i’m rewatching due south 3.06 bounty hunter because sometimes that’s what selfcare looks like, and i’m three minutes in and i do genuinely think that one of the funniest moments in the entire show for me might be when ray picks up the phone at the station (having just shooed fraser away from it because the precinct is trying to organize a blue flu and fraser was answering phones and being fraser about it, aka far too genuinely helpful) and then goes “what’s your name sir? … bob.” after which he lowers the receiver and holds it to his chest as he VERY VISIBLY spends a moment thinking about how he can be the most annoying about that, and then he puts the phone to his ear again and says “hm. how do you spell that?” and i already REALLY LIKE THAT as a joke BUT THEN there’s a beat for bob-the-caller to respond and suddenly ray gets this almost surprised little smile as he has to take the phone from his ear again because he is unintelligibly but still somewhat audibly being yelled at so loudly through it, and he looks so very pleased about how well he did at being Just So Annoying, Just An Absolute Fucking Nuisance and it gets me every. single. time.
It's somehow been seven weeks! We got over 200 contributions, which is crazy! And that's just counting tumblr—I know some of you must have been doing your own thing elsewhere.
❗30 Below is never over. The AO3 collection stays open, and I'll keep sharing your contributions—so I encourage you to keep going.
30 Below wouldn't have been possible without @stanfordsweater, who held my hand and taught me the ways of modding; @nigeltde-fic, who got me into due South and is there for me in all my efforts; the dS discord gang, who cheered me on starting from the very first idea; and every single one of you who joined the fest by creating, commenting, spreading the word, or just following along. It's been a joy I can't begin to describe—seeing your enthusiasm and community spirit.
If you liked 30 Below, check out other dS things you can do:
🐢write some snippets
🐢join the @duesouthbigbang
🐢come hang out on discord
You can always get hold of me @flownwrong/emotionalrisotto on discord/flownwrong on DW. I hope to see you all around for other shenanigans!
Kangaroo • Song To The Siren • Holocaust • FYT • Fond Affections • The Last Ray • Another Day • Waves Become Wings • Barramundi • Dreams Made Flesh • Not Me • A Single Wish
It’s been years since I’ve revisited Due South, but the @ds30below event sparked my interest again, and I decided to watch a few episodes with my bud @flownwrong to celebrate. We watched three episodes that stuck in my mind the most over the years after being absent from the show for so long: Bird in the Hand, Eclipse, and The Ladies’ Man, and I found all three to be a very rewarding rewatch, even though my memory of the rest of the series is a bit hazy.
Bird in the Hand:
When we started our mini marathon, I didn’t realize that this was the only ep of the three where Fraser’s dad plays a role, and I forgot how solid Pinsent was at pulling comic relief duty. The scene where he popped up demanding that Fraser murder Gerard immediately after Gerard was droning on about how Robert’s dogged nobility was his ultimate downfall had me rolling, as did the bit where he—probably correctly— asserted that Ray would shoot Gerard for him if Fraser really asked him to (aww). One thing in particular about his character that struck me while watching this episode were the moments where he actually interacted with the environment around him in a way that impacted people other than Fraser by implanting the idea to retreat in McFadden’s mind and having Gerard attempt to grab his hand while dangling in the air. In my memory, it was a lot more ambiguous whether Robert was actually a spirit or a figment of Fraser’s imagination, so that ended up being kind of a fun twist for me.
Since the other two episodes we watched were very Ray K centric, I’m glad we did one that had a focus on Fraser’s emotional state. The scene where he confronted Robert about stubbornly refusing help in life and said “I never loved anyone as much as I love you” while Robert was still trying to find ways to derail the conversation is a fan favorite for a reason; it’s a rare, intensely vulnerable moment for Fraser and I really enjoyed the way that Paul Gross pulled back from it a little. In another show with another character, it’s easy to imagine a scene like this being a more blatant, emotional showstopper, with the neglected son saying this in a fit of tearful anger that’s meant to make his father rear back in surprise. Instead, Paul Gross delivers the line in an understated way that’s almost more like puzzled frustration, as if Fraser is trying to piece something together about himself instead, which I thought was a really nice touch to the scene that made it feel very Fraser. I also love the cunning way that Fraser brought it back around just a few minutes later by weaponizing male emotional repression in order to freak out everyone else in the room and gain the upper hand (as well as have an opportunity to annoy Ghost Dad by calling him short) while also delivering some genuine truths: Gerard really did break his heart.
Last but certainly not least, I adore how Ray kept trying to take care of Fraser throughout the episode in his own grumpy, special way. Sure, trying to orchestrate some Fraser-on-Gerard police brutality didn’t end up being the most well received suggestion, but it’s sweet that he acted extra vengeful to make up for Fraser’s dutiful restraint. I also forgot that the “Mentally Deficient” sticker gag and the tape recorder conversation were both in this episode. The Bickering Married Couple vibes between them were always such a classic part of the show, so it was nice to see that on display.
Bird in the Hand really held up strongly against my fond memories of it, and I was a little surprised at how easy it was to slide back into this world and be immersed in it after being away for so long. Sometimes I guess you actually can go back home again.
Maginel Wright Enright aka Maginel Wright Enright Barney aka Margaret Ellen Wright (American, 1881-1966, b. Weymouth, MA, USA, d. East Hampton, NY, USA) - The Birds' Revenge, c. 1907, Paintings: Watercolor, Gouache