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#i tried to see if you have a DA verse but i couldn't find it so hmu if you do and i can change this accordingly! i just know she's queen
storiesungaa · 3 years
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@direregina​ sent ❛ What did you expect, coffins and dungeons and moats? ❜ (for morrigan maybe ? )
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“Perhaps.” Morrigan answers - from where she is from, that is a likely situation. This castle before her looks like something a vampire might live in. There are no coffins, there are no dungeons, and there are no moats. No dungeons that she is aware of, that is“
“Tis your castle?” How intriguing - Morrigan has never been up this close to a castle before. Not when she is a witch of the wilds and most fear her, templars hunt her. Being near a castle always seemed like a recipe of disaster. “I must ask - what are we doing here?”
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msilwrites · 3 years
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(A 3AM Update) A True Gentleman, Chapter 20 - A case of jealousy
A/N: Hi guys! Chapter 20 is up! Enjoy reading and tell me what you think in the comments below.
TWENTY
A case of jealousy
Diana stared at the large tall ceiling of the concert hall. Right now, she's lying down on the stage, with a book on top of her rib cage, whilst doing vocal exercises and singing. Without a doubt, any member of the orchestra knew it was Aedan's doing.
As Diana struggled to recover every time she needs to prolong a part, Aedan required her to practice her breathing and take her voice completely from her diaphragm.
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" You take the high road and I take the low, and I'll be in Scotland before ye, for me and my true love will never meet again, in the bonnie, bonnie banks of Loch Lomond..."
The instruments and Diana's voice closes the song, whilst the music fade, her cold voice prolongs the last verse, and echoes throughout the music hall, giving chills to people around. The hall was quiet for a while, but then applause followed coming from the orchestra musicians, appreciating the improvement in Diana's voice.
"OH MY GOSH! Aedan! your method work!!" she declares! seeing the improvement in her voice.
"It did, but you can't sing lying down during performances, Diana!" Aedan says playfully. "Which is why it is important to practice standing!"
Diana sighs and gets up from the floor. Singing had drained her a bit of vocal power and physical energy, therefore she needed a short break. She sits beside Aedan and takes the unopened bottle of Snapple beside him.
"That was mine!" he reprimands.
"I owe you one..." was her quick response.
"You owe me a lot, speaking of which... what was your Dr Skovgaards reaction?"
She narrows her eyes at him, remembering the incident that had recently taken place. "Are trying to get me into trouble, Aedan?! you bloody sent my dress for the wedding gig, with a box of flowers and a 'dirty' letter-"
"Which you wrote by yourself by the way!" Aedan quickly rebuffs her.
" It was your idea! I told you to discard it!! You made it look like some scene in some cheesy r-rated novel!" she says reprimanding him, but all he did was laugh at her.
" So? Did it work? did it work? what was his reaction?! tell me! tell me! you're killing me with the suspense!."
**********
FLASHBACK
It was Saturday quarter to noon when the doorbell rang. Isaac, since he was having his day off, was the one who answered the door, instead of Diana. Heck, that girl almost never showed her presence recently, and only placed mail for him at the dining table.
Isaac opens the door and was surprised to find a delivery man carrying a large black box of 'Net-A-Porter' and on his other hand, was a huge round box of bright pink roses.
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"I did not order such thing!" was the first thing he said to the delivery man.
But the delivery man just laughed at him " Well, no one ordered them, these are all for 'Diana Rutherford' unless you happen to be her. Anyways, could you help me receive them? It's really heavy..."
Isaac's mouth hung agape, he didn't know how to react at the moment, and just took the boxes that the delivery man was carrying.
" Alright, please help me sign here to receive and we're good!" the delivery man hands him the 'received slip' after signing before leaving.
Isaac carries the boxes to the living room, and as much as he didn't want to, began snooping in. On top of the net-a-porter box was a card. He opened it and read its contents.
" To my sweetest Diana,
I hope you love the dress and the flowers I gave you. They represent my feelings towards you. I will fill you with love the next time I see you, I want to fill you with all the joys of the flesh, you lovely, lovely woman... I'd fill you until -"
Isaac clenched his fist and unknowingly crumpled the side of the letter. He read throughout it and it became steamy to explicitly dirty. His face felt warm, imagining what Diana had done with the man who sent these things, he just couldn't accept it and that was what broke the camels back.
He read the name at the end of the letter 'Sam'.
He chuckled and finally decided. "Alright, Sam... off you go..." he mumbles to himself. He didn't exactly know what came over him, but he wanted to throw the things this 'Sam' guy has sent.
"Dr. Skovgaard!" a familiar voice from up the stairs called him. He looked up to find Diana, looking at him expectantly. "Are those for me?!" she said excitedly, and came jogging downstairs."
"Uhhmmm... yes, some 'Sam' guy sent it to you..."
Diana forced a smile. 'Sam' was the pseudonym that she and Aedan agreed upon when they wrote the letter. Heck, she told him to abort the plan, but it seems it wasn't the case.
She quickly takes the boxes from Isaac and took a look at their contents, the dress she rented for one of her performances was already there. Aedan had packed it using a net-a-porter box to make it look like it was 'bought' instead of being rented.
The flowers were something she had bought for herself to place in her room, but it was Aedan's idea to make it look romantic.
She looks at the letter, and cringe upon reading it. It was actually a group of explicit letters formed into one. On the side, she couldn't help but notice the large crumple on the perfectly smooth surface of the card.
"Did you read the letter, Dr Skovgaard?" she felt blood rush to her cheeks.
"Uhhhmmm... no..." was his quick denial, however, Diana's gaze made him admit to it unknowingly. " Yes... by accident, sorry I was curious... " was his immediate defence.
"Oh..." she felt embarrassed and screamed internally.
There was a moment of awkward silence between the two before he spoke again.
"Whose, Sam? Are you two dating?" he tried to sound casual, but there was a strain in his voice that didn't escape Diana.
"Oh... uh, ahehehehe," she laughs awkwardly, avoiding his gaze. She noticed his expression darken and definitely didn't want to look him straight in the eyes. "It's a secret Dr Skovgaard!" she declares and winks at him, catching him off-guard.
She quickly takes the boxes from Isaac, and the card, and ran back upstairs to her room, singing a sensual tune, called 'Pillowtalk'. "I love to hold you close, tonight and always, I love to wake up next to you..." she dreamily sings.
Isaac clenched his teeth, the dreamy and shy expression, and singing silly to a dirty tune. This woman was smitten to whoever this 'Sam' guy is.
He did not like it one bit.
END OF FLASHBACK
**********
Diana shakes her head, and covers her face in embarrassment, just by remembering the letter she wrote to herself, and the fact that Isaac has read the letter.
On the side was Aedan laughing his head off upon hearing everything that had happened.
"Stop it, Aedan!" she chastises him, slapping his shoulder, but he just laughed louder. "I'm about to die in embarrassment!"
"You should thank me! you got the reaction out of him, he's jealous!" he exclaimed.
"I don't think that's the case Aedan, I think he's more concerned and angry at the thought of me probably dating a hypersexual man."
"Oh, Diana, based on what you told me, he's definitely jealous! trust me! I'm a man!" he assures, but she still doesn't believe.
"Oh well... I guess I'd revel in his reactions while it lasts... " She sighs.
**********
The next weekend, her first assignment is to sing at a society wedding. Aedan saw that Diana lacked confidence, and he didn't want her to stand and sing awkwardly on the day of the main performance. So what other way can she build confidence? by doing a performance! Or throwing her to the sharks full of water, courtesy of Aedan.
Today, she was going to sing with a piano quintet, and the church choir and she couldn't help but feel nervous, knowing she is the soloist for today and felt regret despite the promise of payment.
"Well... I can finally buy a 3D printer..." she assures herself as she walks towards the church's opulent doors wearing the dress that she had 'sent' herself.
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She knew this wee bit of money will help her buy the tools she needed in order to set up a small workshop studio she wanted and with renewed spirit, enters the halls of the church. Voices echoed as she entered halls, some of the guests were already seated whilst a number of children were still running around. The quintet was already there, setting up their strings and reading the music sheets, whilst the small choir were still chatting amongst themselves.
She heads towards the pulpit where all the musician was, but before she could even reach the place, familiar voices called her from behind. Turning around, she found her cousin Henry, beside her father, Francis and they were wearing kilts, and then she realized most of the men in the halls were indeed wearing kilts. Without a doubt, this was a Scottish wedding.
"Diana! It's nice to see you!" Henry greets, as he gets out of the pew to embrace his cousin.
"Ahehe... Henry? Da? What are you doing here?" was her first question.
"I should be the one asking you that!" was Francis reply. "What are you doing here? Do you happen to know the bride or groom?"
"Oh... uhhmmm... you know... to sing!" she declares.
"What?!" Francis was stunned. Sing?! Why does she need to sing? Unless she was actually the wedding singer. "Wait! Are you-"
"I'll talk to you later Da!" she says, half running to the pulpit, not wanting any more of the interrogation. It was better if he finds out himself that the wedding singer is his daughter. She'd face his wrath later on.
Half an hour later, the wedding has begun. She clears her throat and opens with the song called ' The One by Kodaline, as the entrance wedding march.
The piano began, and the choir began to sing the back vocals. Her cold voice followed, singing the first verse.
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"Tell me. Tell me that you want me. And I'll be yours completely For better or for worse." she sings, as the processional march began with the wedding officiant entering first, followed by the groom and his best men. Afterwards, the bridesmaids, groomsmen and the ring bearer and flower girls entered the halls, scattering flowers down the floor.
And when the brides, turn came, the guess had stood up to welcome her.
" You make my heart feel like it's summer When the rain is pouring down You make my whole world feel so right when it's wrong That's how I know you are the one " she closes, the song when the bride had reached the altar. Turning to the side, she watched the groom shed some tears, as he took his bride's hands. It was no mistake that it was tears of joy.
She turned and found a number of guests, also crying. Including her father, and cousin, Henry. Heck, she'd never thought she'd see the day these tough men cry.
A pang of jealousy hits her as she watched the wedding ceremony. It takes her back to the time when she was seventeen, dreaming of her own wedding, whilst looking at Vera Wang wedding catalogues on the internet. She too dreamt of getting married to a man who loves her, a man who'd help her escape from her once uncaring father. A man who'd take away all the pain that she had suffered. But no, the man whom she almost married gave nothing but pain. If they did end up on the altar, she wondered if she would've become mental by now, or currently doing divorce proceedings. It took many twists and turns for her to realize that only she can make herself happy.
When the vows ended, Diana took it as a cue to sing the next song 'Fix You' by Coldplay. The strings open the song followed by the piano and then the hum of the choir.
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"Tears stream down your face I promise you, I will learn from my mistakes Tears stream down your face and I...
Lights will guide you home And ignite your bones And I will try to fix you" The choir and quintet fade in the background as she prolongs the last word, and her voice echoed like cold wind throughout the church's halls.
The bride and the groom cry with tears of joy as the song ended, touched at the way Diana sang the song. The couple looks at each other fondly, before turning back to the altar.
"I now pronounce you Husband and Wife! You may now kiss the bride!" the wedding officiant declares.
Without any hesitation, the groom lifts the bride's veil and kisses her. Loud applause and cheers followed, and the recessional music plays.
Diana watched the bride and the groom march out of the church, followed by their cheering guest. It was moments like this that made her question her own life. However, she puts it aside, knowing where her priorities now lie.
A/N: I might have made some grammatical errors, so I'd do some soft editing along the way.
I hope you enjoyed that one! What do you think of Isaac being jealous? tell me in the comments section below.
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airadam · 5 years
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Episode 123 : Count On It.
"...we see people as numbers and we make 'em check a box."
- Invincible
I couldn't not acknowledge the numerical sequence in this month's episode number! The episode title ties into that, but also the consistency I pride myself on when it comes to getting the show completed; on time, every time. As far as the tunes this time out, there are a few that play on the theme, plus we remember the great Sean Price on the 4th anniversary of his passing, as well as a bunch of other interesting tracks both old and new. 1, 2, 3, let's go!
Twitter : @airadam13
Playlist/Notes
Geto Boys : 1, 2, the 3
I'm opening with this track just on principle, but only including Scarface's opening verse - if you want the whole thing, look up "The Foundation" album. That Tone Capone (who gave us the classic "I Got 5 On It") groove is wicked though...
[Pete Rock] Ed O.G. : Right Now! (Instrumental)
It's always good to hear a Pete Rock beat, and the re-issue of "My Own Worst Enemy", his album with Boston legend Edo G, has a full set of instrumentals 👍
Sean Price ft. St.Maffew : Weed & Hoes
Disrespectful on multiple levels - but so good. Not sure who produced this, but that's a brilliant bit of sample manipulation to turn gospel vocals into the hook for this thugged-out track. Sean's verse is definitely the one, but Maffew Ragazino (performing under an (in)appropriate alias) does his thing here too. If you can find it, this track is on the "Kimbo Price" mixtape. I can't believe this is ten years old already!
Heather B : All Glocks Down
A classic anti-gun record from the mid-90s, with this BDP affiliate taking no kinds of shorts on the mic at all! In fact, she would say she was "Takin' Mine", as her debut LP was titled. Kenny Parker works an old soul classic for the beat.
Termanology ft. Bun B : How We Rock
I don't know why I haven't played this one until now - it's been a headphone favourite for a long time, as you can tell by the reference to "Obama '08"! Lawrence, MA and Port Arthur, TX in combination here as Termanology brings in the legend Bun B of UGK to add his gravitas and gravelly flow to this DJ Premier-produced track. "Politics As Usual" is definitely worth a listen if you don't know it, and a re-listen if you do - there are a good number of quality tracks on it.
Papoose : Numerical Slaughter
Every time I think of Papoose, I now think of the late Combat Jack (RIP) - that said, I'd like to think even he couldn't deny this one! In a thematic blend between "Alphabetical Slaughter" and something like Emanon's "Count Your Blessings", 2019 Papoose runs through the numbers one to nine over a dramatic DJ Premier beat. Bars like this show that the title of his new LP ("Underrated") is an accurate one.
Jel : Loop/Truncate
We take a break from the rhymes to hear some pure SP1200 wizardry from Anticon's Jel, taken from the appropriately-titled "10 Seconds" album. That drum programming clearly took some serious work - those who've ever tried it will understand the difficulty level of some of those fills! 
Bumpy Knuckles ft. Big Gov, V Stylez, and Kuye Mason : In Love With The Game
The "Pop Duke, Vol.1" LP is a heavy collaboration with the producer Nottz which is a recommended pickup if you love that boom-bap sound. While there are some big guests on the album, this track features some less well-known artists - Big Gov and V Stylez from Detroit, plus NYC's Kuye Mason on the hook. The beat grinds along like a drunk and grimier version of EPMD's "Headbanger", and after all the guests have eaten, Bumpy Knuckles comes in at the end to do what he does best - clean up like a pro.
Freddie Gibbs : Fuckin' Up The Count
Dark drug business from Gangsta Gibbs' "Shadow of a Doubt" LP. If you were a fan of "The Wire", you might recognise the intro voiceover, bridge, and the outro (if you can hear it) from some classic scenes taken from that monumental series. Speakerbomb, Frank Dukes, and Boi-1da merge some melancholy piano and bass which match the theme with some clean trap drums for that speaker shake.
Portishead : Numb 
The classic "Dummy" album, Portishead's debut, is twenty-five years old this month! This was the lead single, and one hell of an introduction to this Bristol trio. Hip-Hop heads would immediately be able to detect the presence of kindred spirits in method and influence, if not direct style. A track like this wouldn't be the same without Geoff Barrow's scratching filling in the breaks between Beth Gibbons' killer vocals. If you don't know this album, sit in on an evening and give it a front-to-back listen.
Marco Polo ft. Sean P & Rock : I'm So High (Remix)
It was completely coincidental I ended up choosing two weed-themed Sean P tracks this month! This one is new to me, but is a winner - reuniting Heltah Skeltah on a fire Marco Polo beat. The original version of this track, minus Rock, is at least seven years old, so it's not a posthumous piece as such - Marco and Sean definitely worked together on this. "The Green" mini-album compilation is a whole project of ganja business, which I can at least appreciate on a music level even if it's not my experience :)
MFSB : Something For Nothing
Even if you don't know this song, it'll be familiar to quite a number of you because it's been sampled so many times! I'm playing this from an old dusty 7", but that's just a single release from the 1973 self-titled debut album from the house band of the mighty Philadelphia International Records.
The Left ft. Invincible : Statistics
I believe it was Vicky T's "Rhyme & Reason" show that introduced me to this track. The Left is a Detroit crew made up of Journalist 103 on the mic, Apollo Brown on production, and DJ Soko with the cuts. Local mic flamethrower Invincible is the featured artist on this selection from the 2010 "Gas Mask" album, and both MCs paint pictures (one first-person, one not) of hard lives in the face of an uncaring, bureaucratic system.
Rapsody ft. GZA and D'Angelo : Ibtihaj
Now this is what you call a big co-sign - Rapsody rhyming over a tweaked version of the "Liquid Swords" beat, and getting GZA himself to contribute a guest verse! If that wasn't enough, the notoriously reclusive D'Angelo comes in to perform the hook. That kind of weight lets you know that this MC is the truth. She commands the mic with strength and confidence, and it feels like the start of a coming-out party. The new "Eve" album is a sixteen-song collection where every track is names after a woman Rapsody admires - in this case, the American Muslim hijabi fencer Ibtihaj Muhammad. Enjoy listening here, but the striking video is definitely worth a watch too!
Camp Lo : Superfly
This Camp Lo demo is dope as-is, but one that I wouldn't have minded hearing done again for the "Uptown Saturday Night" LP. As it is, this is a track that was unknown to most of us until the release of "On The Way Uptown", which collected together a lot of the demos and sketches from that era. Boom-bap, sparkle, and slang in abundance.
DRS ft. Enei : Count To Ten
Last episode you heard DRS in Hip-Hop mode from his most recent LP, but here we go D&B as we wind it all the way back to his debut LP, "I Don't Usually Like MCs But..." DRS delivers his lines with a measured aggression and is never hurried by the track - like an MC version of the T-101. For the instrumental, Russian producer Enei keeps things stark and dark.
Kev Brown : Victorious
Beat-heads will enjoy Kev Brown's short concept beat tape "Delve Into Classical Moog" from which this is taken; not only does he make heavy use of the sounds of the synth of the same name, but also samples the words of the great Robert Moog himself. I've extended this track a bit to make it more suitable for the show outro voiceover, and it was one well worth playing right to the end.
Redman : Da Countdown (Saga Continues)
This might have been a more appropriate pick for episode 321, but if I'm lucky and energetic enough to get that far, that's over sixteen years away - which would make this track officially an oldie! As it is, this is the highlight of the 2004 "Ill At Will" mixtape by Redman, coming out on his then-new label, Gilla House. The beat is bombastic, and Red is not coming meek and mild with it either! The  sample on the hook should sound familiar to those who've been listening since the 90s - it's from the final NWA album. Ironic that the saga did not continue in the way they might have expected...
Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!
  Check out this episode!
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