Evaluation
What did you learn and achieve?
I learnt how to develop film and prints which I have since started doing at home as it makes shooting film a lot more cost effective. I’ve also learnt to be more confident when photographing with different subjects other than people, as this project has given me the opportunity to try more of this.
Which research sources did you use and how effective were they at providing the information that you needed?
I used books and zines that I have collected over the past few years, various photography magazines. All of these proved to be very good sources of information in which I used and applied to my project during the research and analysis phase.
What equipment did you use?
For cameras I used a Mamiya RZ67 with a 90mm F3.5 lens and a Nikon FE2 with a 24mm 2.8 and 50mm 1.4. I shot on Ilford HP5 which I developed myself.
How did you use computers and technology?
I used the computer for some research early on and then for editing all of my images after I’d completed my shoots, I use lightroom and photoshop together so that I can do basic editing and then more fine corrections. I scan directly from my Epson V600 into Lightroom to speed up my workflow.
What was your most positive experience?
Probably the shoot I did in Disley as I took some of my favourite photographs there, and ones which I’ve used in this project. I also think that going out at night helped me learn more about shadow as it features heavily in the images that I took.
What did you find the most difficult this project?
I found the analysis and some of the written work really hard as it isn’t something that I find very easy. I struggle to analyse my own work and I struggle to write things in depth as I just don’t know what to say.
On reflection, how could you of improved your work?
I could of spent more time writing rather than taking pictures as I’ve had to do the writing in pretty much one sitting which is very tiring. As far as my shoots are concerned, I don’t think theres anything I could of done to improve them.
To what extent did you achieve all your project goals?
I believe I achieved all my goals as I finished early, took plenty of great photos, learnt to develop and print and organised all my written work to an extent.
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The exposure triangle and an explanation of shutter speed. I used these to understand how aperture, ISO, and Shutter speed correlate. This was particularly useful whilst doing long exposures.
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Natsumi Hayashi does not call the photos she posts on Yowayowa Camera Woman Diary “jump shots.” A jump, she says, is composed of many movements. And those who go up must come down.
No, Yowayowa Camera Woman is not jumping.
She’s levitating.
Ms. Hayashi, who lives in Tokyo, presents photographs of herself looking light as air, shot mostly around the city. The images have earned her a respectable following on her blog, as well as on Facebookand Twitter.
Natsumi Hayashi Posted May 20, 2011.
Levitation photos are supposed to emphasize the natural flow of time, said Ms. Hayashi, who usually shoots with a shutter speed of 1/500th of a second or faster.
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I was born 1971 in Berlin (Germany). After 43 years living in Berlin I work and live in Leipzig today. After having passed the High School Graduation Examination (Abitur) in 1991, I studied business engineering in Berlin and completed my Diploma in 1996. From 1997 to 2010 I worked as a business consultant. In 2011 I started to work freelance as a photographer and artist. I'm self-educated in Photography. I had been photographing for more than 12 years. Over the past 10 years I acquired detailed knowledge in the field of analogue photography. My own artistic projects are usually created with analogue techniques.
Some photographs of my series 'monster', 'multiexpo' and 'tierwald' were shown in Germany, France, USA, Spain, UK, India and Italy at renowned galleries and festivals. I'm part of a permanent collection of the Bibliotheque nationale de France in Paris. - Frank Machalowski on himself, his life and his work.
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Phillippe Halsman was an American/Latvian photographer. Halsman was born in Riga to a Jewish couple, Morduch (Maks) Halsman, a dentist, and Ita Grintuch, a grammar school principal. He studied electrical engineering in Dresden. In 1941 Halsman met the surrealist artist Salvador Dalí; they began to collaborate in the late 1940s. The 1948 work Dalí Atomicusexplores the idea of suspension, depicting three cats flying, a bucket of thrown water, and Dalí in mid air. The title of the photograph is a reference to Dalí's work Leda Atomica which can be seen in the right of the photograph behind the two cats. Halsman and Dalí eventually released a compendium of their collaborations in the 1954 book Dali's Mustache.
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Experimenting with freezing motion. We used studio flashes, a few props and some water to freeze. We tried using a snake and a bicycle wheel but they wouldn’t stay in the shot properly. These are the three best images from the shoot.
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A few practise examples of motion. I used a low shutter speed of one second with these and an ISO of 100. For the top one I panned, the middle one I zoomed and the bottom one I moved the subjects.
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My mood board featuring long exposure, panning, and zoom techniques. I plan to use long exposure for my photographs.
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TITLE PAGE
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