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#not proofread because i was stressed out akfbdishka
willowser · 11 months
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part one here :)
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your father accepts takami's proposal the spring after you turn 21.
keigo has enough sympathy to push the process back, after touya's death. despite not knowing what you were sharing in letters, the plans you were making, he has enough respect to give you the time to heal. he's a good man and you do feel lucky to have him, out of all the suitors your father was speaking to, and you think you could love him, with time.
further up north, into the mountains, he has a piece of land and a cabin, a bunch of horses, and one evening he tells you he can't wait to take you there. let you see what else is out in the world, the beauty that you're missing in your small town. you think you might like that; all you see in the street, in your dreams and dark doorways, is touya's ghost.
an outlaw gang begins to pick up speed out to the east. at first you hear very little of it, don't know all the details of their crimes, but the more inland they move, the bloodier their trail becomes. keigo gets pulled into the investigation as they ride across the country and he's gone frequently, which has been another reason for his delayed proposal, and on the nights that you can't sleep, he tells you not to worry. the league, as they've been nicknamed, is only killing off men in the army. soldiers, in their sleep or late at night as they trail home from taverns.
it doesn't settle any of your nerves. if anything, it makes you sicker. you can't help but to remember the things touya told you in his letters, how angry he was at what the men around him had become. the seed he planted flourishes in the wake of bloodshed; vengefully, you think these men deserved it, after all the harm they've done, what they took from you. on nights when the melancholia hits the hardest, you're relieved, even, at the justice—and that has your stomach souring every time takami smiles at you.
the day of the wedding comes suddenly, despite all the waiting you and keigo and your families have had to do. you're to marry in a small church, white and paint-chipped; a final resting place to your lost love. you say goodbye to touya then, as you take in the image of your own reflection, the woman grief has made you. the woman you'll have to be from then on.
keigo's a good man, deserving of a good wife, and he is here and warm and alive—and you want to give him a fair chance.
the organ plays outside your small dressing room, your signal to come out. your dad should be waiting on the other side of the door to walk you down to where keigo waits for you. one last time, you close your eyes and imagine someone else at the end of the aisle—a bright-eyed young man that that you've loved as long as you can remember—
and then you let him go.
but when you open the door, expecting to see the face of your father, you are met with the looming figure of a dark man; dark cowboy hat, dark jacket, dark bandana pulled up just under his eyes. the organ plays on, unaffected, and the man—the bandit—simply puts one finger to his lips, silencing you.
"c'mon now, girl," he rasps, creeping in closer and closer, a hand raised to grab you up. "don't wanna be late for the wedding, now do we?"
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you ride for days with a sack over your head, hands and ankles chained.
just by the sound of their voices, you count at least four of them, one being the woman—girl, she sounds like—that helps you out to the shade when you need to relieve yourself. the names are used infrequently enough that you can't attach them to the visions you've painted in your mind, of what they must look like.
the only one you know for certain is dabi, and that's the name of the man you ride with.
he and another snappy young fellow help to haul you up onto the horse every morning, and the son-of-a-bitch pulls you flush against his chest, arms around your waist as he takes the reins. you hear his smile, how it poisons his voice when he presses into the burlap, asking, "comfortable, girl?"
you refuse to answer, refuse to speak if you don't have to. it's a good thing they keep the sack over your head, you think, because if you could see him, you'd spit.
it feels like an eternity that you're with them, but time passes differently when you're a prisoner, when you can only feel the heat of the sun and not its shine on your skin. you've no idea what they want with you or why they've taken you; you're given your own tent—that you can tell, trapped in the dark as you are. there is no breath echoing beside yours, no warmth to be found. only the low glow of a campfire, and the muffled voices murmuring around it.
everything changes when you give in. when you decide to speak.
you've already been pushed into your tent for the night, but you can hear the sound of vibrant laughter echoing outside against the night, and you think of your only hope: the girl.
"i need to go!" you call, heart thrumming as the voices die down. "i need to go, i said!"
the tent flap opens audibly and you flinch on instinct, fear bubbling in your veins. you'd been expecting the worst after first being taken, but you haven't been touched more than necessary—more than dabi deems necessary. rough as his hands have been, they haven't violated you. yet.
you're grabbed by the arm and lead out, marched down until the cold settles in and the fire is long behind you. and then you turn on her.
"please," you gasp, clutching her hands in your own. "let me go. i've got nothing for you, no purpose, but m-my husband would pay handsomely if—"
"husband?"
a chill run downs your spine at the sound of his voice, the anger lacing his words. when you try to pull away, his grip tightens, keeping you rooted as he inhales deeply, and then your feet are skidding in the dirt as he pulls you against him.
"no, no, no," he murmurs, low and raw. "ain't been no wedding yet. made sure of that."
the acknowledgment at what he's done—the pride—lights a fire under your ass. you think of keigo, standing in the church, alone. waiting as the organ played on. how long did it take for his heart to break? for them to realize you weren't coming? surely he would have sent someone after—right?
"you sure did," you seethe, angry tears building beneath your burlap. "you whoreson dog! lemme go!"
try as you might, squirming in his hold does nothing, not even when you get one hand loose and beat it against the expanse of his chest.
"get off!"
the bag is ripped off your head so quickly that it's disorienting, black spots dotting your vision as you try to blink the world into clarity. you cry out from the shock of it all, the light of the moon in your eyes, and then you're being spun around to face the vast, empty valley ahead of you. the canyons that swallow the landscape in the distance, the mountains that bar you from the only world you've ever known.
you're out in the middle of nowhere, far from civilization.
even if keigo has sent someone in search of you—who knows how soon they'll find you. if they will at all.
you try to turn your face from the disheartening sight, chest feeling hollow and pinched, but dabi grabs your chin in his hand and forces you to look.
"no, no," he repeats, "i asked for y'first and i ain't waiting another fuckin' minute."
a shrill scream rips through the night when he turns you around, hands going from your arms to cup your cheeks, digging into the sides of your neck. this is it, you think, what you've been dreading all along, the assault you knew would come from a son-of-a-bitch like him.
"look at me, girl," he growls, shaking you when your eyes squeeze shut in stubborn defiance. "i said, look at me, damn it!"
tears blur your vision, but you blink through them anyway, their searing heat. he nearly blends into the night, dark as he is, but his eyes are wide, blue, and his face is washed pale in the moonlight and—
and you gasp, hard enough that your heart wracks, that your knees buckle, but his hands never stray from your face, thumbs brushing softly over your cheekbones.
"touya?"
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