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Chuck D on why Fight The Power is ‘still relevant’
Image copyright
Def Jam
Image caption
Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
0 notes
Text
Chuck D on why Fight The Power is ‘still relevant’
Image copyright
Def Jam
Image caption
Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
0 notes
Text
Chuck D on why Fight The Power is ‘still relevant’
Image copyright
Def Jam
Image caption
Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
0 notes
Text
Chuck D on why Fight The Power is ‘still relevant’
Image copyright
Def Jam
Image caption
Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
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Text
Chuck D on why Fight The Power is ‘still relevant’
Image copyright
Def Jam
Image caption
Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
0 notes
Text
Chuck D on why Fight The Power is ‘still relevant’
Image copyright
Def Jam
Image caption
Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
0 notes
Text
Chuck D on why Fight The Power is ‘still relevant’
Image copyright
Def Jam
Image caption
Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
0 notes
Text
Chuck D on why Fight The Power is ‘still relevant’
Image copyright
Def Jam
Image caption
Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
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Chuck D on why Fight The Power is ‘still relevant’
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Def Jam
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Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
0 notes
Text
Chuck D on why Fight The Power is ‘still relevant’
Image copyright
Def Jam
Image caption
Public Enemy 2020 (L-R): Flavor Flav, DJ Lord and Chuck D
Chuck D is a voice of the people.
As the frontman of Public Enemy, arguably one of the most important groups of the past 35 years, he played a huge part in pioneering a new wave of rap music that was both musically and politically revolutionary.
His booming, authoritative baritone became a vessel for rhymes about a number of social issues, particularly those affecting the black community, on songs like Rebel Without A Pause, 911 Is A Joke and Fight The Power.
Chuck, who once famously stated that rap was “the black CNN,” has never been afraid to tell it like it is, fearlessly tackling topics such as racial injustice, drug epidemics and political scaremongering.
Last month, Public Enemy announced that they had re-signed to Def Jam Records, the cultural institution they helped build alongside the likes of LL Cool J and the Beastie Boys. It was here that the New York legends, whose current line-up consists of Chuck D, Flavor Flav and DJ Lord, rewrote the rules of what hip-hop could achieve.
The group, who were inducted into the Rock and Roll Hall of Fame in 2013, put out seven albums on Def Jam, including the game-changing LPs It Takes A Nation Of Millions To Hold Us Back and Fear Of A Black Planet. They departed the label in October, 1998.
“I just thought it got real corporate around that time,” Chuck says.
“There were things I wanted to do with our audience around the world but the structures that existed at the time could not get there like us. They did not acknowledge the world like we did, so we had to move on.”
The 60-year-old is referring to Def Jam’s online strategy – or rather, its lack of one.
Image copyright
Def Jam
Image caption
Chuck D: Still fighting the power
An early advocate of the internet and its potential to give artists control of their music, Chuck battled the label for the right to release songs online.
“Technology is levelling the playing field,” he said in 1998. “No longer can executives, accountants and lawyers dictate the flow [of music].”
Things came to a head when Public Enemy began offering free downloads of several unreleased songs in the mp3 format – which was still relatively unknown at the time.
After Def Jam ordered Chuck to take the files down, he signed the group to the web-savvy independent Atomic Pop and launched rapstation.com, a network of online radio stations in 1999.
The same year, Public Enemy released their ninth album There’s A Poison Goin’ On exclusively through the internet; selling downloads alongside CDs on the Atomic Pop website.
While Chuck insists he has “nothing but good memories” of his time on Def Jam, he says the group’s return to the label is just “a visit” and was spearheaded by Flavor Flav, whose “needs sometimes can’t be done independently”.
“Flavor thought it was a good time to do something of note with Def Jam and I agreed… it made sense to go back,” he explains.
Media playback is unsupported on your device
Media captionBBC Newsnight: Kirsty Wark interviews Chuck D
That might come as a surprise to some – given that Chuck announced he’d parted ways with Flavor Flav in March, following a dispute over whether they should appear at a Bernie Sanders rally.
Chuck later said the story was a “hoax” he’d concocted to bring attention to the band, arguing that only negative news stories get traction.
“The [only] news you read about hip-hop is about another dead rapper,” he told the Tim Einenkel podcast. The worldwide coverage of Flav’s firing, he added, “actually proves the fact the gadgets are ruling the game”.
That’s a theme he picks up on the title track to Public Enemy’s new album – What You Gonna Do When The Grid Goes Down? – which envisages a post-apocalyptic world where digital communication has been eradicated.
“Are you prepared?” Chuck asks, before pointing out that there are some who have never lived a life without online access.
“Being that it’s the norm to them, if it’s altered or taken away it will create another myriad of problems,” he explains.
One such problem could be a manipulation of digital technology ahead of the upcoming US presidential election.
“Are you prepared for the tricks that the government might play on the way down to election?” the rapper asks rhetorically.
But despite lyrics that declare “we all caught up in the web” and suggest “folks might have to pick up a book, pick up a pen,” Chuck says he’s not against social media – providing its approached with care.
“Social media is a good thing when you use it as a tool as opposed to a toy,” he told BBC Two’s Newsnight last week. “Technology has made the plea for equality, almost like a digital United Nations.”
‘Fascism is so dangerous right now’
Elsewhere on the new album, Public Enemy include a 2020 remix of their protest anthem Fight The Power, which first appeared in Spike Lee’s 1989 cinematic masterpiece Do The Right Thing.
Featuring Nas, Rapsody, Black Thought, Jahi, YG, and Questlove, the track debuted at this year’s virtual BET Awards, arriving at the height of a reinvigorated Black Lives Matter movement, following the deaths of George Floyd and Breonna Taylor.
“Sadly, it’s still relevant,” Chuck says of the song’s message. “The biggest difference between 1989 and 2020 is that people have been born and people have died, and within that period you continuously try to attack systemic racism and all those other ills – but you can’t do it blindly.
“There’s a lot of roadmaps in culture,” he continues. “You can educate yourself by reading about society and the arts, especially in music, film, theatre, or whatever. But if you don’t study these stories or your history then you’ll have no context and you’ll make the same mistakes over and over again.”
“And this is why fascism is so dangerous right now,” Chuck adds. “It’s coming in new ways but with the same old stench.”
The star goes on to discuss how the idea of a pro-black consciousness – celebrating black people and black culture, and living a lifestyle that encourages the economic growth and development of the black community – has been misinterpreted as an anti-white movement.
According to the rapper, this misguided take is the result of the media’s unbalanced representation of black people.
“The media had propagandised the fear and exacerbated the fear,” he says. “The images of us have been lopsided.
“There might be poor white folks that watch a rap video and see someone throwing money at the camera. They’re looking at an image of somebody black instead of knowing somebody black in real life.
“All of a sudden they’ll come to the conclusion that this person is just anti-everything, and they’ll say, ‘I don’t want that, man. [Expletive] these people.’ So this person doesn’t know any black people but will say, [expletive] these people.”
He believes the repetition of these images “become a representative of a certain thing without proof,” adding that the distorted portrayal of black people has built up “animosity and hate” over the years.
And while he had hoped that Barack Obama being in the White House would have “balanced out some of the imagery,” he says some Americans’ dislike of the 44th President was a product of “old school racism”.
Image copyright
Getty Images
Image caption
Public Enemy won a lifetime achievement award at the Grammys earlier this year
Those prejudices worked in favour of the current president, Donald Trump, he adds. “They built up into a snowball that he worked into his personal narcissistic favour.”
So does this mean that the Public Enemy frontman thinks Trump will get re-elected for a second term?
“I have no idea,” he says.
“It’s not Donald Trump [we should be worried about], it’s the people that you never see. There’s tonnes of people in places like Nebraska who have their own idea of what they think things are.
“I’m not generalising the entire population, but I’m just saying that there’s America, then there’s the United States Of America, a place the world does not see – and it’s an area that does not care for the world.”
Public Enemy’s new album What You Gonna Do When The Grid Goes Down? is out now on Def Jam Records.
Follow us on Facebook, or on Twitter @BBCNewsEnts. If you have a story suggestion email [email protected].
The article was originally published here!
Chuck D on why Fight The Power is ‘still relevant’
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Give love to the God @borndivinethegod No more playing wit y'all time to let you see what I been up too...I put on for my City!!!! #VoiceOfTheStreet #RapStation 🔗https://rapstation.com/show/1208/voice-of-the-street-hosted-by-born-divine-of-the-wu-tang-clan (at Kirkcaldy, Fife) https://www.instagram.com/p/CDrkZi0g6A-/?igshid=1pu8vtibnr8i8
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#ArtYouCanHear 3.16.17 @a5kem @ 9:30PM EST rapstation.com/show/1176/10F0LD
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@djshayman @mellow_man_ace @blanco72 #salute check out the show rapstation.com
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Yugen Blakrok mix on RAPstation.com #10F0LD featuring the rawest women of Hip Hop. Every Monday @ 9:30EST. rapstation.com/shows/1176/10f0ld
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Chuck D: 'Hip-hop is about being who you are'
The Public Enemy founder on the importance of rap's history, losing his father and how the Trump era might play out
Rapper, author, producer and activist Chuck D was born Carlton Douglas Ridenhour in Queens, New York in 1960. As leader of the rap group Public Enemy, he helped to bring politically conscious hip-hop into the mainstream; Public Enemy's albums, including It Takes a Nation of Millions to Hold Us Back (1988) and Fear of a Black Planet (1990), stand as some of the most important hip-hop albums ever made. He has collaborated with many artists during his career, and is now a member of Prophets of Rage, with B-Real from Cypress Hill and former members of Rage Against the Machine. In 1999, Chuck D founded rapstation.com, a network of internet radio stations. One of its regular slots is “This Day in Rap and Hip-Hop History”, compiled by Duke Eatmon and Ron Maskell, and this has become a book: Chuck D Presents This Day in Rap and Hip-Hop History.
How did the book come about?
Well, there are a lot of urban myths about hip-hop and rap music. I'm about the facts, not the hype. In fact I wrote a song about that… It's strange, but in this so-called information age, this so-called world genre of hip-hop needs a foundation of facts. People go to their phones, they go to Wikipedia or they go to social media. But they get a lot of opinion, as opposed to facts. Everyone has an opinion, but that leads to misinformation. This book was necessary for this particular genre of music. And you don't make things happen by just wishing. You make things happen by doing them.
Continue reading...
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New Books Coming Your Way, October 10, 2017
The Invisible Life of Euridice Gusmao
by Martha Batalha
272 p.; Fiction
Euridice is young, beautiful and ambitious, but when her rebellious sister Guida elopes, she sets her own aspirations aside and vows to settle down as a model wife and daughter. And yet as her husband's professional success grows, so does Euridice's feeling of restlessness. She embarks on a series of secret projects from creating recipe books to becoming the most sought-after seamstress in town — but each is doomed to failure. Her tradition-loving husband is not interested in an independent wife. And then one day Guida appears at the door with her young son and a terrible story of hardship and abandonment.
As Lie Is to Grin by Simeon Marsalis
160 p.; Fiction
David, the narrator of Simeon Marsalis’s singular first novel, is a freshman at the University of Vermont who is struggling to define himself against the white backdrop of his school. He is also mourning the loss of his New York girlfriend, whose grandfather’s alma mater he has chosen to attend. When David met Melody, he lied to her about who he was and where he lived, creating a more intriguing story than his own. This lie haunts and almost unhinges him as he attempts to find his true voice and identity.
On campus in Vermont, David imagines encounters with a student from the past who might represent either Melody’s grandfather or Jean Toomer, the author of the acclaimed Harlem Renaissance novel Cane (1923). He becomes obsessed with the varieties of American architecture “upon land that was stolen,” and with the university’s past and attitudes as recorded in its newspaper, The Cynic. And he is frustrated with the way the Internet and libraries are curated, making it difficult to find the information he needs to make connections between the university’s history, African American history, and his own life.
In New York, the previous year, Melody confides a shocking secret about her grandfather’s student days at the University of Vermont. When she and her father collude with the intent to meet David’s mother in Harlem—craving what they consider an authentic experience of the black world—their plan ends explosively. The title of this impressive and emotionally powerful novel is inspired by Paul Laurence Dunbar’s poem “We Wear the Mask” (1896): “We wear the mask that grins and lies . . .”
We Wear the Mask: 15 True Stories of Passing in America edited by Brando Skyhorse & Lisa Page
216 p.; Social Science
For some, “passing” means opportunity, access, or safety. Others don’t willingly pass but are “passed” in specific situations by someone else. We Wear the Mask, edited by Brando Skyhorse and Lisa Page, is an illuminating and timely anthology that examines the complex reality of passing in America.
Skyhorse, a Mexican American, writes about how his mother passed him as an American Indian before he learned who he really is. Page shares how her white mother didn’t tell friends about her black ex-husband or that her children were, in fact, biracial.
The anthology includes writing from Gabrielle Bellot, who shares the disquieting truths of passing as a woman after coming out as trans, and MG Lord, who, after the murder of her female lover, embraced heterosexuality. Patrick Rosal writes of how he “accidentally” passes as a waiter at the National Book Awards ceremony, and Rafia Zakaria agonizes over her Muslim American identity while traveling through domestic and international airports. Other writers include Trey Ellis, Marc Fitten, Susan Golomb, Margo Jefferson, Achy Obejas, Clarence Page, Sergio Troncoso, Dolen Perkins-Valdez, and Teresa Wiltz.
Run For It: Stories Of Slaves Who Fought For Their Freedom by Marcelo D'Salete
180 p.; Graphic novel
Run For It — a stunning graphic novel by internationally acclaimed illustrator Marcelo d’Salete — is one of the first literary and artistic efforts to face up to Brazil’s hidden history of slavery. Originally published in Brazil — where it was nominated for three of the country’s most prestigious comics awards — Run For It has received rave reviews worldwide, including, in the U.S., The Huffington Post. These intense tales offer a tragic and gripping portrait of one of history’s darkest corners. It’s hard to look away.
Chuck D Presents This Day in Rap and Hip-Hop History by Chuck D
352 p.; Music
Based on Chuck's long-running show on Rapstation.com, this massive compendium details the most iconic moments and influential songs in the genre's recorded history, from Kurtis Blow's "Christmas Rappin'" to The Miseducation of Lauryn Hill to Kendrick Lamar's ground-breaking verse on "Control." Also included are key events in hip hop history, from Grandmaster Flash's first scratch through Tupac's holographic appearance at Coachella.
Throughout, Chuck offers his insider's perspective on the chart toppers and show stoppers as he lived it. Illustrating the pages are more than 100 portraits from the talented artists specializing in hip hop.
October 06, 2017 at 11:00AM
from ReadInColour.com http://ift.tt/2ggy1uX
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