#to the allegorical parallels drawn between the occupation of Arrakis and real-world MENA geopolitics

[weldnas]

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#Seeing the dune part 2 american centric red carpet and as a devoted aficionado of the books and yk a moroccan person here are my 2 cents #Dune was one of the few Western works inspired by MENA culture that that felt genuine and respectful #But ofc despite the profound symbiosis with Middle Eastern and North African culture evident within the pages of the novels #the movie adaptation lack of substantive representation from these communities both in on-screen portrayals and within production roles was #very much disappointing in part 1 and i doubt there are any change now #While drawing inspiration from the Amazigh peoples of Algeria and Morocco #the film barely skims the surface of its MENA influences leaving substantial potential untapped #Herbert openly acknowledged the profound impact of Islam and MENA culture on his noveIs #from the metaphorical representation of Spice as oil #to the allegorical parallels drawn between the occupation of Arrakis and real-world MENA geopolitics #By marginalizing Arabs from the narrative fabric of Dune the essence of the story is being undermined particularly its anti-colonial core #the irony of this is kiIIing me because this was a direct resuIt of us impérialism on the middIe east #But the reality is that Dune is an American production tailored for an American audience so it makes sense for it to be what it is now #a big production running from its original essence #What adds to my disappointment is the fact that I liked Villeneuve's adaptation of Incendies and I had what you call foolish hope hfhg #Dune feIt Iike a squandered opportunity to authentically depict the cultural milieu that inspired it #Given the narrative's inherent anti-colonial themes #the omission of Arab and North African voices dilute its message if any of it is even left #without representation from Arabs and Amazigh people the cultural essence becomes another appropriated resource watered down to an aestheti #rather than serving as a critique of the destructive actions of colonialists seeking power and dominance #the narrative becomes susceptible to distortion and co-option by the very entities it was intended to condemn and hold accountable