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heyclickadee · 9 days
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If you saw my last reblog, stuff like that is a big part of why I haven’t been active on here all season long. Every time I log in to have fun talking about the show I see shit like that or people arguing about Hunter and Crosshair again or calling people delusional for theorizing about Tech (argue with the wall, people, I’m not interested until the credits role) and I just. I want to have fun with this. I’m having fun with the actual show, I’ve loved basically every episode this season, and you know what? Peacing out of the fandom has been a huge help. I love the people I’ve met through the fandom, but I don’t enjoy participating in fandom right now, and won’t until it calms down. I’ll be back about a month after the show ends, and not before.
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heyclickadee · 9 days
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First, your entire premise is flawed. There’s no objective way to interpret a piece of fiction and what you’re claiming as objective fact is being filtered through you, a subjective viewer. You’re starting with a conclusion, interpreting, ignoring, and in some cases inventing body language in a way which suits it, and both villainizing Phee and infantilizing Tech in order to do so.
You don’t have to ship Tech and Phee. You don’t even have to like her. You could just dislike her and let it be. I don’t even care. The point this starts being a problems is where you’re bending over backwards to morally justify your dislike.
Second, I’m a 3D generalist and animator. That is my day job. I know exactly how much work it is. Keep the hard work and intentionality that goes into making a show like this out of your mouth if you’re going to twist it to argue that the autistic, outspoken, opinionated, highly skilled combat veteran is a helpless baby who needs to be protected from a black lady.
Alright, clearly some of you guys are just not getting it. So no more emotion from me; I am simply going to write in factual terms.
It takes a VAST amount of work to go into creating a series like Bad Batch. You have to go through writing, scene painting, 3D modeling, rigging, lighting, SFX, voice lines, editing, final production, etc; just to name a few. It takes hours upon hours upon hours of work for those animators to create all of the nuances in a scene, let alone in Bad Batch where there is an extremely high level of attention to detail. It’s not like anime where a character and background are mostly stationary while they talk. There’s constantly stuff happening in the background and they intentionally make choices that provide extremely little to the overall story and, in all honesty, take up a significant amount of their time and can be argued that they’re wasting their time and money and effort (I don’t think so, but I’m sure people could argue it if they thought that effort should be allocated elsewhere). But they do it because it provides a deeper sense of realism to the story as a whole and make it feel like a living, breathing world. For example, when a character trips a little bit or they animated them doing something slightly harder than it would have been otherwise or eyes darting around and studying someone. These are all very little things that take them hundreds of hours to get perfect. And those are the kinds of things that go unnoticed by the vast majority of people watching the show. Either because they don’t noticed the little detail that was put in at all, or they don’t understand the level of work that goes into creating little minute decisions like that. And all of those decisions that they make, both big and tiny, are given to them in specific instructions by the directors. When you think about the insane amount of work that goes into creating a show like Bad Batch, you realize that every single little detail that they choose to add in is intentional and was given to them via specific instruction. It’s not like in live-action shows where the actor can choose to make a subtle decision on the fly. There are hundreds of thousands of hours of work that go into this and every choice that they make is intentional. The lighting dept. has even confirmed this for us, saying that all of the lighting that they did was done very carefully and intentionally and to pay attention to what’s happening in the scene. Because there’s an extremely high level of detail that’s put into the show, based off of very detailed instructions that were presented to them.
Now. Taken all of these points into account, it’s critical to look at all of the little choices that were made when it comes to her character and the way that both she interacts with the world and the people around her, as well as how they, in turn, respond to her. Because, like the lighting dept. has already made very clear to us, every design choice they has been made in the creation of the show is 100% intentional. Even if that’s not something that they had said or wasn’t something you were aware of, when you focus on the aspect of animation, it’s sometimes hard to get a clear grasp on just how long it takes them to do these things. And that every little choice that they made was carried out under specific instruction. And that’s not even getting into the nuances of voice acting and understanding the subtle distinctions in the way someone talks and being able to discern the meaning behind their words based on dialect and the instructions they were given. And for someone who just casually watches the show, absolutely none of these are important. They’re watching it to watch it and no further thought is put into it. And there’s nothing wrong with that. People are allowed to watch things at a surface level and get enjoyment out of it.
For every character, they can be broken up into various parts:
•Their visual appearance
•Their behavior
•Their interactions with others and the world
•How others respond to their character
•Their small, subtle behaviors (such as a particular twitch or repetitive body movement that can be used to convey a deeper meaning)
•And their internal motives
In that order from the least to most complex. And these topics can also be used to understand the complexity of a character. For someone like Cid, all of these topics are touched on in a variety of ways.
•She’s different from them
•She’s gruff and money hungry
•She speaks to the Batch like they’re a bunch of kids and she knows better than them
•They never fully bring themselves to trust her and, at times, they see her has a burden
•Towards the end of their time together, she gets snappier, and whenever she’s around them her movements slow ever so slightly and she furrows her brows slightly a lot more than in the past
•And in the end, she betrays them
And that’s putting her character into a single sentence for every bullet point, which, for well written characters like Cid or Hemlock or Rampart or Nala Se, cuts a lot of things out.
When it comes to the way that Phee is written and what she contributes as a whole to the show, she is not a very complex character. I’m not going to go into every single scene with her, but I am going to touch on a few. And if I need to continue the discussion further to cover more scenes, then I will. On multiple instances, she puts the Batch into very dangerous situations, and overall appears to care very little for them as people unless it gets her something that she wants. This is made very evident when, for example, she gets Omega, a child, excited about a big grand adventure and Omega then convinced the Batch to go along with it. Even though they were very adamant about not doing it. This is said with both their words and their tense body language. They don’t want Omega to get hurt and they know it’s a bad idea; but in the end she’s able to convince them. Then, when they get to the site, she shows clear lack for them or their safety and proceeds to put them in a very dangerous situation where someone could have gotten seriously hurt or killed. And she shows no remorse for it. Her language, both verbal and bodily, are very loose and nonchalant, assuring them that she had everything under control and that they were able to handle it, despite their very clear frustration. This type of behavior is shown again and again and again as they continue to interact with her. Her actions relay to the viewer that she does not respect their boundaries, or arguably, them as people. Her words are designed to be rocks with a pretty bow on them. And again, this is not personal opinion or speculation. Every single word and action was carefully designed by the team. All the tensed muscles were created by a team of people working very hard to convey that to the audience. Every thinly veiled word was guided by a director when the VA came in to record the sessions. Every single choice was intentional for a very specific reason.
Tech likes things in a very specific way. He likes his ship to be in a particular order and takes very good care of its maintenance and upkeep. He prides himself on being able to maintain a good ship. He spends a lot of time on his data pad. It’s how he was designed on Kamino. That’s his link to his role in the group. He can do everything he needs to from there and, in certain scenarios throughout the show, you can see it provides him with a sense of comfort and stability. You can see this, not only in his subtle body language, but also in his fairly obvious body language with how he hunches over it. It’s reminiscent of a child hunching over a toy to bring it closer to them and protect it. It comforts him. You can also see, when he interacts with the rest of the Batch, his aversion to touch. It’s not significantly often that you see it, given that the rest of the Batch knows him better than anyone, but there are still times when physical contact or even just very close proximity happens and he either has a reaction by tensing up slightly or leaning away from it, or sometimes he doesn’t react to it at all and almost seems to not register it; such as when he’s focused on his work. Every little reaction that he has with his brothers was scripted and orchestrated for a very specific purpose. It conveys the nuances of who he is as a unique and individual person.
Keeping that in mind, when it comes to the way she interacts with Tech specifically and the Batch, it’s very clear to understand the dynamic behind them when you look close enough. To recall a few instances, there was a time when she was recounting a story about finding a big treasure and Tech says something along the lines of “she changes this story every time she tells it”. He’s conveying to both the people in the show and us as viewers that she is a liar. She is either changing the story to make herself seem cooler, or maybe it didn’t happen at all and she’s making the entire thing up. Which, I will briefly mention again, are traits synonymous with narcissists. In another instance, Tech, Omega, and Wrecker were having a conversation where Tech is reprimanding them for bringing items back from a junkyard that they were in that they thought were cool instead of what he asked them to go find and bring back for him. I’m this conversation, Phee inserts herself and tells Tech that it’s not junk; also, in that same instance, not calling him by his name, which I will get to in a minute. Tech, in that moment, is trying to work, and his conversation with the other two was interrupted and fizzles out as Omega gets excited about the idea of a treasure map. A third is when the group is on Pabu and Phee is trying to get Tech to converse with her. His body language is hunched, tense, and he averts eye contact with her. When she prods him further, he is unsure how to engage in the conversation. And when he doesn’t respond in the way that she’s wanting him to, she talks about him to the rest of the Batch as he stands there around him and says to them how he “doesn’t know how to have fun”. And then they proceed to laugh at him. And again, you can see in his body language that he is confused as to why they’re laughing at him as well as uncomfortable being in that situation. And going off of that for another small fourth instance, there is another moment when they are getting ready to leave Pabu and she approaches Tech, who is working alone and trying to avoid contact with anyone, and says to him “So you’re just going to leave without saying goodbye?” His body language immediately tenses, he hunches further in on himself around his datapad, and his words make it clear he is both unsure and unwanting of the conversation. And when he does not respond in the way that she wants him to, she moves the datapad away from him to make him focus on her. She removes the item that brings him the most security to force him into engaging in a conversation he is uncomfortable with having. And again, these are all very intentional choices. They are not left up for interpretation. They are there to tell us what the character is feeling in that moment. They are trying to convey to us that he is uncomfortable. Not that he’s shy around a girl he thinks is pretty. And given on other scenarios that have happened throughout the show, it’s very clear that interpersonal relationships with anyone outside of Omega and the Batch is not something that he’s interested in. If they wanted to convey that he found her attractive, there are routes they could have taken to ensure that that comes across correctly to the audience, such as a faint little blush or rubbing a hand through his hair. But they didn’t do that, and instead chose for him to shy away and hide from certain situations or tense up and keep his head down in others. They are conveying to us that he does not like being around her. Because every single action they made him carry out took hundreds of hours of work to execute, and they would not go through all that trouble for no reason.
Branching off of that, we reach the topic of Tech’s name. When you watch the series as a whole, you can count on one hand the number of times that Phee refers to Tech by his actual name, while she refers to the others as their actual names. This is different from Cid in the way that Cid made that intentional choice to call them different things as a way to maintain distance from them. It’s clear from both her body language and her words that she did not want to get close to them. And really, wanted nothing to do with them unless they made her money. These are intentional choices. Phee’s character is designed to be flighty and unbothered. And she wants what she wants when she wants it. The choice to call Tech names and refer to everyone else by their names is an intentional choice. Him not understanding why she does that is an intentional choice. She does not respect him, which is why she does this. She can see that he doesn’t know what to do about it, so she keeps doing it. Like when a person presses on a bruise. These are all intentional choices made by the directors.
There was also a comment that said she behaves exactly like Crosshair does. And there are a few things I think did not entirely process when they made that comment. The first being that Crosshair was written to be one of the main antagonists for the first two season. I know they appeared in Clone Wars as well, but I’m talking specifically about Bad Batch. He was designed to be a bad guy that goes through a redemption arc; just like Zuko did in ATLA, for those who enjoy it. They both started out as antagonists, had horrible things happen to them, realized along their journey that maybe they were wrong, and are able to redeem themselves in the end and side with, or in Cross’ case, return to, the protagonists. In the beginning Cross was very sharp and defensive and thought he knew what was best. But he grew over time and learned how to care for people and share his weaknesses instead of putting on a facade all the time. And that’s the difference. We are reaching the end of the series and Phee has never had character growth to the level that Crosshair has and softens and opens up to the rest of the group. She hasn’t had any character growth at all. She is still the same exact person she was when we met her. There have been characters who have appeared for significantly less time that her, and if you pay attention to them, they have had significantly more growth than her as well.
The problem that I have begun to notice with people who are so quick to defend her actions is that they seem to be focusing more on her than on anything else. When you focus on just her, I can see how someone could mistake these interactions for being positive. Because all they’re focusing on is someone who’s having fun, and of course that would translate to something positive for him. But for the people who focus on Tech, it becomes very evident that these interactions are not positive. When you watch Tech, and I mean actually pay attention to him and not just watch him, you see all the subtle signs that you would otherwise miss. Him being annoyed and uncomfortable and confused and tired and generally not enjoying being around her. And this, unfortunately, happens a lot in real life too. People don’t take the time to absorb both sides of what’s happening. And since we as humans are quicker to pick up on people who are happy as opposed to people who are not, it’s so easy to miss the signals and just assume that what you’re watching is a happy interaction and put forth no further effort into making sure that’s actually what’s happening.
There is no other way to say that these things are all intentional. They wrote, designed, and sent out something that they have spent the past few years creating. When you understand the level of work that was put into it all, there are a lot of things that become very clear. And sure, headcanons exist and people can speculate what happens between the episodes. But headcanons can only go so far before it becomes ridiculous. We cannot confirm that Echo didn’t run off to go have a quiet life with Cid, but that doesn’t automatically mean that it’s true. Inferring things that are not within the realm of possibility is not conducive. Assuming that Phee spent a lot of time talking about her adventures that she may or may not have had with the Batch between the episodes? That’s conducive and we have clear evidence that would support that. Assuming that her and Tech had a very close relationship and she always listens to what he had to say between episodes? As much as some people want it to be true, it’s just not. There is no evidence that supports that line of thinking, and, in fact, there is a vast amount of evidence that would actually conform the opposite; such as Phee talking over everyone and commanding the conversation, not respecting things that Tech says, etc.
I’m going to wrap this up by talking a bit more personally now. There are plenty of people assuming that I’m a racist or a misogynist or that my literacy skills are lacking or whatever, but because you’re upset that someone is calling out the awful behavior of someone you like doesn’t make it any less true. And that applies to both this type of situation and in real life. I know who I am and what I stand for, and you trying to tell me that I’m otherwise changes nothing. And defaulting to assumptions like that shows that either you do not watch the show with a more attentive eye, or that’s all that you see Phee for. A black woman. Both of which are issues.
People are allowed to not like black characters, even if they are black.
People are allowed to not like Asian characters, even if they are Asian.
People are allowed to not like female characters, even if they’re women (or AFAB people).
People are allowed to not like LGBTQ characters, even if they are queer.
People are allowed to not like neurodivergent characters, even if they are neurodivergent.
People are allowed to not like characters that display particular traits or thought processes, even if they share those same traits or thought processes.
People are allowed to not like characters if they think that the character is bad.
Also, for the people saying I’m using my autism as a shield clearly don’t understand how autism works? I don’t say that to be an excuse. I say that to provide context and reasoning behind the things that I say. Like many other neurodivergent people do. You all are getting pressed about the wrong things. If you want to debate the time and study I’ve put into the show because I genuinely enjoy it, then be my guest. But don’t throw out petty insults and waste everyone’s time. At least put forth some more critical thinking behind it and try to figure out why someone could be saying the things that they’re saying
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heyclickadee · 28 days
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Feeling pretty vindicated about this, actually.
This is based on nothing but vibes and the fact that Crosshair hasn’t actually been there for most of Omega’s development, and therefore hasn’t seen what a tiny little badass she’s turned into, but: unlike the other four guys, who have mostly settled into the idea that Omega is definitely a child and needs to be looked after in that regard, but that she’s also extremely capable and can handle herself pretty well, Crosshair would be a bit stuck in his own overdone version of “baby cannot be in any danger ever” mode for a while. Like
Omega: *hanging off the marauder’s tow cable*
Crosshair: Why is Omega hanging off the ship?
Wrecker: Oh, she does that sometimes. It’s fun!
Crosshair: It’s. What?
Or
Omega: —and then I jumped off the platform and pulled that droid with me—
Crosshair: The platform…above the lava pit?
Omega: Yeah!! It was a long way down, too!! But I knew Hunter would catch me, so—
Crosshair: *has to walk away so he can privately scream into the void*
Or
Crosshair: That’s an interesting weapon. How do you set it to stun?
Omega: Set it to stun??
Crosshair: …
Crosshair: HUNTER?!?
Hunter: Hmm??
Crosshair: SeT iT tO sTuN??!??!
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heyclickadee · 1 month
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Guys, I’m gonna need the fandom to stop being weird about Phee.
Okay, so, first off, I’m not back. I’m still on break; I just logged in to check on the DMs? Made the mistake of checking the tags, and happened to see some real hot takes about Phee’s line about Tech and wrote this out before my better judgment kicked in. Two things:
1. From a narrative perspective, a NARRATIVE perspective, not a character perspective, a narrative perspective, Phee’s line has the exact same function as every other mention of Tech by the characters and visual reference to him through the season so far. We haven’t seen any single character process Tech’s “death.” And by processing Tech’s death, I mean that we haven’t seen a single character come to terms with it the way we, for example, saw Omega and Tech come to terms with Echo’s departure, or the entire ghost crew come to terms with Kanan’s death in Rebels.
In refusing to show us this, the show refuses to allow the audience to internalize Tech’s death as an actual event that has consequences and is expected to stick. In addition to this, the show pokes at us at least once an episode, whether by a single line or by visual cues, to remind us of Tech’s absence. In so doing, the show refuses to allow the audience to fully let Tech go; this only makes sense from a writing perspective if the absence is temporary and the much needed catharsis after an event like the first five minutes of “Plan 99” is going to come from something other than processing the character’s death—something like letting him come back. Phee’s line is just another one of those jabs reminding us that Tech is absent.
(Before anyone comes in here saying that they’re probably mourning Tech off-screen: They probably are. That’s not the point. The point is that there is purpose in what writers choose to emphasize. They have had plenty of opportunity to show us Omega or someone coming to terms with what happened, and plenty of time to do even more than that, because not only are they willing to stop for emotional moments—half the season so far has been Crosshair’s extended emotional moment and catharsis from two seasons of buildup. I’m actually not willing to argue about this at this point.)
2. The way Phee talks here is the way that every character has been talking about Tech the whole season. She’s not unique. The Tech mentions have largely been informative and impersonal—just enough to hurt, not enough to derail a conversation. The emphasis has not been on the loss of him as a person, but instead on his absence and how that makes life difficult. Once again, from a narrative perspective, this is because getting personal with the Tech mentions leads directly into the characters actually processing their loss; and since the show is not allowing that processing to happen since it’s almost definitely bringing him back, the little, slightly impersonal mention once an episode is as far as it can go in bringing Tech up. And since it doesn’t want us to forget about him either, that’s what we end up with. It’s not bad just because Phee did it too now.
3. From a character perspective generally speaking (of the whole cast), the way the mentions work reads to me as ambiguous grief. Remember that Hunter and co. never recovered a body, never really saw any evidence, and don’t really know what happened to Tech in the end. And, speaking from personal experience, not knowing can be emotionally paralyzing and can leave you incapable of processing your loss, because you don’t know if it’s a loss or not. They come across to me as stuck and unable to to anything that we see besides noting that he’s not there. He’s gone, they don’t know where he is; he might be dead, and he might not.
4. And, speaking of Phee specifically: Phee’s mention of Tech wasn’t overtly sad, but neither was Omega’s mention of Tech back in “Shadow’s of Tantiss.” Not everyone cries every time they bring up someone they lost. I don’t. Don’t expect everyone to outwardly react the way you want them too, please.
And, frankly (this IS a hill I will die on) Phee brought Tech up out of nowhere. They weren’t talking about him. She brought him up completely unprompted in an unrelated conversation, meaning he’s on her mind, meaning that, no, she’s not over it.
PS: Do not come into my notes and bring up Fives and the lack of Fives discussion in TBB. I love Fives, I love the domino twins, but Fives was a secondary character on a completely different show with a completely different kind of narrative structure. Not bringing him up in this show is not the same as not allowing the characters or audience to process the happened to Tech.
PPS: I’m sorry if I sound salty in this. I am. This isn’t really directed at anyone I follow or interact with on her, or really anyone who follows me; this is directed at certain parts of the larger fandom that are kind of exhausting.
PPPS: If anyone comes into this post to call me delusional for still thinking Tech is coming back because that’s literally what they’ve set up on screen, they’re getting instablocked.
PPPPS: Don’t @ the cast and crew on Twitter, guys. Just don’t. Think about what they’re doing and what you’re doing, and don’t.
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heyclickadee · 1 month
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I know that I’ve touched on the harassment that people are getting for posting theories about Tech being alive, but there is another element that I believe we should discuss: the fact that the harassment is being disproportionately lobbed at autistic fans. Now, I’m not trying to imply that all of the people leaving these nasty comments are sitting around thinking about how much they hate autistic people, but whether they realize it or not, the types of posts that they tend to leave nasty comments on tend to be posts made by people displaying what might be autistic traits. In fact, a lot of posts that have these harassing comments are made by people who make it no secret that they are autistic and sometimes even mention it in their bio.
So what do I mean when I say that a lot of these posts may hint at OP being autistic? For starters, autistic brains tend to latch onto things with a great deal of intensity, and sometimes our brains latch onto specific fictional characters. We know logically that these characters are not real and that there are objectively more important things to worry about, but our brains simply do not care. Focused autistic interests are a source of a lot of comfort and stability for us in a world that is often overwhelming, and they are important to us as a result. A lot of the people dogging the Tech posts seem to take issue with how “obsessed” people are with the character and his survival, which in some cases, is due to OP simply being autistic and having a focused interest.
Another trait that can manifest in autistic people is difficulty with emotional regulation, meaning that even “small” things can make us more upset than our peers. The people leaving harassing replies seem to have picked up on the fact that people are “too emotional” over a fictional character and sometimes even make their replies extra graphic (ie. “he’s rotting at the bottom of the chasm”, “he’s flesh paste”) in order to get a rise out of the OP. Obviously, not everyone who makes posts like these or has these challenges is autistic, but I believe that my point still stands that going after people with these traits will cause autistic people to be disproportionately targeted, which is an ableist pattern.
Sometimes, however, the harassment feels more intentionally targeted at autistic fans. A lot of Tech fans really value Tech as autistic representation and feel like killing him off in our current popular culture environment where a fair chunk of autistic portrayals are negative is in poor taste. The “Tech is dead, get over it” harassers blatantly ignore or ridicule these statements, showing zero empathy to the people who feel seen because of this character. I have seen people bulldoze into posts where autistic fans talk about how much they hope he survives because they see themselves in him with comments like “he’s dead, get over it.” In one instance, I saw an allistic fan tell an autistic fan that Tech was “forced diversity” and that if Disney was going to attempt autistic representation, then the character shouldn’t be “boring” like Tech. I don’t think I really need to explain why this is inappropriate.
It’s fine to disagree with a popular fan theory or debate about it in good faith with someone who is up to it, but what I am seeing goes well beyond that. Harassment is never, ever okay, and you should know better than to leave replies like the ones in these screenshots below when you see a fan theory that you don’t agree with.
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heyclickadee · 2 months
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Aaaaand here’s also a fantastic avatar commission I got from @eelfuneral too! It’s Hup! Hobbitato time!! :D
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heyclickadee · 2 months
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Still on a break, but here’s a fantastic commission of R2 and C-3PO doing the Barbie mugshot meme I got from @amalthiaph a little bit ago.
(I sort of accidentally asked for the characters on the opposite sides I meant, but I actually liked it better like this once I saw the rough draft. Because it’s funnier. I’m imagining that C-3PO did some butler crimes. Not crimes against buttling, but that he buttled so hard he accidentally broke some intergalactic laws.)
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heyclickadee · 2 months
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Hey, so—just logged in and saw I had a couple of DMs asking where I was and if I was okay. I’m good, still alive, just kind of busy and needing a break from fandom. I’m loving TBB season three to pieces so far, though, so I’ll definitely be back to yell about it at some point.
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heyclickadee · 2 months
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I love them
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heyclickadee · 2 months
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Attempting to make a plushie of the galaxy's bestest girl
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heyclickadee · 2 months
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Something I'd like to see in season 3: return of Crosshair's car theft era
When they need a getaway in the clone wars arc, he's the one Hunter sends to murder some droids and steal their shit. Ideally he and Omega will be making a getaway from Tantiss and the bitches will need transportation, therefore!
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Get in kid, we're going rogue.
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heyclickadee · 2 months
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One detail I’ve loved throughout the series is the subtle examples of Hunter wrestling his conscience about Crosshair. Anytime there is a mention of loyalty or not leaving people behind or sticking together, the camera cuts to Hunter, and even when he has his helmet on, his shoulders visibly droop and his head hangs slightly as if we the viewer are watching the weight of it literally weighing on him. He’s a sergeant. His job is strategy and survival and keeping his squad alive, and even though every in-person interaction with Crosshair has told Hunter “he’s gone you can’t save him it’s too late”, he still holds that conscience weighing on him, and I believe it’s because a part of him always held hope that Crosshair would come home.
A big indicator of that, to me, would be keeping Crosshair’s armor on board the Marauder. As the leader, Hunter could’ve ordered it removed, ordered useless junk taking up space off of the ship. He’s a lost cause no use keeping his armor. But Hunter never gave the order. Kept that little tendril of hope, and even though he’s a sergeant first, he’s starting to bow under the weight of his decision
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heyclickadee · 2 months
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I HAVE MADE AN IMPORTANT DISCOVERY
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Hunter types with only his pointer fingers, he is truly the stereotypical technologically illiterate parent 😭😂
bonus pic of the fingey:
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heyclickadee · 2 months
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o k capt Jack Sparrow, did Omega take your athleticism with her
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heyclickadee · 2 months
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This is hilarious because:
1. I could buy that Tech was 5’10’’ in the Bad Batch in The Clone Wars. He looks smaller there. But the TBB show uses a slightly different model and that model is taller. He slouches like crazy and I’ve never gotten the impression he was under six foot.
2. Heights of animated characters are relative and the numbers don’t matter.
3. The only way Tech is 5’10’’ is if Phee is like 4’9’’, because she’s TINY by comparison. She’s a good head and a half shorter (minus the hair) and she’s WEARING HEELS.
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I REGRET TO INFORM EVERYONE THAT ACCORDING TO THE OFFICIAL SW DATABASE (via starwars.com) TECH IS NO LONGER 6'4" AND NEITHER IS CROSSHAIR
(i typed these out in the notes app with meters to feet conversions)
on the bright side, Hunter is still short king, and Wrecker got TALLER than previously thought
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heyclickadee · 2 months
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Can't cage a child meant for the stars
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heyclickadee · 2 months
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best teamup in the show
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