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#zero.thoughts
ravengards-rogue · 1 month
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gn reader, 18+
i do think arthur is so overwhelmingly gentle with you that you often completely forget how strong he actually is. and you only catch glimpses of it otherwise, watching him throw some bounty over his shoulder or pick up a deer to bring back to camp
its easy to lose sight of, specially when arthur is so soft handling you. treats you tender, a hand at the back of your waist and a brush of lips instead of bruising kiss. his fingers pushing hair from your face. you lose sight of the fact he’s so strong until he gets desperate.
and when he’s desperate he’s not so restrained. you can feel his patience snap after being worn thin, the tight grip of his hands against your thighs and the strength he rolls his hips and fucks up into you. it’s only when you’re collapsed limp in his chest and he’s whisperin’ and apology for being so rough that you remember why everyone sees him as so brutish to begin with. he can be brutal when he wants something and there’s nothing he wants more than you ever.
its hard not to notice how strong he is like that. thighs ground against yours, fingers dimpling the soft of your curved and angles, the bed moving with each thrust. your gentle, loving, brutal arthur
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wyllsravengard · 5 days
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me and karlach are kissing on the mouth rn
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zero00kiryu00 · 2 years
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So who tf was gonna tell me the band Ghost actually fucking slaps
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ravengards-rogue · 11 days
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the main difference between arthur and john is that arthur talks you through it and john doesn’t.
arthur, in particular, is real fond of talking it through. its his propensity for being thorough in important endeavors. no matter how fast or how slow the sex is or when it happens—arthur will be there to guide you through each step. he’s not a man of many words, not really anyway. but that’s mostly because there’s so few people he feels the need to share with. you though? oh arthur talks to you for hours. about anything on your mind and his. you’ve heard the deep, low rasp of him against your ear laid out under the stars tens of times. but its different when he’s touching you. a gloved hand between your legs, whispering rough romantics against your ear. “real wet for me, barely touched ya. you like that, im guessin’. oh don’t fuss, sweetheart, im just teasing. easy, easy—go on and feel good.”
john, though— is a man of action. he’s not articulate or thoughtful in the same way arthur is, all gunsmoke and sharp edges. he prefers not to draw it out because he always feels like he’s running on borrowed time. john doesn’t need to tell you anything, though he does like to listen should you feel different. his words feel empty to him, you know. instead of nights talking, its late night horse rides to beautiful places. shared cigarettes and borrowed jackets, john wants to show you himself. john expresses his love by taking you apart. single-minded in the endeavors of pleasing. the only sound your voice whining and his laughter, barely audible and so delighted by how he makes you feel. his nose against your sex or the tip of his cock pressing against you. deliberate and tense. all john needs is for you to be there, so he can show you all of it. silent but so, so deadly. all of him for you, a quiet promise.
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ravengards-rogue · 1 month
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i think it's interesting that astarion has a tendency towards apathy. or at least, on the surface - this is the identity that he believes suits him best. that his roguishness and selfishness and otherwise immoral character is all born from apathy. it's always a song and dance, a show of who can care less. i can't speak much of astarion pre-spawn but post-cazador there is always this bitter cat-and-mouse game.
nothing matters except me. nothing matters except my safety, and the only reason it's worth concern is as it pertains to me. i do think some part of that's genuine. i think 200 years of vile abuse does that to someone and astarion, without debate, was once a very shitty person.
but then, astarion gets company. meets people who are annoying and heroic and silly and empathetic. he meets you - someone who is at some point willing to give his agency back to it, or has some interest in maintaining it. someone who at a baseline just respects him as an autonomous being. and then the mask of apathy, very quickly falls apart. the apathy, the anger, the bitterness - it's all there. it's still there, even when there's someone who cares for him.
but admidst the ending world there's. someone. just someone. and that's as little as it really takes to break astarion in such a particular way. and then you come to realize that he is actually so inconceivably far from infallible. there's something quite pathetic to him. to all of him. underneath of all that is such gripping and miserable loneliness that all it takes for him to care or want is something as basic as respect - you start to think of him very differently.
you see him for what he is which is afraid. always. perpetually. ingrained deep into his bones, terrified. the mask of apathy is worn with the explicit purpose of redircection. if astarion can convince you that he cares for nothing but himself, maybe he can convince himself too. maybe you won't notice all the ways in which he is broken down. maybe you won't notice the way he lingers in hugs and the way his voice breaks trying to assure you want him. maybe if astarion wins at this - nothing will be taken from him.
maybe, maybe - if astarion can play at apathy he can convince himself he doesn't want you love him at all. not once. he can convince himself that the warm feeling of your hands and the self-assured firmness of your love isn't something he wants to fall back on. maybe he can convince himself he'll move on when he outlives you.
maybe if astarion never shows that it all matters to him so much nothing will be taken from him again. what a poor defense mechanism though, really - because all of it seems to matter to him so much
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ravengards-rogue · 3 months
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im sure everyone is familar but i just noticed this and Man...when you're romancing astarion and you've already slept w him before the tiefling party (and u have high approval i think) - you can get this line where you can basically goad him into shooting pickup lines at you. and through the different dialogue options, at one point - he'll say i love you insincerely.
you have like several ways of going about this dialogue, and my tav (this time) chose the option to say "having fun are you?" it was really... interesting... astarion in general has a really tonal way of speaking. and he has a line after you ask this of him, where he says he is and its hard not to with you. and he sounds... genuine.
when astarion is trying to get something out of you, he's always really theatrical but when he's being sincere that quality really Mellows. the pitch in his voice is higher and he speaks less smoothly. ike its hard to get the words out almost. he still has the same like delicate quality in his voice, the same airiness but its noticeably sounds more touched.
but its. interesting. that by that point (in act one before anything happens) that astarion knows really little about you other than you tend to look out for him and that you're capable. but when i consider it from astarions perspective, being with you even in (im)mortal peril and the connection you share is probably the first genuine, tangible connection with another being that he's had in his life or at least for 200 years. completely and entirely his outside of being a spawn.
its by a truthfully fucked up metric, but. he really does have fun with you. like he means that part. something about that is So devastating. because at that point, im sure astarion considers it temporary. he's manipulating you and he's trying to take advantage of you and its not real (so he tells himself over and over.)
except. sometimes it is. and sometimes you tell astarion you'll have each others backs. and sometimes you come back to camp covered in blood and you'll laugh with karlach trying to get it out of your hair and the fireplace is nice and crackling and it smells like smoke.
sometimes you'll trek through the forest and mountains and gale will say something and maybe you'll tease him. and you'll laugh. and so briefly he forgets what he's running from.
astarion will offer you his body because he's hoping you don't realize that's all he has to offer, but you're not expecting anything. there's no price to pay for laying under you except maybe his own guilt.
and even still. even with all the caveats. well its fun. maybe his standards are low, but its fun to be with you in some way. and its masked with so much of his usual poetry but maybe that is more meaningful than an i love you. you make him remember so basic, fun. genuine, silly fun.
he doesn't love you there. not yet. but maybe it is more meaningful for astarion at that stage, to simply admit that he doesn't want to be surrounded by unpleasantness forever. that there is more to getting his freedom than survival being easier. maybe he wants to have fun in ways that aren't drinking himself sick even when he can't taste the alcohol.
you're fun for him to be with..that means more than anything for him there. how do you teach someone who's suffered so much anything other than teeth-gritted, matted fur survival is unfamiliar? except trying to show them that it is fun, and good to be alive?
even if its all a sham. a mirage. well it was fun for astarion. he couldn't even forget that. you have so many of his firsts.
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ravengards-rogue · 2 months
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afab reader, 18+
shadowheart likes sucking strap. she knows she's pretty so she uses it when she wants to get out of something. and the visual is enough to get you off, enough to level all of faerun if you're not careful. lashes wet with tears, mouth stretched around the base of your cock with her hands in her panties to get herself off too. she's always good with her mouth, bratty girl she is. you already know that better than anyone. but god she's so impressive with her pretty little throat, swallowing your shaft. she's a performer when she wants to be - spit stained mouth, lips cracked at the edges. she blinks as it touches the back of her throat with expertise. straight dark lashes fluttering as your hips buck to give your clit some friction. she'll choke and gag then moan when she looks up and sees you so affected. makes her want to do more, be more extreme. if you cum you'll praise her and that's what her body wants more than anything. you must think she's so pretty like that, right? she'll stare at you with the whole thing in her mouth until you tell her just that.
"fuck, shadowheart," you'll groan. she'll melt as your hands cup her face. soft, loving touches and so much praise it makes her tummy flutter. that's what she wanted the whole time, wanted praise. she likes that you speak to her so tender. "you're so pretty like this."
she wants to say she knows but she's not so impolite to talk with her mouth full. so she pulls herself off, lets the tip rub on her cheek as she tells you instead. you should tell her some more anyways. that what she's doing it for to begin with
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ravengards-rogue · 3 months
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✧ barbarian + gender neutral tav, bottom/sub gale, top + dom!tav, gutting a fish, horny to horny tadpole communication lol 18+
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gale daydreams too long about the rough callouses on your hands on his skin.
you answer him in short sentences when he mentions them but he's come to realize this isn't disinterest. you just aren't one for talking much, and you listen to him intently. occasionally you'll remember something entirely arbitrary he's told you - and he'll feel his heart stammer like a boy in love and not a man of middle age.
he notices your hands first when he tries teaching you the weave. the times after, you're healing him because he's been battered relentlessly in battle. calloused hands - the kind of hands that wield weapons and massacre. gale has seen you rage so often, though he's never thought anything of it. you're polar opposites in all aspects but especially that kind of raw power.
(the story of them goes that you used to tussle with bears as a child. when asked to elaborate, you shrug passively. apparently all that matters is that you won more often than you lost.)
he likes your hands. your hands are calloused and scarred. all of you is scarred, but your hands especially. split knuckles and thick, coarse skin that's been split and healed with nothing but time. strong, capable hands that carry fresh hunt into the camp and butcher them close to the water so the blood can be washed away. his are soft and smooth, a calm life in the vibrant and advanced city of waterdeep has made them so. the most violence he's ever received until recently, a paper cut from an especially feisty tome.
gale spends too long looking at them. you notice his gaze, naturally perceptive. and gale - well gale flushes. he's leering, and his thoughts are all but appropriate.
he's not prone to shyness. but you're a little different from those he kept in his past. constructed with that sort of unfamiliar grit makes his stomach churn with desire that burns white hot. gods.
it's inappropriate - entirely. together at camp with a makeshift table and cutting board (a slab of wood, really). you're cooking together, and gale is watching you gut a fish. your fingers are soaked in blood as you carefully scale and clean skin. there's also a fresh body you've so morbidly carried for astarion to eat.
you glance at him, head tilted - brow taut with interest.
"something on your mind, wizard?"
"not particularly," he replies, trying to avert his gaze. you go back to your task, the barest amusement on your face.
"you're a shit liar." and then, as if you sense that you can't pull more out of him - he feels something electric brush against his spine. the tadpole, your tadpole. you reach out to him through it. the voice in your mind is entangles with his as he allows you to touch his thoughts. you never do so without being careful.
it's...oddly euphoric, makes his stomach feel honeyed with lust. a harsh way of speech coupled by a soft whisper. stop being lewd or you'll cook yourself on a flame.
it's an instant protest, though between you is only silence.
"lewd?" he says in a whisper yell. you don't reply to his exclaiming. nor do you mask your amusement. you're enjoying this. your hands make quick work of flaying the dead sea creature. the head goes into the soup. you dunk the bloodied carcass in water leaving delicate white fish behind, then you use a dagger to carve the bones from it.
the blood stains your fingers. even with the savagery you're always committing, your delicate with the flesh.
you press into his mind, a knowing glance at the way his eyes lock onto the gesture.
gale is hesitant to let you in again. you shrug.
"even if you don't want to tell me what ways you want me to fuck you," you say, low enough so that only gale hears it. "well. you're a bit of a lost cause on hiding it."
gale is so momentarily scandalized he just stops. a smile tugs at your lips as you look at him more directly this time. heat licks at his his calves, a little ashamed as he lets you in.
(the images conjured in his mind are imperfect but vivid. all of them terribly rough. his mind desires it more than his body, to feel the roguish warmth of your palms handle his limbs in ways so untender some gods would consider it against them. a harsh first around his cock or around his throat, thumbs pressing into pulsing heart. hardened touches rounded with tender praise.
fingers inside of him. gale laid out over your lap - tucked into you in some completely vulnerable way.
there's a single undercurrent desire, one for you make a mess of him and it's louder and more attention seeking than all the rest. the need to be under your thumb makes his cock twitch so hard it's painful.
he imagines himself spent in your arms, cumming helplessly. limp against the strength of your chest and arms. the thought makes his physical body shiver.
the idea lingers so deep in the recesses of his mind he wonders if they're being projected right.)
he severs the connection when the embarrassment catches up to him, waiting anxiously for whatever thing you might end up saying. there's a smirk on your face, a salacious little chuckle as you discard bones into a metal bowl fashioned on the slab you cut on. for an elongated moment, you're unreactive. it's so strange gale wonders if he might've conjured up the entire interaction.
you walk yourself around him to put something in the pot - fresh cuts of white meat, before you blow warm air against the back of his neck. he nearly jumps out of his skin.
your words are assured.
"didn't take you for a masochist," you hum, calloused palm underneath the velvet of his nightwear. he looks at you over his shoulder. you make it clear you mean every word of what you'll say. "but i'll fuck you however you wish, lewd wizard. try to focus on dinner for now instead of ogling."
with your task now finished, you place a single long kiss on the nape of gales neck before disappearing completely - slinking off into the night to wash your hands. gale feels blood rush between his legs as he clears his throat.
he grumbles as he waddles over to stir the pot, skin painted with pink and feeling no less horny than before. "easier said then done."
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ravengards-rogue · 2 months
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dont take any of this too seriously. just spewing my thoughts. some rdr2 / johnigail stuff. mostly talking 2 myself. a lot of spoilers lmao
i really. i really like the relationship that john and abigail share both in rdr2 and later in rdr1. and what i like about it is that it, explicitly, is not a story of true love.
don't misunderstand, i think john and abigail love each other to death and ever after. they share such a deep and solid relationship and both make mutual connections to each other over the course of the game. but what makes them compelling to me is the deep realism rooted in their romance and the way that love is depicted as choice rather than fate.
rdr2 poses this more than once through out the story, with the most obvious example being mary-linton and arthur. when presented the choice to leave the gang or go with mary, arthur chooses the gang due to various internal and external factors. but the implication remains that things might've been different had arthur learned how to choose other things. himself. his future. etc. there's examples of this with hosea and bessie (said by hosea himself "she knew what i was"), with dutch and his varying models of young women. the van der linde gang chooses the outlaw life chronically, habitually, instinctively.
abigail joins the gang as a working girl. she sleeps with most of the camp, and then with john. they're sweet on each other. and she has a boy that she believes to be johns. john is hesitant to believe that (and maybe some of that is warranted) but most of it is him being a complete jackass. the kid is born. john is presented the option of fatherhood. he, like the rest of the gang, comes to a point where he feels he must choose what is going to take priority in his life.
(and this is important - because in my mind, so much of this pressure is so self-imposed. it's inherited in the way most sons inherit from their father or like most younger brothers inherit for their older ones. it's possible no one told john to choose explicitly. not then at least.
but well, john has seen this all play out before. and loyal men choose the gang, almost always. the gang is family, was family before jack and abigail. and if john owes anyone loyalty, it's dutch who raised him as a golden boy)
john, for better or worse, chooses neither. he leaves the gang entirely, for a year which is a huge point of contention. he leaves both things behind. he doesn't choose. he doesn't want to choose. but he comes back, and presumably makes the choice made many times before him. he chooses the gang and completely shafts responsibility of fatherhood and husbandry. but there is obvious uncertainty there.
the choice john makes to leave is interesting when you consider it thematically, and you consider arthurs specific advice to john before his death - that you can't be two men at once. something that is reiterated to john in the epilogue and that he acts on in rdr1. it's also interesting when keeping in mind some hidden dialogue hosea has with john, in which john says he knows that jack is his.
to me, john understands very well whats going on around him. and that his actions are informed explicitly by that choice.
and this to me is what makes his relationship to abigail so interesting. john is no doubt a loser, a deadbeat, and a bum (he is my favorite character) - but all of this information together makes me interpret his actions (coldness towards her and jack) not as genuine resentment but an externalized projection and defensive mechanism.
johns uncertainty is not towards jack being his or even towards abigail, but a baseline questioning of the violence he's been steeped in his entire life. what was once a simple, intuitive choice to be an outlaw is called into question by the legitimate possibility of something else.
arthur has a line to john, where he says that if you don't think jack is yours - why does it bother you so much? and it's a good question indeed, why does any of it bother him so much? why does abigails nagging bother him so much? why is it that john chooses to be actively antagonistic towards her when he could choose to simply be apathetic or choose to reject or stonewall her?
a lot of it is projection. its hypocrisy on johns behalf. he unloads his questioning and beliefs about the gang unto abigail who serves as a semi-constant reminder of his own problems. abigail during the main story game doesn't ask john to choose, but john knows that he has too. that's what that whole thing leads to.
when the gang starts to fall apart and when jack gets kidnapped, john immediately changes his tune. he's in clear disarray. the seeds of doubt planted in his head about dutch during blackwater only get increasingly extreme and as the game goes on into guarma and johns prison arc. he starts more clearly distinguishing where his loyalty will lie as the game closes, john is finally encouraged to make the cemented choice of jack and abi and not gang life (not all at once and something he will continue to struggle with) but he makes it all the same.
and then all of that intersects with abigail. and this to me is where the basis their relationship stems from because it's largely abigails influence, personality, and persistence that allows john not to make the same mistakes. abigail doesn't ask john for love, but she refuses to yield to him when it comes to jack. i know so many people see abigails nagging as nagging, or clinginess - but in my mind, it's simply her not letting john get away with being wishy-washy. abigail makes herself known and doesn't relent even when john continuously acts like a massive dick. she's not a pushover about it though either.
abigail loves john and probably understands him better than people give her credit for. especially with her calling him silly so often (a WHOLE different meta post) it's out of genuine love for john and in many cases, a genuine concern for john as a person that she acts the way she does. she gets on his case because she doesn't really want to give up on him, even though she probably very well could.
and she'd definitely be more at peace if she did lmao.
at a human level, abigails constancy and her both 1. not taking johns shit when he acts like a dick and 2. still wanting more and whats best for him is probably one of the base reasons john has full strength to make it out. and john knows that. abigail chooses john. she wants to choose john. she believes in him and so much of that contributes to the fact john doesn't end up somewhere much worse when the main story ends.
but again its not easy. for either of them. and it's not something that works until john gets his shit together. their relationship doesn't mend overnight, either. in the epilogue of the game, you see them face the same struggles they did through the main story. but like i said, abigail is no pushover. when john keeps choosing outlaw life, abigail leaves because she feels there's no helping him and john has to prove himself to her once more. he has to choose them.
(a lot of people critique abigail for being unfair to john and i understand that - but i think its mostly fear. john was in that life for years, and to abigails there's no telling if that siren song will take over and uproot her life again or not. i do think many times john took up the gun in the epilogue were completely fair, but i dont think abigails reaction is unwarranted.)
but again. again. the core of their love story is about choice. both john and abigail make the choice to choose their family and their love is founded on learning to choose each other. abigail straightens john out, and his character in rdr1 is so much more mellow than he is in rdr2. his loyalty to abigail is fierce and consistent, and john knows he owes a lot to her and never loses sight of that in the years they spend peacefully together.
he likes that abigail gives him shit and a hard time because he knows he deserves it and that it was one of the only things stabilizing him during some of the most tumultuous and difficult times of their life together.
they have such deep and genuine love for each other, built entirely in trying to believe and trust in one another and hold onto love in an era where everything was constantly at stake. it's not fairytale romance, but tried and true connection and choice. i love you because i chose you and i'd keep choosing you. they are so awkward with each other for so long because of the nature of their relationship to each other and that truly endears them to me all the more.
they just. they are so in love. but its not a fairy tale. and its not a case of john getting the girl because he's the hero or whatever. john loves her so much and she loves him and it all took a while and none of it was perfect. but it was real. so so so real between them. ack.
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ravengards-rogue · 5 days
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astarions first scene is so funny. you’re like bro u tried to fucking bite me and he goes 🥺🥺 yes bc im hungry please dont get mad 🥺🥺 im sorrryyyy 🥺🥺 like motherfucker you’re POUTING AT ME? AFTER TRYING TO EAT ME AHFJSJFJ? whats worse is that it works for him! like hello !
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ravengards-rogue · 8 days
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you make arthur cum in his pants and hes so embarrassed he leaves camp for several days
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ravengards-rogue · 25 days
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gale is so pretty and pathetic and it makes me want to bully him to an extent no other character in bg3 does. why do you, as a man, have big wide brown eyes? and why are they not currently rimmed with tears? get on it
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ravengards-rogue · 1 month
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i am genuinely interested in the fact that astarion clings onto being apathetic when he is like literal ceo of losing the idgaf wars lmao
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ravengards-rogue · 20 days
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john and the way his breath hitches when he puts necklaces on for you
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ravengards-rogue · 20 days
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ohh john referring to you as little angel when you’re being especially fussy or bratty around hik ohhh my god
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ravengards-rogue · 23 days
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i think arthur would be into being a vampires handsome blood bag
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