I have to admit the only reason why I didn’t reblog in the first place was because I didn’t think it was necessary. I didn’t try to give a whole rebuttal of your whole essay because I was agreeing to some degree. I had minor issues with specific details of the post but other than that the essay was fine. Maybe that was my problem. I should have made it clear that I was agreeing to some of it because from an outside perspective it looks like I‘m nitpicking or something like that.
From what I can tell, you don’t want to be involved in this any longer so I won’t write out a full essay, at least not involving you so I‘ll stop here unless I misunderstood in that case I could write something more coherent and thought out if you want. I have written a few essays on this show on my blog and I‘ll continue to do so. I just won‘t drag you into it anymore.
Part 2: The Alter Ego Of A Heroine And It’s Relationship To The Protagonist
You can’t have a good Love Square, if you don’t have likable protagonists.
It’s very easy that when emotions play a role, for hearts to be swayed one way or the other. So you have to have very concrete and powerful characters that you will not hate – even if they mess up.
If you don’t have them, much like any Love Triangle, you will begin to hate one of the options. Then, trying to insinuate, whoever is left of the couple as ending with this less-liked-character will just end up pissing everyone off. This delicate balance is even more imperative in the Love Square.
Therefore, we need not only a lovable protagonist, but one we really want to root for – and Marinette has been suffering in that department for quite a while now.
So, we have to talk about her. Unfortunately, despite her being central for the show to work, she’s probably the second most character that suffer from the terrible writing of this show (and we all know who’s the one who suffered the most).
So, to understand what went wrong with her character, we first need to clear the bases and talk about Alter Egos.
An alter ego is the “alternative version” of someone. The Superman to Clark Kent, the Spider-Man to Peter Parker, the Batman to Bruce Wayne. They represent the hero version, the other self, the better version if you will, of protagonist were supposed to root for.
In magical girls, these better versions are key to understanding our Main Character. While, yes, there’s many magical girl like Sugar Sugar Rune or Sakura Card Captor that don’t place emphasis on the Alter Ego, MLB definitely does.
You see, the Alter Ego is better. Brighter, happier, have a sense of justice and are able to confront the world. While our Main Character doesn’t have these characteristics, or at least not as external. The alter ego represents everything they wish to be, while the real them hides underneath.
And it’s this push and pull between two of them that becomes a core, of sorts, for the story. For two main reasons. One, it explains the character. And two, it represents the theme.
A very good example of this – is Madoka. What makes a magical girl, a magical girl, in this universe?
You make a wish. Something you want more than anything. And that wish is what fuels your hearts to fight against the ghosts of the peers that came before. And if you lose sight of what that wish originally was – your soul gem cracks.
When Ayaka realizes that saving everyone is useless, her soul gem cracks, because proving that Mami was right and Homura was wrong was what drove her to be a magical girl. She became a Magical Girl to prove Homura wrong, that she could be happy being selfless.
When Homura’s goal to save Madoka is over, and she despairs over how she didn’t save her (only doomed her to an eternity of fighting), her soul gem cracks. She becomes a demon. She became a Magical Girl to save Madoka, so it makes sense she would become something worse when it turns out she didn’t.
Magical girls, are just that. A wish. Usually fighting the “failed versions” of themselves. Rue, who couldn’t have Mythos heart. Utau who hid half of her personality to please others. Sara, who couldn’t find love.
Magical Girls are a wish. While they become magical girls to save the planet, there’s something behind it that they guard deeply and wish to protect even more. And conflicts with their “true” self.
Other examples, are…
Princess Tutu is the representation of Ahiru’s love for Mytho. Ahiru wanted to save him, so it only stands to reason that her Alter ego is one that collects his heart shards, desperate to make him whole again. That’s what she fights for - For Mytho's, and eventually her own, happiness.
Sailor Moon is the representation of Usagi’s past as Princess Serenity. It’s her bonds that transcend space, it’s her duty to protect the earth like she couldn’t protect the Moon Kingdom. While this doesn’t happen in the first seasons, by the end of the series, it’s her deep connections and love for the rest of the sailor scouts that drives her to bear the weight of saving the world. These connections and bonds to her past, are what make her step forward and become a ruler again, and the reason she keeps fighting for Earth. In the future, we even see that Usagi, becomes Princess Serenity – her past. By becoming the queen of Neo Tokyo.
Amulet Heart is the representation of Amu’s “I want to be” self. Her desire to be sporty and happy, easy to mix with people. She has many others and through them all she aims to find herself. Who she really is, and where she fits in a school that idolizes a fake version of herself. Because in truth, the “real” amu doesn’t have a personality. She constantly feels like she copies others, but never truly finds who “she” is. But her Shugo Charas help her do exactly that. Break out of her shell, become someone very uniquely her. To the point that she eventually (in the manga) develops entirely new shugo charas. Because her ”I want to be self” has changed, and by defector, her. She became a Magical Girl to finds herself.
Pink Pearl Voice is representation of Lucia’s duty as a princess. She has seen her people be in distress and knows the weight her actions have on her nation. Her purpose is to fight those who want to hurt her kingdom. To return peace to the seven seas. While her true self, Lucia, just wants to be happy, free. Fall in love with a human – even though its forbidden by her kin. So, who should she be? Fall in love, or follow her duty? Again, in the manga, she becomes Agua Regina, the ruler of the seven seas, pointing to the fact that falling in love and ruling, aren’t as opposed to each other as she once believed.
So, with all this as context, what exactly is ladybug’s purpose? What does she represent? Why did Marinette decide to become Ladybug?
Again, it’s not “Just to save the world” or “because they’re forced to”. And the ones whose premise is that, are the most dark and disturbing magical girls there are (princess tutu, madoka, and utena)
So, Marinette has something, right? Something she fights for? To protect her friends? Her country? Her school? Her family? Is it pressure from her parents? Or is it herself? Why pressure herself, and to this extend?
What exactly would have been her wish when she became Ladybug? Why would she have accepted a deal where herself is in jeorpardy, and continue to accept it as more and more burdens pile up on her?
What’s stopping (in season 1-3) from ditching everything and asking Master Fu to find a new ladybug? Realistically.
Aaaaand, you probably have an answer.
But here’s the thing.
It's either an answer that came post-season 4, which again it’s too damn late. Or, outright not an actual reason given by the show.
Because the reason a lot of Aus, fanfics, and fancomics work are because they answer this question. Reality is, canon really doesn’t have much of an answer – except a very vague “sense of justice” Marinette has. There’s no clear answer. According to previous actions, we can speculate why. But we don’t have a real reason.
Is it because she was bullied? Is it because she got made fun of? Or is it simply her good nature? When has she expressed this outright or even sat down to talk about it with anyone?
We don’t know what Ladybug represents.
We don’t know why she keeps fighting evil. Why she takes on this mantle that’s slowly eating her away. And without knowing this, we really don’t know Marinnette herself.
And this is a Marinette-exclusive problem, may I add.
In the case of Chat Noir, it’s easy to find his reason to fight, and very early on - Season 1 early on.
He wants to be free, wants to be able to escape his home that feels like a prison, but still craves a place that will welcome him as he is: a mischievous trickster who messes up sometimes. Represented by a cat with a bell, meaning a cat with a home. A mischievous person who craves a place to belong
And that place is Ladybug. She offers that, while Chat Noir lends him the means to show that “true self” he can’t allow to others. He would never give up his miraculous because it would mean losing all that.
But Marinette doesn’t have that.
The closes thing we get to a “ideal self” is the fact that as Ladybug she gets to be the leader and the confident girl she always wanted to be, because she’s clumsy…But I have to say, that doesn’t really make sense. Its implied, in the first season, when they run for president, that she’s a naturally born leader. And if it weren’t for Adrien making her nervous, she’d be much more capable that she is right now.
Which makes the Marinette we have as of now, an amalgamation of many different MC tropes all stitched together with the world’s flimsiest needle. It’s a poke away from entirely crumbling.
We have:
I have a crush on my idol classmate
I am clumsy and ditzy
You can’t bully people! That’s wrong and you’re a meanie!
But also I’m kind hearted and will offer a helping to hand to those ostracized by society
Except if they’re the villain or the villain’s minions, they’re bad
I am a natural born leader and inspire others
But also I have no self steem and constantly doubt myself
I am soo shyyy
But also I will be weird abt my crush
And while these definitely can work together and form something coherent. They didn’t. They tried, and a very big emphasis on TRIED here, to give some of these aspects a backstory – like the stupid Kim Backstory about obsessive behaviour – but again, too little too late.
And even if, big if, it never really gets explored beyond this surface level. Did she talk about it with Chat Noir? Did she talk about it with Adrien? Did she ever stop to think or reflect on it?
It seems to me more like an effort from the writers to shrug off Marinette’s creepy behaviour by trying to justify it via trauma, rather than confront it and have a serious conversation about what it might entail.
But probably the most frustrating part - is that it could absolutely still have worked. If anyone gave a crap about admitting they f-ed up and working to fix it.
*Sighs*
I liked the Marinette from the PV. She reminded me a lot of Ahiru. A kind and cheery girl, with a golden heart, who secretly crushes on her idol prince. Probably someone who would be kind to a fault, trying to brefriending even the ultimate boss.
But Marinette right now wouldn’t. Or at least I think she wouldn’t. I mean, she hates Chloe and Lila, and would never offer to help them. Never has opened up and has an antagonistic rship with them.
But she did help Ivan that first time. And we see her forgive people who aren’t explicitly villains.
But she WAS really nasty towards Kagami when they didn’t even know all that much about her.
And this is not a sailor moon/fish eye situation where Adrien and Marinette are dating, or a lost memory thing that happened in the first part of sailor moon R. She’s just – mean bcs this girl has a crush on the boy she likes.
“It makes her a complex character-!”
It makes her confusing. You can’t know how she’ll act, so you can’t understand her and her actions. It alienates her.
Not really Magical Girl, but a good example of an extremely weird girl, who we understand is Rozemyne from Ascendance of a Bookworm. She has wild and unpredictable reactions – but we understand her internal logic. We know she’ll offer help when she can, but draws a hard line between friends and acquaintances. She wouldn’t jeopardized her loved ones for people she barely knows.
Something like that is missing from Marinette.
Unfortunately, at this point we only have one defining characteristic of her.
The one thing you’re sure won’t change, the one thing you can trust her to be no matter the circumstances. Her defining characteristic:
Adrien
Her feelings for Adrien are the only true constant.
We can’t trust her to be kind, bcs maybe the girl is crushing on Adrien and we’ve seen how she treat those girls. We can’t trust her to put art before anything, bcs we rarely see her design. We can’t trust her to be smart, clumsy, a good leader, a crybaby or happy.
The only thing we can trust about her, is Adrien
Which could work. Many other magical girls base their character around their love interest. It’s not an automatic recipe for disaster. An MC with heavy focus on romance can work.
Ichigo Monomiya, for example, is someone whose crush is a big part of her character AND motivation. She wants to protect Earth (as in nature) because it means so much to Aoyama and her main conflict comes from how she doesn’t want him finding out about her being a Mew. Her story revolves around how much she wants to spend time with him - but is unable to.
And Ahiru’s entire wish is for Mytho to be happy at the cost of her own. For a while the only motivation she seemed to have was Mytho and we knew little abt her aside from that.
Marinette basing her entire identity around Adrien may not be a bad thing (writing wise) if the writers acknowledged that’s what they’re doing. If they allowed conflict to build upon it.
Maybe a explore who she is without Adrien, and how he affects the perception Marinette has on herself. Who does she become without him and more importantly,
Why can’t she get together with him?
Real, why can’t Marinette get Adrien?
Well, the show has told us many times why. Awful consequences, the end of the world, etc etc.
But what I’m asking is why Marinette can’t get closer to Adrien? Even as a friend?
What’s stopping her from confessing? Or giving the first step? Being ladybug? Her own nervousness?
There’s usually a reason why these things can’t progress. Nervousness, after four seasons, shouldn’t have been one.
I mean, it worked on the first few episodes and even seasons. But at some point, her nervousness just became unrealistic, and it falls to the point of annoyance and even blatant fetishization by Thomas’ part – for a girl obsessed over a boy.
Again, Ichigo took steps to get closer to Aoyama since day one. The only reason why she can’t confess, isn’t because she gets nervous or can’t seem to talk to him. It’s because she’s scared that when Aoyama finds out she’s half-cat, he’ll be grossed out and won’t want to date her.
And if we talk about shyness and clumsiness, Ahiru comes to mind. Someone who also messes up when her crush is involved.
However, Ahiru gets competent the more time she spends with Mytho. By the end of it, even if she’s scared or nervous, she jumps headfirst into danger to protect him. She’s able to have conversations with him, and even gets close to his friends. She breaks out of her crush so much, that she’s willing to accept that Mytho is not meant for her.
So, no. Shyness and clumsiness when writing a character, isn’t a good answer.
What about her being Ladybug and the responsibility it comes with it, impeding her from finding love?
Well THAT plot point doesn’t get explored. At least, not with Adrien.
It only ever gets explored until season 4 and with MAY I REMIND YOU Luka. That she’ll always be distant or unable to connect with someone because of how much she has to keep from him. And it’s also kinda weird, when you juxtapose Luka and Aoyama.
Aoyama is the main love interest in the anime Tokyo Mew Mew. He was often sad and disappointed that Ichigo couldn’t put priority on him.
In one particular episode, he asked her out to go to the movies and was waiting for Ichigo, but a fight broke out and she was unable to go meet him. Mid-fight she does try to contact him but a jealous alien breaks her phone, making her unable to tell him she’s going to be late.
The iconic scene where she comes late to her date, and Aoyama is still waiting in the rain, will always be ingrained in my mind. The music, the writing, it all builds up to this point. You can see how much they long to be together, but there’s this impossible barrier for them. Caused entirely by circumstance. If Ichigo were normal, if she weren’t a hero, if she were just like other girls, she would be with the man she loves.
But she can’t. So she has to hide. Hide parts of herself, and her life. Even as she confesses that she loves him, she’s hiding her tail and ears. Worried that he’ll hate her but still trying to reach out.
And Aoyama forgives her. He says “I love you too”
It truly showed how they can’t be 100% together. That there’s a gap they can never truly fill.
But Aoyama /tries/. He doesn’t break up with her, doesn’t get angry, he hears how truly sorry she is and sees how anxious she’s getting - and accepts it. He forgives her. Because there’s things, they still don’t know about each other, and neither are ready to share.
That’s why Luka’s reaction Is weird. Wanting the whole truth from your gf is strange. And yes, Marinette is an asshole for still crushing on Adrien - but Luka knew! And he still accepted her. But he draws the line at Marinette having a secret he won’t tell her 2-month boyfriend and not even her closest friends KNOW?? And, it gets even worse, when you know that the secret of her “being ladybug” is something he’s known for a long a time. (And so has Aoyama by the way)
So a fundamental part of Marinette’s struggles were shoved into a padded 30 min episode. Where the blame is placed entirely on her.
I know they’re trying to fix it in season 5, an attempt to make her more proactive and give her a backstory and the like.
But this is your protagonist.
You shouldn’t be trying to fix her five goddamned seasons in. This should have been something addressed in – at LATEST – the second season. The villains also have this problem, but this is much more saveable in their case. We’re not supposed to care much for them to begin with.
And as I said, both the protagonist Alter Ego, and the Theme of a story are extremely linked together. If anything, they should have been able to fall back on their theme. What were they trying to say?
If, say for the sake of argument, Ichigo is an unlikable protagonist, maybe by just leaning into the Nature and Ecology theme of the show, you can build a new personality.
This is what star vs did – they gave Star character development as they developed the theme of intergenerational conflict and colonization.
So, SURELY, if Marinnette is a bad protagonist with no real reason for her Alter ego –
The writers can fall back on their theme to write a cohesive protagonist for the overall story of theme they’re trying to talk about
Right?
Spoiler. No.
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