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You cannot tell me this isn't Prongsfoot like you cannot
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you have invited strangers into your home, helen pevensie, mother of four.
without the blurred sight of joy and relief, it has become impossible to ignore. all the love inside you cannot keep you from seeing the truth. your children are strangers to you. the country has seen them grow taller, your youngest daughter’s hair much longer than you would have it all years past. their hands have more strength in them, their voices ring with an odd lilt and their eyes—it has become hard to look at them straight on, hasn’t it? your children have changed, helen, and as much as you knew they would grow a little in the time away from you, your children have become strangers.
your youngest sings songs you do not know in a language that makes your chest twist in odd ways. you watch her dance in floating steps, bare feet barely touching the dewy grass. when you try and make her wear her sister’s old shoes—growing out of her own faster than you think she ought to—, she looks at you as though you are the child instead of her. her fingers brush leaves with tenderness, and you swear your daughter’s gentle hum makes the drooping plant stand taller than before. you follow her eager leaps to her siblings, her enthusiasm the only thing you still recognise from before the country. yet, she laughs strangely, no longer the giggling girl she used to be but free in a way you have never seen. her smile can drop so fast now, her now-old eyes can turn distant and glassy, and her tears, now rarer, are always silent. it scares you to wonder what robbed her of the heaving sobs a child ought to make use of in the face of upset.
your other daughter—older than your youngest yet still at an age that she cannot be anything but a child—smiles with all the knowledge in the world sitting in the corner of her mouth. her voice is even, without all traces of the desperate importance her peers carry still, that she used to fill her siblings’ ears with at all hours of the day. she folds her hands in her lap with patience and soothes the ache of war in your mind before you even realise she has started speaking. you watch her curl her hair with careful, steady fingers and a straight back, her words a melody as she tells your eldest which move to make without so much a glance at the board off to her right. she reads still, and what a relief you find this sliver of normalcy, even if she’s started taking notes in a shorthand you couldn’t even think to decipher. even if you feel her slipping away, now more like one of the young, confident women in town than a child desperately wishing for a mother’s approval.
your younger son reads plenty as well these days, and it fills you with pride. he is quiet now, sitting still when you find him bent over a book in the armchair of his father. he looks at you with eyes too knowing for a petulant child on the cusp of puberty, and no longer beats his fists against the furniture when one of his siblings dares approach him. he has settled, you realise one evening when you walk into the living room and find him writing in a looping script you don’t recognise, so different from the scratched signature he carved into the doors of your pantry barely a year ago. he speaks sense to your youngest and eldest, respects their contributions without jest. you watch your two middle children pass a book back and forth, each a pen in hand and sheets of paper bridging the gap between them, his face opening up with a smile rather than a scowl. it freezes you mid-step to find such simple joy in him. remember when you sent them away, helen, and how long it had been since he allowed you to see a smile then?
your eldest doesn’t sleep anymore. none of your children care much for bedtimes these days, but at least sleep still finds them. it’s not restful, you know it from the startled yelps that fill the house each night, but they sleep. your eldest makes sure of it. you have not slept through a night since the war began, so it’s easy to discover the way he wanders the halls like a ghost, silent and persistent in a duty he carries with pride. each door is opened, your children soothed before you can even think to make your own way to their beds. his voice sounds deeper than it used to, deeper still than you think possible for a child his age and size. then again, you are never sure if the notches on his door frame are an accurate way to measure whatever it is that makes you feel like your eldest has grown beyond your reach. you watch him open doors, soothe your children, spend his nights in the kitchen, his hands wrapped around a cup of tea with a weariness not even the war should bring to him, not after all the effort you put into keeping him safe.
your children mostly talk to each other now, in a whispered privacy you cannot hope to be a part of. their arms no longer fit around your waist. your daughters are wilder—even your older one, as she carries herself like royalty, has grown teeth too sharp for polite society— and they no longer lean into your hands. your sons are broad-shouldered even before their shirts start being too small again, filling up space you never thought was up for taking. your eldest doesn’t sleep, your middle children take notes when politicians speak on the wireless and shake their heads as though they know better, and your youngest sings for hours in your garden.
who are your children now, helen pevensie, and who pried their childhood out of your shaking hands?
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people seem to forget how smart Percy is. he's not book smart, but then, that's not the kind of smart he has to be, that's not the kind of smart his survival depends on.
Percy is an insanely good strategist. we don't often pick up on it, because he's placed himself right next to the smartest strategist at Camp, but he's a veritable chess master. book one, at twelve years old, we see him manipulate Procrustes to fall for his own trap in minutes. book two, he manipulates Luke into confessing his entire evil plan in front of the whole Camp, instantly clearing Chiron's name and revealing that hey there's a storm coming. we see that trend continuing all the way up until House of Hades, where Annabeth herself has to take a step back and reevaluate how she sees him.
Percy can be oblivious, certainly, but any time he acts downright dumb, he's doing so to make his opponent underestimate him or annoy them. he's loud, and brash, and speaks before he thinks, and honestly his sarcasm may get him killed one day, but all of that meshes together into a facade that he's happy to hide behind so that no one knows how smart he really is.
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"the important thing is I didn't drown" 😭😭 Percy my dude-
since we're talking about percy tonight
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mans is truly iconic
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Daily Prongsfoot Thought 13
I’ve said this before, but it’s worth saying again: If, for some Merlin-forsaken reason, James did date Regulus, Sirius would not turn into the overprotective older brother from a Wattpad reader-insert story. He would not threaten James to protect Regulus’ “innocence” or “fragile heart.” He would not throw melodramatic fits over it like the heroine of a bodice-ripper throwing herself onto the fainting-couch, overcome with the vapors.
Sirius would immediately subject James to every antidote, counter-charm and exotic form of curse-removal he could think of, because there’s no world where James, his James, would date a Black that wasn’t Sirius.
prongsfoot fic where reggie doses james with some kind of love potion and sirius must rescue him when?
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Sirius Black was the best adult in Harry's life and I'm forever salty that we didn't get to see more of him
So, I love Sirius Black. He's a complex and interesting character that I love dearly. He's handsome, smart, brave, not as reckless as some fanon make him out to be, and above all else, he tried his best to be a good godfather to Harry.
I truly believe Sirius could've been an amazing father figure (more than he already was) to Harry if given the proper chance. And he's a much better parent to Harry than Arthur and Molly Weasley.
Here are some quotes along with my ramblings to prove it.
So, what I'm going to cover here are some quotes from Sirius and Harry that show their dynamic and how much Sirius cared and tried to be there for Harry. Also, I think Molyl and Hermione are wrong about Sirius seeing Harry as a James replacement.
“He came back to the country just because my scar twinged. He’ll probably come bursting right into the castle if I tell him someone’s entered me in the Triwizard Tournament —”
(GoF, page 290)
Harry wrote to Sirius at the beginning of GoF about his dream with Voldemort and his scar's reaction to it. Sirius left everything immediately to return to Britain — a place where he is hunted down and is a wanted man. All because he wants to be close to Harry, so he can spring up to protect him if the need arises.
Harry is correct in his assessment here.
“Poor old Snuffles,” said Ron, breathing deeply. “He must really like you, Harry. . . . Imagine having to live off rats.”
(GoF, page 534)
Ron is absolutely right. Sirius loves Harry more than pretty much anything. He would and does go incredibly far for Harry. I don't think Molly and Hermione are right about how Sirius sees Harry as James. He just doesn't.
He doesn't treat Harry as an equal to him, but as someone he needs to protect. Someone he is responsible to protect.
He stays around Hogwarts, eating rats in GoF so he can better protect Harry. He wouldn't have done the same with James because he treated James as an equal, not as someone he needed to protect.
“It’s not my fault you haven’t been told what the Order’s doing,” said Sirius calmly. “That’s your parents’ decision. Harry, on the other hand —” “It’s not down to you to decide what’s good for Harry!” said Mrs. Weasley sharply. Her normally kindly face looked dangerous. “You haven’t forgotten what Dumbledore said, I suppose?” “Which bit?” Sirius asked politely, but with an air as though readying himself for a fight. “The bit about not telling Harry more than he needs to know,” said Mrs. Weasley, placing a heavy emphasis on the last three words. Ron, Hermione, Fred, and George’s heads turned from Sirius to Mrs. Weasley as though following a tennis rally. Ginny was kneeling amid a pile of abandoned butterbeer corks, watching the conversation with her mouth slightly open. Lupin’s eyes were fixed on Sirius. “I don’t intend to tell him more than he needs to know, Molly,” said Sirius. “But as he was the one who saw Voldemort come back” (again, there was a collective shudder around the table at the name), “he has more right than most to —” “He’s not a member of the Order of the Phoenix!” said Mrs. Weasley. “He’s only fifteen and —” “— and he’s dealt with as much as most in the Order,” said Sirius, “and more than some —” “No one’s denying what he’s done!” said Mrs. Weasley, her voice rising, her fists trembling on the arms of her chair. “But he’s still —” “He’s not a child!” said Sirius impatiently. “He’s not an adult either!” said Mrs. Weasley, the color rising in her cheeks. “He’s not James, Sirius!” “I’m perfectly clear who he is, thanks, Molly,” said Sirius coldly. “I’m not sure you are!” said Mrs. Weasley. “Sometimes, the way you talk about him, it’s as though you think you’ve got your best friend back!” “What’s wrong with that?” said Harry. “What’s wrong, Harry, is that you are not your father, however much you might look like him!” said Mrs. Weasley, her eyes still boring into Sirius. “You are still at school and adults responsible for you should not forget it!” “Meaning I’m an irresponsible godfather?” demanded Sirius, his voice rising. “Meaning you’ve been known to act rashly, Sirius, which is why Dumbledore keeps reminding you to stay at home and —” “We’ll leave my instructions from Dumbledore out of this, if you please!” said Sirius loudly.
(OotP, page 88-89)
This above quote is a long one, but I love it. I mean, this shows a big contrast between Sirius' approach to parenting and Molly's. Sirius, while not seeing Harry as his equal, does see Harry as a capable wizard who deserves to know the full picture. Sirius knows Harry would be in more danger when ignorant and wants him as safe as possible. He thinks Harry deserves to know things that pertain to him, and I have to agree with him here. Keeping Harry in the dark is what eventually cost Sirius his life.
Molly, on the other hand, is intent on keeping Harry, Hermione, and her kids ignorant. She has the same intention as Sirius: to keep them safe. But she tries to keep them safe emotionally, even when this ignorance can and does place them in physical harm's way.
And Sirius is right. Harry is capable. And a 15-year-old shouldn't be treated the same as an 11-year-old child. And let's be real, Harry was never a regular child with how he grew up, and I think Sirius sees his maturity and treats him accordingly. Sirius actually gave Harry advice to not approach danger in GOF and Harry listened to him because Sirius treated him with respect, which works best with Harry who never really had parental figures.
“I don’t know,” said Sirius slowly, “I just don’t know . . . Karkaroff doesn’t strike me as the type who’d go back to Voldemort unless he knew Voldemort was powerful enough to protect him. But whoever put your name in that goblet did it for a reason, and I can’t help thinking the tournament would be a very good way to attack you and make it look like an accident.”
(GoF, page 334)
This is an expert from the Fireplace conversation Haryr had with Sirius before the first task. Sirius shares his theories with Harry because he needs him to know who to watch out for. Because everything he does is to keep Harry safe. And this is the same approach Sirius wishes he could take with Harry in OOTP. Because he knows it works. Keeping Harry informed means that if he does put himself in danger, at least he would inform Sirius about it; Which would allow Sirius to protect him.
I'm not copying all of them, but Sirius' letters to Harry throughout GOF are so caring and sweet. Harry deserved to have more of his godfather in his life:
Nice try, Harry. I'm back in the country and well hidden. I want you to keep me posted on everything that's going on at Hogwarts. Don't use Hedwig, keep changing owls, and don't worry about me, just watch out for yourself. Don't forget what I said about your scar. Sirius
(Gof, page 240)
This treatment encourages Harry to actually share everything with him and ask him for advice. Something he doesn't do with Dumbledore ever. (Harry actually doesn't like or trust Dumbledore all that much until book 6, it's usually Hermione who trusts Dumbledore fully)
“Sirius — how’re you doing?” ... “Never mind me, how are you?” said Sirius seriously.
(GoF, page 331)
Sirius again, shows his responsibility towards Harry's well-being over his own (both here and in the above letter).
Sirius is the only adult who actually talks to Harry about the Dursleys with sympathy:
“But if they do expel me,” said Harry, quietly, “can I come back here and live with you?” Sirius smiled sadly. “We’ll see.” “I’d feel a lot better about the hearing if I knew I didn’t have to go back to the Dursleys,” Harry pressed him. “They must be bad if you prefer this place,” said Sirius gloomily.
(OotP, page 116)
We know Sirius would love nothing more than for Harry to stay with him. He's lonely and bored at Grimmauld and would love to have Harry there. But at the same time, he doesn't want Harry expelled from Hogwarts and is trying not to be hopeful for it.
Sirius understands the Dursleys are awful, he just know the full scope, but it's more of a reaction than we get from most adults in this series. To me, it looks like Sirius is annoyed by how limited he is in helping Harry. He can't really do much about the Dursleys or their status as Harry's guardians.
“So you want me to say I’m not going to take part in the defense group?” he muttered finally. “Me? Certainly not!” said Sirius, looking surprised. “I think it’s an excellent idea!” “You do?” said Harry, his heart lifting. “Of course I do!” said Sirius. “D’you think your father and I would’ve lain down and taken orders from an old hag like Umbridge?” “But — last term all you did was tell me to be careful and not take risks —” “Last year all the evidence was that someone inside Hogwarts was trying to kill you, Harry!” said Sirius impatiently. “This year we know that there’s someone outside Hogwarts who’d like to kill us all, so I think learning to defend yourselves properly is a very good idea!” “And if we do get expelled?” Hermione asked, a quizzical look on her face. “Hermione, this whole thing was your idea!” said Harry, staring at her. “I know it was. . . . I just wondered what Sirius thought,” she said, shrugging. “Well, better expelled and able to defend yourselves than sitting safely in school without a clue,” said Sirius.
(OotP, page 371)
I love this scene as well. Sirius cares for Harry's safety first and foremost. Harry being safe is his top priority at every given point. And he's reasonable and logical and treats Harry like someone to protect, not like a friend.
Like, Harry when he has a problem and needs advice throughout books 4 and 5, he calls Sirius. He's Harry's go-to parental figure for advice, and Sirius takes his rule seriously. He gives the advice he honestly thinks is best and ensures Harry's safety and continued survival to the best of his ability.
“It matters because we don’t want to draw attention to the fact that Harry is having visions of things that are happening hundreds of miles away!” said Sirius angrily. “Have you any idea what the Ministry would make of that information?” Fred and George looked as though they could not care less what the Ministry made of anything. Ron was still white-faced and silent. Ginny said, “Somebody else could have told us. . . . We could have heard it somewhere other than Harry. . . .”
(OotP, pages 476-477)
Again, Harry's safety is Sirius' first priority above everyone else. Harry's happiness and privacy also take precedence over most other things. He doesn't want Harry under even more scrutiny from the ministry and the Wizarding World and protecting him from that is just as important to him.
To me, it feels like people who say he treats Harry like a James replacement didn't read the books....
“It must have been the aftermath of the vision, that’s all,” said Sirius. “You were still thinking of the dream or whatever it was and —” “It wasn’t that,” said Harry, shaking his head. “It was like something rose up inside me, like there’s a snake inside me —” “You need to sleep,” said Sirius firmly. “You’re going to have breakfast and then go upstairs to bed, and then you can go and see Arthur after lunch with the others. You’re in shock, Harry; you’re blaming yourself for something you only witnessed, and it’s lucky you did witness it or Arthur might have died. Just stop worrying. . . .” He clapped Harry on the shoulder and left the pantry, leaving Harry standing alone in the dark.
(OotP, pages 480-481)
And I love this too. How he tries to comfort Harry and make everything easier for him. When the rest of the Order were gossiping about how dangerous his connection to Voldemort is, Sirius is honestly trying to get Harry to worry about it less.
He might be lying here, but he is right about sending Harry to sleep after a sleepless night like they had. And he is right about Harry being in shock and needing the rest. I just, really like how much Sirius cares. Harry just doesn't have other adults in his life who care for him like Sirius does.
But some part of him realized, even as he fought to break free from Lupin, that Sirius had never kept him waiting before. . . . Sirius had risked everything, always, to see Harry, to help him. . . . If Sirius was not reappearing out of that archway when Harry was yelling for him as though his life depended on it, the only possible explanation was that he could not come back. . . . That he really was . . .
(OotP, page 808)
This. Scene. Just kills me.
Like, Harry understands how much Sirius cares about him, and how Sirius always puts him first. He knows the only way Sirius won't drop everything to come and when Harry calls for him is if he can't.
Because Sirius escaped Azkaban when he realized Harry might be in danger from Peter, not for his own safety, but for Harry’s. Sirius dropped everything and moved to live in a cave and eat rats when Harry's scar hurt. He stuck around Hogwarts and Hogsmead during the Triwizard Tournament, when it was crawling with ministry officials because Harry might need him. He was willing to do so much for Harry. And Harry knew this.
I think, given time, they could've had an amazing dynamic, and I wish we had more of Sirius and his care for Harry. That we saw more of his approach to parenting Harry.
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Matching Misfortunes: Lucy Pevensie
Have feral Lucy, as a treat. The other parts for the other siblings are up on my blog if you wish to read it.
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The boy reaches out with a lewd grin, and Lucy’s blood burns. She turns around, grips the boy’s arm and moves.
A second later, he is on his knees at her feet, her fisting a hand in his hair and twisting his arm behind his back. Her lips pull back into a wolf-like snarl as Howard lets out a yell, and she twists his arm harder with fingers smaller than she is used to having, vindictive pleasure coiling in her gut when his breath hitches with an even louder sob.
“YOU WILL NOT,” she roars with all her might, ignoring the way her voice is not as loud and commanding as it used to be, ignoring the shocked gasps and astonished stares of the rest of the students of the school, “TOUCH ME WITHOUT MY PERMISSION!”
The other boy— James, she remembers the teachers calling him— comes at her with his fist raised and a yell on his lips, but she kicks him in the back of his knee, hard enough that she feels something crack under her Mary Jane shoe. He lets out a pained scream and crumples like a can of soda would under her foot, and her snarl turns into a too wide grin, just on the wrong side of feral; it is a move Peter had taught her twelve years ago. Or maybe it was five years.
She never bothered to separate her home world from this one.
Her blood rushes through her veins like fire, and she pulls on Howard’s hair till his neck is bared, and her eyes zero in on the beating pulse under his jaw. She can almost feel the way the crimson life flows through his body, the way it would flow over his skin if she had her dagger. She would drag the blade over his flesh in a vicious, vengeful slice for the slight upon her person— he dares touch her?
He dares feel entitled to her presence? To her affections? To her body?
She is Queen Lucy the Valiant of Narnia. She is the Dragon Spirited Spymaster Queen, the Fourth of the Beloved Four, Lover of the People. She is greater and more powerful than he could ever hope to be, and he dares commit the crime of touching her?
She bares her teeth at the thought and twists his arm till she feels his shoulder pop out of place. Her canines elongate and dig into her lower lips even as her blood boils and bubbles, clamouring for punishment to be given and for vengeance to be taken in the form of his lifeblood.
He dared to touch you, Narnia whispers in her ear, tempting her with the fantasy of letting his blood colour her hands crimson. Punish him for his grave mistake, my Queen. Make him pay for this transgression.
There was a time when she would have killed him within seconds for having the audacity of trying to slap her behind. She would have made an example of him for the world to see— she might be young, but she is neither foolish nor meek, and she refuses to be disrespected in such an appalling fashion. If not her, then her siblings surely would have rendered him nothing more than a stain on the ground for daring to try and dishonour the youngest of the Rulers of Narnia.
She breathes in. Blinks. An image of her fingers curling around the golden hilts of her daggers, of burying them in the enemies’ guts and letting herself bathe in the spray of their blood, flashes across her vision. She breathes out, and blinks again. She is in the middle of the school courtyard, fingers wrapping tight around Howard’s forearm and twisted into his short and coarse golden locks.
She is not in Narnia.
She fell out of that wardrobe with her siblings five and a half years ago— she is fourteen and her blood still burns her insides at the reminder that she is not twenty-seven years old. It still scorches the inner lining of her blood vessels at the reminder of not being in her home country, of not being with Mr Tumnus and the fauns, of not running through the forests with her daggers at her sides and her network of espionage agents at her beck and call.
She breathes through her nose and lets go of his arm only to reach for his neck and grip tightly, feeling a sick sense of gratification when she feels his breath hitch fearfully under her palm, and feels the pumping of his blood through his jugular against the tips of her fingers. She tugs harder on his hair, and revels in the whine that echoes in his throat as she straightens up and rakes a narrow-eyed glare over the gawking students.
“Hear ye!” she calls, lips curling into a vindictive smirk when people stiffen their spines at the fury in the little teenage girl voice that is not hers, that has not been hers for decades. It rings with the royal Narnian accent that neither she nor her siblings ever managed to lose, and she lets the accent get stronger, she lets the lilt of the Narnian magic carry her voice over the courtyard.
“Consider the following as both a warning and a threat,” she announces, and her voice echoes strangely through the air, like she has a microphone held in front of her, “henceforth, any unwanted contact with my person will be met with the most violent of retaliations. Either it will be me, or my eldest brother Peter who does it, but know that blood will be drawn.”
The mention of Peter has most of the boys quailing and looking away, shoulders curling inwards and cheeks flushing at the reminder that Lucy has an absolute beast of an older brother— over six feet and built like a bull, with wide shoulders and a face permanently set in a grim expression. Peter’s fencing skills are legendary, and he is infamous for hitting till bone breaks. It makes Lucy smile a vicious little smile; her royal brother is terrifying, and she is proud to be Queen next to him and their other siblings.
It also makes her blood beat an outraged tune against her pulse points— she is no less terrifying than her oldest brother, and it is high time that people learnt to respect her for her strength and status. She is Queen just as much as her brothers are Kings and her sister is Queen, and she deserves to have her titles acknowledged. If they refuse to do so, then she will force them to their knees and make them do it.
She finds Peter easily when she looks for him; he is sitting in a tree with Susan and Edmund, hidden from the rest of the world, their trademark Pevensie blue eyes all gleaming wildly with pride and encouragement. Edmund grins sharply and whispers something at her, and she hears the lilting Narnian in his voice even though he is too far away for any normal human to be able to hear him.
Ruen’hi vraeka, he has always called her fondly, much to her eternal amusement. Blood-covered dragon.
“LUCY ANNE PEVENSIE!”
She breathes in and out through her nose, and turns calmly towards the advancing form mistress, clenching her jaw at the anger etched into the wrinkles of the old woman.
“WHAT IS THE MEANING OF ALL THIS, YOUNG LADY?
She resigns herself to the one month of detentions, but her blood burns.
Her blood is like fire as it pounds in her ears, outrage bubbling in her gut and showing in the flash of her blue-eyed glare as it pans from the yelling form mistress to the rest of the students and then finally on the two boys at her feet. They still haven’t stood up, in too much pain to do anything more than groan in pain and wipe their tears and snotty noses on their sleeves.
They should be falling at my feet, she thinks savagely. They should be on their knees begging for forgiveness, for mercy. In fact, the school faculty themselves should also be at her feet, begging for forgiveness for the audacity of raising their voices at her and her siblings.
How dare they deem themselves capable of handing out punishment to a King or Queen of Narnia? To all four Kings and Queens of Narnia? Who are they to try and punish her, Queen Lucy the Valiant? Who are they to deem themselves appropriate authority to discipline the Dragon Spirited Spymaster Queen, Fourth of the Beloved Four?
Lucy’s blood burns, but she lets herself be dragged to the headmaster’s office, taking one last glance at her siblings. The sight of their gazes fixed on the two injured boys makes her mouth stretch into a feral smile even as she bristles indignantly at the form mistress’ grip on the shoulder of the body that has not been hers since she first stepped into that wardrobe.
Narnia hums in her ears, a sweet siren song of bloody retribution.
That night, when she sleeps, she dreams of gripping the two idiot boys by their hair and ripping their throats out with her teeth.
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Matching Misfortunes: Edmund Pevensie
He's arguably my favourite character right alongside Caspian the Tenth. Let's hope I did his character justice. The other parts for the pevensies are up on my blog.
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Edmund stalks into the debate hall with his notes in his hands, and the room falls into a hush.
The students cease their muttering, their eyes tracking the lanky, too-thin boy as he walks with far too much grace for someone who is fifteen-almost-sixteen years old and has yet to get his final growth spurt.
His limbs are too long for his blazer-adorned torso and he is not yet old enough to put on muscle, and still he moves with thrice as much control and precision as the royalty of the country.
Edmund remembers the months After.
He remembers stumbling and falling and breaking bone because he was a twenty-nine year old man in the body of a ten year old child, falling till he got sick of it and asked Susan to help him learn how to walk again, remembers tear-soaked cheeks and trembling callous-less hands and bitten-off screams after being woken up by a nightmare in the middle of the night, feeling too thin, too short, too young, too weak, too cold Peter, please, it’s too cold, help me—
Never again, he had told himself.
He feels their stares settle over his strange unscarred skin like a layer of cold gel, and he ignores them in favour of holding his head high and walking towards the desk with his name tag on it. He relaxes into the seat as much as he can, back straight and shoulders pulled back and breathing even, and then moves his gaze to meet the eyes of everyone that is looking at him.
Most students hurriedly look away, flushes staining their cheeks bright red out of the embarrassment of getting caught staring so blatantly. A select few stare back, holding his gaze for a couple of seconds before they, too, lower their eyes and turn back to their conversation.
It both does and does not feel like the Royal Court that he once presided over.
There too, conversations used to stop when he entered the Throne Room. There, too, people used to follow him with their eyes as he moved towards his throne beside Peter’s. There, too, he used to keep his back straight and roll his shoulders back and breathe evenly to prepare himself for the approaching war of words that he was certain he would win.
He lounges in his seat like he’s lounging in his throne, and watches the faculty walk into the room and take their seats. He does not bother to stand up like the rest of the students do, and ignores the disapproving looks Professor Jasmine throws at him for his supposed insolence.
What do they know of debates, he thinks with a hidden sneer.
He was the one that sat with bloodthirsty Kings and Warlords, manipulative Queens and Bandit Chiefs, and aided his older sister in hammering out treaties and ceasefires and surrenders from their enemies’ lips without having to lift a sword. He wrote the laws for his world and presided over the Supreme Court of Justice of his kingdom, solved internal disputes and planned war strategies and invented new tactics for external conflicts. He was renowned for his excellence with double swords and double-edged words alike, in Narnia.
In Narnia, he was King Edmund the Just, the Serpent Tongued Diplomat King, Third of the Beloved Four, Representative of the People.
Here in post War England, he is just Edmund Pevensie, with sharp glares and sharper words, as dangerous with his tongue as his older brother was with his fists and his older sister with her smiles.
Unlike Peter who swings between two worlds without control over his thoughts and memories, and Susan who tries (and fails miserably) to not think about their world at all, it is comparatively easy for Edmund to maintain the two different worlds as different experiences. For him, Narnia exists in one part of his mind and England in the other— separated from each other by a solid stone wall that Edmund has built up and strengthened over the five and a half years that have passed since he and the others fell out of that thrice-damned wardrobe, in bodies that were no longer theirs.
And yet, his nail beds itch.
He remembers the feel of digging his nails into flesh, remembers the feel of blood welling up under his fingers as he dug deeper, remembers the feel of being older, taller, stronger, wiser. He remembers being powerful.
Around him, the debate competition begins. He dimly registers the names of the students from the seventeen participating schools as they are introduced, and recognises more than half of them.
He treats debate competitions in schools just as he did political meets back when he used to be King. There are always three things one must know— the topic that you are to speak on, the questions that you may be asked, and the people who will be attending. About the people, you must know their agendas, their strengths and their weaknesses, and how to use that to gain what you desire. As simple, and as difficult, as that.
Here, he recognises twelve out of the seventeen opponents, and feels his lips curve into a small smirk. The participants seated on either side of him lean away from him, and it only makes his smirk grow wider with vindication.
He misses attending and holding Court. He misses the gratification in verbally ripping apart nobles and bloodthirsty warlords alike, he misses the satisfaction he felt while sinking his two swords into flesh on the battlefield in case the peace talks went wrong.
He misses being covered in blood after a victory, misses the annual Royal debate competitions, the mock arguments he had with Susan and the members of the Royal Court of Narnia, the vindictive smugness he felt when he put the fear of the Narnian Royalty in the hearts of warlords seeking to destroy his kingdom with nothing but his words and occasionally his swords.
Here, Edmund has to remind himself that he is arguing with children.
He has to remind himself that the people he is debating with are not warlords and power-hungry rulers out to conquer his kingdom.
He has to remind himself to not turn into the Serpent Tongued Diplomat King, to keep that vicious and twisted part of him safely locked up in the Narnian part of his memories. He has to keep the whole of his true self at bay, because he knows that they will not understand his metaphorical bloodlust when it comes to the art of wordplay.
He knows that they will not understand what it is like, to be an adult in a child’s body forced to play pretend politics where he has no real influence on the country’s government.
However, he thinks as the debate competition commences and a girl in a smart navy blue suit walks onto stage and starts giving her speech, he can allow certain attributes from his Kingly self through into his teenage self. In controlled amounts, he can allow himself a little ruthlessness, a little edge to his words, a little confidence, a little dignity and grace.
He can allow himself to indulge a little, to employ a few of his Kingly attributes into his teenage identity so he can get through secondary school without being given as hard a time as normal teenagers are.
That is one benefit of having been King— he might not have grown up in this world, but he had grown up before. As uncomfortable it was to grow up again, he knows what to expect this time.
He is better prepared than he was last time.
He leans forward and notes down a question for a statement the girl makes, and he feels the stares of the students on his back again. The vindication rises in his body; he is a force to be reckoned with and his opponents know it, and Edmund revels in the effect he has on them, revels in the way they cannot meet his eyes properly without having to look down. It almost feels like he is King again and they are his enemies— forced to bow to him after being defeated time and again, forced to grudgingly admit that he is superior to them.
The debate progresses, he gives his speech, gets asked questions and answers them as best as he can. He scratches his itching nails over his palms as he listens to the rest of their speeches and asks them questions, and sits back with his dissatisfaction very visible on his face when he does not receive the answers he was hoping for.
In the end, he lifts the trophy up with fingers that despair for the feel of his swords gripped in them, a satisfied gleam in his piercing blue eyes and a badge that proclaims him as the first ranker pinned to the front of his school blazer.
Dozens of eyes follow him as he steps off the stage and strides out of the room, and he lets them settle on his proud shoulders. Lets them turn into the weight he once carried in the form of a silver crown.
Let them see, he thinks viciously. His nails itch, and he wishes to sink them into flesh and rip it apart. He wishes to drench himself in the blood of his enemies.
Let them be witness to merely a fraction of the power I used to possess. Let them understand that I am dangerous, and not to be underestimated. Let them see that I am not a mere child.
He is a boy, arguing politics, modern and ancient war tactics and ethics with professors in his free time, having rumours of being a genius follow him around like obedient dogs at their master’s heels.
He is a King, shackled and hidden in the corner of a mind that belongs to a too-lanky teenage boy halfway through puberty.
He refuses to reach too deep into the memories. He refuses to forget the memories. He refuses to let himself sink into his own mind. He refuses to forget himself, and he refuses to be his entire self.
He cannot. He will not.
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Matching Misfortunes: Susan Pevensie
I enjoyed writing this one so much. I hope you enjoy reading it just as much!
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Susan’s cheeks hurt.
She smiles at the boy as he throws an arm around her and winks, and she feels the muscles of her face ache with the effort of holding a smile for hours and hours on end. She wants to shrug off the black-haired boy’s arm, wants to tell him to piss off and not bother her again lest she ask Peter to ensure his distance from her with violence, but she simply smiles at him.
She straightens her spine and smiles.
She ignores the glares her female classmates are throwing at her from all corners of the classroom. She is beautiful, she knows she is, but that does not mean he enjoys being the nectar to the bees that are the hormonal, idiotic boys of Westbrook. She has never enjoyed being known for her beauty, for it has always been nothing but a miserable curse— three wars had been fought for her hand in marriage over the course of twenty years, and Edmund has sometimes called her Helen of Troy for her troubles.
She hates that fucking name.
Her cheeks hurt. Yet, she smiles her most charming smile as she subtly leans away from Raymond— she has heard of the way he treats girls, and she has no interest in being one of his thrice-damned conquests. She has no interest in being a challenge, a trophy to be earned, a thing to be owned. She is to be respected, dammit, she is smart and keen-eyed and knowledgeable. Heaven’s sake, she is a Queen—
She breathes. Pushes the thought out of her mind. Maintains her smile.
Raymond smirks back, dull greyish blue eyes glinting like a broken steel sword in the sunlight that streams in through the windows, and tries to draw her closer to him using the arm that he has around her shoulder. Susan does not deign to move. She does not bother to pretend that she is not stronger than this arrogant youngling, this boy playing at being a man, and simply sits there, unmoving and seemingly oblivious, until he furrows his eyebrows and stops trying to move her without her permission.
Her cheeks hurt.
“C’mon, Pevensie,” he leers at her, and she stops herself from lifting a hand to her back. Five and a half years, and she still hasn’t forgotten the phantom presence of her quiver full of arrows, her bow made of the finest wood covered in intricate carvings.
“Say yes, darling,” he says, and she smiles so that she does not try to stab. “The party would be boring without the prettiest girl in school there.”
Susan has heard that compliment fall from the lips of powerful Kings and lovesick fools alike, and she has never been affected by it. Raymond falls into the third category of the people who have called her pretty, the one where they simply want to be known as the one who broke the prettiest girl’s heart, who claimed the love of the Beauty of Narnia—
She breathes in. Pushes the thought out of her mind. Maintains her smile.
“Well, I don’t know about that, Raymond,” she says in the smoothest, most convincing one that she can muster, and she does not fail to notice the way boys and girls alike sway towards her just to listen to her speak. She ignores the way her heart hums at being listened to, a song she has tried (and failed) to forget for five and a half years. “Parties aren’t really my fancy, you see.”
Raymond waves a hand lazily, and Susan wants to scoff at how far the action is from the effortlessness she is sure he wants to portray. He is an arrogant airbag of a boy with an inflated sense of importance playing at being a powerful man. “Oh, now we both know you’re lying, my darling.”
Susan feels the sudden urge to cut off his tongue, for daring to refer to him as his darling. Instead, she folds her hands in her lap and laughs softly, notices the way the students gathered around laugh with her as if following her lead. Her throat feels tight and her eyes burn, and she pushes both feelings away.
“No, I’m telling the truth,” she says, laughter colouring her words in just the right amount that tells everyone that they are welcome to laugh along and sure enough, they do. They do not take their eyes off of her, and follow her unspoken command by laughing along. She ignores the strange warmth that settles behind her heart in her chest. “I get too tired at parties, they’re too much for me.”
She loves parties. She has loved parties for ages and ages, since she was a nine-year-old child and she dressed up to let her father take her and mum out for dancing, and then a twenty-something year old Queen dressed in the finest silks and talking circles around Princes enchanted by her beauty and Kings madly in love with her—
She breathes in. Pushes the thought out of her mind. Maintains her smile.
Raymond’s arm tightens around her shoulders. Susan’s fingers twitch, but she forcefully presses her hand into her lap to stop herself from reaching for the quiver that no longer hangs from her back. There is no quiver. There is no bow. She is a schoolgirl, not an archer. She has textbooks in the bag that hangs from her back. She is a schoolgirl.
“Oh, be a sport, Pevensie,” Raymond scoffs, and Susan wants to rise to her full height and demand that he treat her with the respect she deserves. “It’s just one party, and it’s the first party of term. C’mon, you can even be my date.”
Susan ignores the way the glares are once again aimed at her, ignores the disgust that roils in her stomach, and masterfully stops her smile from curving into a disdainful sneer. An arrogant boy playing at being a powerful man, who wishes that she would clamour for his love. Ha. She has seen many thousands of men just like him.
Many thousands of men trying to seem more important than they are, vying for her attention, looking to claim her, looking to own her, aiming for her throne and her kingdom—
All of them learnt to fear her over time.
All of them learnt over time that she was not just Beauty. They learnt that she was not just respected for her looks. They learnt, over time, that she was Beauty and Brains and Brawn. She was beautiful, she was the peacekeeper, and she was the most talented archer in all the known lands. She was a dangerous enemy to make, and despite her preference for non-violence, would not hesitate to hand out gruesome and painful deaths if needed.
Susan is Gentle, not Harmless.
Men learnt over time, in Narnia, and so will Raymond learn it in England.
She straightens her spine and gently shrugs off Raymond’s arm. He tries to move it back to its former place, and she stares at him with a smile she knows looks too wide and too sharp, making him stop halfway through his movement. That is one good thing that comes out of being truly beautiful— Beauty, true Beauty, is terrifying. It is deadly. It is something that a simple human cannot help but be bewitched by, and Susan knows this. She has known this for decades. She has successfully used this piece of knowledge to her kingdom’s benefit time and again.
Raymond does not try to throw his arm over her shoulder again, and Susan makes sure her smile goes back to its most charming as she engages the rest of the students.
“I will have to decline your.. generous offer,” she says, laying the sarcasm on so thinly that only Edmund would have noticed.
Alas, her dearest younger brother is not here to witness her exercise her power over her classmates. If he were, he would have enjoyed watching them move to her word like mice moved to the Pied Piper’s tune. He is absurd like that, but who is she to deny him his entertainment?
“Now, if you’ll excuse me,” she sighs as she pushes herself off the desk and stands to her full, impressive height. She brushes her hands over her skirt, takes her water bottle from a boy with a soft smile that has him blushing bright red, and waves to everyone. Without saying a word more, she walks out of the classroom with her head held high and her shoulders pulled back.
Her cheeks hurt.
She walks in silence, ignoring the students that mill around in the corridors of the school. The girl’s bathroom is on the floor above, and it takes her barely a minute to reach it; people clear a way for her, moving out of her path as she walks with measured and careful steps. They do it almost without noticing that they are, almost like a force is making them do it.
Susan locks the door of the bathroom behind her, takes a good look around to make sure she is alone, and bursts into silent tears.
She drops her bag to the floor and leans her back against the door, screwing her eyes shut and letting the tears run down her cheeks and drip off her jaw. Her chest heaves with quiet sobs, and she sucks in shuddering breaths as she slides down to sit on the floor with her head buried between her knees. The warmth behind her heart turns into a painful burning sensation, and she chokes on her tears and emotions that she cannot fully understand.
No matter how much she tries to bury her memories behind smiles that sway the students, no matter how much she tries to forget, she knows what she is. She knows what she always was, and what she always will be.
She is Queen Susan the Gentle of Narnia, the Eagle-Eyed Marksman Queen, Second of the Beloved Four, Defender of the People.
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Matching Misfortunes: Peter Pevensie
I binged read and watched the Narnia books and films, and idk what possessed me but I wrote. so. Let's go. Please check out the other parts for the other siblings!
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Peter’s skin itches.
He heaves even breaths through his nose as he leans back to avoid the sloppy punch Easton throws at him, and stops himself from going for the throat for the third time in half as many seconds.
This is the fourth fight he has gotten himself dragged into since term began on Monday. It is Wednesday today, and Peter’s blood pounds in his ears, through his limbs and his flexing fingers as he holds back; doesn’t hit hard, doesn’t go for the liver or the heart or the head, does not give into the bloodlust that whispers siren songs of battle and blood-covered blades in his ears. He stops himself, clenching his fists and dodging the abysmal hits from the three boys that surround him, and refuses to lift a hand against these insolent children.
He is a King.
He is a boy stuck in a schoolyard brawl he did not start.
Peter’s skin itches.
He wants to claw it off— he imagines that this is what snakes must feel when their body gets much too big for their scales, and they have to go through the painful process of shedding their outer layer and come out stronger and larger. He suppresses a grim twist of his lips as he kicks out— harmlessly, wrestling against the lust that sings a song of death in his ears— at that idiot Michael’s knee to send him sprawling to the ground with a yelp, and thinks that what he went through was rather the opposite, really. He grew up, and then was forced into a body too unfamiliar, too awkward, too inexperienced. Too young.
He was a King.
He is a boy stuck in a body too unscarred to be a King’s.
Kenneth lunges forward to try and grab him around the waist. Peter easily steps out of the way, the part of him that is a seasoned warrior clawing to the forefront of his mind simply to scoff at the graceless flailing of limbs that these children call fighting. Lucy could do better.
Lucy did do better, twelve years ago. Or maybe it was five years ago.
The timelines blur together, in his mind; he can no longer tell whether he is in England or Narnia. He is wearing his school uniform and he is wearing his royal garments, he is walking the halls of Westbrook County Boarding School and he is walking the halls of Cair Paravel. He holds the blunted school practice broadsword in his hand and he holds the razor-sharp Rhindon in his calloused hands, he is a boy and he is a King.
“Fight back,” Easton snarls, dark brown hair falling out of its previously carefully styled place, and Peter thinks of how he has seen scarier Mice dig their teeth into the throats of Minotaurs and suck them dry of blood. He blinks, and the image of him sinking his own teeth into Easton’s throat flashes across his mind’s eye. He blinks again, and he’s back on this makeshift battleground where the mice are gone and his sword is gone and he is in clothes too uncomfortable and the skin is stretched taut over a body that is not really his—
“Fight back, Pevensie, you coward!”
High King Peter the Magnificent of Narnia, Commander of the Armies, Emperor of the Lone Islands, the Lionheart Warrior King, Protector of the People, wants to grab him by the throat and shatter his jaw into a thousand pieces for that grave insult upon his character. Instead, he laughs in his face and sticks out his tongue, like a small child.
He is nineteen, and he is thirty-three. He is not a child, in either world.
Sometimes, he wishes he was. Sometimes, he wishes he was thirteen and in his mother’s home, he wishes he had never left for Professor Diggory’s mansion.
Most times, however, he wishes for something he has almost given up hope for, something he was forced to give up five and a half years ago. He wishes, oh so dearly, for a faithful sword made of mithril in his hand and a heavy crown woven out of golden flowers on his head. He wishes for one last chance to step out of this world that was once his but no longer is, and into a world where he was once High King Peter the Magnificent, Commander of the Armies, Emperor of the Lone Islands, the Lionheart Warrior King, First of the Beloved Four, Protector of the Narnian People.
Easton yells as he lumbers forward, and Peter, too embroiled in old memories of running his fingers through the unicorn Ethrys’ snow-white mane while galloping through grassy fields, does not see the punch coming until it is too late. The loud smack of knuckles against flesh echoes through the school courtyard, and the impact of the heavy fist on his cheek is like an electric shock to his senses.
For a second, he blinks dazedly. And then his brain registers it properly. The pain flares, and with it so does blinding hot bloodlust.
‘Fine,’ he thinks as he lifts a hand to wrap his fingers around Easton’s forearm in a death grip, a high-pitched whistle echoing in his ears and red creeping into the edges of his vision as it zeroes in on the many weaknesses in the three boys’ defenses. ‘You want a fight? You’ll get one.’
It takes him four seconds to get the three imbeciles on their backs, one howling in pain from a dislocated shoulder, the other because of a broken nose and the third from a bruised kidney. His fingers flex around the hilt of a sword that he no longer owns, and he reminds himself that he is not allowed to kill, not in this world where he is not a King and does not lead wars.
He stares down at Easton, the image of a blood covered sword and a slain warrior at his feet flashing behind his eyelids when he blinks. He opens his eyes and the boy stares back, hand clutching his shoulder and face becoming paler and paler the longer Peter holds his terrified brown gaze.
“Don’t bother me again,” he says flatly to the three of them, and turns away, ignoring the teachers that are hurrying across the lawn with yells of his name tumbling from their lips. He lifts his gaze and locks it with Edmund’s for a second, brilliant blue meeting identical brilliant blue, before both of them turn away. One royal brother melts into the crowd of students without a whisper, and the other stalks off towards the dorms with blood on his ever-bruised knuckles and memories of a different world singing through the veins of a body that is too young for the mind it contains.
He is a King, celebrated and honoured for his services to a hallowed land.
He is a mere boy sitting on the roof of the boarding school, fingers flexing around the hilt of a sword that no longer belongs to him, nothing more than a memory he cannot let go of: a memory he refuses to let go of even after five and a half years.
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Daily Prongsfoot Thought 14
I firmly believe in Artist!James, based entirely on his little doodles in SWM and an obscure item from the Hogwarts Mystery mobile game. I see James hauling around a camera since at least halfway through their years at Hogwarts, determined to capture as much time with his best friends as possible, with an increasing number of them being just James and Sirius, or candid photos of Sirius, as time goes by.
I see him drawing on his friends, on Sirius most of all, because that pale, smooth skin is the best canvas (no other reason, obviously). Consider Sirius, just returned from another wonderful holiday with his family, or having received another Howler from his darling mother, or fresh from a bitter confrontation with Regulus in the halls, finding solace and soothing in the unbearable intimacy of lying shirtless in James' bed as James traces smooth lines of black ink over his shoulder-blades in the form of feathered wings. Sirius' first tattoos are inspired by this, based on art drawn by James, because he wants to keep some permanent fragment of that intimacy.
I see James not exactly advertising this aspect of himself to the general public, not sure if it meshes with his "James Potter, Quidditch Star" persona and wanting to keep his art as something for himself and the few he doesn't have to keep up appearances with. It's only natural that James' art is something he shares with Sirius as entirely as they share everything else, and Sirius loves that there's one more facet to James which no-one else has access to.
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He's so distracting even if he does nothing
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I love them your honour
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Please, go right ahead
Hi you reblogged my post about James' eyelashes a few hours ago and I just wanna put forward a request; please remove the jily tags. That post is specifically about James x Sirius and I'd like it to stay that way. I also adore jily, but this post was specifically, only for James x Sirius.
Please remove the jily tag.
Hello, yes I did see your tags a while ago, but unless things have drastically changed in the last five years, I was under the impression that tags on reblogs are entirely up to the discretion of the reblogger? Since I'm making no alterations to your original post (which technically isn't even possible)? I'm not sure how this matters when it's on my own personal feed, and as much as I adore James and Sirius, as an aspec person I think it's doing a disservice to their friendship to ship them romantically, so I wanted to make my stance clear on my reblog, because this is something that is very important to me. I did love the content of the post and wanted to share it without condoning the shipping element in it. I don't think it's fair and it's also a bit presumptuous to ask someone to remove tags on a reblog because the beauty of fandom is the freedom of interpretation and as long as nobody's stealing your work, it's okay to have different views about characters and ships. If someone reblogs a post I make about James and tags it as jegulus, although I am certainly not on board with that ship, I wouldn't ask them to remove the tag because it's their interpretation and their page. Death of the author. That's literally the whole point of the entire Marauders fandom isn't it?
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While you might think that shipping James and Sirius is a disservice to their relationship, this was my post romantically shipping both of them and putting them together in a romantic relationship. You cannot pull the ace card on me, I'm a biromantic who is also on the ace spectrum. Please don't even try that.
And yes, while the reblogs are usually up to the reblogger, I agree, there is no Lily mentioned in my post. It’s just James and Sirius, and it is specifically me shipping them. Romantically. I do not like you adding a different romantic ship to my post about one romantic ship.
You might be fine with someone mistagging your James post as Jegulus, and even I would have been if the post was simply about James. However, this is specifically a post about me shipping James and Sirius romantically with each other and I most certainly am not fine with my posts being mistagged with another ship that doesn't have any sort of relation to it.
This is my romantic prongsfoot post, and I’m requesting you to take down the jily tag because that ship has nothing to do with my post. It’s a simple request; you are capable of fulfilling it, are you not?
Hi you reblogged my post about James' eyelashes a few hours ago and I just wanna put forward a request; please remove the jily tags. That post is specifically about James x Sirius and I'd like it to stay that way. I also adore jily, but this post was specifically, only for James x Sirius.
Please remove the jily tag.
Hello, yes I did see your tags a while ago, but unless things have drastically changed in the last five years, I was under the impression that tags on reblogs are entirely up to the discretion of the reblogger? Since I'm making no alterations to your original post (which technically isn't even possible)? I'm not sure how this matters when it's on my own personal feed, and as much as I adore James and Sirius, as an aspec person I think it's doing a disservice to their friendship to ship them romantically, so I wanted to make my stance clear on my reblog, because this is something that is very important to me. I did love the content of the post and wanted to share it without condoning the shipping element in it. I don't think it's fair and it's also a bit presumptuous to ask someone to remove tags on a reblog because the beauty of fandom is the freedom of interpretation and as long as nobody's stealing your work, it's okay to have different views about characters and ships. If someone reblogs a post I make about James and tags it as jegulus, although I am certainly not on board with that ship, I wouldn't ask them to remove the tag because it's their interpretation and their page. Death of the author. That's literally the whole point of the entire Marauders fandom isn't it?
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REBLOG PSA
Reblogs are fantastic, but here's the thing, don't reblog something that is a specific ship by the person that came up with it with Another ship.
It's rude to the poster and the shippers of both ships.
Additionally, if the OP was kind enough to ask you to remove the unnecessary tags don't refuse to do it and don't come back and say it's a disservice to ship OPs ship so you decided to tag your ship to make the post about your ship when it wasn't.
Maybe instead just don't reblog it.
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Ok but we all agree that James Fucking Potter has the longest, thickest, prettiest damn eyelashes on this earth right?? Cause he does. The prettiest.
He removed his glasses once in the Great Hall during lunch and the Hogwarts students haven't gotten over it since then. They're envious. They're jealous. They're mad. Mascara and eyelash curler have nothing on his lashes. They're attracted to him.
(Sirius is in pain. James already has the largest brown doe eyes, and then he has the prettiest eyelashes too?? People keep asking him why he always goes along with whatever James says like- have you not seen that boy bat his eyelashes and say "pretty please with a cherry on top pleaseeee"?? He's a menace. A threat to society. A manipulator. Sirius loves him.)
(James loves Sirius back.)
(He may also be doing the eyelash thing on purpose.)
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