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thewordtocome · 3 years
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Sybil Seely in One Week (1920)
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thewordtocome · 4 years
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thewordtocome · 4 years
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Clark Gable DANCING LADY (1933) dir. Robert Z. Leonard
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thewordtocome · 4 years
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Rear Window (1954) + Edward Hopper
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thewordtocome · 4 years
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Torii Kotondo Morning Hair
This image was considered so wildly provocative in 1930s Japan, that it was banned from further publication, remaining prints being destroyed.
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thewordtocome · 4 years
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Pola Negri, Madame DuBarry (1919)
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thewordtocome · 4 years
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“It set new standards of what was possible in terms of commercial motion pictures. Sometimes shown with hand-colored prints, The Great Train Robbery was America’s first blockbuster. There was action, suspense, ending in a chase and final shootout. The final image was unforgettable, directly confronting the audience and including them in the action.” THE GREAT TRAIN ROBBERY (1903) dir. Edwin S. Porter
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thewordtocome · 4 years
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thewordtocome · 4 years
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Jean Harlow RED-HEADED WOMAN (1932)
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thewordtocome · 4 years
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thewordtocome · 4 years
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Clark Gable + Myrna Loy WIFE VS. SECRETARY (1936)
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thewordtocome · 4 years
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Random Harvest (1942) dir. Mervyn LeRoy
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thewordtocome · 4 years
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“What you seek is seeking you.”
(via goodreadss)
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thewordtocome · 4 years
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Barbara Stanwyck and Fred MacMurray in Double Indemnity (Billy Wilder, 1944)
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thewordtocome · 4 years
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Barbara Stanwyck showing how to deal with creeps who invade your personal space
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thewordtocome · 4 years
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Clash by Night (Fritz Lang,1952)
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thewordtocome · 4 years
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Little Shop of Horrors, 1986
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