lovelabirinth

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It’s an EMF meter. Reads electromagnetic frequencies.

#spn

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But I’m a Cheerleader (1999) Jamie Babbit

#but i'm a cheerleader #jamie babbit #wl

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Helen McCrory in Peaky Blinders season 4 episode 2 “Black Cats” (2019) dir. Anthony Byrne

#peaky blinders

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21st century horror + “unhinged” female leads

“Perhaps what we’re witnessing in horror right now is not a commentary on a single anxiety, but a culmination of all the anxieties that exist in culture—the shit that’s built up, affecting generation after generation, especially women … who’ve internalized the brunt of trauma for so long and are only now able to channel it. The rage that stems from internalising trauma (while coddling men) … is perfectly visualised by Toni Collette literally crawling up the walls in Hereditary.” — Ryan Bradford

“This is what horror tells us—that in the collective unconscious of all women are psychic wounds so deep and raw that even to brush against them is to become a conduit for their primal violence… We self-censor our every reaction, debating endlessly with ourselves over which thoughts are permitted and which are forbidden or unclean… Perhaps that’s why, after so long spent boiling within us under such terrible and unrelenting pressure, women’s desires hold such power to fascinate and terrify.” — Gretchen Felker-Martin

#film tag

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Guillermo + looking to the camera.

#what we do in the shadows fx

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Parasite / 기생충 (2019): First vs Last shot

“I think that one way to portray the continuing polarization and inequality of our society is as a sad comedy. We are living in an era when capitalism is the reigning order, and we have no other alternative. It’s not just in Korea, but the entire world faces a situation where the tenets of capitalism cannot be ignored. In the real world, the paths of families like our four unemployed protagonists and the Park family are unlikely ever to cross. The only instance is in matters of employment between classes, as when someone is hired as a tutor or a domestic worker. In such cases, there are moments when the two classes come into close enough proximity to feel each other’s breath. In this film, even though there is no malevolent intent on either side, the two classes are pulled into a situation where the slightest slip can lead to fissures and eruptions.

In today’s capitalistic society there are ranks and castes that are invisible to the eye. We keep them disguised and out of sight and superficially look down on class hierarchies as a relic of the past, but the reality is that there are class lines that cannot be crossed. I think that this film depicts the inevitable cracks that appear when two classes brush up against each other in today’s increasingly polarized society.” — Bong Joon-ho

#parasite #bong joon ho

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– Taipei Story (1985) dir. Edward Yang

#taipei story #edward yang #wl

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Tessa Thompson in Sorry to Bother You (2018) dir. Boots Riley

#tessa thompson #sorry to bother you

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You arrive in 8 minutes. PARASITE 기생충 (2019)

#parasite

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Tokyo Vampire Hotel 2017 ’ 東京ヴァンパイアホテル ’ Directed by Sion Sono

#tokyo vampire hotel #wl

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誰先愛上他的 (2018)

#dear ex

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the director who made lilting cast henry golding in his next film and it sounds interesting

#wl

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Peaky Blinders | Thomas Shelby in every episode  → 1.02

#peaky blinders

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WHAT WE DO IN THE SHADOWS: Pilot Being a vampire’s familiar is like being a best friend who’s also a slave. Tomorrow night marks the ten year anniversary since I started working for my master. I think he’s planning something pretty special. I think he’s going to make me a vampire.

#what we do in the shadows fx

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What We Do In The Shadows | 1.01 “Pilot”

#what we do in the shadows

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What We Do in the Shadows (2019– )

S01E01

#what we do in the shadows

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days of being wild (wong kar-wai, 1990) 

#days of being wild #wl #wong kar wai