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love this outfit on him because the buttons are so close to popping and freeing his tits

#dungeon meshi #i love the him

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We all know Senshi and Laios would be DESPERATE to get their hands on some monster extract! And Link would totally share it~

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#dungeon meshi #loz #art #I'm LIVING for all of these dunmesh crossovers

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Responses to the most frequent comments on my Dungeon Meshi/TAZ crossover doodle

Laios and fair food

2. Taako cooking for real

3. Encounters with plants

bonus

#taz #dungeon meshi #art #I'm obsessed with this au #the naked double crispy basilisk wrap sounds horrid. i would eat 5

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#haikyuu #art #yo these RULE

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overly specific dnd meme that could also be about godhood if you think about it

#and YET i never learn

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Redrew an old piece :)

#loz #botw #art #op i love your colors in every single piece you put out #i also love this boy

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You wouldn’t last an hour in the asylum where they raised me

#oh my god i had repressed all of these

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painted my beautiful wife Gwen BBC Merlin :)

[ID: a realistic digital painting of Gwen from BBC Merlin over an olive green background. Gwen is in 3/4 view, shown from the waist up. She has a soft, neutral expression on her face. She is wearing a purple linen dress with a natural linen apron and a natural linen corset embroidered with flowers and animals, and her hair is down.]

#merlin #art #YEAH DUDE this is STUNNING #love her lil purple bird dress

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#they’ve bonded over being different (shameful) but now they’re bonding over being different (neutral) #and eliot has clearly had to come a long way btwn s3 and s4 to make that realisation & we see parker have that realisation… #listening to episode commentary makes me Have Emotions like oh parker has felt like she wasn’t good enough to have a family until now. oh. #oh they recognise similar traits in each other and act different when it’s just them bc they don’t bother w the facade of humanity #and she hasn’t been able to talk to anyone about morality until now but eliot Understands in a way the others can’t #and she’s just now finally realising that she is worthy of hardison & she’s capable of a relationship which she was worried she wouldn’t be

the long way down job is such an important turning point in eliot & parker’s relationship bc they’d both been viewing the things they have in common as fairly negative: they’ve both been told that they’re cold and ruthless and dangerous and they know those things are true. so when they’ve recognised themselves in each other, it’s been a sense of "the thing that’s wrong with me is a lot like the thing that’s wrong with you". and there’s comfort in that, in a way. but now eliot gets parker to see that maybe those aren’t all negative traits, they’re just… traits. neutral. it doesn’t make them bad or good, it makes them who they are. and now when they see themselves reflected in each other, it’s not a reminder that they’re wrong and bad - it’s kinship, it’s familiarity, it’s belonging.

#leverage #that's what i'm saying!!!! #it's the best episode of the whole show! #y'all know eliot and parker's relationship always has me yelling #also yeah op the commentary for this episode was off the charts. john rogers your hand in marriage sir

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One of my absolute favorite tropes is “We have taken the one you love most!” “Oh, have you? Good fukken luck lmao” *distant screams of kidnappers as loved one escapes* or the flipside: “We’ve kidnapped you!” “You are in so much trouble. You are in so much fucking trouble. You are in the most trouble ever, oh my god.” *DOOR EXPLODES INWARDS AS LOVED ONE ARRIVES* and the alternate: *vehicle pulls up, door opens, person is shoved out, door slams, vehicle screeches away* “Did you get kidnapped??” “For a minute yeah”

#yeah faor you're absolutely right #parker and hardison would be so smug about it too

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All day every day baby let's goooo

#dumb text posts #mine:art #pepier #mitra jouhari i respect you so much

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a daily reminder from Laios: EAT. BATHE. REST.

#dungeon meshi #laios touden the man that you are

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#dungeon meshi #GO LAIOS GO

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do you ever just

#oh shit i found the original #HI JO i see you have gone back and added your watermark to this comic after all

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Funnily enough, it turns out I actually said almost this exact same thing when I was last asked about Gehry in 2016

What’s your beef with Frank Gehry?

It's not so much my beef with him as it is my beef with what he represents: modernist/contemporary architecture.

So Gehry's most known works include things like the Lou Ruvo Center, the Disney Concert Hall, or the Biomuseo in Panama (which I have been to!). These buildings are all pretty wacky, using flat sheets of metal that curve in unusual ways or inward facing angles. And while I think it's interesting to be able to physically build something like that, all of the credit has to go to the engineers because as someone who studied architecture in college, I can promise you that no architect goes into a design actually thinking about how it'll physically be made.

But here's the thing: anyone can design a statement building. I can and have designed statement buildings. It's easy to think "what's the most wild thing I can do" and then throw uncommon angles and sheer faces at something until you have a building that twists and turns and becomes a spectacle. And sometimes it's cool. The Biomuseo is a flash of color that feels very almost bowling alley carpet with its accordion folds. I love the MoPOP's statement wall with that bright purple that catches the sun. But ANYONE can do this. It's not a challenge to design an eyesore like the Marqués de Riscal hotel. I could crumple a piece of paper into a ball and bam, there's my building design.

But you know what IS a challenge? Designing a building that blends in with the landscape. A building that isn't meant to stick out but is seamless and intentional. Buildings that use the color palettes of their surroundings, like Lake|Flato's Horizon House or Marmol Radziner's Scottsdale home. Incorporating native flora and materials and climate and setting into the actual design. Having the house face east so that it can temperature regulate more naturally or keeping everything single-story so it doesn't disrupt the horizon. It's taking inspiration from historical pueblo-style homes instead of doing more and more glass and metal which gets hot as hell in the direct sun.

I'm very much a Mies van der Rohe fan, I think the Farnsworth House and the Barcelona Pavilion are some of the sickest buildings ever made because there's something more impressive about doing more with less. FH and BP are both white boxes. They have flat roofs and open floorplans and all right angles, but there's something so much more impressive about doing something iconic within those limitations than there is doing whatever the hell Gehry and his contemporaries like Libeskind are doing. The ROM looks like what happened in S3 of Fringe when the building from the other side collided with its opposite on this side. It feels like it's trying to be edgy (literally) and different for the sake of being edgy and different. Which is fine, but it's not that impressive to me.

But it's so much more impressive when you don't just plonk some big crazy metal and glass building down in the middle of a city or when you're trying to design something specifically to one-up your other architect buddies. When you have to make something feel intentional from start to finish, that's so much more interesting. When you have limitations from the beginning like materials and weather and the sun, that's where only a real expert can design something that really shines.

#dumb text posts #once a gehry hater always a gehry hater

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What’s your beef with Frank Gehry?

It's not so much my beef with him as it is my beef with what he represents: modernist/contemporary architecture.

So Gehry's most known works include things like the Lou Ruvo Center, the Disney Concert Hall, or the Biomuseo in Panama (which I have been to!). These buildings are all pretty wacky, using flat sheets of metal that curve in unusual ways or inward facing angles. And while I think it's interesting to be able to physically build something like that, all of the credit has to go to the engineers because as someone who studied architecture in college, I can promise you that no architect goes into a design actually thinking about how it'll physically be made.

But here's the thing: anyone can design a statement building. I can and have designed statement buildings. It's easy to think "what's the most wild thing I can do" and then throw uncommon angles and sheer faces at something until you have a building that twists and turns and becomes a spectacle. And sometimes it's cool. The Biomuseo is a flash of color that feels very almost bowling alley carpet with its accordion folds. I love the MoPOP's statement wall with that bright purple that catches the sun. But ANYONE can do this. It's not a challenge to design an eyesore like the Marqués de Riscal hotel. I could crumple a piece of paper into a ball and bam, there's my building design.

But you know what IS a challenge? Designing a building that blends in with the landscape. A building that isn't meant to stick out but is seamless and intentional. Buildings that use the color palettes of their surroundings, like Lake|Flato's Horizon House or Marmol Radziner's Scottsdale home. Incorporating native flora and materials and climate and setting into the actual design. Having the house face east so that it can temperature regulate more naturally or keeping everything single-story so it doesn't disrupt the horizon. It's taking inspiration from historical pueblo-style homes instead of doing more and more glass and metal which gets hot as hell in the direct sun.

I'm very much a Mies van der Rohe fan, I think the Farnsworth House and the Barcelona Pavilion are some of the sickest buildings ever made because there's something more impressive about doing more with less. FH and BP are both white boxes. They have flat roofs and open floorplans and all right angles, but there's something so much more impressive about doing something iconic within those limitations than there is doing whatever the hell Gehry and his contemporaries like Libeskind are doing. The ROM looks like what happened in S3 of Fringe when the building from the other side collided with its opposite on this side. It feels like it's trying to be edgy (literally) and different for the sake of being edgy and different. Which is fine, but it's not that impressive to me.

But it's so much more impressive when you don't just plonk some big crazy metal and glass building down in the middle of a city or when you're trying to design something specifically to one-up your other architect buddies. When you have to make something feel intentional from start to finish, that's so much more interesting. When you have limitations from the beginning like materials and weather and the sun, that's where only a real expert can design something that really shines.

#questionbell #feline--floozy #there is one particular house i was obsessed with but i cannot for the life of me remember who designed it

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I’m thinkin about them again 😔🫶 (haikyuu movie can’t come soon enough)

#haikyuu #art #nekoma second years you hold a special place in my heart