falsenote

[falsenote]

#her line deliveryyy

[falsenote]

putting on the 36633636637th monica vitti movie where she's trying to breathe life into a role that's just her being knocked around for comedic effect and expecting it to be different

#well.........at least it's not half a star this time!

[falsenote]

Pale Flower (1964)

#pale flower

[falsenote]

sandy dennis

📸 by wallace litwin, 1965

[falsenote]

Claudia Cardinale, 1960s

[falsenote]

[그리스도는 에볼리에서 멈추었다] 촬영장에서 비전문 배우들과 함께 춤추는 프란체스코 로시 감독과 GMV. 볼론테가 미소지으면서 춤추는 모습이라니 매우 소중하다.

Source: Il cineasta e il labirinto (2004)

#and these women.... us

[falsenote]

la notte brava....... jean claude brialy tomas milian and laurent terzieff doing the most with their gay rituals, rosanna schiaffino, elsa martinelli, antonella laudi and more serving beauty glamour and f-g haggotry, all in the context of a passolini script about ~morally corrupt youth (=gay men and promiscous women) directed by king mauro bolognini.... the biggest event of 1959 for the girls and the gays

#i just know post-premiere all the diaries and notebooks were filled w rants about this. seismic slay

[falsenote]

Jean-Claude Brialy + Tomas Milian

La notte brava (1959)

Mauro Bolognini

#la notte brava #hsgsjdheudhxuehdyxucheduxksbzhjsbwisjsjsks

[falsenote]

Where's Picone? (1984)

#this movie..... where to begin #giancarlo giannini #mi manda picone #where's picone #nanni loy #mine

[falsenote]

some obscure giancarlo flick for tonight

[falsenote]

Goyokin (1969)

#loooved her she was so crazy #ruriko asaoka #once again #goyokin #hideo gosha #mine

[falsenote]

#goyokin #ruriko asaoka #hideo gosha

[falsenote]

Femina ridens, 1969

#the laughing woman

[falsenote]

my posts have gone places I wouldn’t go with a gun

[falsenote]

donna summer, 1977 📷

[falsenote]

seeing peeping tom 1960 really made me wish i was watching the strangler 1970 actually.... like i know the obvious comparison would be la prisonniére but to me it had the vibe of prisonniére and the themes of the strangler. and i could go about how this and that was brought up in peeping tom and then not explored further and used to its potential but if i'm honest with myself i think the reason it didn't work bc it was too 50s. like i know it was released in 1960 but for me it comletely 50s in acting styles editing everything and i'm just not feeling the 50s now. like let's have a similar story to it like the aforementioned two but in the 60s and 70s w the quick cuts, insane performances and self hating homosexuals and it's an instant hit... to me. but i can't watch the strangler again just now bc just remembering the opening sequence makes me too crazy like i just have to take time to settle down

[falsenote]

La Prisonnière, Henri-Georges Clouzot, 1968

#la prisonnière