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New Single - New Album: Riversend
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Riversend's music sets a notable mood that sometimes leaves the listener unsure in the distance of dreaming whether to feel lost or found. Yet, when all is said and done you know you have happened upon a work that is complete and magical. Undefinable is a good thing and Riversend's sound encompasses much.
The single from the album, "Withering," is a slice of delicate heaven and the violin opening is the dressing of perfection.
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The self-titled album is a treasure within itself. This duo loves their art and it is so notably precious. The album is a must for any music savvy listener to own. It isn't often this level of musical appreciation comes together. We are giving Riversend's album major BANGS! And loving it all the way.
RIVERSEND ALBUM TRACKS
1. Dreaming
2. Withering
3. Revolution Is My Name
4. Moonlight
5. Phantom
6. When All Is Lost
7. Dead & Gone
Bonus Tracks:
Withering - Naked Version
Dead & Gone - Single Version
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Crossfaith 'ZERO'
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Horizon Theory New Single
"Nowhere to Go"
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Gypsy Road
Release Cathartic Post-Punk Single 'The 7 Stages Of Grief'
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Fueled with passion and pain, Melbourne Midwest-Emo/ post-punk outfit Gypsy Road move through shock and denial to acceptance and hope with their new single, 'The 7 Stages Of Grief', on Friday, February 16. The release also comes with the announcement of their debut Album 'Letters To A Friend, From Interstate' set to be released by mid-2024.     Formed in 2017, Gypsy Road have three EPs under their belts, played sold-out shows around Melbourne and have supported bands like The Smith Street Band, Private Function and The Bennies. Now, working towards the release of the debut album, they come with waves of emotion with a growling and snarling plea in 'The 7 Stages Of Grief'.  Exploring the intense feelings when navigating a breakup, 'The 7 Stages Of Grief' manages to stir that head-spinning, shell-shocked sensation through a barrage of impassioned Aussie emo, post-punk. 
Like facing each of the seven stages in a three-minute meltdown, the track moves through pensive, pattern-picked, overdriven guitar sections, hopeful melodies, smashing anthemic choruses and despairing walls of coarse and roaring vocals from frontman Alex Centofanti backed by female vocalist Peony Cain. Despite its moderate tempo, this hits hard and lingers long after. 
Alex Centofanti speaks more on the meaning behind the track: "This one is about mourning a breakup and feeling like someone you've loved has died. For the first time ever, we decided to include female vocals and screams, which was a new experience for us. I feel like it adds more depth to the intensity and passion."  Work through all of those emotions on Friday, February 16, when Gypsy Road release 'The 7 Stages Of Grief', and brace for the release of the debut Album 'Letters To A Friend, From Interstate' later this year. 
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Tour Announcement - Lightworker
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LIGHTWORKER ON TOUR: WITH EYES SET TO KILL: 3/8 — Sacramento, CA — Goldfields 3/9 — Fresno, CA — Full Circle Brewing  3/10 — West Hollywood, CA — Whisky A Go Go 3/21 — Albuquerque, NM — Launchpad 3/22 — Denver, CO — HQ 3/23 — Grand Junction, CO — Mesa Theater 3/24 — Las Vegas, NV — SINWAVE 
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Song:
"This was the first song I could hear the guitar riff in my head before I played it. A lot of songs speed up half-way into the song. I did the opposite with "Scum Of My Life" slowing it down, letting it breathe and creating the emotion that draws you in.
It’s one of those songs that when you finish you can’t wait for everyone to experience it." - John Snell
Video: 
"Scum Of My Life" is the final episode in this three part series. The videography depicts our protagonist ability to take back her freedom that was taken from her in “New Plague”. That thru her pain and loss in “Vengeance” she was able to overcome and in the end win her battle over the darkness in her life.
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"Lucky One" https://youtu.be/uZzzgzlLHhQ?si=Q-otJ8MLoEwhuUa2
“It’s a story about 2 people falling in and out of love with the same girl. Both admiring her as a crush then realizing she loves no one but herself. Emotional lyrics & vocals, ethereal guitars and a groove that will keep your foot tapping and heart pumping." -Mark C. Daniel
#markcdaniel #newmusic #luckyone
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“My Curse”
Spotify: https://open.spotify.com/track/2PmVTpNPu4MEWsbhIWMuGh?si=58cc4e9757f54745
YT: https://youtu.be/8OSSACOz2GU?si=xueWieYZDIUg7QAi
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THE CULT TO PERFORM SELECT DATES IN NORTH AMERICA AND THE UK IN RECOGNITION OF THE FORTHCOMING REISSUE OF THE BAND'S PIVOTAL ALBUM 'SONIC TEMPLE'
In recognition of the forthcoming re-issue of THE CULT's multi-platinum-selling Sonic Temple album on Beggars Banquet Records, the British group that's led by Ian Astbury and guitarist Billy Duffy will embark on select dates in North America and the UK starting May 2 in Houston, TX (itinerary below). Tickets are on sale now for the "A Sonic Temple" tour and available here. 
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Meanwhile, the band expects to announce another block of dates very soon for2019/2020. The set list will draw from THE CULT's 10 studio albums with the centerpiece being a superset that's focused on the core songs from Sonic Temple; some of these songs have not been performed since the album (their fourth) was originally released in 1989. Sonic Temple--a pivotal, game-changing album that brought together the alternative and hard rock audiences--will be reissued in a 30th-anniversary edition by Beggars Banquet Records (exact release date TBA). Sonic Temple features the singles "Fire Woman," "Edie (Ciao Baby)," "Sweet Soul Sister" and "Sun King." Read a new Q&A with Astbury and Duffy below. Each show will be a gathering and celebration for Cult fans--an opportunity to come together for one night--an event that will be memorable for all who attend. In Los Angeles only, where Astbury and Duffy live, the band has created something extra special. The Greek Theatre will become "A Sonic Temple" on June 15 with a diverse multi-act bill that has roots in THE CULTlead singer Ian Astbury's pioneering pre-Lollapalooza festival "A Gathering of the Tribes" (1990).Prayers, Zola Jesus and Vowws will join headliners THE CULT. Read the press release here. Q&A WITH IAN ASTBURY AND BILLY DUFFY(April 2019)
Q&A  WITH IAN ASTBURY AND BILLY DUFFY: IAN ASTBURY: What was your mindset as a musician and as a person when you began to write the songs for the album? IA: We decamped from London to Los Angeles for a break in early '88, 87 had been particularly intense with The Electric album being released and touring. London had become difficult to live in for various reasons even walking the streets was challenging at times, I was receiving unwelcome attention from the way I looked I received a lot of unwanted attention. L.A. was a mystical paradise. I was drawn by myths that surrounded the canyons and hills of the city and the vibrant music film and art scene. Eventually, we began to feel more comfortable during this extended stay and soon fell into writing songs. We then went to Vancouver to spend time with Bob Rock in pre-production. He was the anchor and had a vision of what the band should sound like. I was traveling further inward. My instinct was to create a cinematic album that contained visceral landscapes, nuanced and textured. We certainly felt it was time for the next evolutionary step. 'Sonic Temple' is one of the few albums that brought together the divergent hard rock and alternative audiences. Can you reflect on this and how the band navigated this terrain? IA: We certainly didn't want to repeat ourselves. We wanted to retain our core DNA as we went deeper into psych and hard rock influences. It was a complete immersion for me into art, film, music, poetry, and literature, weaving those influences into what was to become Sonic Temple. The band was becoming more popular. We were in uncharted waters. Most of the bands we had come up with had split up or fallen off. We were accelerating. There was no real time to breathe. We were forming new allegiances and breaking the glass ceiling of "the indie outsider." How did 'Sonic Temple' change the band as you found success all over the world and toured relentlessly? IA: The lifestyle pressures were intense before 'Sonic Temple.' In 1987 we had already completed a sold-out tour of the UK, immediately jumping into a tour opening for Billy Idol that was total chaos. We then opened for Iggy Pop (who later appeared as a guest vocalist on the song NYC) and David Bowie in Europe and then went on a headline tour of the US and Canada with GNR opening. That was also chaotic as one could imagine. Expectations were high and we had a lot riding on ST being an artistic and commercial success. We blazed the trail in some way. Later that year we had to cancel a tour of Japan due to nervous exhaustion but were given the go ahead to play Wembley Arena and Brixton Academy needless to mention an infamous Australian tour. It's impossible to quantify the experience unless you've lived through it. Several critics made judgments during that time without any real experience or insight into what it was like to be that young inside of a whirlwind. The subsequent touring for 'Sonic Temple' picked up where we left off in '87. Our lives where irreversibly changed as we began to soar the platinum skies. In some ways the success of the biggest songs and videos from the album dwarfed other songs from the album that were illuminating so many subjects and the chaos of the times. What are your thoughts about this? IA: Certainly, MTV amplified the commercial success of, say, Fire Woman but for me the heart of the album was really in songs like Edie, NYC and American Horse and Soul Asylum. We pushed to create tension drama and vibrant layers I was trying to create a soundtrack for an imagined film. As you tour this year with 'Sonic Temple' as the centerpiece of your set, what do you want audiences to take away from it? IA: I hope people coming to the concerts take away a sense of love and optimism, connection and communion. 
BILLY DUFFY: 'Sonic Temple' is one of the few albums that brought together the divergent hard rock and alternative audiences. Can you reflect on this and how the band navigated this terrain? BD: I believe in retrospect the album was basically the culmination of all the work the band had put in since our inception in 1983 as the Death Cult. It was an evolution of the partnership as writers and performers of Ian and me. At the time in that decade, we basically put one foot after the other as you do when starting out and followed our gut instincts as how best to develop as a team and always look to move forward. In simpler terms maybe we tried specifically on ST to take elements of our sound from the Love album and from Electric--both sonically quite different--and make a cohesive third album having the best of both all the while still moving forward and being of our time. I'd agree that perhaps it was one of the few albums that did indeed marry hard and indie rock and that was simply how things evolved with the Cult--not really part of any master plan. However, we have always tried to avoid being pigeonholed since the very early days so it's just how we operated. I think the greater shock to the Cult's early fan base was from Love to Electric, so by ST we felt we had established ourselves as more a rock n roll band than an indie one, even though of course that was our background. What was your mindset when writing the music for the album? BD: I think as always we were reflecting as honestly as we could our lives and environment at that time. I do feel we did manage to put together some great songs, which can be a challenge when your life is mostly spent on the road. Personally I was proud to have gotten the band so far and wanted to enjoy and experience making a truly full-sounding rock album like the ones that had so inspired me back in Manchester in the early 70s. How did Sonic Temple change the band as you found success all over the world and toured relentlessly? BD: I think we had gotten used to touring with Electric a fair bit by then but did embark on a serious year-long tour for ST. I'm not exactly sure we felt successful, but it was reassuring for me to see the band get to another level of recognition. The momentum was always forward and upward. We never looked back too much and never second guessed ourselves. We did have to grow into a 'arena' band and present a somewhat larger than life stage show but that was what was required of us at the time and we did it as best we could. And in the end, I had a lot of fun doing it. As you tour this year with Sonic Temple as the centerpiece of your set, what do you want audiences to take away from it? BD: I think as time has passed our music has endured fairly well. I'd like fans to not only allow themselves a little indulgence into maybe simpler happier times of the late 80s for a few hours at a ST 19 show but also be happy that the music is now really their possession, not ours, and to do with it what they will. For the most part, once an album is done, Ian and I never look back too much and let it go out there with few regrets. Let them celebrate those good times back then but not dwell in them and even more so look forward to new and different experiences in the future.  
THE CULT 2019 Initial Tour Dates 
DATE LOCATION VENUE THU5/2Houston, TXHouse of Blues FRI5/3New Orleans, LAThe Fillmore SAT5/4Jacksonville, FLWelcome To Rockville Festival THU5/9Dallas, TXHouse of Blues FRI5/10Atlanta, GATabernacle SAT5/11Marston, NC (Charlotte)Epicenter Festival SUN5/17Grand Rapids, MI20 Monroe Live MON5/18Columbus, OHSonic Temple Festival TUE5/19Chicago, ILChicago Open Air Festival WED5/25Catton, United KingdomBearded Theory Festival THU5/26Gateshead, United KingdomThe Sage FRI5/28St. John's, NL CanadaMile One Center SAT5/30Moncton, NB CanadaCasino New Brunswick SUN6/1Montreal, QC CanadaMTELUS MON6/2Rama, ON CanadaCasino Rama TUE6/5Winnipeg, MB CanadaClub Regent Casino - Event Centre WED6/7Enoch, AB CanadaRiver Cree Resort & Casino THU6/9Vancouver, BCCanada Vogue Theatre FRI6/10Seattle, WAMoore Theatre SAT6/12San Francisco, CAThe Regency Ballroom SUN6/14Reno, NVGrand Sierra Resort Casino - Grand Theatre MON6/15Los Angeles, CAGreek Theatre SAT6/22Vitoria, SpainAzkena Rock Festival FRI9/13San Diego, CAKaaboo Festival
  The Cult by Tim Cadiente Visit THE CULT's social platforms for all tour dates, news and updates: WebsiteFacebookTwitterInstagram
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Concert Review: Queensrÿche and Fates Warning at House of Blues Houston, March 21, 2019
with Carox Rox
Queensrÿche hit the road on March 1st for the first leg of The Verdict world tour in the US. Queensrÿche bands members are: Todd LaTorre - Lead Vocals; Michael Wilton - Guitar; Eddie Jackson - Bass; Scott Rockenfield - Drums; Parker Lundgren – Guitar.
Queensrÿche has already released two singles off their upcoming album The Verdict. The Verdict was produced, mixed, and mastered by Zeuss (Rob Zombie, Iced Earth, Hatebreed) at Uberbeatz in Lynwood, WA, Planet-Z in Wilbraham, MA and Watershed Studio in Seattle, WA.
Check out the lyric video for "Dark Reverie" here: https://youtu.be/J86rOTinVRs
And the official video for "Man The Machine" here: https://youtu.be/lcDYVKfjg7Q
Here is the latest video release for Light-years, just released.
This was a great show. I was lucky enough to see Todd LaTorre singing with Queensrÿche way back when in San Antonio, so I can tell you that both his stage performance and voice now own Queensrÿche without a doubt. The new songs went down well and the old songs, like Take Hold of the Flame came with a sturdy accompaniment by the many fans old and new who were milling about all over the venue in band shirt merch.
The setlist at the House of Blues, Houston was : Launder the Conscience, Blood of the Levant   I Am I,  NM 156, Man the Machine, Condition Hüman, Queen of the Reich,  Silent Lucidity, Open Road, Propaganda Fashion   Light-years   Screaming in Digital,   Take Hold of the Flame   Eyes of a Stranger (with Anarchy-X outro)  - Encore:  Jet City Woman,  Empire.
Queensrÿche was supported by Fates Warning. Fates Warning consists of Jim Matheos, (guitar) Ray Alder, (vocals) Joey Vera, (bass) Bobby Jarzombek,(drummer) Frank Aresti (guitar). Fates Warning joined the US portion of the tour with Queensrÿche for March and final two dates in the beginning of April. They describe themselves as a “vibrant and well-respected cornerstone for the prog camp within the heavy metal strata”.
Their set list included: Life in Still Water, Acquiescence, Eleventh Hour, Point of View, A Pleasant Shade of Gray .
Fates Warning began in a very understated, cool performance of their first two or three songs. I put it down to tour lag perhaps, because having seen them several times I was waiting for the magic to happen. Magic did, and the audience responded magically. Ray Alder is a fantastic vocalist and this band never fails to deliver a performance that draws you in, suck you up and almost becomes an experience of its own that you don’t want to end.  This band were just signed up with Metal Blades records and they well deserve it.
To see live video of the show click on the live links to some of these songs.
Queensrÿche -"The Verdict European Tour"- w/ Firewind, MirrorplainJuly 25 - Berlin, DE - SO36   July 26 - Rottenburt-Seebronn, DE - Rock of Ages *+July 27 - Szekesfeherva, HU - Fezen Festival+July 28 - Ljubljana, SL - Kino SiskaJuly 30 - Munchen, DE - Free & Easy FestivalJuly 31 - Aschaffenburg, DE - Colos-SaalAugust 2 - Wacken, DE - Wacken Open-Air*+August 3 - Eindhoven, NL - EffenaarAugust 4 - Paris, FR - Petit Bain*August 6 - Pinarella di Cervia, IT - Rock PlanetAugust 7 - Pratteln, CH - Konzertfabrik z7August 9 - Kortrijk, BE - Alcatraz Festival+August 10 - Leeuwarden, NL - Into The Grave Festival*+August 11 - Walton-on-Trent, UK - Bloodstock Open Air Festival*+August 13 - Norfolk, UK - Waterfront, Norwich*August 14 - London, UK - o2 Islington Academy*August 15 - Saarbrücken, DE - Garage*August 16 - Dinkelsbuhl, DE - Summer Breeze Festival*+August 17 - Essen, DE - Turock Festival*+ * FIREWIND do not appear                       + MIRRORPLAIN do not appear
Order The Verdict here:https://queensryche.lnk.to/TheVerdictID
Follow Queensrÿche:
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GODSMACK'S SULLY ERNA ESTABLISHES THE 'SCARS' FOUNDATION TO RAISE AWARENESS AND FUNDS FOR MENTAL HEALTH BAND RETURNED TO ROAD APRIL 6 IN NORTH AMERICA
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SULLY ERNA of GODSMACK has announced the creation of The Scars Foundation to support ongoing mental health struggles facing so many. The foundation’s mission statement is as follows: The Scars Foundation has been established by Sully Erna and the rock band Godsmack to help raise awareness of the mental health issues that so many are faced with today.With the rise of suicides, bullying, addiction, abuse and so many other challenges, The Scars Foundation is dedicated to providing resources and tools to educate and empower people on a global level that struggle with these burdens. For more information, please click here. “Scars come in all forms,” SULLY explains about the foundation. “They are physical and emotional. They’re traumatizing and make us fear what people may think of us. But we are ALL imperfect in some way. That’s what makes us perfect and unique! EVERYONE has something that makes him or her insecure or embarrassed. But instead of hiding them or internalizing them, own them and show them off to the world! Let them empower you so you can be a voice for everyone who can’t be. If we ALL wear our scars loudly and proudly, others will follow.”   GODSMACK (LEFT TO RIGHT):SHANNON LARKIN, ROBBIE MERRILL, SULLY ERNA, TONY ROMBOLAPHOTO CREDIT: CHRIS BRADSHAW “Under Your Scars”is the latest single from the band’s current album, WHEN LEGENDS RISE. The song was the #1 most added at radio last week (April 2). Every donation to The Scars Foundation will include a download of the band’s “Under Your Scars” single. “Under Your Scars”follows “When Legends Rise,” the second #1 from the album, and last year’s #1 “Bulletproof,” which was nominated for “Rock Song of the Year” for the 2019 iHeartRadio Music Awards and was also the most-played song at rock radio in 2018. WHEN LEGENDS RISE marks the band’s seventh studio album and their first in four years. The critically acclaimed 11-song collection entered the Billboard Top 200 album chart in the top ten (#8), with four #1 placements on other charts: Top Rock Albums, Top Hard Music Albums, Top Independent Albums and Top Alternative Albums. WHEN LEGENDS RISE is available on CD, LP and Digital; purchase or stream it here. The album finds the guys doubling down on their combination of tightly wound riffs, rhythmic fury, naked emotions and pushed-to-the-edge vocals, all fired up with melodic precision and tight songcraft. Next month, GODSMACK–Sully Erna [vocals, guitar], Tony Rombola [guitar], Robbie Merrill [bass], and Shannon Larkin [drums]–return to the road in the U.S. where they’ll headline a run of shows with special guests VOLBEAT, along with some co-headlining shows with them in Canada. The band have added nine additional shows to the previously announced shows, including a July 23stop at theBeacon Theatre in New York. Tickets for the previously announced shows are on sale now. Presales(including a VIP and fan club pre-sale) for the additional shows begin Tuesday, April 9 at 10:00 AM-Thursday, April 11 at 10:00 PM (all times are local). Tickets go on sale Friday, April 12 at 10:00 AM (local time). GODSMACK and VOLBEAT’s North American dates are as follows:DATECITYVENUE **Sat4/6Scottsdale, AZWestworld *Tue4/9San Antonio, TXFreeman Coliseum *Wed4/10Beaumont, TXFord Pavilion *Thu4/11New Orleans, LAThe Fillmore New Orleans- Music Hall **Sat4/13Orlando, FLCentral Florida Fairgrounds **Sun4/14Tampa, FLAmalie Arena Tue4/16Nashville, TNBridgestone Arena Thu4/18Evansville, INFord Center - Evansville Fri4/19Grand Rapids, MIVan Andel Arena Sat4/20Milwaukee, WIFiserv Forum Mon4/22Minneapolis, MNArmory Tue4/23Omaha, NEBaxter Arena Fri4/26Abbotsford, BCAbbostford Centre Sat4/27Penticton, BCSouth Okanagan Event Centre Mon4/29Medicine Hat, ABCanalta Centre Tue4/30Calgary, ABGrey Eagle Resort & Casino -Grey Eagle Event Centre Thu5/2Dawson Creek, BCEnCana Events Centre Fri5/3Edmonton, ABRogers Place Sun5/5Saskatoon, SKSaskTel Centre Mon5/6Winnipeg, MBBell MTS Place Thu5/9London, ONBudweiser Gardens Fri5/10Ottawa, ONCanadian Tire Centre Sat5/11Quebec, QCVideotron Centre ^Fri7/12Rochester, NYMain Street Armory **Sat7/13Mansfield, OHInkcarceration Festival ^Sun7/14Baltimore, MDMECU Pavilion ^Tue7/16Charlotte, NCCharlotte Metro Credit Union Amphitheatre ^Wed7/17Raleigh, NCRed Hat Amphitheater ^Fri7/19Portsmouth, VAUnion Bank & Trust Pavilion ^Sat7/20Atlantic City, NJOcean Resort Casino - Ovation Hall ^Sun7/21Glenn Falls, NYCool Insuring Arena ^Tue7/23New York, NYBeacon Theatre Fri7/26Montville, CTMohegan Sun Arena **Sat7/27Montreal, QCHeavy Montreal **Sun7/28Bangor, MEImpact Music Festival **Sun8/4Sturgis, SDBuffalo Chip Campground Fri8/9Bethlehem, PAMusikfest ^**Sat9/28Louisville, KYLouder Than Life Music Festival
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BUSH AND +LIVE DELIVER POWERFUL PERFORMANCES AT THE ROXY THEATRE IN LOS ANGELES
PRIVATE TOUR LAUNCH EVENT BOTH BANDS ARE CO-HEADLINING THIS SUMMER'S TOUR OF ARENAS AND OUTDOOR AMPHITHEATERSIN CELEBRATION OF THE 25TH ANNIVERSARY OF ICONIC ALBUMSSIXTEEN STONE AND THROWING COPPER ALT-IMATE HITS-PACKED SUMMER TOUR KICKS OFF JUNE 6 IN MASHANTUCKET 
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Tickets On Sale To General Public Starting Today, Friday, March 15th at LiveNation.com  It was a big night for rock when seminal rock bands BUSH and +LIVE+ tore the roof of the Roxy Theatre in Los Angeles (March 12) at a private event pegged to the recent announcement that both groups will co-headline arenas and amphitheatres this summer. The ALT-IMATE Tour will see these two iconic acts celebrating the 25th anniversary of their respective landmark albums Sixteen Stone andThrowing Copper. Special guest Our Lady Peace will join on all dates. Produced by Live Nation, this hits-packed road show will hit arenas and outdoor amphitheaters in 33 cities across the country, kicking off June 6th in Mashantucket, CT with stops in Boston, Los Angeles, Atlanta and more before wrapping September 8thin Rochester, MI at Meadow Brook Amphitheatre. The jam-packed event at the Roxy drew radio station KROQ contest winners, media and tastemakers, with both bands performing powerful sets with songs from Throwing Copper and Sixteen Stone and more hits from their respective bodies of work. Photos for your use are HERE. (Photo credit: Maria Jose Govea for Live Nation.) "Bush is a great band and Gavin is a super passionate singer and performer.  I'm really looking forward to spending the summer with them," said +LIVE+ frontman Ed Kowalczyk. "I know the fans are going to get one hell of a show." "We are thrilled to be touring this summer with LIVE," says BUSH frontman Gavin Rossdale. "The wealth and depth of songs from both bands should provide a great night of music. Looking forward to seeing you all this summer." Released in 1994 and fueled by blockbuster No. 1 singles "Lightning Crashes," "Selling The Drama," "Glycerine," "Comedown" and "Machinehead," breakthrough albums Throwing Copper and Sixteen Stone sold more than 20 million albums combined. Both were spotlighted on Rolling Stone's list, "1994: The 40 Best Records From Mainstream Alternative's Greatest Year," and remain timeless favorites, thanks to radio staples that include "Everything Zen," "Little Things," "I Alone" and "All Over You." "Sixteen Stone propelled us onto the musical landscape," says Rossdale. "Those songs have found a way into the soundtrack of people's lives and that is the highest compliment available. We've continued to make music that resonates with people." "It's an amazing feeling to know that these songs still resonate so profoundly with people," says Kowalczyk."And I still totally get off on celebrating this music with them. With Throwing Copper, we were taking on big things with a big sound.  Love, truth, birth, death, philosophy, religion, spirituality...we were asking the perennial questions and poking around for answers with this massive and dynamic sound. It attracted people from all over the world. We were inviting them to imagine that rock and roll could be a valid forum for exploring these types of things...we built it and they came." Tickets go on sale LiveNation.com.^ (^Tickets for the August 6th Los Angeles show at the Greek Theatre are on sale NOW HERE.)
BUSH and +LIVE+ The ALT-IMATE Tour 2019 Dates:Thursday, June 06, 2019Mashantucket, CTFoxwoods Resort Casino - The Grand Theater* Friday, June 07, 2019Atlantic City, NJHard Rock Live at Etess Arena Saturday, June 08, 2019Burlington, Ontario, CanadaSpencer Smith Park - Sound of Music Festival* Tuesday, June 11, 2019Boston, MARockland Trust Bank Pavilion Thursday, June 13, 2019Gilford, NHBank of New Hampshire Pavilion Friday, June 14, 2019Canandaigua, NYConstellation Brands-Marvin Sands Performing Arts Center: CMAC Saturday, June 15, 2019Holmdel, NJPNC Bank Arts Center Friday, July 26, 2019Appleton, WINeuroscience Group Field at Fox Cities Stadium* Saturday, July 27, 2019Council Bluffs, IAStir Cove at Harrah's Casino* Sunday, July 28, 2019Kansas City, MOStarlight Theatre Tuesday, July 30, 2019New Orleans, LABold Sphere Music at Champions Square Friday, August 02, 2019Wichita, KSHartman Arena Saturday, August 03, 2019Denver, COFillmore Auditorium Tuesday, August 06, 2019Los Angeles, CAGreek Theatre^ Wednesday, August 07, 2019Concord, CAConcord Pavilion Friday, August 09, 2019Tuolumne, CABlack Oak Casino - West Side Pavilion* Saturday, August 10, 2019Costa Mesa, CAOC Fair* Sunday, August 11, 2019Tucson, AZAVA Casino* Wednesday, August 14, 2019Rogers, ARWalmart AMP Friday, August 16, 2019Tampa, FLMIDFLORIDA Credit Union Amphitheatre Saturday, August 17, 2019Miami, FLBayfront Park Amphitheater Sunday, August 18, 2019Jacksonville, FLDaily's Place Tuesday, August 20, 2019Atlanta, GACadence Bank Amphitheatre at Chastain Park Friday, August 23, 2019Essex Junction, VTChamplain Valley Expo* Saturday, August 24, 2019Baltimore, MDMECU Pavilion Sunday, August 25, 2019Pittsburgh, PAStage AE* Tuesday, August 27, 2019Allentown, PAThe Great Allentown Fair Thursday, August 29, 2019Wantagh, NYNorthwell Health at Jones Beach Theater Friday, August 30, 2019Bethel, NYBethel Woods Center for the Arts Wednesday, September 04, 2019Dayton, OHThe Rose Music Center at The Heights Friday, September 06, 2019Tinley Park, ILHollywood Casino Amphitheatre Saturday, September 07, 2019Allegan, MIAllegan County Fair* Sunday, September 08, 2019Rochester, MIMeadow Brook Amphitheatre
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