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#somehow the more money I'm making less money I have for funsies
octal-alchemist · 10 months
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this year is amazing in that a lot of my goals are suddenly achievable. this year is annoying in that my goals suddenly all cost lots of money
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bettsfic · 5 years
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betts, you've always given amazing writing advice in the past, so I'm coming to you with a question that legitimately keeps me up at night. I really want to write literary fiction. the only issue is - whenever I start writing that kind stuff, it immediately starts turning into porn? like, obviously, there is plot and stuff but it feels like ultimately all I want to write is people fucking and all the fall out that comes with it. is there a way to make this more ~literary? or is it just erotica?
i actually have a real, serious answer to this!! 
so, before the MFA, all i’d written was porn. it was all i knew how to write. i got to the MFA, and my first semester i decided to workshop candy tongue. bad idea. i was so comfortable writing for my fandom audience that i wasn’t aware of the stodgy nature of non-fandom audiences. my cohort was fine reading the incest stuff and the gratuitous sex, but they had trouble giving me feedback because they didn’t understand the point of it. and truly, there was none. i made maggie a gold-star submissive because i wanted to, even though it had no real function in the story. i wrote like 4 graphic sex scenes into a 25k novella, and i workshopped it, and made everyone, myself included, deeply uncomfortable.
i decided i could not write porn in my MFA. i was allowed and even encouraged by my thesis advisor, but ultimately i didn’t want the stress of it hanging over my head. so i started writing about money, and picking through my resentment toward my decade spent in finance. in fact the working title of my thesis was Sex & Money. i workshopped each story without being nervous at all, and realized i was taking no risks. by the end of my MFA, i really thought i was pulling my punches. 
and let me share the results of this sex/money content divide -- i’ve sent five stories out for publication. the two that haven’t picked up are the ones about money. the three that have been picked up are about sex. in one, a middle-aged woman buys her first dildo. that one won an award. in another, a 22 year old woman pursues her middle-aged boss. that one got nominated for a PEN. and in my most recent publication, an asexual masochist falls in love with his professional sadist. 
what i’m saying is, sex and stories about it are important. i’ve since separated my thesis collection into two -- zucchini, which is about (a)sexual exploration told through realism/absurdism, and dotted lines, which is a collection of fabulist stories about commodification and regulation. will they ever be published? probably not. will they ever even be finished? who knows! i’m a novelist, not a short storyist.
the resolution to your problem isn’t in how to avoid porn. rather you should ask, why do you write porn in the first place? and that answer is most likely: it’s the easiest conflict to write, and it exposes the characters’ true colors and intentions most easily. it’s a tool to uncover the story you are trying to tell. when you write two characters banging it out, you are resolving their conflict of desire in a tangible way. moreover, it’s an extremely high stake. when characters have sex, they’re at their most vulnerable, their most exposed. they’re literally laid bare for you, the writer, to see. if you think about the highest possible stakes in a story, it boils down to creation and destruction, sex and death. writing about death is a fucking bummer, so you’re left with sex to figure out who your characters really are. 
with porn, so many of your decisions -- like what and why, you know, conflict and motive -- are made for you, and you can focus on the important stuff, like pacing and voice and character. i firmly believe that when you begin any major project, you can’t make all your decisions at once. you can only make a few at a time, draft over draft, until eventually you’ve created an entire world. if all character A wants is to bang character B, you can get him across that distance without figuring out the make and model of the car he drives, or how often he calls his grandmother. those are decisions that can be made later, after your characters boink.
i have accepted that nearly everything i write will have what i call a “prime draft” in polite company but which is actually a porn draft. this isn’t even a first draft, it’s the 0th draft, where anything goes, and my id can run wild. the entire purpose of the porn draft can be frivolous nonsense with no depth or complexity. completely pressure-free and all for funsies. but i have to tell the story the fun way, the story i want to tell, to figure out what the story even is, what work it’s doing, and what i maybe want it to become later. in the porn draft, i’m allowing myself to focus on certain decisions, and sacrifice others for future drafts.
when i sit down and think of a novel i want to write, and that novel is Real and Important and tackling Difficult Topics, my boner flags. that’s not fun. i’m not inspired by seriousness or profound meaning. i may have all these important things i want to say in my writing, but in terms of the actual act, i mostly want to entertain and engage myself. and call me shallow, but the fastest way to do that is by giving me a hot character who is pining over another hot character, and they fuck a lot. 
once i’ve written the porn draft, i can go through and uncover the ~literary work i’m trying to do and the messages i’m trying to convey. usually i’ve figured out the major beats of the story, the voice, setting, motivations, etc. -- all things that are hard for me to figure out on the front end -- and i rework it into something more palatable for major audiences, that actually is Real and Important and tackling Difficult Topics.
the thing is, often the work i’m trying to do is about sex and sexual exploration, identity and its discovery, so usually i can’t take out all the porn. but i can make sure each scene is focused not on the pleasure or arousal i intended in the porn draft, but what i mean to uncover in my characters and plot by having it occur. that’s the difference between literary fiction and erotica -- in erotica, you’re trying to arouse your audience’s body; in literature, you’re trying to arouse their heart :’)
sex is allowed to and should exist in literature. some of my favorite literary works have tons of sex in them. it is not something to be shied away from or self-censored. if you want to write about sex, you should. but let the story tell you its underlying intentions, and in future drafts, pull those discoveries to the forefront of the story. 
i wrote training wheels solely for the detention scene in chapter 8. everything that happened up to that point was leading to that scene that i desperately wanted to write. and now, in the original fiction version, it doesn’t exist. it was scaffolding, an illusion i was chasing to lower the pressure on myself and convince myself i didn’t have to take anything seriously. but once the story was built and i saw what it really was, i could remove that scaffolding because the piece stands stronger without it. now, on the fourth draft, it’s no longer the story i originally intended it to be. it’s its own beast. there’s still a ton of sex in it, but it’s more subtle now, less over the top and gratuitous. it still ends in overt bdsm. i didn’t sacrifice any of that, because that was the work of the story. what i did sacrifice was descriptions of enormous throbbing cocks and characters coming 5 times in a row. 
same goes for some of my km prompts like coping skills and shut up and kill me -- stories that have way too much sex in them right now but have literary merit yet to be uncovered. coping skills might currently be a noncon pissplay fic, but it’s also a world in which character A has given blanket consent to character B, and B takes advantage of it, and beneath all that, they still somehow love each other. it’s an interesting space to explore, ripe for a story in which maybe nobody pees on anybody else, or maybe they do and it’s described in a different way. whatever might happen in that space, i needed the porn draft to even see those characters in that world with that conflict. and now i have it, and i can build something else with it.  
writing advice tag | ko-fi
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