thepurpleglass

[thepurpleglass]

it’s so true that the greatest weapon against nihilism and existential despair is to find joy in the mundane and never stop chasing after love

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Tumblr // The Color Purple // Twitter // Sense8 // The Sound of Music // Everything Everywhere All At Once

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Favorite thing about renaissance faires is that they have fuck all to to with the renaissance. This thang is not about historical anything this is about dressing up like a fairy and watching a joust

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I desperately want AP to use a bigger byline or something for "this day in history" because every time I'm just scrolling I get to headlines like this and for a brief second I'm like. What.

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mtgayrum

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One of the many weird things about depression is that it retcons your life. Not only are you lying in bed feeling like a piece of shit and that everything is awful, but you start projecting those feelings back along your own time stream - you start low-key believing you've always felt this way, that nothing good has ever happened, or if it has it happened a long time ago.

On January 1st of last year I decided to start keeping a tally of good days and bad days, because I stopped trusting my brain to report on that accurately. I expected to come and look at the tally when I was depressed and go "oh, I had a good day only a few days ago. this hasn't always been like this."

What I didn't expect was that the process of asking myself whether a day had been good or bad would radically shift my perspective on what a bad day was and what a good day was. On the very first day, when I'd achieved nothing and had felt sad and slow all day, I went to put a notch in the Bad Day column before stopping myself:

wait, i thought. has today actually been bad? not bad enough to write it off. i played rummikub online with my partner. i drank some water. i had a long bath. no, today wasn't a bad day.

And so I put a notch in the Good Day column and went to bed. The next day I did the same thing, and the next day, and the next day. Just the process of going over my day every day meant that I found at least one good thing that happened every day. I had a good meal. I went to the pub and was around people, albeit quietly. I went for a walk. I saw a duck. There were days where truly awful, terrible things happened, but even on those days there was always something - even if the something was a simple as We Were There For Each Other or We Reminisced.

On December 31st I put the final tally down. Not a single day had been so bad that I could justify writing it off as a bad day. The bad day column was completely empty.

I'm still depressed, occasionally deeply, but I think I have more perspective. Depression is a physical feeling, and an emotional feeling, but even without trying *something* comes along every day that makes me glad I'm here despite that feeling.

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catboy 🏳️‍⚧️🐈🎸

(he/him)

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Of all things to bring me out of depression pit…

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Behold the lumpfish. Very beautiful. Very powerful.

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Being raised by areligious jews with 0 exposure to christianity outside pop culture is so fun. One time I asked my ex-catholic friend why a picture of jesus had a bristle crown and she looked at me like I was insane. One time I heard someone mention the "lance of longinus" and responded, word for word, "Like from Evangelion?" One time during a history lesson my professor described an important monk and scholar as "Dominican" and I spent the rest of class super confused and hung up on it because I was very sure that the Dominican Republic didn't meaningfully exist as an entity back then, maybe she meant he was a native Taino or something but that's a weird way to say that and I'm pretty sure this was pre- European contact? Really fucks people up when they realize I genuinely have no idea.

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You’re the town’s superhero. Your greatest enemy is the town’s supervillian. However, secretly, your both brothers. This isn’t anything tragic, as your whole destructive rivalry is actually just a massive prank on your third brother, the mayor.

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now THIS is camp omg (literally)

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Ok so I am still reeling from digging this up last night. Anyone who knows me knows that I am unhinged about Missing Link pre canon and especially am interested in the deleted Chupacabra scene mentioned in the art book. I never thought I would find details about this.

At 51:28 in this video, CHRIS BUTLER TALKS ABOUT THIS SCENE!! Guys when I tell you I was basically vibrating. Peak autistic girl joy.

And he talks about it for like, less than a minute, but in this minute we get so much information from it. I debated posting this because I realize how fucking weird I seem but I feel like other nerds would appreciate this, especially since it is evident a lot changed over the course of Missing Link’s production.

2 major details:

In the art book, it says Lionel and his friends. Chris Butler essentially confirms here that it was just Lionel and Aldous. So that concept art by Max Narciso was most likely FOR THIS SCENE meaning who knows when it was cut.

Most importantly, we get details of what happened and guys im not even going to lie, I fucking love this one.

ADELINA SHOT LIONEL.

adelina fucking shot lionel thinking he was the chupacabra

I love that so much. It is so fucking funny. What Chris Butler says is “if memory serves, adelina shot lionel by mistake.”

I could talk for like 30 hours on why this is funny and how this is such a huge find for me but I will not do that. Shoutout to the Laika fandom though.

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HE IS COMPLETE

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I LOVE Dungeon Meshi's Realistic Fantasy Races

Ok, I had to stop for a moment to gush about the fantasy races of Dunmeshi, and all the consideration that's been put into them, because they actually follow a degree of natural/evolutionary logic not found in most fantasy stories!

Half-Foots (halflings/hobbits):

So we all know these fellows have excellent hearing and smell, but have you considered WHY? It's an adaptation to counteract their size. Humans (called tallmen in this setting) rely so much on eyesight because we're really tall compared to most animals, giving us a fantastic vantage of our environment. Half-Foots don't have this advantage, and therefore rely on their other senses. It's also much more important for them to be able to detect unseen threats and move quickly, because their size makes them ill-equipped for direct conflict.

Dwarves:

So Dwarves are depicted as MUCH stronger than tallmen despite their size, right? This is because strength is determined not by size, but by mass, and dwarven bodies are very dense! Yet this comes with the downside of their bodies burning more energy and overheating much faster, which is why dwarves are also shown to be heat-resistant, and why they tend to wear lighter clothing that exposes more skin! Their night-vision is also better than humans' due to their semi-underground lifestyle, while their hearing remains about the same since sound naturally carries in caves. Their hairiness is also likely a direct adaptation to counteract magic, as it's been shown to form a natural buffer when left unwashed.

Gnomes:

Gnomes are supposed to be evolutionary cousins to dwarves, and it shows! They share a similar height, but are less muscular and have peculiarly-shaped ears, almost mirroring the difference between human and elven ears. Their affinity with nature and spirits also makes sense, because physically they're in an awkward spot compared to the other short races, lacking both the hefty strength of dwarves and the light nimbleness of half-foots. Being less equipped both for fight and flight, it makes sense they'd instead adapt the instinctive ability to read their environments and mitigate its threats through cohabitation.

Elves:

Like gnomes, elves are in a physically awkward place, however it's even more extreme. Their relatively light and weak bodies make them ill-equipped for direct conflict, and while likely able to move faster than tallmen due to weight, they lack the half-foot's danger-detection senses. This makes them seemingly helpless, however interestingly it actually explains why they're so advanced compared to other races! They were basically forced to coordinate problem-solve, and control their environments out of necessity, which is reflected in their more controlling and direct relationship with magic and nature compared to gnomes.

This actually mirrors the real-world difference between humans and neanderthals. Anthropologists believe neanderthals weren't actually dumber than humans, but that their superior strength and durability meant they weren't forced to problem-solve or control their environments like humans, meaning they seemed less advanced.

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one thing i haven't really seen in all this analysis of niche microtrend revival is that this was an ongoing process in the past also. like... one thing that has been conspicuously missing from 90s-00s period historical dramas is the absence of deee-lite or pizzicato 5 mod/disco revival. alongside it there were elements of like, baroque pop revival (a 60s niche microtrend) that permeate as far as manic street preachers or danny elfman, and i think this is what eventually morphed into the jon brion and yann tiersen era of alternative music. there was a rockabilly episode in daria, that scene was solidly adjacent to ska the whole time. goths and punks never really at any point stopped doing the 80s. i can understand why you can't do a revival-revival easily because the distinctions are so difficult to pin down and it would be so fussy, but one example i can point to is to look at what textiles and production tools were new at the time and which scenes overlapped. disco differs significantly from 90s disco revival in fashion because chaka khan was wearing things more like organza and rayon and polyester while lady miss kier was designing her own nylon and spandex and producing album art on an apple desktop. giorgio moroder was bridging the analog to digital transition and picking up synths from europe, donna summer was a theater summer stock actress. does any of this really matter? no, but if you're styling a vintage photoshoot or doing a theme party you can throw in paisley and bellbottoms, a zoot suit, or denim and spikes. they were all there