#(correction im tagging exactly ONE fandom for a follower's tumblr savior)

[ckret2]

tumblr you need to stop deleting the question when i edit an ask:

What characters can you think of, that you like, fall under unhealthy obsessive romance?

Sit down we're gonna be here a while.

God is anyone gonna be surprised if I cite the yandere trope? Is anyone gonna cringe away if I say Gasai Yuno from Future Diary? No? We're all good? Okay.

Yandere characters are really hit or miss with me. Too often, I've seen yandere characters portrayed like their bloodlust, their willing to kidnap their beloved or kill potential romantic rivals, is working in tandem with their apparent sweet, affectionate, self-effacing devotion—rather than in contrast. Like a yandere character who's willing to draw blood is an exaggerated romantic ideal. I'm not about that. To me, a proper compelling yandere is a horror character disguised as a cute love interest.

Yuno pulls that off. Even as Yukki gets used to her and even begins to grow attracted to her, he still remains very reasonably terrified of what she might do—and his terror is validated by her actions. What really sells her for me, though, is the series's awareness of the arbitrary nature of her obsessive love. She flat-out tells Yukki, the target of her obsession, with shocking coldness and self-insight, that she doesn't love him because he's really that unique or special, but because he was there and she needed someone. When it feels like so many generic dull lead boys "win" the attentions of the cool interesting yandere for no obvious reason as a sort of wishfulfillment, Yuno's open acknowledgment of Yukki's plainness and the arbitrariness of her own affections would be a great deconstruction of common yandere tropes, if it wasn't for the fact that Yuno was basically the codifier of the modern yandere archetype.

Another character who hits all the right yandere notes is Tarantulas from the IDW Transformers comics. Mad scientist who makes wicked inventions for a high-ranked military officer who's rattled by the brutality they inflict together and terminates their professional relationship by attempting to terminate the scientist; scientist comes back from the apparent dead to kidnap the officer with the help of a gang of terrorists, blackmails him by threatening to reveal confidential information about the officer's army that could tear it apart from the inside and that the officer has gone to great lengths to keep hidden, reveals that he's invented a way to make enemy soldiers effectively invisible and untraceable, and shows off his secret lab powered by a devastatingly powerful superfuel that he's invented... and then reveal he doesn't want revenge, but for the officer to be his partner in crime again, and all these wonders will be used FOR him instead of AGAINST him. He calls the officer his "muse," and feels like he can't reach his peak scientific potential without the officer there, requesting new weapons and acting as his inspiration.

He's willing to burn down the universe if his muse wants it or burn down the universe if his muse scorns him, he kidnaps him just to beg him to be his partner, and he does all this despite the fact that the officer destroyed his life work and tried to kill him. It's fantastically messed up.

Moving away from the yandere archetype: Venom—comics Venom, from their intro through the 90s and then again once Mike Costa got hold of them—is a fantastic obsessive love story, about two people who reject everything that both of their societies defines as normal and acceptable in order to be with each other, and are incredibly tender and affectionate and mutually supportive; but like, they also validate each other's worst beliefs and tendencies in a way that lets them egg each other on into oblivious villainy, and even if "live with and for one and only one person, literally in 24/7 physical contact," is normal and psychologically healthy for the symbiote's species, it's not for a human being. Impressively, they're SO obsessively codependently in love with each other, that they each independently decide that they want to be the best possible versions of themselves for each other, and violently wrest their relationship from the jaws of toxicity in order to become an emotionally mature couple with a support system, outside friends, and the ability to communicate about their fears and insecurities, and it's a beautiful thing. It's too bad nobody's written anything with Venom since Mike Costa's run ended, but I'm sure someone will bring them back around eventually.

The knight-in-love-with-their-liege trope is one that appeals to me in theory, but in practice I basically never see it written as zealously as I'd like, so I usually have to headcanon it up myself. Pearl in Steven Universe is the only solid canon example I can think of that hits all the right notes for me.

Not strictly canon but: Drift from Transformers, who goes from grim street rat survivalist to bloodthirsty mass murderer to repentant ninja vigilante to faux-spiritual warrior with weird flashes of extreme violence while under the wing of four different mentor/leader figures, I like to interpret as a serial zealot whose repeatedly shifting morals and loyalties have nothing to do with his newest leader actually convincing him of the righteousness of their perspective, and everything to do with Drift's becoming smitten with their charisma and being willing to reinvent himself completely to conform with his new beloved leader's worldview. Drift's last writer even ship teased him pretty heavily with leader #4 (for any of y'all that don't read Transformers: not like "ship teased" in a queerbaity way, Drift eventually hooked up with a different dude), and he's shown to go out of his way to perform roles that he thinks will impress leader #4; so like, there's some canon basis to read him like that—even if my main reason is "because I want to."

I also like to slip in shades of knight-loves-leader in how I write Zim being shipped with a Tallest; the unhealthy, destructive obsession with them is definitely canon, even if the romance isn't.

"Characters that are otherwise emotionless for scifi/fantasy reasons except for ONE emotion and that emotion is love and therefore they get really obsessed with their love because it's the only thing in their void of a life, but it's not portrayed in a cutesy 'robot learns to feel' or 'demon is saved by love' way but rather in a 'this is almost as unbalanced and unhealthy as not feeling anything at all was' way" is like... a trope that I keep writing but don't think I've ever actually seen done EXACTLY like that in canon. The Nobodies in Kingdom Hearts are good for this—I've written them as having meaningless sex to try to counter the fact that they can't feel emotions, on the justification that sexual arousal is a physiological sensation rather than an actual emotion but is still close enough that they can almost feel a feeling, and end up getting extremely attached to their cooperative let's-pretend-we-can-feel sex partners. (i realize that physiology and emotions can't actually be disentangled like that but like, it's fantasy.) Axel, you can argue, latched onto Roxas in what can be (and often is) read in a romantic way, also arguably sheerly on the merit of the fact that Roxas makes him feel anything at all.

Shockwave in IDW I've also used to played around with this idea, although I haven't published the main work I've done that with. Yet.

And from what I’ve seen, it looks like the main character in Yandere Simulator is gonna have a backstory kind of like that? I’m looking forward to that game, haven’t played any of the demo versions yet but what I’ve seen from the dev’s videos looks fun.

Also: very frequently, unrequited love. Especially secret unrequited love. "Unrequited-to-requited love" doesn't fit the bill at all. It's gotta be perpetual pining. There's NO satisfaction. The longing just builds and builds eternally, until the internal pressure causes something to shatter. I can think of ships I like to imagine this way (Drift w/ any of his mentors, Starscream/Wheeljack, Hashirama/Madara, Ψiioniic/Sufferer), but off the top of my head no canon ones that reach those dizzying heights of eternally unfulfilled yearning. Sure, plenty of stories have unrequited love—but rarely the all-consumingly obsessive kind, and even more rarely is that portrayed as—oh! I got a couple canon ones, albeit more villainous/predatory ones: the Phantom in Phantom of the Opera and that dude with his mouth stitched shut in the Abarat books, I haven't read those in years. And some spins of Dracula and Mina, although it's no fun if she loves him back. You can also do this with Hades and Persephone, although for this to work it's imperative that Hades still feel like he doesn't actually "have" Persephone even if she's contractually obligated to live with him so long as she doesn't love him, and just sort of wistfully watches her from afar whenever she's in the underworld. (But to be honest I generally prefer "Persephone and Hades: Hypercompetent Goth Power Couple" to spins that lean on Persephone being an unwilling unhappy victim.)

The further I go down this list the more obscure and/or headcanony these examples are gonna get, so I think I'm gonna stop here. But feel free to send any follow-up questions if u wanna hear me ramble more about my extremely specific tastes in romance.

Shoutout to "The Maiden and the Minstrel Knight" by Blind Guardian for being a song that captures peak romanticized out-of-control love.

#(im not tagging all these fandoms) #anonymous #ask #yandere #(correction im tagging exactly ONE fandom for a follower's tumblr savior) #mtmte