you get me a glass of whatever your best rum is and a bowl of olives? And put her drinks on my tab.”
“You are not paying, Jones.”
“I am paying. It’s not often that I see my favorite comedian.”
“You’re full of shit if you say I’m your favorite comedian.”
“Well, if we’re being technical, I’m my own favorite comedian, but I felt that was a little too much to say. I’m trying to be less of an asshole.”
Emma leans her head back and laughs before tugging Killian’s suit jacket around her shoulders. This bar is cold, probably to combat the sweltering heat outside, but she’d never admit that to him.
“I don’t think you can be less of an asshole. Being an asshole is who you are.” The bartender puts their drinks and a bowl of olives in front of them, and Emma immediately pulls the olives off the toothpick in her martini. “I’m the opening act for Sky Manhattan. That’s why I’m here. We’re on tour.”
“What kind of name is Sky Manhattan?”
“It’s his stage name.”
“Fucking dumb stage name.”
“You’re so eloquent with words.”
Killian winks. “That’s why they pay me to talk on television.”
“They pay you to talk on television because you’re funny and you look like a man in every catalog on the shelf at Bergdorf.”
“You flatter me.”
“I try. I want your ego to become so big that your head explodes and you can no longer pop up in random places.” She takes another sip of her drink and leans over to gently push his shoulder. “Seriously. What are you doing in Florida? You live in Manhattan in a fancy apartment.”
“Says the trust fund baby who lives with her parents in their fancy apartment.”
“Hey.”
Killian holds his hands up in mock apology all the while his grin reaches from ear to ear so that his eyes crinkle and the blue of his eyes shines under the dim light of the bar. “I’m working on a show here. It’s only temporary. My contract is up at the end of June, and I’ve had this lovely place to call home for a month already.”
“You’re staying here?”
“Aye.”
“In the land of pastels and peppy waitstaff? Where the bathrooms are pink?”
“It’s a nice change of pace, and since I’m not paying for it, I don’t give a damn.”
“That’s more like you,” Emma laughs, twisting a little further on her stool and leaning into his space. “I’m going to be here for two weeks. Why don’t you come to a show? I think you’ll really like my routine and the guy singing after me is pretty good too.”
“Is that all you have to convince me?”
Her heart picks up its pace as Killian’s hand brushes over her thigh, a light and fleeting touch. “I can get you a free drink and all of the shrimp cocktails you want.”
“I was going to say no, but the shrimp cocktails really do it for me.” He leans in, closer now, and Emma very nearly closes her eyes in anticipation. Of what? She knows, but she won’t even let her mind go there. “I have to run to work. Why don’t you meet me here Saturday night? I’ll take you to dinner and show.”
“I’m working Saturday night.”
“We’ll go after.”
And with that, Killian Jones is throwing cash onto the bar top for a tip and then walking away, leaving his jacket with her.
Damn, she missed him.
-/-
“How was your last day of school, kid?”
“We had cupcakes, and I had two.”
“Two?”
“I wanted three, but Mrs. Horowitz wouldn’t let me have another one.”
“I bet she didn’t want you to spoil your dinner.”
“Cupcakes could have been dinner.”
Emma laughs and stands from her bed, pulling the cord on her phone with her. “Cupcakes are not dinner. Has Grandpa been feeding you cupcakes for dinner?”
“Nope. But he does give me chocolate.”
“Ah, of course he does. I’m going to be home to see you next week before we go to the Catskills for a few days and then I go to Vegas. Are you excited?” There’s no answer on the other end of the line, just a bit of static. “Henry? Kid? Kid?”
“His friend Avery is here, Mrs. Cassidy,” Ashely says over the phone. “He went to play.”
“It’s Swan, Ashley,” Emma huffs. She doesn’t want to snap at Ashely because she’s a sweet girl and helps with Henry far more than she should as her parents’ housekeeper. “Neal and I are divorced, and I changed my last name to my middle name.”
“I have to go, Mrs. Cassidy,” Ashely mumbles. “The boys are climbing on your father’s bookshelves.”
At that, there’s no one on the other end of the line, and Emma doesn’t get the chance to speak to her parents or tell Henry she loves him.
This is her life.
-/-
“Ruby Lucas, I am not going on a date with someone you met today.”
“Why not? He’s from New York, is here on a trip, and he’s cute. I think it could be a good match, and it’s been so long since you dated, which is different than sex, mind you.” “I’ve been divorced for two years and on the road for most of that. I don’t think many men want to date a divorced mother who is a stand-up comedian. Half of them think I’m a witch.”
“That’s because men are idiots.” “And yet you want me to date one?”
“One date,” Ruby sighs, slipping on her heels and smoothing out her skirt. “He’s got money, and he knows people who can sponsor you. Think of it as a business dinner and not a date.” “Well, I can do business dinners, but I can’t tonight. I’ve got plans after the show.”
“The dinner is before the show. What the hell do you have going on after the show? I don’t have anything booked for you.”
Emma turns from Ruby and fixes her blouse, tucking it in before raising her finger and brushing away the red lipstick that’s strayed to her skin. “Killian Jones is in town. He’s taking me to dinner.”
“Ah.”
“What?”
“Well, if you’d told me the man you were sleeping with was in town, I would have changed the date of your dinner with Walsh despite me thinking you need to go on more actual dates and not just sexual rendezvous.”
“I am not sleeping with Killian.” “Please. You can lie to me about a lot of things, but I know when you’re fucking someone.”
“I have never slept with him.” She turns around so Ruby can see her eyeroll. “He’s a friend. He helps me with my routines when we’re in the same city, and he sends Henry an absolutely useless gift at least three times a year. So we’re going to dinner to catch up, and maybe I’ll get some new material for you.”
“I wouldn’t care about new material if you’d fuck Jones.”
“I’m going to fire you as my manager.”
“Never, darling. Now, tits up. You’re meeting Walsh Osbourne in the bar at six. Sweet talk him until you get a meeting for some commercial auditions.”
“I’m doing this for commercial auditions?” “We’re doing this to get our foot in the door for television. You can’t hop straight to one of the variety shows your lover Jones is on.”
“I will stab you with my heel.”
-/-
“Yeah, my son is really into baseball. I got him some tickets to the batting cage and a new bat for Christmas. He – ”
“You’re not funny,” Walsh mumbles after interrupting her in the middle of her answer to his question about what her son is interested in. “I thought you were supposed to be funny. What’s the point of dating you if you’re not funny? I knew women couldn’t be comedians and that you were just a nice piece of ass and a good pair of tits.”
It takes two seconds for Emma to pick up her glass of wine and slosh it across the table at Walsh. She’s been sitting at this table for fifteen minutes, and she doesn’t plan on sitting here any longer.
“Fuck you.”
“You’re also apparently a bitch,” Walsh spits out as she stands. “I have connections, and you can say goodbye to all of them.”
“I don’t need the connections of a sexist pig who doesn’t think women are capable of being funny. I can guarantee you, Mr. Osbourne, that we are, and if you take offense to women not laughing at your jokes or not telling their own jokes all the time, maybe you should look in the mirror and figure out that you’re the one who couldn’t tell a joke to save his life.” “Fuck you. I hope your performance is a failure tonight.” “It’ll certainly be better than yours.”
-/-
She kills it in her set. She’s fucking spectacular and funny, and everyone who thinks otherwise can screw themselves.
Everyone who thinks she has to spend her days only being funny and coming up with jokes can screw themselves as well.
-/-
She sees Killian slip out right before she closes and introduces Sky.
-/-
“Was I funny?” Emma asks, tugging Killian’s suit jacket around her shoulders. She was going to give it back to him tonight, but it’s chilly again. Plus, he’s wearing a different fitted black suit tonight, and he doesn’t need it back right now.
“Pardon?” “How’d you like my set? I know you were watching.” “Was I?” he ponders, tapping his finger against his lips. “I wouldn’t know.”
“You’re being an ass, and you said you were trying to stop that.”
His brows move across his forehead, that same cheeky smile still on his lips. “I may have been there.”
“And what’d you think?”
“Buy me dinner first, and then I’ll tell you.”
They go to a restaurant that doesn’t seem to believe in white-colored light bulbs or volume limits, and Emma loves it. A band is constantly playing, dancers moving around the floor, and the steak she has is quite possibly the best steak she’s ever had.
Killian Jones has always known how to plan an evening and pick out a restaurant.
“Shall we dance?” he questions as Emma leans back into her chair, absolutely full even if she feels lighter than she has in quite some time.
“What?”
“Dance with me, Swan.”
“I don’t dance.”
Killian stands and holds his hand out for her, blue eyes sparkling even under all of the colored lights. “All you need is a partner who knows what he’s doing.” “And you do?”
“Of course, love. I’m an expert in…movements.”
Emma rolls her eyes, but she takes his hand anyway and melts into the warmth of him as his fingers curl around her palm. “That wasn’t your best work. You’re slacking lately.”
If he responds, she has no idea. The music is too loud already, and it gets louder when they move closer to the band. The songs have been fast and upbeat all night, and yet the moment they start to dance, it changes into something soft, slow. It’s probably for the best. Emma really doesn’t know how to dance (or sing) despite everything asking her why she isn’t a dancer when she tells them she’s a comedian, and she’s pretty much got two left feet out here. So she places one hand more firmly in Killian’s, another around his neck, and they sway back and forth.
It’s not proper how close they are, body pressed tightly against body, but she’s never cared for proper.
She’s never cared for rules and expectations, and while that stung when Neal told her that was one of the reasons he strayed from their marriage, she knows that nothing he says is anything she should listen to.
It’s okay if he strays from the conventional path sleeping with her without them being married and going off and fucking his secretary, but the moment she doesn’t want to cook a ham every night, she’s the one who’s too wild.
He never thought she was funny either. That should have been the first sign.
“I’ve been thinking, love.” “I never like when you do that.”
“Yes, yes you do.”
Killian hums and turns them in a circle, his hand sliding lower on her back. “What were you thinking, Jones?”
“You’ve made comments about my jokes being off, and I don’t know…I suppose I don’t feel the need to be funny around you, and it’s nice. There’s not all that – ”
“Pressure? Expectation? The need to always be thinking two steps ahead?”
“Exactly. As much as I like bantering with you and coming up with new material, I like that I can talk about whatever the hell I want without worrying that I’m being too boring.”
Emma looks up at him and sees his soft smile and blue eyes she finds more charming by the minute. “I like that I don’t have to be funny with you, too.”
“Good.”
-/-
“So, quite the nice night.”
“I’m pretty sure it’s five in the morning.”
“Ah, well,” Killian sighs, waving his hand out to the ocean and the few boats moving over it. The sun isn’t rising, not quite yet, and she can still see the stars twinkling in the sky. “We haven’t gone to bed yet, so I still consider it night.” “Well, if you consider it to be night, how can I deny that?”
“You can’t. Where’s your room?”
“Fifth floor. Where’s yours?”
“Seventh.”
They walk in companionable silence until they find the outdoor staircase that leads to their rooms. Emma’s heels are in her hand, have been for the past few hours, but her feet still ache. She should have changed into her flats after the show, but she didn’t stop to think before heading to meet Killian at the bar. Suddenly, they’re standing on the fifth floor, two doors down from her room, and then they’re there standing on either side of her hotel door.
Killian blinks, and Emma blinks back, not sure whether to speak or to search for her keys. She might be too tired to think coherent thoughts. She also might not want this night to end. It’s the first time in a long time where she hasn’t spent hours trying to impress someone, and if she goes to bed, that’ll be over.
(She doesn’t want it to be over.)
(She wants just this one thing, this one night.)
“You’re staring.” “So are you.”
“Well, I do have a particularly pretty face, love.”
She scoffs and rolls her eyes, leaning against the wall and closer to Killian. “Are you going to tell me what you thought of my act now?”
Leaning closer, Killian brushes his hand over her forearm and up her shoulder until he’s tucking her hair behind her ear. A shiver runs down her spine, working its way into her bones, and her skin pebbles. “You were fucking spectacular, Ms. Swan.”
Emma’s cheek blush, and since she can’t look into the ridiculous blue of Killian’s eyes, she digs for her keys in her clutch and pulls it out, sticking it into the lock. The door swings open, the bed immediately in sight, and Emma feels Killian’s intake of breath. She also feels him stepping away.
It’d be so easy to ask him to come inside and ask him to unzip her dress and untie his tie until they’re both undressed and panting against each other, but it’s also just as easy to step inside without him, right?
Right.
(Maybe not just this one thing on this one night.)
“Goodnight, love,” Killian tells her. “I’ll ring you when I’m back in New York.”
“Henry and I will both be waiting.”
-/-
Neal calls her when she’s in Las Vegas two weeks later to tell her that she’s a horrible mother.
He’s seen his son once (for an hour) in the past month, and he lives ten minutes from him.
Emma has seen Henry three times, one of which was for four days in the Catskills, and she’s traveling the country on tour.
She is not a horrible mother, and she will not let Neal’s voice get in her head. Not anymore.
One more month of this, and then she’s home for two months before they go to Europe for the rest of the tour. She can do two weeks in Las Vegas and two more in Palm Springs.
She can.
-/-
Killian sends her a postcard from New York in the beginning of July.
I’m back in New York. Your boy has already convinced me to take him to a Yankees game. I’m sure we’ll be on our fourth visit by the time you get this.
I promise I’ll try not to corrupt him while you’re gone.
Killian’s an asshole.
But a good asshole.
(And maybe he’s not really an asshole at all.)
-/-
“Ah, that sweet smell of urine and concrete,” Ruby sighs as their taxi pulls in front of Emma’s apartment building. “I’ve missed you.”
“There’s been urine and concrete in all of the places we’ve been.”
“It’s not the same, and you know it.”
“I know, I know.” Emma leans over and kisses Ruby’s cheeks. “It’s been fun, my friend, but I don’t want to see your face for at least a week, okay?”
“I don’t want to see your face for two weeks.”
“Then we have an agreement.”
Emma laughs as she exists the car and motions for the doormen to come and get her bags. She definitely has far too many of them for as much as she doesn’t care about clothes, hers seem to keep expanding. She takes one suitcase and a hatbox and quickly walks into the building and to the elevator, and the operator hits the button for her floor. She’s bouncing with excitement, her feet nearly coming out of her shoes, and she’s so close to Henry she might buzz right out of her skin.
“Mom,” he yells when she opens the apartment door. Emma drops her bag and her box and bends down until Henry is running into her arms. “You’re home.”
“Yeah, kid,” she whispers, cupping the back of his head. “I’m home.”
-/-
“My mother wants me to meet a man.”
“Excuse me?”
Emma brushes past Killian into his apartment, and she lets out the low whistle she always lets out every time she’s here. Whereas her apartment is filled with antiques and furniture that can’t be sat on (thanks Mom and Dad), Killian’s apartment is sleek and modern. It’s all clean lines and black and white decorations with little pops of blue. It’s a man’s apartment, and she’s always loved it.
Plus, the view of the Hudson is spectacular.
“I never wanted to be a woman whose entire life revolved around cooking, cleaning, and waiting for their husband to get home to not acknowledge any of that,” Emma rants, kicking off her shoes and immediately walking to his liquor cabinet. She can’t reach the shelf with all of his good stuff, but there’s a cheap bottle of rum just within her reach. “My mom seems to think that I need a husband to rein me in from my ‘rebellious’ phase.”
“You had a husband. You hated being married.”
“I didn’t hate being married. I hated being married to him.” “Ah.” “What?”
“Well, there’s a difference?”
“Yes, there’s a difference! I imagine being married doesn’t suck if you like the person you’re married to and if he doesn’t sleep with every woman he meets.” She pours both she and Killian a tumbler of rum and hands him his glass. He eyes her but doesn’t say anything. Instead, he tilts the glass to his lips and takes a large gulp. “I just…I don’t know why my mom thinks it’s imperative for me to get married again.”
She walks over the couch and curls her legs underneath her while Killian sits in on the other side, propping his feet up on the coffee table. “How old are you?”
“Twenty-five.”
Killian clicks his tongue again, and she’s never noticed how much ginger is in his beard before now. “Well, you’re basically an old maid.”
Emma kicks her foot out at him. “You’re the worst.”
His lips curl into a smirk. “I am undeniably the greatest. And look, your mum is old-fashioned. She doesn’t get why you wouldn’t want to marry just anyone or why you want to spend your days traveling around the world making dick jokes. The one about his dick being so big it was a Richard was inspired, by the way, even if I did know that it was inspired by me.”
“I will stain your white rug with my drink.”
“I’ve got a very nice woman named Greta who knows just how to get that out.”
“Who knew being crude on late night television paid so well as to have a Greta?”
“You did, Swan,” he laughs, taking another sip of his drink before placing it on a coaster. “But back to your mother.” Emma rolls her eyes, but Killian pays her no attention. “She thinks the way to happiness is being married to a nice man and having him provide for you. You have to let her know that you don’t want another Neal or someone you’re only with because it’s proper. You want someone who you love and who lights that fire in your soul that you don’t want to be put out.”
“Someone who I don’t feel the need to be funny around.”
“Yeah,” Killian says slowly, a red blush dusting his cheeks, “someone who you don’t feel the need to be funny with, someone you don’t have to put on an act around.”
There’s always been something about Killian Jones that has unsettled her and yet made her feel comfortable. The night they met she had to bail him out of jail because one of his performances was deemed too crude by the police presence in the bar, and they’ve been circling around each other ever since. He’s wormed his way into her life, and she never really noticed. It’s been in short conversations and trading jokes at a bar, but then it was getting together for dinner and him taking Henry to Yankees games. It was dancing in clubs and almost, almost, almost asking him to come into her hotel room.
It was having him know her better than anyone else knows her.
Slowly, Emma rises from her spot on the couch and walks over to Killian, pressing down and placing her knees on either side of his thighs before she raises her hand and thumbs at the scar on his cheek while her other hand brushes his hair back. Killian blinks up at her, his mouth no longer smirking. Instead, he’s softly smiling at her, and Emma feels a long-forgotten flurry in her stomach.
“Emma – ” She leans forward until her forehead presses against his and until her nose is nudging against his. Killian’s hands are warm against her waist, and she feels it all the way down to her bones, seeping deep within her. “What do you think you’re doing, sweetheart?”
“Being with someone I want to be with, someone who I don’t have to put on an act with.”
His lips are soft and gentle, a fluttering of a movement against her own, and it’s the exact opposite of what she thought kissing Killian would be like. She thought, if anything, they’d be drunk and stumbling across the room, clothes falling to the ground and lips not marking their intended target. She thought her mind would be too fuzzy to think.
That’s not at all what’s happening.
All she can think about is how much she’s wanted this, even if she didn’t realize it but in fleeting moments after nights of alcohol, and how natural it feels to have his scruff burn her chin and to have his lips caress hers.
This is good.
This is a fire she would never want to put out.
“You’re not going to regret that and talk about it in your act, are you?” Killian chuckles while kissing the corner of her cheek and then her jaw, his lips like magic.
“Regret it? No. Put it in my act? Absolutely. I’m not sure how I’m going to make it funny, though,” she sighs, pressing herself further into him, “because there’s nothing funny about this.”
“No, love, I don’t think there is.”
-/-
She wakes up the next morning to Killian kissing her bare skin and whispering words to her that have chills running down her spine.
They go to a Yankees game with Henry, and Killian buys far too much ice cream, not that Henry would complain. Not the Emma would either. She’s too damn happy for any of that.
And he doesn’t judge her for eating a hot dog.
-/-
All Killian wants for Emma is to be happy and live life how she’s always dreamed of living her life, not by whatever standards are expected for her.
Oh, and to keep on being the spectacular Ms. Swan.
(It’s Mrs. Jones now, but the stage name of Ms. Swan has a nice ring to it.)
(She keeps on being damn funny.)
-/-
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funface2 · 5 years
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101 Funny Quotes — Hilarious Quotes to Make You Laugh – Parade
Whether it’s a play on words, a funny observation about everyday things or old witty sayings, comedy has a way of making us realize we’re all going through the same stuff in this crazy life. These funny quotes about work, love, friends and family will have you saying, “So true!” because, well, they are. Others will have you remembering hilarious, meme-worthy movie and TV moments.
Take a much-needed break from your day to check out the 101 funniest quotes we found in stand-up comedy, books, plays, celebrity Twitter and interviews, as well as movies and TV shows, guaranteed to give you a quick chuckle. 
1. “I’m sick of following my dreams, man. I’m just going to ask where they’re going and hook up with ’em later.” —Mitch Hedberg
2. “Gentlemen, you can’t fight in here. This is the war room.” —President Merkin Muffley (Peter Sellers), Dr. Strangelove
3. “My mother always used to say: The older you get, the better you get, unless you’re a banana.” —Rose (Betty White), The Golden Girls
4. “Halloween is the beginning of the holiday shopping season. That’s for women. The beginning of the holiday shopping season for men is Christmas Eve.” —David Letterman
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5. “Before you criticize someone, you should walk a mile in their shoes. That way when you criticize them, you are a mile away from them and you have their shoes.” —Jack Handey
6. Bob: “Looks like you’ve been missing a lot of work lately.” Peter: “I wouldn’t say I’ve been missing it, Bob.” —Bob (Paul Wilson) and Peter (Ron Livingston), Office Space
7. “Clothes make the man. Naked people have little or no influence in society.” —Mark Twain
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8. “Before you marry a person, you should first make them use a computer with slow Internet to see who they really are.” —Will Ferrell
9. “I love being married. It’s so great to find that one special person you want to annoy for the rest of your life.” —Rita Rudner
10. “Ned, I would love to stand here and talk with you—but I’m not going to.” —Phil Connors (Bill Murray), Groundhog Day
11. “When your mother asks, ‘Do you want a piece of advice?’ it is a mere formality. It doesn’t matter if you answer yes or no. You’re going to get it anyway.” —Erma Bombeck
12. “I want my children to have all the things I couldn’t afford. Then I want to move in with them.” —Phyllis Diller
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13. “Never follow anyone else’s path. Unless you’re in the woods and you’re lost and you see a path. Then by all means follow that path.” —Ellen DeGeneres
14. “Insomnia sharpens your math skills because you spend all night calculating how much sleep you’ll get if you’re able to ‘fall asleep right now.’” —Anonymous
15. “Breaking up is like knocking over a Coke machine. You can’t do it in one push; you got to rock it back and forth a few times, and then it goes over.” —Jerry (Jerry Seinfeld), Seinfeld
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16. “I’m not superstitious, but I am a little stitious.” —Michael Scott (Steve Carrell), The Office
17. “I walk around like everything’s fine, but deep down, inside my shoe, my sock is sliding off.” —Anonymous
18. “I haven’t spoken to my wife in years. I didn’t want to interrupt her.” —Rodney Dangerfield
19. “I used to sell furniture for a living. The trouble was, it was my own.” —Les Dawson
20. “There’s nothing wrong with you that an expensive operation can’t prolong.” —Surgeon (Graham Chapman), Monty Python’s Flying Circus
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21. “Someone asked me, if I were stranded on a desert island what book would I bring: ‘How to Build a Boat.’” —Steven Wright
22. Ted Striker: “Surely you can’t be serious.” Dr. Rumack: “I am serious. And don’t call me Shirley” —Ted Striker (Robert Hays) and Dr. Rumack (Leslie Nielsen), Airplane!
23.“There is no sunrise so beautiful that it is worth waking me up to see it.” ―Mindy Kaling, Is Everyone Hanging Out Without Me?
24. “You know you’ve reached middle age when you’re cautioned to slow down by your doctor, instead of by the police.” —Joan Rivers
25. “Truth hurts. Maybe not as much as jumping on a bicycle with a seat missing, but it hurts.” —Lt. Frank Drebin (Leslie Nielsen), Naked Gun 2½: The Smell of Fear
26. “My Mama says that alligators are ornery because they got all them teeth and no toothbrush.” —Bobby Boucher (Adam Sandler), The Waterboy
27. “I never feel more alone than when I’m trying to put sunscreen on my back.” —Jimmy Kimmel
28. “Marriage is like an unfunny, tense version of Everybody Loves Raymond, but it doesn’t last 22 minutes. It lasts forever.” —Pete (Paul Rudd), Knocked Up
29. “Being a mom means never buying the right amount of produce. Either everyone suddenly loves grapes and a week’s worth are eaten in one afternoon, or fruit flies are congregating around my rotting bananas.” —Lessons from the Minivan
30. “I’m not insane. My mother had me tested.” —Sheldon Cooper (Jim Parsons), The Big Bang Theory
31. “There are only three ages for women in Hollywood: babe, district attorney and Driving Miss Daisy.” —Elise (Goldie Hawn), The First Wives Club
32. Usher: “Bride or groom?” Wedding guest: “It should be perfectly obvious I’m neither!” —Four Weddings and a Funeral
33. Stan Fields: “Describe your perfect date.” Cheryl: “That’s a tough one. I’d have to say April 25. Because it’s not too hot and not too cold. All you need is a light jacket.” —Stan Fields (William Shatner) and Cheryl Frasier (Heather Burns), Miss Congeniality
34. “I saw a study that said speaking in front of a crowd is considered the number one fear of the average person. Number two was death. This means to the average person, if you have to be at a funeral, you would rather be in the casket than doing the eulogy.” —Jerry Seinfeld
35. Lucy: “There’s just two things keeping me from dancing in that show.” Fred: “Your feet?” —Lucy (Lucille Ball) and Fred Mertz (William Frawley), I Love Lucy
36. “Common sense is like deodorant. The people who need it most never use it.” —Anonymous
37. Coach: “How’s a beer sound, Norm?” Norm: “I don’t know, I usually finish before they get a word in.” —Coach (Nicholas Colasanto) and Norm (George Wendt), Cheers
38. “If I woke up tomorrow with my head sewn to the carpet, I wouldn’t be more surprised.” —Clark Griswold (Chevy Chase), National Lampoon’s Christmas Vacation
39.“There’s nothing simpler than avoiding people you don’t like. Avoiding one’s friends, that’s the real test.” —Dowager Countess Violet Crawley (Maggie Smith), Downton Abbey
40. “If I’m not back in five minutes, just wait longer.” —Ace Ventura (Jim Carrey), Ace Ventura: Pet Detective
41. “The only thing that separates us from the animals is our ability to accessorize.” —Clairee Belcher (Olivia Dukakis), Steel Magnolias
42. “I’m at a place in my life when errands are starting to count as going out.” —Anonymous
43. “A good rule to remember for life is that when it comes to plastic surgery and sushi, never be attracted by a bargain.” —Graham Norton
44. “I’m not good at the advice. Can I interest you in a sarcastic comment?” —Chandler (Matthew Perry), Friends
45. “Here’s all you have to know about men and women: Women are crazy, men are stupid. And the main reason women are crazy is that men are stupid.” —George Carlin
46. “When I’m in social situations, I always hold onto my glass. It makes me feel comfortable and secure and I don’t have to shake hands.” —Larry (Larry David), Curb Your Enthusiasm
47. “As you get older, three things happen. The first is your memory goes, and I can’t remember the other two.” —Sir Norman Wisdom
48. “That’s why New York is so great, though. Everyone you care about can despise you and you can still find a bagel so good, nothing else matters. Who needs love when you’ve got lox? They both stink, but only one tastes good.” —Midge Maisel (Rachel Brosnahan), The Marvelous Mrs. Maisel
49. “Here’s some advice: At a job interview, tell them you’re willing to give 110 percent. Unless the job is a statistician.” —Adam Gropman
50. “Does it disturb anyone else that ‘The Los Angeles Angels’ baseball team translates directly to ‘The The Angels Angels’?” —Neil DeGrasse Tyson
51. “I never forget a face—but in your case, I’ll be glad to make an exception.” —Groucho Marx
52. “Here’s something to think about: How come you never see a headline like ‘Psychic Wins Lottery’?” —Jay Leno
53. “A day without sunshine is like, you know, night.” —Steve Martin
54. “My therapist told me the way to achieve true inner peace is to finish what I start. So far I’ve finished two bags of M&Ms and a chocolate cake. I feel better already.” —Dave Barry
55. “Never do anything out of hunger. Not even eating.” —Frank Semyon (Vince Vaughn), True Detective
56. “What do you mean, he don’t eat no meat? That’s okay, that’s okay. I make lamb.” —Aunt Voula (Andrea Martin), My Big Fat Greek Wedding
57. “You know you’re getting old when you stoop to tie your shoelaces and wonder what else you could do while you’re down there.” —George Burns
58. “To call you stupid would be an insult to stupid people!” —Wanda (Jamie Lee Curtis), A Fish Called Wanda
59. “Instead of the mahi mahi, may I just get the one mahi because I’m not that hungry?” —Shelley Darlingson (Anna Faris), The House Bunny
60. “Accept who you are. Unless you’re a serial killer.” —Ellen DeGeneres
61. Francois: “Do you know what kind of a bomb it was?” Clouseau: “The exploding kind.” —Francois (André Maranne) and Inspector Clouseau (Peter Sellers), The Pink Panther Strikes Again
62. “My ability to turn good news into anxiety is rivaled only by my ability to turn anxiety into chin acne.” —Tina Fey, Bossypants
63. “There is one word that describes people that don’t like me: Irrelevant.” —Anonymous
64. “Why do they call it rush hour when nothing moves?” —Robin Williams
65. “I remember it like it was yesterday. Of course, I don’t really remember yesterday all that well.” —Dory (Ellen DeGeneres), Finding Dory
66. “I don’t have to take this abuse from you; I’ve got hundreds of people dying to abuse me.” —Dr. Peter Venkman (Bill Murray), Ghostbusters
67. Police officer: “Pull over.” Harry: “No, it’s a cardigan. But thanks for noticing.” —Harry Dunne (Jeff Daniels), Dumb and Dumber
68. “I grew up with six brothers. That’s how I learned to dance: waiting for the bathroom.” —Bob Hope
69. “If we’re going to pay this much for crab, it better sing and dance and introduce us to the Little Mermaid.” —Claire Foster (Tina Fey), Date Night
70. “I prefer not to think before speaking. I like being as surprised as everyone else by what comes out of my mouth.” —Anonymous
71. “Never put off till tomorrow what you can do the day after tomorrow just as well.” —Mark Twain
72. “Woke up today. It was terrible.” —Grumpy Cat
73. “Eggs are fantastic for a fitness diet. If you don’t like the taste, just add cocoa, flour, sugar, butter, baking powder and cook at 350 for 30 minutes.” —Anonymous
74. “I can’t end my messages with Love, Shaq because the B-52s ruined that for me.” —Meme attributed to Shaquille O’Neal
75. “My husband and I fell in love at first sight. Maybe I should have taken a second look.” —Halley Reed (Mia Farrow), Crimes and Misdemeanors
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76. “Thanksgiving dinners take 18 hours to prepare. They are consumed in 12 minutes. Half-times take 12 minutes. This is not a coincidence.” —Erma Bombeck
77. “Insanity runs in my family. It practically gallops.” —Mortimer Brewster (Cary Grant), Arsenic and Old Lace
78. Brian: “Look, you’ve got it all wrong. You don’t need to follow me. You don’t need to follow anybody. You’ve got to think for yourselves. You’re all individuals.” Crowd: “Yes, we’re all individuals!” Individual: “I’m not!” —Brian (Graham Chapman) and cast, Monty Python’s Life of Brian
79. “Why can’t you just be happy for me and then go home and talk behind my back later like a normal person?” —Lillian (Maya Rudolph), Bridesmaids
80. “Anyone who lives within their means suffers from a lack of imagination.” —Oscar Wilde
81. “What they could do to make it easier is combine the two, real estate and obituaries: Mr. Klein died today leaving a wife, two children, and a spacious three-bedroom apartment with a wood-burning fireplace.” —Harry (Billy Crystal), When Harry Met Sally
82. “The key to faking out the parents is the clammy hands. It’s a good non-specific symptom; I’m a big believer in it. A lot of people will tell you that a good phony fever is a dead lock, but you get a nervous mother, you could wind up in a doctor’s office. That’s worse than school. You fake a stomach cramp, and when you’re bent over, moaning and wailing, you lick your palms. It’s a little childish and stupid, but then, so is high school.” —Ferris Bueller (Matthew Broderick), Ferris Bueller’s Day Off
83. “I like my money where I can see it: hanging in my closet.” —Carrie (Sarah Jessica Parker), Sex and the City
84: Cal: “You are really pushing my buttons today.” Becky: “Which one is ‘mute’?” —Waitress, the Musical
85. “The worst part of online shopping is having to get up and get your credit card from your purse.” —Anonymous
86. “People say, ‘But Betty, Facebook is a great way to connect with old friends.’ Well, at my age, if I want to connect with old friends I need a Ouija board.” —Betty White
87. “My therapist says I’m afraid of success. I guess I could understand that, because after all, fulfilling my potential would really cut into my sitting-around time.” —Maria Bamford
88. “From the ages of eight to 18, me and my family moved around a lot. Mostly we would just stretch, but occasionally one of us would actually get up to go to the fridge.” —Jarod Kintz
89. “Money cannot buy health, but I’d settle for a diamond-studded wheelchair.” —Dorothy Parker
90. “The whole purpose of places like Starbucks is for people with no decision-making ability whatsoever to make six decisions just to buy one cup of coffee. Short, tall, light, dark, caf, decaf, low-fat, non-fat. So people who don’t know what they’re doing, or who on earth they are can, for only $2.95, get not just a cup of coffee but an absolutely defining sense of self.” —Joe Fox (Tom Hanks), You’ve Got Mail
91. “Good parenting means investing in your child’s future, which is why I am saving to buy mine a hoverboard someday.” —Lin-Manuel Miranda
92. “I love airports because the rules of society don’t apply. Eat a pizza and have a glass of wine at 7 am while in track pants. Nobody cares.” —Anonymous
93. “Outside of a dog, a book is man’s best friend. Inside of a dog, it’s too dark to read.” —Groucho Marx
94. “I’m one stomach flu away from my goal weight.” —Emily Charlton (Emily Blunt), The Devil Wears Prada
95. “My perfect beautiful miracle baby? Never slept. Ever. Never. Twelve years later the memories of those nights, of that sleep deprivation, still make me rock back and forth a little bit. You want to torture someone? Hand them an adorable baby they love who doesn’t sleep.” —Shonda Rimes
96. “I’d like to have a kid, but I’m not sure I’m ready to spend 10 years of my life constantly asking someone where his shoes are.” —Damien Fahey
97. “Why yes, I can carry on a conversation made up entirely of movie quotes.” —Anonymous
98. “I’m sure wherever my Dad is, he’s looking down on us. He’s not dead, just very condescending.” —Jack Whitehall
99. “I like long walks, especially when they are taken by people who annoy me.” —Noel Coward
100. “Trying is the first step toward failure.” —Homer Simpson, The Simpsons
101. “I have a lot of growing up to do. I realized that the other day inside my fort.” —Zach Galifianakis
Want more great quotes? Check out… 50 Thinking of You Quotes  150 Good Morning Quotes  100 Wedding and Marriage Quotes  50 Friday Quotes  50 Monday Motivation Quotes
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bollywoodleaks00 · 4 years
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Emmy winner Tony Schlhoub confirmed positive test for Combi-19
Emmy winner Tony Schlhoub confirmed positive test for Combi-19
Amy Winning actor Tony Schlhoub tests positive for COVID-19 with his wife
Emmy-winning actor Tony Schlhoub has revealed that he and his wife contracted COVID-19 in New York last month.
Marvelous Ms Maisel Starr opened up about her diagnosis in a video for the Peacock Presents At-Home Variety Show, reports dailymail.co.uk.
The 66-year-old actor is married to 71-year-old Brooke Adams. “It was…
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biofunmy · 5 years
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Jewish Summer Camp With Campfires, Crafts and No Lights Out
As if on cue, the first camper I meet is a guy named Josh: a nice, 27-year-old Jewish boy with kind eyes, a subtle smile and the same name as my husband, another nice Jewish boy, back home.
“Do you know where Malbec is?” asks this Josh, Josh Blake, rolling his eyes, and then his suitcase, over a wide dirt path flanked by rickety cabins that have been renamed for the weekend. (Malbec and Cabernet, for the men; Pinot Grigio and Rosé for the women; Raisins for all.) “I don’t want to walk all the way over there, if it’s back there …” he says, sounding not unlike Woody Allen.
I don’t blame him. The camp is desert-hot and dusty. And he’s ultimately here, he later admits over bagels, because his parents paid the all-inclusive $525 for him to be. They met on this very land, albeit half a mile away. “Talk about pressure!” he says, laughing.
Ilana Rosenberg, 31, sitting nearby, agrees. “My mother said, ‘Have fun! Go meet your Jewish husband!’ My sister was like, ‘Mom, she could find a Jewish wife, too, you know’.”
American Jewish University owns these 2,800 acres in Southern California’s Simi Valley, which is home to rolling hills and herds of cows, the university’s Brandeis-Bardin Campus and Camp Alonim. Over the next three nights and four days, this 66-year-old summer camp for Jewish kids has been commandeered by a new kind of summer camp — Trybal Gatherings, for Jewish adults.
Trybal Gatherings was founded by Carine Warsawski, 34, a buoyant, Boston-bred M.B.A., with the goal of fostering lasting community among Jews in their 20s and 30s, and, ahem, a few in their 40s.
She held her first Gathering at Camp Eisner in the Berkshires in 2017, roping in mostly friends of friends. Over Labor Day weekend, it sold out, with 125 campers and a wait-list dozens’ deep. Last year, she added Wisconsin; next summer Atlanta, and has plans to expand from Seattle to Austin to Toronto.
Whereas traditions like Birthright Israel offer free trips to the homeland, Ms. Warsawski’s aim is to offer an immersive, low-commitment experience closer to home — one rooted not in Zionism or religious doctrine, but in the shared nostalgia of a Jewish-American rite of passage, complete with archery and horseback riding, and a roster that reads like it’s from the Old Testament. (At one point, I’d forgotten my name-necklace. “That’s O.K.!” someone joked. “It’s probably either Sarah or Rachel.”)
There are two main differences between Jewish kids’ camp and Jewish adults’ camp: No bedtime, and booze, lots of it. Kiddie-pools brimming with hard seltzer at Bubbe’s Beer Garden. Bottles of cheap wine at supper. Compostable flutes of bubbly at Arts & Crafts.
Also, adult campers have careers, though no one talks about them. Web developers and screenwriters, wedding planners and wardrobe stylists. And yes, a few doctors and lawyers. The majority came solo; others hand-in-hand and interfaith or happily married in matching outfits, like Emily and Rachel Leavitt — my Secret Santa, er, Mystery Moses.
It’s a mix of die-hard camp people reliving their glory days, once-homesick campers redoing their awkward years, and first-timers wondering what all the fuss is about. “My parents were immigrants from Iran! They didn’t know about camp!” says Baha Aghajani, 30. Neither did Saraf Shmutz, 39, who moved from Tel Aviv to San Diego. “My summers were ‘go play soccer and bug off.’”
As a writer who hasn’t been back to her camp, Young Judaea, in New Hampshire, in 25 years, I signed up to learn what’s moving Jews to opt for uncomfortable bunk beds and kosher-style mess halls, in lieu of a real vacation.
Trybal isn’t the only over-21 camp cropping up these days. Nor is it the only Jewish one. Camp Nai Nai Nai, which also operates on both coasts, and attracts a post-college, more conservative crowd. And “55+” Orthodox Jews have been davening at summer retreats for decades at places like Isabella Freedman where campers crochet kippahs and take day trips to Tanglewood, in the Berkshires.
Trybal is arguably the only camp, though, that starts the day with an “Abe Weissman Workout,” a calisthenics routine straight out of “The Marvelous Mrs. Maisel.” (Tomato juice refreshers included, but no rompers.)
It’s also, explains Ms. Warsawski, “a place for people who are more -ish than Jew.” Like Molly Shapiro, 28, of Berkeley. ““This is my jam!” she says. “Synagogues today aren’t really designed for us. We want something less traditional, more affordable, more fun. I mean, playing cornhole isn’t Jewish, but we’re playing cornhole together!”
Togetherness is what Trybal is all about. The schedule is packed from early morning to midnight with get-to-know-you-games and group activities like partner massage and mah-jongg, pickling and pool time.
The next morning, I pass up dreamcatcher-making for challah baking. “Oh yeah, this is what I’m here for,” says Abel Horwitz, a young Robert Downey Jr., kneading dough we’ll later braid and adorn with toppings beyond the traditional sesame. Rainbow sprinkles. Peaches. Jalapeños. “Will 20 loaves be enough for all 60 of us tonight,” some Jews worry.
Next, it’s a tossup between the relationship workshop and the ropes course. I decide I like humans more than heights and head over to hear what the visiting Rabbi Sherre Hirsch, has to say. She reads a passage from the 20th-century philosopher Emmanuel Levinas and tells us to partner up. A 26-year-old named Sam and I stare into each other’s faces for a full five minutes. “Sit with the discomfort,” the rabbi urges. Reluctantly, I do. I smile. He winks. I wiggle, examining his wrinkle-free forehead and bushy eyebrows bound to grow bushier in old age, until my awkwardness turns to calm. I’m overwhelmed by a deep feeling of curiosity and compassion for this man, for myself, for humanity.
“That was a good reminder,” Ms. Aghajani says afterward. “To give people more of a chance. To not swipe so fast.”
After a grilled cheese buffet, there’s solar art and yoga and Slip-n-Slide kickball. I head for the hammocks, where a guy with long red hair is lounging in a tie-dyed Helvetica T-shirt that reads “Falafel & Sabich & Hummus & Schwarma.” It’s his third Trybal. He is the camp guitarist, and a rocket scientist in real life.
“I come to be a kid again,” Jeremy Hollander, 34, says. He pauses. “And to, you know, be with my people.” In real life, he doesn’t bring up the fact he’s Jewish. “‘Hollander’ isn’t ‘Schwartzenbaum’. People see me and usually think I’m Scottish or something.” He feels safer that way. Especially today, he says, with rising anti-Semitism. “The flame is being fanned. You never know who has what opinions. Here, I can let my hair down.” (Although, technically, it’s in a ponytail.)
“The only one thing I have to worry about at camp,” he says, “is when am I going to squeeze in a shower?”
Still, before sundown, we all emerge from our bunks neat and clean and dressed in white. “Can you believe I got this for $2.99 at Saks Off Fifth!” exclaims Lauren Katz, a volunteer staffer wearing lace. (We can’t.)
Picture time. “Say Cheese!” the camp photographer instructs. “But we’re lactose intolerant!” someone cries from the crowd.
We gather in a stone-lined grove, to sing and sway and cheek-kiss “Shabbat Shalom,” before making our way to the dining hall for a sit-down dinner of roast chicken. And, of course, plenty of challah.
It’s all so familiar to me. The tunes are different, but the Hebrew words are the same. The trees are eucalyptus, not pine, and Mr. Hollander is not the longhaired, tie-dye-clad musician from my old camp, and yet — he could be.
I agree with what he said earlier. There is something easy and assuring about spending a summer weekend like I used to (albeit for eight whole weeks): with my people. Or, at least with people who remind me of my people. New friends bonded by old memories.
Trybal is like a modern millennial shtetl, where gesundheits fly. And “Hava Nagila” plays at a Hawaiian luau. And campfire stories include, “How I Became a ‘Nice Jewish Guys’ Calendar Model.”
It’s an alternate, insular world where I find myself running through a field, streaked in war paint, chanting: “We have spirit, because we’re Blues! We have spirit because we’re Jews!”
It’s a universe where conversation flows from the Netflix show “Shtisel” to the lack of Jews in Santa Barbara to the universal disdain for online dating (despite the fact that Trybal is sponsored by JSwipe), to whether Ms. Rosenberg indeed met her future husband.
“We’ll see,” she says, smiling. She did make-out at Arts & Crafts with the Trybal barista: a boy she barely remembers being at her bat mitzvah.
On the last night, I slip quietly out of the luau, where the D.J. is rocking “Lean On Me.” I leave the Leavitt ladies in their twin Hawaiian shirts and my Rosé bunkmates dancing the macarena. Mr. Shmutz and the Cabernets are making reunion plans. Mr. Blake is flirting with one of his crushes.
I have an early flight to catch. Back to my husband and kids and, in a way, the future. In the morning, I’ll miss the friendship bracelets and the compliment circle and, like a true last day of camp: tears. For a moment I have FOMO. And then I realize, it’s fine. Sometimes an Irish goodbye is just as good as a Jewish one.
Rachel Levin is a contributor to the Travel section and the author, with Wise Sons Deli, of “EAT SOMETHING,” to be published in March, by Chronicle Books.
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halatemybrain-blog · 5 years
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Post #7
1. Many people don’t agree that gender is a social construct because their perception is limited to a biological standpoint. These people don’t see that what has been constructed is what it means to be a “man” or a “woman” and how this perception has changed over time. In the beginning stages of manhood, the role of a man and a woman was limited to being the “caregiver” and the “provider”.  This role has changed with the progress of time, but there is still the assumption that people have certain expectations they need to live by based on their gender.
2. This question was proposed by Linda Nochlin along with the argument that people don’t see women as  capable of producing greatness. This follows the assumption that women are lesser then men in both a physical AND intellectual aspect when this is not true.
3. One of my favorite examples of this is the story of Margaret Keane, a painter in male-dominated era of the 1960’s. After she marries her husband Walter Keane, he told her that no one would take her work seriously because she was a woman and it would be best for him to take the credit. He then rose to fame from her art talent and credited the stereotype that men were the “providers” (even though he wasn’t providing the work at all). This was eventually settled in court years later when they were asked to draw in front of a judge.
4. While I do think that we have made strides to fix this social construction that men are the “providers” and “leaders”, ( One example being the new CEO of the Martin Agency being a woman), it is still a major problem we face in society and we need more strong female leaders to have leadership roles in order to move ourselves towards a more progressive generation.
5. Toxic Masculinity is usually left to the women and gay community because they are the ones being oppressed against and when men have power it is hard to give that up. Men may agree that there should be more equality in the workplace but to actually relinquish power and step down in order to give women and gay men the chance to lead has been hard to achieve. We need to actually instill a sense of urgency, need and empathy within men and make them realize that having women and gay men in power sets a major example for the community.
6. Blank Panther was an import film for female empowerment because it stripped away the stereotype that women are fragile and sexualized and rather showed them as being intellectual and strong. Many of the women showed beauty I their character and their talents rather than their physical appearance. Having an example of female black excellence such as this was a major progress step for all of the communities of children watching these woman as a role model. Other examples of strong female excellence in the media today includes Killing Eve, The Marvelous Ms. Maisel, and Daenarys in Game of Thrones.
7.Taught masculinity is dangerous because it shows younger boys that there is a certain standard they must live by in order to be accepted by society as a “man”. The documentary shows the different ways this can affect the younger generations and it is important to show that males can earn respect no matter how “masculine” they may seem. One of my favorite examples of this is from the movie Milk, a film that follows the story of gay rights activist and politician Harvey Milk as he becomes the first gay person elected into public office. This movie set an example that men don’t need to live by hyper masculine standards in order to have leadership skills, intellect and respect among the community. Rather than set  practically unachievable standard of what “proper” manhood looks like to the younger generation, we should be making more films like Milk that show that respect and societies standards for masculinity don’t necessarily have to correlate.
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