#icons ana carolina da silva

[trashedits]

carolana

#icons #icons twitter #icons sem psd #icons carolana #carolana #icons volei #volei icons #carolana icons #carolana15 #icons carolana15 #icons ana carolina #icons ana carolina da silva #icons without psd #icons sfv

[creatiview]

The world’s eight billion people Saturday ushered in 2023, bidding farewell to a turbulent 12 months marked by war in Europe, stinging price rises, Lionel Messi’s World Cup glory and the deaths of Queen Elizabeth, Pele and former pope Benedict. Many were ready to set aside pinched budgets and a virus that is increasingly forgotten but not gone, and embrace a party atmosphere on New Year’s Eve after a few pandemic-dampened years. In New York, confetti rained down on crowds after the famous ball drop in Times Square, a tradition that dates back to 1907, with visitors from across the world waiting for hours in the chilly rain to take part. Throngs of people packed Rio de Janeiro’s Copacabana Beach — up to two million were expected — for music and fireworks, without the coronavirus safety measures of the past few years. The festivities came only hours before Brazil inaugurates new president Luiz Inacio Lula da Silva Sunday, following his razor-thin win in October polls. After the widely criticized pandemic policies of outgoing President Jair Bolsonaro, Copacabana partygoer Ana Carolina Rodrigues — wearing the evening’s traditional white — says she hopes 2023 brings a new government that “looks more at people’s health.” Across the Atlantic, Parisians — and a “normal” amount of tourists, comparable to 2018 or 2019, according to officials — took the opportunity to crowd together shoulder-to-shoulder for a fireworks show along the Champs-Elysees. Police said about a million people showed up for the celebration, where children in pushchairs and partiers with champagne were equally visible. “We’re here for the ambiance, to have a good time and to be together,” said 19-year-old student Ilyes Hachelef. “And it’s beautiful!” Hours earlier, Sydney became one of the first major cities to ring in 2023, restaking its claim as the “New Year’s Eve capital of the world” after two years of lockdowns and coronavirus-muted festivities with a fireworks display over the Sydney Harbour Bridge. – ‘Year of Ukraine’ – For some, 2022 was a year of Wordle, the Great Resignation, a new Taylor Swift album, an Oscar slap and billionaire meltdowns. It also saw the deaths of Queen Elizabeth II, Brazilian football icon Pele, Mikhail Gorbachev, Jiang Zemin and Shinzo Abe. Former pope Benedict XVI also died on New Year’s Eve. The global population surpassed the historic milestone of eight billion people in November. But 2022 is most likely to be remembered for armed conflict returning to Europe — a continent that was the crucible of two world wars. “It was our year. Year of Ukraine,” President Volodymyr Zelensky said in his nightly address Saturday, reflecting on his country’s war effort throughout the year. More than 300 days into Russia’s botched invasion of Ukraine, about 7,000 civilians have been killed and 10,000 more injured, according to the Office of the UN High Commissioner for Human Rights. About 16 million Ukrainians have fled their homes. For those who remain, an 11:00 pm to 5:00 am curfew will be in place amid periodic blackouts and Russian missile barrages. The latest Russian strikes on Ukraine Saturday claimed at least one more life and wounded several others, said Ukrainian officials, while an explosion was heard in Kyiv just after the New Year. “We do not know for sure what the new year 2023 will bring us,” Zelensky said, promising that Ukrainians would fight on and offering a wish for “victory” in 2023. In Kyiv, filmmaker Yaroslav Mutenko, 23, was defiant after a shell hit the four-star Hotel Alfavito near his apartment, insisting the blast would not stop him from partying. “Our enemies, the Russians, can destroy our calm but they cannot destroy our spirit,” he said. – London fireworks – There seemed to be a dulled appetite for grand celebrations in Vladimir Putin’s Russia. Moscow canceled its traditional fireworks show, as Putin said in a New Year’s address that “moral, historical rightness” is on Russia’s side as the country faces international condemnation over the war.

London was meanwhile welcoming crowds to its official New Year’s Eve fireworks display for the first time since the pandemic. One place that wasn’t joining in the pyrotechnics was the English seaside town of Scarborough, which called off its display in order not to disturb “Thor” the walrus, who recently appeared in the harbor. Councillor Steve Siddons said the town was disappointed, “but the welfare of the walrus has to take precedence.” – Shadow of Covid – The Middle East region welcomed 2023 with a traditional fireworks show from the world’s tallest building, the 830-meter (2,723-feet) Burj Khalifa in Dubai, United Arab Emirates. Laser lights added to the spectacle at the landmark, which carried messages including “Hugging again,” an apparent reference to the end of Covid restrictions. However, China begins 2023 battling a surge in Covid infections. But New Year’s Eve parties still went on as planned, even as hospitals in the world’s most populous nation have been overwhelmed by an explosion of cases following the decision to lift strict “zero-Covid” rules. In Beijing revelers flocked to clubs, music venues and bars, while downtown Shanghai saw masked youngsters celebrating in the streets near the famed Bund waterfront, according to social media videos. Meanwhile in Wuhan, where Covid-19 first emerged, large crowds set off festive balloons in a central square as the clock struck midnight. Chinese President Xi Jinping told the country in a televised New Year’s Eve address that, despite the outbreak, “the light of hope is right in front of us”.

[poettier]

Clubcamping | The legend of Pedro Rodríguez | Director's Cut from Clubcamping on Vimeo.

Racing driver Pedro Rodríguez was one of a kind, a legend in Latin America, and an idol to Porsche fans all over the world. And not only because he was a crazy skilled driver: he made history driving the iconic Porsche 917k, which we can only assume was based on a discarded Batmobile design deemed too unrealistic.

Fifty years after his tragic demise while racing in Germany, we teamed up with The Community and Porsche to honor some of his feats.

Crank up the volume and get ready for a 60-second trip at 300 km/h.

This is our director's cut version for: The Legend of Pedro Rodríguez!

Let’s start by saying we were granted unprecedented creative freedom in this project by both the agency and the client.

But even before the slightest idea came to our minds, we knew one thing for sure: we needed the car to look perfect in 2D. Animating the Porsche 917k frame by frame, without a reference, sounded like the premise of the next Saw movie, so we decided that a 3D model of the car to produce some sweet 3D layouts was a fundamental asset to get our hands on.

To build Pedro’s world we thought about ‘60s and early ‘70s graphic design, movies, cartoons and tv shows, and discussed with Juan what pop culture and art milestones had left a mark on our styles. We agreed we wanted an overall vintage vibe but with modern visuals and animation ideas that would challenge our craft.

“Speed Racer meets Akira” was our pitch.

In a process we like to call “blind parkour design”, we started importing materials into After Effects and mixing it to see what happy accidents we encountered.

Jumping from After, to Animate, to Photoshop, to C4D, trying things out, not thinking whether something might work or not but simply doing it. Letting our subconscious sublimate. An intense animatic process ensued, where tons of new ideas and references kept flowing and popping up spontaneously.

We wanted the animation timing to feel a little limited, but with lots of super-sharp poses and eases. We chose to work at 24fps and its multiples, focusing mainly on animating in 3s, with 4s and 1s as extremes.

The comp was going to be extra heavy⁠—we knew it and wanted it to be that way. Lots of glows, defocus, and grain. But the hardest comp ever was the one with the oil monster. It required a tremendous amount of coordination, organization and patience, constantly going back and forth between layout, animation, cleanup and comp. That shot alone took about a whole month to produce.

We promise you everything was under painful control.

One last thing you might be wondering: what about the square format, with rounded edges? We worked in a 2202 x 2202 1:1 format so as to easily come up with different versions later. The idea all along was to deliver a 16:9 format. As we went on, new details and compositions increasingly made sense when displayed in 1:1. We sat on it a little, and then El Señor Rodriguez himself inspired the final touch: what if we added a nice frame with rounded corners, giving it a lovely super-8 vibe like the footage of Pedro we were already showing at the end?

That was the last touch. The vintage vibe was exactly what we needed to close the circle.

We raise our cups to Pedro and what his star at 300km/h might bring us.

Credit list:

Clubcamping Creative direction: Mariano Fernández Russo. Art Direction: Juan Barabani. EP: Ana Sieglitz & Juliana Millán. Line Production: Carolina Cantero. Animation Direction: Mariano Fernández Russo. Animatic: Mariano Fernández Russo. Illustration: Juan Barabani & Victoria Farelli. 2D and Motion animation: Mariano Fernández Russo, Maricel Piazza, Emmanuel Zampalo, Franco Pelliciaro, Pablo Rago, Fernando Lamattina, Katherine Pryor, Ana Artaza, Penblade Animation & Alcides Izaguirre. Clean up: Alan Mohamed, Sofía Díaz, Gabriela Bosco, Daniela Donato, Julieta Culaciati, Clara Riavec & Rafael Pires. Compositing: Mariano Fernández Russo. BTS Editor: Juan Raimondi Render: Yago Lopez.

Sound (CC Director's Cut Version) Music: Facundo Capece Sound Design: Felipe Barandalla Client: Porsche Agency: The Community Global CCO, Founder Jose Molla / Joaquin Molla Executive Creative Director: Ricky Vior Associate Creative Director: Gabriel Da Silva Associate Creative Director: Rodrigo González Content Creator Lead: Rosario Avila EVP, Head of Integrated Production: Laurie Malaga Maker/s (Producers) Executive Producer: Debi Rubiani Sr. Production Lead: Juan Manuel Sosa Account Team: VP, Managing Director Latam: Julieta Rey, Brand Lead Regional Latam: Sandra Giraldo, Brand Supervisor: Barbara Palacio/Julia Isabel Hernandez, Connections Strategy: Sebastian Ibarr Digital Content Director: Monica Godoy Brand Strategy Director: Alessandra Noceda Brand Strategy Planner Alejandra Margain Business Affairs Business Affairs Director: Natalie Greenman Business Manager: Priscila Hourihan Production Assistant: Aldana Bea PHOTOGRAPHER / ILLUSTRATOR Photographer: Richard Monning

[albino-sun]

Clubcamping | The legend of Pedro Rodríguez | Director's Cut from Clubcamping on Vimeo.

Racing driver Pedro Rodríguez was one of a kind, a legend in Latin America, and an idol to Porsche fans all over the world. And not only because he was a crazy skilled driver: he made history driving the iconic Porsche 917k, which we can only assume was based on a discarded Batmobile design deemed too unrealistic.

Fifty years after his tragic demise while racing in Germany, we teamed up with The Community and Porsche to honor some of his feats.

Crank up the volume and get ready for a 60-second trip at 300 km/h.

This is our director's cut version for: The Legend of Pedro Rodríguez!

Let’s start by saying we were granted unprecedented creative freedom in this project by both the agency and the client.

But even before the slightest idea came to our minds, we knew one thing for sure: we needed the car to look perfect in 2D. Animating the Porsche 917k frame by frame, without a reference, sounded like the premise of the next Saw movie, so we decided that a 3D model of the car to produce some sweet 3D layouts was a fundamental asset to get our hands on.

To build Pedro’s world we thought about ‘60s and early ‘70s graphic design, movies, cartoons and tv shows, and discussed with Juan what pop culture and art milestones had left a mark on our styles. We agreed we wanted an overall vintage vibe but with modern visuals and animation ideas that would challenge our craft.

“Speed Racer meets Akira” was our pitch.

In a process we like to call “blind parkour design”, we started importing materials into After Effects and mixing it to see what happy accidents we encountered.

Jumping from After, to Animate, to Photoshop, to C4D, trying things out, not thinking whether something might work or not but simply doing it. Letting our subconscious sublimate. An intense animatic process ensued, where tons of new ideas and references kept flowing and popping up spontaneously.

We wanted the animation timing to feel a little limited, but with lots of super-sharp poses and eases. We chose to work at 24fps and its multiples, focusing mainly on animating in 3s, with 4s and 1s as extremes.

The comp was going to be extra heavy⁠—we knew it and wanted it to be that way. Lots of glows, defocus, and grain. But the hardest comp ever was the one with the oil monster. It required a tremendous amount of coordination, organization and patience, constantly going back and forth between layout, animation, cleanup and comp. That shot alone took about a whole month to produce.

We promise you everything was under painful control.

One last thing you might be wondering: what about the square format, with rounded edges? We worked in a 2202 x 2202 1:1 format so as to easily come up with different versions later. The idea all along was to deliver a 16:9 format. As we went on, new details and compositions increasingly made sense when displayed in 1:1. We sat on it a little, and then El Señor Rodriguez himself inspired the final touch: what if we added a nice frame with rounded corners, giving it a lovely super-8 vibe like the footage of Pedro we were already showing at the end?

That was the last touch. The vintage vibe was exactly what we needed to close the circle.

We raise our cups to Pedro and what his star at 300km/h might bring us.

Credit list:

Clubcamping Creative direction: Mariano Fernández Russo. Art Direction: Juan Barabani. EP: Ana Sieglitz & Juliana Millán. Line Production: Carolina Cantero. Animation Direction: Mariano Fernández Russo. Animatic: Mariano Fernández Russo. Illustration: Juan Barabani & Victoria Farelli. 2D and Motion animation: Mariano Fernández Russo, Maricel Piazza, Emmanuel Zampalo, Franco Pelliciaro, Pablo Rago, Fernando Lamattina, Katherine Pryor, Ana Artaza, Penblade Animation & Alcides Izaguirre. Clean up: Alan Mohamed, Sofía Díaz, Gabriela Bosco, Daniela Donato, Julieta Culaciati, Clara Riavec & Rafael Pires. Compositing: Mariano Fernández Russo. BTS Editor: Juan Raimondi Render: Yago Lopez.

Sound (CC Director's Cut Version) Music: Facundo Capece Sound Design: Felipe Barandalla Client: Porsche Agency: The Community Global CCO, Founder Jose Molla / Joaquin Molla Executive Creative Director: Ricky Vior Associate Creative Director: Gabriel Da Silva Associate Creative Director: Rodrigo González Content Creator Lead: Rosario Avila EVP, Head of Integrated Production: Laurie Malaga Maker/s (Producers) Executive Producer: Debi Rubiani Sr. Production Lead: Juan Manuel Sosa Account Team: VP, Managing Director Latam: Julieta Rey, Brand Lead Regional Latam: Sandra Giraldo, Brand Supervisor: Barbara Palacio/Julia Isabel Hernandez, Connections Strategy: Sebastian Ibarr Digital Content Director: Monica Godoy Brand Strategy Director: Alessandra Noceda Brand Strategy Planner Alejandra Margain Business Affairs Business Affairs Director: Natalie Greenman Business Manager: Priscila Hourihan Production Assistant: Aldana Bea PHOTOGRAPHER / ILLUSTRATOR Photographer: Richard Monning

[dliilb]

Clubcamping | The legend of Pedro Rodríguez | Director's Cut from Clubcamping on Vimeo.

Racing driver Pedro Rodríguez was one of a kind, a legend in Latin America, and an idol to Porsche fans all over the world. And not only because he was a crazy skilled driver: he made history driving the iconic Porsche 917k, which we can only assume was based on a discarded Batmobile design deemed too unrealistic.

Fifty years after his tragic demise while racing in Germany, we teamed up with The Community and Porsche to honor some of his feats.

Crank up the volume and get ready for a 60-second trip at 300 km/h.

This is our director's cut version for: The Legend of Pedro Rodríguez!

Let’s start by saying we were granted unprecedented creative freedom in this project by both the agency and the client.

But even before the slightest idea came to our minds, we knew one thing for sure: we needed the car to look perfect in 2D. Animating the Porsche 917k frame by frame, without a reference, sounded like the premise of the next Saw movie, so we decided that a 3D model of the car to produce some sweet 3D layouts was a fundamental asset to get our hands on.

To build Pedro’s world we thought about ‘60s and early ‘70s graphic design, movies, cartoons and tv shows, and discussed with Juan what pop culture and art milestones had left a mark on our styles. We agreed we wanted an overall vintage vibe but with modern visuals and animation ideas that would challenge our craft.

“Speed Racer meets Akira” was our pitch.

In a process we like to call “blind parkour design”, we started importing materials into After Effects and mixing it to see what happy accidents we encountered.

Jumping from After, to Animate, to Photoshop, to C4D, trying things out, not thinking whether something might work or not but simply doing it. Letting our subconscious sublimate. An intense animatic process ensued, where tons of new ideas and references kept flowing and popping up spontaneously.

We wanted the animation timing to feel a little limited, but with lots of super-sharp poses and eases. We chose to work at 24fps and its multiples, focusing mainly on animating in 3s, with 4s and 1s as extremes.

The comp was going to be extra heavy⁠—we knew it and wanted it to be that way. Lots of glows, defocus, and grain. But the hardest comp ever was the one with the oil monster. It required a tremendous amount of coordination, organization and patience, constantly going back and forth between layout, animation, cleanup and comp. That shot alone took about a whole month to produce.

We promise you everything was under painful control.

One last thing you might be wondering: what about the square format, with rounded edges? We worked in a 2202 x 2202 1:1 format so as to easily come up with different versions later. The idea all along was to deliver a 16:9 format. As we went on, new details and compositions increasingly made sense when displayed in 1:1. We sat on it a little, and then El Señor Rodriguez himself inspired the final touch: what if we added a nice frame with rounded corners, giving it a lovely super-8 vibe like the footage of Pedro we were already showing at the end?

That was the last touch. The vintage vibe was exactly what we needed to close the circle.

We raise our cups to Pedro and what his star at 300km/h might bring us.

Credit list:

Clubcamping Creative direction: Mariano Fernández Russo. Art Direction: Juan Barabani. EP: Ana Sieglitz & Juliana Millán. Line Production: Carolina Cantero. Animation Direction: Mariano Fernández Russo. Animatic: Mariano Fernández Russo. Illustration: Juan Barabani & Victoria Farelli. 2D and Motion animation: Mariano Fernández Russo, Maricel Piazza, Emmanuel Zampalo, Franco Pelliciaro, Pablo Rago, Fernando Lamattina, Katherine Pryor, Ana Artaza, Penblade Animation & Alcides Izaguirre. Clean up: Alan Mohamed, Sofía Díaz, Gabriela Bosco, Daniela Donato, Julieta Culaciati, Clara Riavec & Rafael Pires. Compositing: Mariano Fernández Russo. BTS Editor: Juan Raimondi Render: Yago Lopez.

Sound (CC Director's Cut Version) Music: Facundo Capece Sound Design: Felipe Barandalla Client: Porsche Agency: The Community Global CCO, Founder Jose Molla / Joaquin Molla Executive Creative Director: Ricky Vior Associate Creative Director: Gabriel Da Silva Associate Creative Director: Rodrigo González Content Creator Lead: Rosario Avila EVP, Head of Integrated Production: Laurie Malaga Maker/s (Producers) Executive Producer: Debi Rubiani Sr. Production Lead: Juan Manuel Sosa Account Team: VP, Managing Director Latam: Julieta Rey, Brand Lead Regional Latam: Sandra Giraldo, Brand Supervisor: Barbara Palacio/Julia Isabel Hernandez, Connections Strategy: Sebastian Ibarr Digital Content Director: Monica Godoy Brand Strategy Director: Alessandra Noceda Brand Strategy Planner Alejandra Margain Business Affairs Business Affairs Director: Natalie Greenman Business Manager: Priscila Hourihan Production Assistant: Aldana Bea PHOTOGRAPHER / ILLUSTRATOR Photographer: Richard Monning

[axteck]

Clubcamping | The legend of Pedro Rodríguez | Director's Cut from Clubcamping on Vimeo.

Racing driver Pedro Rodríguez was one of a kind, a legend in Latin America, and an idol to Porsche fans all over the world. And not only because he was a crazy skilled driver: he made history driving the iconic Porsche 917k, which we can only assume was based on a discarded Batmobile design deemed too unrealistic.

Fifty years after his tragic demise while racing in Germany, we teamed up with The Community and Porsche to honor some of his feats.

Crank up the volume and get ready for a 60-second trip at 300 km/h.

This is our director's cut version for: The Legend of Pedro Rodríguez!

Let’s start by saying we were granted unprecedented creative freedom in this project by both the agency and the client.

But even before the slightest idea came to our minds, we knew one thing for sure: we needed the car to look perfect in 2D. Animating the Porsche 917k frame by frame, without a reference, sounded like the premise of the next Saw movie, so we decided that a 3D model of the car to produce some sweet 3D layouts was a fundamental asset to get our hands on.

To build Pedro’s world we thought about ‘60s and early ‘70s graphic design, movies, cartoons and tv shows, and discussed with Juan what pop culture and art milestones had left a mark on our styles. We agreed we wanted an overall vintage vibe but with modern visuals and animation ideas that would challenge our craft.

“Speed Racer meets Akira” was our pitch.

In a process we like to call “blind parkour design”, we started importing materials into After Effects and mixing it to see what happy accidents we encountered.

Jumping from After, to Animate, to Photoshop, to C4D, trying things out, not thinking whether something might work or not but simply doing it. Letting our subconscious sublimate. An intense animatic process ensued, where tons of new ideas and references kept flowing and popping up spontaneously.

We wanted the animation timing to feel a little limited, but with lots of super-sharp poses and eases. We chose to work at 24fps and its multiples, focusing mainly on animating in 3s, with 4s and 1s as extremes.

The comp was going to be extra heavy⁠—we knew it and wanted it to be that way. Lots of glows, defocus, and grain. But the hardest comp ever was the one with the oil monster. It required a tremendous amount of coordination, organization and patience, constantly going back and forth between layout, animation, cleanup and comp. That shot alone took about a whole month to produce.

We promise you everything was under painful control.

One last thing you might be wondering: what about the square format, with rounded edges? We worked in a 2202 x 2202 1:1 format so as to easily come up with different versions later. The idea all along was to deliver a 16:9 format. As we went on, new details and compositions increasingly made sense when displayed in 1:1. We sat on it a little, and then El Señor Rodriguez himself inspired the final touch: what if we added a nice frame with rounded corners, giving it a lovely super-8 vibe like the footage of Pedro we were already showing at the end?

That was the last touch. The vintage vibe was exactly what we needed to close the circle.

We raise our cups to Pedro and what his star at 300km/h might bring us.

Credit list:

Clubcamping Creative direction: Mariano Fernández Russo. Art Direction: Juan Barabani. EP: Ana Sieglitz & Juliana Millán. Line Production: Carolina Cantero. Animation Direction: Mariano Fernández Russo. Animatic: Mariano Fernández Russo. Illustration: Juan Barabani & Victoria Farelli. 2D and Motion animation: Mariano Fernández Russo, Maricel Piazza, Emmanuel Zampalo, Franco Pelliciaro, Pablo Rago, Fernando Lamattina, Katherine Pryor, Ana Artaza, Penblade Animation & Alcides Izaguirre. Clean up: Alan Mohamed, Sofía Díaz, Gabriela Bosco, Daniela Donato, Julieta Culaciati, Clara Riavec & Rafael Pires. Compositing: Mariano Fernández Russo. BTS Editor: Juan Raimondi Render: Yago Lopez.

Sound (CC Director's Cut Version) Music: Facundo Capece Sound Design: Felipe Barandalla Client: Porsche Agency: The Community Global CCO, Founder Jose Molla / Joaquin Molla Executive Creative Director: Ricky Vior Associate Creative Director: Gabriel Da Silva Associate Creative Director: Rodrigo González Content Creator Lead: Rosario Avila EVP, Head of Integrated Production: Laurie Malaga Maker/s (Producers) Executive Producer: Debi Rubiani Sr. Production Lead: Juan Manuel Sosa Account Team: VP, Managing Director Latam: Julieta Rey, Brand Lead Regional Latam: Sandra Giraldo, Brand Supervisor: Barbara Palacio/Julia Isabel Hernandez, Connections Strategy: Sebastian Ibarr Digital Content Director: Monica Godoy Brand Strategy Director: Alessandra Noceda Brand Strategy Planner Alejandra Margain Business Affairs Business Affairs Director: Natalie Greenman Business Manager: Priscila Hourihan Production Assistant: Aldana Bea PHOTOGRAPHER / ILLUSTRATOR Photographer: Richard Monning