#yes these have been giffed to death but here i am bc it's only fair that i do mel with this sharpsetting

[behbuh]

#yes these have been giffed to death but here i am bc it's only fair that i do mel with this sharpsetting #CRISPY #gifsbymoi

[octaviadblake]

Ὀδύσσεια + τό ἑκᾰτόν part 2

OR The Odyssey + The 100 part 2, an in-depth look at parallels to Homeric canon in season 6 (specifically 6x12 & 6x13), and how the themes and motifs present on Sanctum mirror Odysseus’s return to Ithaca.

You can read the original meta here, where I explore how season 6 mirrors Odysseus’s 10 year journey back to Ithaca. In today’s meta, I’ll be talking about how the last two episodes of season 6 reflect Odysseus’s return, as well as looking into the events that occurred on Ithaca while he was gone.

DISCLAIMER: As I mentioned last time, I was a Russian Lit major, not a Classics major, so I’m not an expert on this. I studiede Ancient Greek and Ancient Greek Drama for 6 and 2 semesters in college, respectively, but my expertise is more on The Iliad than The Odyssey. Fellow Classics nerds, feel free to jump in with your thoughts/commentary!

Ready? Let’s do this.

So, last time, we talked a bit about the theme of “cunning over strength” and discussed the motif of “disguises,” particularly in Odysseus posing as “Nobody” in order to blind the Cyclops, and how this reflects Clarke posing as Josephine in order to “blindside” the Primes.

But wouldn’t you know, upon Odysseus’s return to Ithaca, he again disguises himself. With the help of the goddess Athena, Odysseus poses as a beggar in order to make it into the palace. While he was gone, the palace has been overrun by suitors, hoping to win over Penelope (Odysseus’s wife) because her husband, who has been gone for 10 years at this point, is presumed dead and she is expected to remarry. 

Of course, we see this in 6x12 when Clarke returns to Sanctum. 

(gif credit: @clakregriffin)

With Gabriel’s help, she has been disguised as Josephine. Here is where we see her using cunning rather than strength. Rather than storming the palace with the Children of Gabriel, Clarke plans to infiltrate the Primes and defeat them from the inside. 

In The Odyssey, there are only a couple of people who see through Odysseus’s disguise, one of whom is Eurycleia, a housekeeper who recognizes one of his scars. Where most of the maids have betrayed Penelope or pursued sexual relationships with the suitors, Eurycleia has remained loyal. Odysseus’s dog also recognizes him, but that’s...kinda sad bc the dog gets so excited that it dies and that hurts my heart so I don’t like to think about that. 

So anyway. 

Guess who sees through Clarke’s disguise? Murphy. 

(gif credit: @shialablunt)

Even while she is still fully in character as Josephine, he puts the pieces together without needing to be told that it’s actually Clarke (unlike Abby and Raven, who have no idea until Clarke tells them). Murphy and Clarke have always understood each other on a fundamental level, and in season 5, even Murphy calls Clarke out on being a cockroach, like him. The two of them share a proclivity for survival. They understand one another in a way many others don’t.

Earlier in the season, in 6x02, we saw Murphy protecting Clarke from herself, also. We’re supposed to be seeing these parallels, seeing that Murphy does truly care for Clarke in his own way. He’s the only person who sees through the Josephine ruse without being told. And not only does he not reveal her, but he stays behind to save their people because Clarke can’t.

So, it looks like Murphy is Eurycleia.

Many of the maids/housekeepers have betrayed Odysseus’s legacy. While Penelope is doing her best to stave off the advances of the suitors, the maids are busy laughing and making merry (and yes, sleeping with them, too). The maids are the ones who force Penelope’s hand by telling the suitors she has been stalling so as to not have to marry one of them.

Eurycleia alone remains loyal. She cares for Penelope. She keeps the house in order. She does what she can in order to care for and protect Penelope. Also, if Penelope remarries, someone else will become king of Ithaca, meaning the people of Ithaca will suffer. Eurycleia protects Penelope so that she may protect her people. Sound familiar?

(gif credit: @stevenrogered)

I’m not defending Murphy’s actions mid-season but...at the end? He got what he wanted. He could’ve gone to space with the rest of the Primes, become one of them, taken the easy way out. But he doesn’t. He stays behind to help fix what they broke, to keep their house in order, to save their people. He is Eurycleia maintaining order and trying his best to keep the peace, while Clarke is Odysseus, going off to win the war. 

(i dont mean to imply Murphy is Clarke’s servant or anything like that, bc he’s very much not that, but this seems a fair parallel to draw)

Anyway.

The past ten years, Penelope has managed to put off selecting a suitor by telling them she is weaving an honorary funeral shroud for her husband. Upon its completion, she says, she’ll choose one for her new husband. However, she’s been unravelling the knots so as to prolong the process. The other housekeepers have revealed her secret to the suitors and now they’re insisting she make her choice. Athena tells Penelope to pose a challenge to the suitors: she will give them Odysseus’s bow, and whoever is able to string it and fire a single arrow through a dozen axe heads will win her hand and become her new husband. Unbeknownst to the suitors, Odysseus is the only one who is able to do this. 

Frankly, I don’t remember if it’s bc he was the only one who was strong enough or if there was some trick to it or whatever, but Odysseus is the only person who can string this bow. So he does. And then he throws off his disguise and reveals his true identity, before slaying every single one of the suitors.

I....don’t feel like rewatching the episodes so I don’t have perfect comparisons right off the top of my head, my apologies, hoping some of yall will come to my aid in the replies but....

Remember how Clarke is Odysseus?

(gif credit: @shialablunt)

Clarke reveals to the Primes her true identity because she refuses to let them hurt the people still in cryo on the ship. Then, she pulls the lever, and she kills the Primes, “the suitors,” those who would take her kingdom, her people, her family from her. 

Odysseus and Penelope reunite and live happily ever after.

I...don’t think I need to explain that parallel ;)

(gif credit: @clarkgriffon)

A lot of scholars say that’s the end of The Odyssey, but Homer does go on briefly. Odysseus and his son go to visit Odysseus’s father and the citizens of Ithaca follow them to confront the king. They plan to avenge the deaths of their sons, both the suitors and the soldiers who accompanied Odysseus to Troy and perished before they could return. 

Odysseus has effectively wiped out two generations of young men (indirectly in the sailors case, but the people still blame him). Just like how...so many people...in this show...blame Clarke for everyone dying...without considering if she had other options. 

Odysseus feels guilty for killing the suitors, despite the fact that it was the only option in his situation. The Ithacans blame him as well. Only Athena’s divine intervention is able to assuage the vendetta and return things to some semblance of normalcy.

(gif credit: @clarkegriffinblake)

Clarke feels guilty about killing the Primes even though they gave her no other choice. It was her people or it was them. And she did what she had to do, just as Odysseus did. But she still feels guilty. 

(gif credit: @clarkgriffon)

And along comes Bellamy “We Did Do Better” Blake. Bellamy “I Have To Believe That Matters” Blake. Bellamy “Will Always Forgive Clarke Griffin” Blake. Bellamy Blake who gives Clarke some degree of solace, offers her what redemption he can, just like he always has and always will.

Of course, there are other characters who played pretty big roles in the finale that I haven’t looked at here, and I have my own theories about them. 

I could see Jordan becoming a Clytemnestra type character. I honestly wouldn’t be surprised if season 7 looked a lot like The Oresteia, particularly Agamemnon, especially since this would continue with the Homeric themes we’ve had on the show thus far.

I honestly could see Octavia as Agamemnon in the way that Clarke is Odysseus. Both kings, but Agamemnon certainly had a bloodier reputation. And that would definitely go along with @bellarke-addict‘s theory that the “He” in the anomaly is Jordan. Clytemnestra kills Agamemnon. This mysterious man wants Octavia dead. Could be something to that.

Although, Jordan and Octavia are as far from romantically involved as we can possibly get so there’s definitely a wrench in the works there lol. Who knows? I’m not one for theories as much as I am one for analysis. I’m excited to see where season 7 goes, though. 

I know this was rambly and it kinda got away from me, but I hope you guys enjoyed! Come yell about Classics with me!!!

Tagging a couple people who I know wanted to see this once it was up: @absolutelynotclassicusernam-blog @oh-bloomin-heck @little-oxford-st @tainted-ones-stuff  and some folks i think will enjoy: @braveprincess @itsyagirlkath @charmaine-diyoza @daddyperun

#the 100 meta #my meta #meta #the100meta #the 100 is homer and you cant convince me otherwise #i didnt reread or proofread this sooooooo fair warning there lol

[freshginandtonic]

My Watch is.. still going

Since starting a new position at work and waking up at 2:30 every morning I have become a hermit - bad for my social life and general wellbeing, but a great time to start watching a new TV series. Or rather, a show that’s not new at all, just one that everyone has been watching for 8 years, and I’m just jumping on the bandwagon now. Yes, I have finally gotten into Game of Thrones. As I write this I have five more episodes of the final season to watch, so I figured now was as good a time as any for some self-reflection on the fact that, in between working ten hours a day, the rest of my time has been devoted to finding out who will end up on the Iron Throne and sleeping.

I’ve always been of the credence that yes, one day when I’m 60 and have enough time, I will in fact sit down and watch Game of Thrones. That all changed at 4am in the last week of May, when I arrived at work to find a package on my desk -  w the words ‘unbowed, unbent, unbroken’ written on it - I later learned that was the motto of one of the great houses of GoT - and a USB inside, with the first season all ready for me. Thanks to my colleague Will, my watch had begun.

Throughout each episode I’ve live texted Will my thoughts, emotions and reactions to just about every scene - usually in all capitals. I’ve noticed this has greatly added to the quality of my viewing - it’s nice to know you can send a one line quote from Season 2 episode six and he’ll know exactly where I am in which episode and can respond in kind with a follow up line, appropriate gif or meme. It’s different to the normal viewing experience because while you don’t have the immediacy and intimacy of an in-person response, the anticipation of a text reaction feels like more of a shared, special event - I’m taking time while watching this thing to let you know I’m watching the thing: here are my raw thoughts. Far more exciting.

My phone had to be put down for some moments though - particularly for the Battle of the Bastards - it was such a sensory overload I couldn’t be trusted to text properly AND keep track of Jon Snow. 

So I began, a novice in season one (in love with Jon and Robb and protective of Ned - how well did THAT turn out?) and I quickly realised I wasn’t going to be able to get through this without some help. So I had some red wine to cope with the first big death of the season (it’s been so long I can’t really remember who it is now) and got on with it. Then came Ned’s death (cue gasps) and onwards to the most important part of season three - no, not the Red Wedding - you better believe I’m talking about Robb Stark’s first relationship and sex scene w cute healer Talisa. I will say I never thought a scene with a leg amputation could be choked with sexual tension, but let me tell you GoT made it happen (context: Robb is on the battlefield being smouldery, Talisa comes to help a wounded enemy soldier and has to cut his leg off while she and Robb exchange heated flanter) and then they finally get it on after she tells some heart wrenching story about her brother (sad but it went right out of my head as soon as I saw Robb’s bum. It’s the important things).

There’s been a lot written about the shock value of Game of Thrones - killing main characters for the sake of killing them, using sexual violence as a plot device, and gratuitous violence. Regarding the sex and violence; first, there’s a Lot if it. A lot more than I thought. Lots of boobs and bums and moments where I had to pause when a family member came into the room. I was pretty surprised at how normalised this became for me - before long I found myself glad and inwardly cheering when someone got axed, poisoned, or ripped apart by dogs (you all know who I mean here.) 

When violence was used, sometimes in not-so-great moments (shall we be reminded of Sansa’s awful rape scene) - it did  sometimes serve as a real catharsis to see some truly terrible people be given their comeuppance (Ramsay’s great ending, Joffrey’s wedding, ) Other people who don’t deserve it are brutalised as well (once again Sansa, and how many others I can’t remember). There’s definitely no discrimination on that front.

 There’s also a weird sense of redemption. Not in every character (obvs - what show is this again?) but being able to follow a character’s arc in one go without break has made their journey all the more meaningful. Particularly for the character of Theon: (a brief summation: he betrays his adopted family and best friend, then gets mutilated and psychologically tortured and broken down before he breaks down and changes). Seeing him come to back to life and find his morals again has been a real highlight and emotional strongpoint of the show for me. I cheered and teared up for each bout of progress he made - fair play to him, he took his fucking time and made loads of mistakes along the way, but he got there.

Regarding the controversial Ending™ my dad told me he read about one guy who binged the whole show like I’ve done, and he had a markedly improved opinion of the final season compared to other people. Everyone I’ve spoken to has, in their own words, said there’s a Golden Period (roughly seasons 2 - 6), and then everything from then on is basically horse shit. I don’t know if that’s right or I’m in a position to judge yet, but right now there’s nothing more satisfying to see characters who have been on separate journeys for literally 8 seasons come together and interact after so long.

So to sum up watching seven and a half seasons, roughly 68 hours and 4080 minutes of TV in under a month - it’s been A Lot. I think I have popular and unpopular opinions about the characters and storylines (pop: Jaimie and Brienne need to bang) vs (unpop: Dany’s character development - nope and she needs to stop conquering cities pls). I am glad I’ve waited this long to watch it all in one go (if I had to wait a year to find out what happened to Jon Snow after the season five finale I would have fucking RIOTED). I’ve appreciated the small moments: the Night’s Watch banter, the dire pups, Jon and Ygritte’s excellent enemies to lovers relationship (a personal favourite trope of mine), and everything Varys says, to the bigger pieces of the puzzle: Jon’s true heritage, the Stark’s getting avenged, Arya’s and mainly Sansa’s transformation from the girl who wanted to marry Joffrey to the absolute badass bish she is from where I currently sit.

So is my life changed? Nope. But at least now I’m part of the cultural carpet. My watch is nearly over, but what an absolute time its been.

HONOURABLE MENTIONS OF GREAT MOMENTS FOR THOSE IN THE KNOW (AKA EVERYONE ON EARTH)

Sam getting ripped for reading by all the dudes in the Night’s Watch

Dany’s excellent outfit choices in s7/8 - a particular shoutout to the winter outfit of season 7 episode 8 and the grey frock with the red dragon cape (LIVING for the texture)

Ditto Cersei - taking power suits to a whole new level since taking the Iron Throne (this particular outfit is an absolute LEWK and the picture doesn’t do the spiky shoulders justice)

Jon’s transition to the man bun post-resurrection (I personally detest man buns but I absolutely loved this change for him)

Sansa’s dead straight curtain of hair - there’s something super satisfying about it after years of her wearing those Padme Amidala style ‘Southern Style’ hair

The entirety of House Tyrell (particular mention to Lady Olenna who deserves all the awards in the world for only killing one character in this show)

Lady Margaery’s sassy backless dresses (she knows how to make the most of the King’s Landing climate)

Jaime and Brienne’s entire relationship (from the enemies to friends trope to him GIVING HER HIS SWORD AND A WHOLE SUIT OF ARMOUR) - if that’s not a love confession then I will just cut off my own damn hand

The entirety of the shirtless Flex Scene™ of the pilot

Sansa saying the iconique phrase ‘How do you answer these charges, Lord BaELISH’

Any time anyone said the words ‘King in the North’

Battle of the Bastards - need I say more. I won’t big it up like so many of the magazines and entertainment websites did, but it felt like one of the most realistic depictions of a medieval battle you could find. I felt it in my gut. I don’t know how you couldn’t. When Jon couldn’t breathe, I couldn’t breathe.

Bran literally being the group member of the assignment who drags you down bc he just sits in a cave