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#plot twist: wally turns the entire world into puppets
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trying to imagine what a Welcome Home ending would look like (which is extremely stupid lmao considering we dont know shit about jack yet), and it's just... huh.
i doubt it's going to take the "the puppets are turned into humans and they join the real world" route (and if it does, then cool! that'd be sick as fuck!), so what would a happy ending look like for them? would they get a little sanctuary to live freely in? is there a secret world of living puppets out there somewhere?
what if its a tragic ending? the puppets either are repurposed for a new show, or stripped of their Awareness, or become inanimate objects - normal puppets? what if they just straight up fade away?
or a bittersweet ending? they renew the show in order to stay alive and together, but they're forced to return to their old lives & routines? or it's ambiguous and we don't actually see what happens after a certain point - where the ending for the audience comes before the puppet's real endgame; it's not for us to see/know, they get an unobserved close to the story.
its simultaneously fascinating and distressing to think about.
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i have been trying to make this into a coherent post for days and have gotten Nowhere so you will have to put up with this borderline incoherent trail of thoughts instead. okay here we go:
dorelaine sounds like it was meant to be a mondegreen of darling (or vice-versa depending on what perspective you're seeing it from) which lends some credence to the WHRP's insistence that ronald dorelaine Must be the creator of welcome home (again - "must be," not "is," which is odd.)
wally as a self-insert for dorelaine? this information sponge who kind of exists to learn from his friends/loved ones on our behalf, the audience surrogate, a slate so blank he didn't know what a clown was until someone asked him to draw one. what about a character like that would cause someone to draw on their own traits to write him?
in that same vein, wally being not only a self-insert but an Ideal Self? if so, what about the above traits would have been Desirable to dorelaine? wally being representative of a desire for some kind of "fresh start"? or perhaps of flawlessness by way of (initially) not knowing there are flaws to be had? ignorance is bliss and all.
y'know. i was talking about this in a metaphorical sense and was gonna go on about how like i wonder what it will look like the further things progress and wally deviates more from this aspect of himself (assuming he hasn't already. dorelaine probably was not quite so attached to his house, for one thing) but i think this might be one of the only contexts in which a literal(ish) possession story could work - i.e. how far do you think someone would go to discard their original identity and become their ideal self?
i was gonna elaborate on that but then i realized i was just describing the season one plot twist from surviving romance.
[spoilers for surviving romance, obviously] by which i mean: yknow how it turns out that the protagonist, who is now the MC of the novel the entire story takes place in, actually used to be the author of the novel? and the whole thing was written in an attempt to justify her own suffering (without actually unpacking any of her trauma or the defeatism that was beaten into her by her circumstances) by giving her idealized self-insert (the original MC) a happy ending after a series of borderline comedic acts of cruelty - something she felt she would never be able to achieve herself? and how she only remembers this after repressing it long enough to form relationships with the other characters in the novel after being thrown into a life or death situation and realizing that they all have a lot more depth and interiority than the original novel's narration afforded them? yeah? Yeah.
that's not the Whole plot twist but it is the part of it that's the most relevant to this post.
but hey, maybe there's no literal possession/reincarnation/transmutation/Whatever stuff going on. in fact, for now i'm confident in that not being the case, at least not literally. but i still think if wally being some kind of self-insert or at least being based on ronald dorelaine in some capacity is canon, then it is worth noting bc like. wally As We Understand Him so far exists to absorb and reflect the world around him and the people in it in order to guide us, the audience. if he turns out to be a self-insert on top of that, then he also exists to reflect his creator in some form. for as much as everything seems to revolve around him (even when we Know for a fact that whatever happened had an effect on the other neighbors as well) it's kind of hard to imagine wally existing as his own guy; he always exists in relation to something or someone else.
one has to wonder how he feels about that. he seems confident that it will all work out in the end (whatever "it" is) but, well. this Is a horror story.
something about what i said a while ago, about the puppets being more affected by unconscious decisions - "things left unsaid," in particular.
still think about Metaphorical hauntings in welcome home though. that one guillermo del toro quote - "What is a ghost? A tragedy condemned to repeat itself time and again? A moment of pain, perhaps. [...] An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber."
"ah but doesn't home also lend themself to a good possession story?" so close! i think whatever's going on with home is closer to necromancy/a state of Undeath than anything else. i will not be elaborating at this point in time <3
..... possible future holy trinity imagery with dorelaine, wally, and home? father/son/holy spirit? unlikely but Could you imagine.
ah. i think here is when the thoughts run out. thanks 4 reading.
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