wr3n-writes

[wr3n-writes]

@lady-wren-of-tella

Sorry for vanishing exams are doing a number on me have this as an apology:

Behind every traumatized oc is an even more traumatized creator.

-🧋

asdhflsjfks hello!!

sorry i didn’t see this earlier!! i’ve been on my other acc lol! hope your exams went well/are going well!!

lmfaooooo true

[wr3n-writes]

Sorry for vanishing exams are doing a number on me have this as an apology:

Behind every traumatized oc is an even more traumatized creator.

-🧋

asdhflsjfks hello!!

sorry i didn’t see this earlier!! i’ve been on my other acc lol! hope your exams went well/are going well!!

lmfaooooo true

[wr3n-writes]

totally legal things ive collected over the years

beginner’s guide to legally doing things - use this browser for doing legal things - use this free vpn for doing legal things - the vpn’s playstore app - webrtc leak shield - photoshop - paint tool sai - she-ra 1 2 3 4 5 - movies in the us - movies in other countries - suf - ninjago - ninjago movie - pokemon movies - lego city adventures - film ebooks - freddy files (fnaf) - learn greek - toxicity awareness (ebooks) - 3ds emulator - 3ds roms - more 3ds roms - sun and moon rom - tomodachi life rom - even more roms - witch ebooks

#wr3n:: save

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[wr3n-writes]

difficult recovery prompts

Nightmares

Won’t wake up

Can’t/won’t speak

Overheated

Hypothermic

Sickly

A fever that breaks

A fever that won’t let up

In too much pain to sleep

Lingering effects of poison

Applying bandages

Removing bandages

Stitched up wound(s)

Can’t stop shaking

Finally, water

Finally, food

No appetite

Drawn and frail

Pounding headache

Unsteady on feet

Falls trying to leave room

Not quite themself anymore

Hopelessness

Sore and achy

Fading bruises

Tense muscles

A slow-mending break

Impatient and frustrated

A balm or lotion

Touch starved

Side effects of medicine

Too much medicine

Not enough medicine

Recovering lost and alone

Recovering safe at home

Recovering while still with whumper

[wr3n-writes]

How to Use Character Flaws to Enrich Your Writing

Readers identify with characters who are relatable and peppered with imperfections. When a writer crafts believable character flaws, they open the door to interesting conflict, engaging personalities, and ample character development.

What Is a Character Flaw?

A character flaw is a trait that prevents a character from being perfect.

Sometimes this fatal flaw leads to a character’s demise or at least undercuts their character strengths and presents a prominent setback they must overcome.

Any character can have flaws, including a protagonist, antagonist, love interest, confidant, deuteragonist, tertiary character, or foil.

Why Give Your Characters Flaws?

A character’s flaws serve many functions, particularly ensuring that the character is relatable and engaged in inner conflict. Carefully crafted flaws can do the following:

Make the character relatable to an audience of readers or viewers

Present an obstacle that must be overcome during the course of the story

Create character weaknesses that another character in the story can exploit

Create an obstacle that prevents a character from immediately solving a conflict

Set off a character arc that allows a character to grow and change

Provide quirks that distinguish characters from one another and make them memorable to audiences

Emphasize broader themes that are amplified via specific character flaws

Create comedy—from Homer Simpson to Michael Scott, the best comedic characters are hopelessly flawed

What Is an Example of a Character Flaw?

In the Thomas Harris novel The Silence of the Lambs (and its subsequent film adaptation by director Jonathan Demme), Hannibal Lecter has what could charitably be called a personality disorder: He is a cannibal and a sadomasochist.

Lecter’s character flaws, however, are somewhat offset by his brilliant mind, which he uses to help the main character, Clarice Starling, apprehend a serial killer tormenting Appalachia.

Lecter is an example of how in fiction, even characters with the most severe personality flaws can embody a degree of three-dimensionality.

12 Character Flaws to Use in Your Writing

The array of possible character flaws is boundless. Here are 12 time-tested character traits that inherently generate conflict:

Perfectionism: A finicky perfectionist is never satisfied. They can rarely accept that a project has been completed, and they rarely accept the finished work of others. Perfectionism is a great flaw for a detective, a doctor, or an office worker.

A know-it-all attitude: An arrogant, self-righteous know-it-all has great potential to fall flat on their face, whether comically or dramatically. High school stories often feature a know-it-all foil to the main character. These archetypes work particularly well in comedy, especially when the know-it-all suffers from a broader lack of intelligence.

An inability to move on from the past: Many police procedurals and superhero stories feature heroes haunted by their past, such as murdered parents or the victim they could not save. This major flaw presents obstacles as they work to solve crimes—but when the obstacles are overcome, the story’s happy ending feels earned.

Laziness: Laziness is a flaw that leads to obvious conflict, some of which can be quite funny. Lazy sloth detectives and doctors can be either hilarious or the source of grave conflict, depending on the tone of your storytelling. A lazy character in a position of authority can generate a lot of tension for your plot.

Physical vulnerability: Some characters suffer from a physical weakness that can escalate into a fatal flaw. Superman’s tendency to wilt in the presence of kryptonite hamstrings him, while the great warrior Achilles was undone by his fabled heel.

Low self esteem: People who fundamentally dislike themselves make for fascinating characters. Jesse Pinkman’s self-loathing leads him down all sorts of dangerous paths in Breaking Bad. On the other end of the spectrum, the young adult author Judy Bloom has crafted gorgeous character arcs from youthful characters, like Linda Fischer in Blubber, who begin their journeys with low self esteem.

Vanity: Vanity is the undoing of many real world characters, and so it also works beautifully in fiction. Politicians, artists, models, and athletes in stories are routinely undone by vanity as they gradually develop a bad reputation. Ordinary people can be wrecked by vanity as well, so it’s a common character flaw in many forms of fiction.

Lust for power: Unbridled thirst for power has undone many a character, from Mr. Kurtz in Heart of Darkness to Frank Underwood in House of Cards. Power is intoxicating, and characters who seek it are both relatable and easy sources of conflict.

Lack of maturity: Many character arcs begin with a person in a hopeless state of immaturity who then grows over the course of the story. Immaturity can also manifest as rudeness, like when a bigmouth makes tactless remarks.

Fear: Common in action dramas and comedies alike, fear—be it cowardice in the face of duty, a specific phobia of spiders, or an irrational fear—is a great character flaw that naturally drives a story.

Hedonism: Some characters cannot resist temptation, whether that involves an illicit drug, food, or a fetish. Sometimes this excessive desire is due to addiction—it’s no secret that many famous protagonists are alcoholics—and sometimes it’s due to a general lack of self-restraint and willpower. For a character like Fyodor Karamazov in The Brothers Karamazov, hedonism and lechery make him both tragically amusing and subtly sinister.

A gruff exterior: Some characters seem initially impenetrable because they are taciturn, standoffish, or even hostile and lewd. Typically these characters house a vulnerable interior beneath their coarse shell. Bringing out that vulnerability and lack of self-worth can be a strong driver of story.

Please like, comment, reblog and follow for more!

[wr3n-writes]

HEARTBREAKING: Poor girl has to get out of the soft warm bed even though she is so so so so comfy

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characters who are so inauthentic. characters who only show what they want other people to see of them. characters who simply must have control over every part of themselves. do you even get it

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Basic rules for analysing fiction, an incomprehensive list jotted down in a hurry:

The protagonist isn’t always right

The protagonist isn’t always good

The protagonist isn’t always written to be relatable or likeable

The narrator isn’t always right

The narrator isn’t always good

The narrator isn’t always telling the truth

The narrator isn’t always the author

The protagonist’s moral compass, the narrator’s moral compass and the author’s moral compass are three entirely different things that only occasionally overlap

Pay attention to what characters do and not just what they say

Pay special attention when what the characters do is at odds with what they say

A lot of the time the curtains are blue for a reason. If they aren’t, you should read better books

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“our teeth and ambitions are bared” is a zeugma

and it’s a zeugma where one of the words is literal and one is metaphorical which is the BEST KIND

#my writer brain is stimming so hard rn-

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ingrid sundberg's colour dictionary - writing help

#this is going to save my fucking life omg

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Words to describe facial expressions

Absent: preoccupied 

Agonized: as if in pain or tormented

Alluring: attractive, in the sense of arousing desire

Appealing: attractive, in the sense of encouraging goodwill and/or interest

Beatific: blissful

Black: angry or sad, or hostile

Bleak: hopeless

Blinking: surprise, or lack of concern

Blithe: carefree, lighthearted, or heedlessly indifferent

Brooding: anxious and gloomy

Bug eyed: frightened or surprised

Chagrined: humiliated or disappointed

Cheeky: cocky, insolent

Cheerless: sad

Choleric: hot-tempered, irate

Darkly: with depressed or malevolent feelings

Deadpan: expressionless, to conceal emotion or heighten humor

Despondent: depressed or discouraged

Doleful: sad or afflicted

Dour: stern or obstinate

Dreamy: distracted by daydreaming or fantasizing

Ecstatic: delighted or entranced

Faint: cowardly, weak, or barely perceptible

Fixed: concentrated or immobile

Gazing: staring intently

Glancing: staring briefly as if curious but evasive

Glazed: expressionless due to fatigue or confusion

Grim: fatalistic or pessimistic

Grave: serious, expressing emotion due to loss or sadness

Haunted: frightened, worried, or guilty

Hopeless: depressed by a lack of encouragement or optimism

Hostile: aggressively angry, intimidating, or resistant

Hunted: tense as if worried about pursuit

Jeering: insulting or mocking

Languid: lazy or weak

Leering: sexually suggestive

Mild: easygoing

Mischievous: annoyingly or maliciously playful

Pained: affected with discomfort or pain

Peering: with curiosity or suspicion

Peeved: annoyed

Pleading: seeking apology or assistance

Quizzical: questioning or confused

Radiant: bright, happy

Sanguine: bloodthirsty, confident

Sardonic: mocking

Sour: unpleasant

Sullen: resentful

Vacant: blank or stupid looking

Wan: pale, sickly

Wary: cautious or cunning

Wide eyed: frightened or surprised

Withering: devastating

Wrathful: indignant or vengeful

Wry: twisted or crooked to express cleverness or a dark or ironic feeling

[wr3n-writes]

show, don't tell:

anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking

frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping

sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps

happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking

boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails

fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands

disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm

tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile

confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions

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traits turned sour

honest - insensitive

persuasive - manipulative

caring - overprotective

confidence - arrogance

fearless - cocky

loyalty - an excuse

devotion - obsession

agreeable - lazy

perfectionism - insatisfaction

reserved - aloof

cautious - skeptical

self loved - selfish

available - distractible

emotional - dramatic

humble - attention-seeking

diligent - imposing

dutiful - submissive

assertive - bossy

strategic - calculated

truthful - cruel

[wr3n-writes]

The best character development is when the antagonist doesn't even really change or redeem himself. Like no, he still sucks, he's just on our side now.

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two characters who understand each other like no one else does and therefore hurt each other like no one else can

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The best character development is when the antagonist doesn't even really change or redeem himself. Like no, he still sucks, he's just on our side now.