wait i just noticed the connection between “you fire off missiles ‘cause you hate yourself, but do you know you’re demolishing me?” and “i’m queen of sand castles he destroys”… i feel sick
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the tortured poets department epilogue - taylor swift
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wait i just noticed the connection between “you fire off missiles ‘cause you hate yourself, but do you know you’re demolishing me?” and “i’m queen of sand castles he destroys”… i feel sick
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the tortured poets department epilogue - taylor swift
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thinking about taylor switching out invisible string for the 1 on tour with the additional context of “but i’m not the one” in so long, london is legitimately making me feel sick to my stomach... “i’m a real tough kid” indeed.
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what if he’s written “mine” on my upper thigh only in my miiiiiinnd? one slip and falling back into the hedge maze, oh, what a way to diiiiiiee! i keep recalling things we never did, messy top lip kiss, how i long for our trysts! without ever touching his skin, how can i be guilty as sin?
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okay but “my beloved ghost and me, sitting in a tree, d-y-i-n-g” becomes even more devastating when you consider what comes right after the portion of the children’s nursery rhyme taylor modified: “first comes love, then comes marriage, then comes baby in a baby carriage”
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the tortured poets department epilogue - taylor swift
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thinking about “two graves, one gun” and “you had to kill me, but it killed you just the same”
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would’ve, could’ve, should’ve // so long, london - taylor swift
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the prophecy - taylor swift
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thinking about the pipeline from “once upon a time, the planets and the fates and all the stars aligned” in mastermind to “tried wishing on comets / tried dimming the shine / tried to orbit his planet / some stars never align” in the ttpd epilogue
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I love you...
...it's ruining my life
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okay so where are my fellow guilty as sin? stans at
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loml - taylor swift
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the connection between “but the woman who sits by the window has turned out the light” in peter and “remember looking at this room, we loved it ‘cause of the light / now, i just sit in the dark and wonder if it’s time” in you’re losing me has me spiralling
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“I used to sit in record labels trying to get a record deal when I was a little kid. And they’d say, ‘you know, you remind us of’ and then they’d name an artist, and then they’d kind of say something disparaging about her, ‘but you’re this, you’re so much better in this way or that way.’ And that’s how we teach women to see themselves, as like you could be the new replacement for this woman who’s done something great before you. I picked women who have done great things in the past and have been these architypes of greatness in the entertainment industry. Clara Bow was the first ‘it girl.’ Stevie Nicks is an icon and an incredible example for anyone who wants to write songs and make music.”
— Taylor on Clara Bow
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