Bones and Botany - E. Moss
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Kay Nielsen (Danish, 1886-1957) • The Story of a Mother from Hans Christian Andersen's Fairy Tales • London: Hodder and Stoughton, Ltd. • 1914
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loré pemberton
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Driftwood ~ watercolor, pen and pencil on 250 GSM paper Adam Oehlers
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Roman Ruins in Schonbrunn, 1891 - oil on canvas.
— Carl Moll (Austrian, 1861-1945)
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Look it is very important to me that everyone knows that Sophie is also fucking nuts in the book. Everybody always talks about how absurd Howl in the book but Sophie is right there with him.
She's so determined to be the normal sister that she's just actually convinced herself that the magic she is clearly, visibly, blatantly performing happens to everyone. Just. You know. Not anyone around her. The curse wore off weeks ago and she's just totally sure she's happier as an old woman. Her sisters have initiated some complex long-game tomfoolery to switch lives and Sophie also thinks that this is the most logical choice.
Sophie does not move in with a romantic mythic man who treats her right, she moves in with a runaway doctoral candidate who immediately dates her sister and drags her into his family drama. She and Howl are both so afraid of romantic commitment they accidentally trick themselves into becoming life partners. They kill the witch of the waste mostly on a whim, and they argue about which one of them is more impulsive for doing so the whole time.
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some of you never experienced the “this isn’t available in your country” situation and it shows
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meet a really hot woman at the club
We hit it off, go back to her place
"Let me slip into something more comfortable"
Jackpot
she takes her shirt off and tosses it at me playfully
I put it on over my shirt
I Leave and never come back
Another free shirt, that's hustle culture baby
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Helene Beland - Un capteur de lumière, 2012
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Walter Crane
The Swan Maidens, c. 1894.
oil on canvas
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what if we kissed in the library
check more of my work on instagram // buy prints here
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Gregory Radionov (Ukrainian, b.1971)
Castle, 1998
oil on canvas
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