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mariana-oconnor · 1 year

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The Greek Interpreter pt 2

We have literally 0 plot to theorise on so far, just Mycroft in all his Mycroftian glory.

"I have had something quite after your own heart--a most singular problem--submitted to my judgement. I really had not the energy to follow it up save in a very incomplete fashion, but it gave me a basis for some pleasing speculation. If you would care to hear the facts--"

This is a bit like when my Mum tells me that I should look at the crossword she's started. Mycroft wants to share his enjoyment with his brother. Such a good older sibling. Also, he's too lazy to actually do the legwork required. But that's what younger siblings are for, isn't it? Or at least that's what my older brother tells me.

"This is Wednesday evening," said Mr Melas. "Well then, it was Monday night—only two days ago, you understand—that all this happened. I am an interpreter, as perhaps my neighbour there has told you. I interpret all languages—or nearly all—"

...He interprets all languages.

All languages.

All languages. Or nearly all. That's a lot of languages, my dude. I know some people who speak a lot of languages, but none of them comes close to speaking all languages. 5 or 6 I think is the most I've ever encountered, and only fluently in 3 or 4. There are definitely people out there who speak more, but nearly all. This man is officially the most knowledgeable person who has ever appeared in a Sherlock Holmes story. He's a linguistic genius.

The Internet tells me that historically the person who is said to have spoken/understood the most languages was Sir John Bowring, a 19th century governor of Hong Kong. He understood 200 languages and spoke 100.

The person who currently holds the record lives in Brazil and claims to speak 59.

The BBC website tells me that there are up to 7000 different languages, although 90% are spoken by less than 100,000 people. But Mr Melas does not specify that he speaks all the common languages or all the popular languages. He says he speaks nearly all languages.

Yes I am taking this literally purely to be difficult. It's more amusing that way. I know this is a case of hyperbole for fiction's sake, but I like the idea that Mr Melas speaks 6000+ languages. This is another case for random supernatural occurrences within the stories.

"I was not surprised, therefore, on Monday night when a Mr Latimer, a very fashionably dressed young man, came up to my rooms and asked me to accompany him in a cab which was waiting at the door. A Greek friend had come to see him upon business, he said, and as he could speak nothing but his own tongue, the services of an interpreter were indispensable."

First, I like the note that Mr Latimer is a fashion-conscious man. Second, how did he and the Greek man come to be friends if they could not speak each other's languages at all. Have they always spoken through other people? Maybe you should try learning some Greek, Mr Latimer.

"It was certainly more roomy than the ordinary four-wheeled disgrace to London, and the fittings, though frayed, were of rich quality."

Mr Melas is a cab snob. 'Four-wheeled disgrace to London' is a delightful turn of phrase.

"I had ventured some remark as to this being a roundabout way to Kensington, when my words were arrested by the extraordinary conduct of my companion. "He began by drawing a most formidable-looking bludgeon loaded with lead from his pocket, and switching it backward and forward several times, as if to test its weight and strength. Then he placed it without a word upon the seat beside him.

Well, this can't be good. Shenanigans are afoot. I like that Mr Latimer is very clear about this, though. Oh yeah, I'm a bad guy. Look at my bad guy credentials. There's no beating around the bush, just straight up threat of violence. Clear. To the point. No need for words.

"'This is very extraordinary conduct, Mr Latimer,' I stammered. 'You must be aware that what you are doing is quite illegal.' "'It is somewhat of a liberty, no doubt,'"

This is such a polite exchange. 'Uh, you are aware that kidnapping me is illegal, sir?' 'Yes, it's a little rude of me.'

So casual, so matter of fact. If I were kidnapped I wouldn't say 'hi, you know this is illegal, right?' But then i don't speak 6000+ languages, so what do I know about talking?

Realistically, this is terrifying, but Mr Melas' account is hilarious.

'I beg you to remember that no one knows where you are, and that, whether you are in this carriage or in my house, you are equally in my power.'

Less hilarious. More terrifying.

"'Well done, well done! No ill-will, Mr Melas, I hope, but we could not get on without you. If you deal fair with us you'll not regret it, but if you try any tricks, God help you!' He spoke in a nervous, jerky fashion, and with little giggling laughs in between, but somehow he impressed me with fear more than the other."

Yep, this guy seems unstable. Also 'no ill will'? You literally kidnapped him with a threat of violence. Yes ill will. Much ill will. I don't think you know what ill will means.

"'But say no more than you are told to say, or--' here came the nervous giggle again--'you had better never have been born.'"

Yep... this is the sign of a totally stable and reasonable person and absolutely not a creepy murderer. At least we already know Mr Melas survives to relate this tale, or I'd be certain he was about to be buried under the floorboards.

"'You are to ask the questions, Mr Melas, and he will write the answers. Ask him first of all whether he is prepared to sign the papers?'"

The fact he is not allowed to talk indicates that something about his voice would give something away. If they don't know Greek then writing and speaking are pretty much interchangeable for getting information across, so there would be no need to stop him from speaking because he can write incriminating things just as easily. Unless, one of them can read Greek, in which case why get an interpreter? So I stand by my thought that his voice must be incriminating. Or he's mute. Always possible.

"I took to adding on little sentences of my own to each question, innocent ones at first, to test whether either of our companions knew anything of the matter, and then, as I found that they showed no signs I played a more dangerous game."

Resourceful and intelligent. He tests the water first with non-incriminating stuff, then gets more in depth.

"'Harold,' said she, speaking English with a broken accent. 'I could not stay away longer. It is so lonely up there with only—Oh, my God, it is Paul!' "These last words were in Greek, and at the same instant the man with a convulsive effort tore the plaster from his lips, and screaming out 'Sophy! Sophy!' rushed into the woman's arMs Their embrace was but for an instant, however, for the younger man seized the woman and pushed her out of the room, while the elder easily overpowered his emaciated victim, and dragged him away through the other door.

OK, so Sophy seems to have been having quite a pleasant time of it all told. While poor Paul's been going through it. Kind of dumb of them to let her walk in on them, though. I assume that they had a plan to avoid that which somehow went wrong. Also, if she's being held of her own free will, this seems like it might put an end to that? Unless she's very gullible.

So, brother? I'm thinking relative because he has to sign something before she can get married? Or he wants her to be married? Presumably there's some sort of fortune involved.

"'We should not have troubled you, only that our friend who speaks Greek and who began these negotiations has been forced to return to the East. It was quite necessary for us to find some one to take his place, and we were fortunate in hearing of your powers.'"

'forced to return to the East' is that like saying he's in the cellar looking for a cask of amontillado? Maybe he just had a family emergency... maybe?

Also 'your powers', yes. Mr Melas's linguistic skills are clearly a super power.

"if you speak to a human soul about this—one human soul, mind—well, may God have mercy upon your soul!"

This threat clearly worked well, considering Mr Melas has so far told at least two souls about the situation, with great glee. I get the impression that Mr Melas is a stifled adrenaline junkie and this is the best thing that has happened to him all year.

"I cannot tell you the loathing and horror with which this insignificant-looking man inspired me. I could see him better now as the lamp-light shone upon him. His features were peaky and sallow, and his little pointed beard was thready and ill-nourished. [...] The terror of his face lay in his eyes, however, steel grey, and glistening coldly with a malignant, inexorable cruelty in their depths."

Sounds delightful.

Honestly, it's the little pointy beard that clearly marks him as a villain, though. Everyone knows that.

Although if he doesn't put more care into maintaining it, the league of villains will have him cast out for failure to maintain proper villainous standards.

"Any steps?" he asked. Mycroft picked up the Daily News, which was lying on the side-table. "'Anybody supplying any information to the whereabouts of a Greek gentleman named Paul Kratides, from Athens, who is unable to speak English, will be rewarded. A similar reward paid to any one giving information about a Greek lady whose first name is Sophy. X 2473.' That was in all the dailies. No answer."

Well now they're definitely going to know he said something. Subtle.

"In the meantime, Mr Melas, I should certainly be on my guard, if I were you, for of course they must know through these advertisements that you have betrayed them."

You don't say? No, seriously. I'd be worried if I were him. But apparently he's just got absolutely no fear.

"Then the brother--for that, I fancy, must be the relationship--comes over from Greece to interfere. He imprudently puts himself into the power of the young man and his older associate. They seize him and use violence towards him in order to make him sign some papers to make over the girl's fortune--of which he may be trustee--to them."

OK, so clearly that's entirely wrong because it's Watson's thoughts on the matter. So back to the drawing board. Not to disparage Watson, at all... but there's no way it's right if it's his theory.

"I really fancy that you are not far from the truth."

Really??!? That's probably the biggest surprise of this whole story so far.

Sophy seemed to have no inkling of any crime or ill-intent on the part of the bad guys, so they're clearly being subtle with her. Or they were. You don't just wander around a kidnapper's house going 'I came to find you Harold, because I was so lonely all alone up there'. Unless you're actually a character in an erotic thriller novel, then I guess that probably is a thing you would do.

I don't think this is an erotic thriller, however.

Did Watson really get this one right? I guess we'll find out next time.

#The Greek Interpreter #Sherlock Holmes #Letters from Watson #long post #That was the best gif of evil Leo from charmed I could find #it was very disappointing #but I really wanted to include him #because it's such a look #lol

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aroclawthornes · 3 years

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Blooming Brilliant, an Aroace Willow Park Manifesto

[id: a gif of a heart locket opening. One half of the locket displays a picture of Willow Park from The Owl House, winking and making peace signs with her fingers. Blue and yellow stars surround her. The other half reads "willow park my beloved." /end id.]

Greetings! It’s me, User Aroclawthornes, and instead of working on all the time-sensitive homework I have I sat down and wrote an essay explaining why I think Willow Park OwlHouse could plausibly be read as aroace, and why it would be a thematically enriching interpretation. I’ve never written anything like this before, so it’s oddly formal, a little pretentious, and contains a lot of qualifying language, but I'm confident that it gets my point across. I’m not intending to speak over other interpretations of Willow or assert that it's the only true way to read her, but it's a headcanon I find interesting, and I think there’s a lot of evidence to back it up, between certain elements that Willow’s arc employs to some good old overanalysed symbolism. If you're aspec, I hope this is validating; if you're not, I hope it's interesting; if you don't care, scrolling past it is quick, free, and easy.

Some disclaimers on terminology: I’m speaking from an aroace perspective, and so when I say “aspec coding” I’m generally referring to both orientations as a catch-all - a lot of the coding surrounding Willow could go either way. I’m also going to be talking about commonly accepted “aspec” narratives, but I’m aware of the limitations of this insofar as my experiences are only a single facet of the diverse range of aspec people in this world, so anyone who wants to add or argue anything - respectfully - is encouraged to.

Analysis below the cut!

The Thing About Plants

I’m not going to pretend that an association with plants is historically indicative of aspec coding, because, frankly, there haven’t been enough aspec characters to establish it as a convention, and it’s also a fairly wide-reaching branch of symbolism. However, I am going to propose that lighthearted comparisons between asexual people and plants (however misguided on functions of plant reproduction they are) are fairly common elements of budding ace teenage humour, as are related quips about photosynthesis.

[id: a screenshot of Willow from "I Was A Teenage Abomination", depicting her sitting on the ground while casting a spell over a small, pink flower. /end id.]

I’m also not going to claim that the colour green Belongs To Aromantics, and therefore that All Plants Are Belong To Us, but in tandem with everything else I’m about to cover, the connection between Willow and plants seems like a fairly plausible nudge to a relatively common element of aspec humour.

“Half-a-witch” Willow and the Late Bloomer Experience

[id: a screenshot of Willow with glowing green eyes, from "I Was A Teenage Abomination", depicting her summoning a mess of thorned vines. /end id]

Willow is literally nicknamed “half-a-witch”, in reference to her supposedly incomplete state - this is a sentiment eerily reminiscent of the pressure to find one’s “other half”, which affects aspec - especially aromantic - people particularly profoundly. She’s considered a late bloomer, someone who hasn’t reached the societal milestones of growth at the expected age, and who is derided and considered immature as a result of this perceived failure. However, we quickly discover that Willow is, in fact, an exceptionally competent and powerful witch - taken out of the restricting frame of the Abominations track, she’s able to grow into her own, “complete” person, therefore proving that she was never really lacking in anything in the first place. Like real-life aroace people, she was perceived as limited and immature based on the expectations and judgements of other people, but Willow was never deficient in anything, least of all herself.

[id: a screenshot of Willow and Luz from "I Was A Teenage Abomination". They are holding hands - the former is laughing with her eyes closed, and the latter is grinning, while covered in abomination goop. /end id]

As far as symbolism goes...the track Willow is initially put in literally requires her to conjure up another humanoid entity, with the expectation that she will therefore prove herself to be a whole and mature person. Only with this ability, she’s told, will she be successful and happy as an adult. The shapelessness of her attempts at conjuring an abomination reinforces this connection in my mind - if I may reference this quote from Ducktales 2017‘s (absolutely stellar) A Nightmare On Killmotor Hill, in which the protagonists explore their own subconscious fears via. the dream realm, for a second:

“I think that’s supposed to be my romantic interest, but I’m too threatened by the concept, so it never takes shape.”

A lot of young aroace people find themselves in situations where they attempt to convince themself of their interest in someone in an attempt to be “normal,” or end up lying in response to family members or friends’ questions about crushes. While Willow’s abominations, first and foremost, represent the expectations from her school, classmates, and family to be a successful, “complete” witch with a profitable future, I think that with an aroace interpretation of Willow they could also very easily be read as representing some latent insecurities over a lack of attraction, or pressure to find a significant other.

(I’m not condemning Willow’s dads, by the way - they seem like perfectly lovely fellas, and I’m confident that they were doing what they thought was best for her. They’re certainly very quick to drop everything to assure her future in Escaping Expulsion, so obviously they care about their daughter very much.)

Greens, Blues, and Yellows: Colour-Coding Willow Park

A while back, I made this post comparing Willow’s palette to the aromantic and aroace flags:

[id: a screenshot of a post depicting the aromantic and aromantic asexual flags, colour-picked from images of Willow in her Hexside uniform and casual dress respectively - these are overlaid on top of the flags. The caption reads "observations on willow park". /end id.]

The grey-and-green aromantic flag has long been the accepted mainstream symbol of aromanticism, and, as the above post - and many others - demonstrate, Willow’s palette reflects it near-perfectly. This could easily be a coincidence, owing to the palette of the standard Hexside Plant Track uniform, as well as her hair and eye colours - which are obviously supposed to be reflective of her plant-related abilities. However, given how fond of employing hidden meanings The Owl House has shown itself to be, I don’t think it’s far-fetched to claim that there’s at least a chance that her palette was constructed with the flag in mind.

The latter is...a bit more problematic for me, although it’s fun to joke about. The blue-and-yellow aroace flag was only created in December 2018, relatively late into The Owl House’s initial production, and it’s still relatively obscure, although on the rise in popularity as the accepted aroace flag (I only recently started using it myself), so I don’t know if Willow’s casual wear is enough to verify the presence of any deliberate subtext. I think it’s a fun coincidence, however, and (as was pointed out in this post) it’s cool that these blue and yellow stars surrounding Willow occur in the same frame as Luz’s bisexual decor:

[id: a photograph of Luz, Gus, and Willow, all surrounding a disgruntled-looking Principal Bump. Luz has flowers in the colours of the bisexual flag decorating her hair, while Willow is surrounded by bright blue and yellow stars. /end id.]

also seen above: powerful bi/aspec solidarity

Conclusion:

Do I genuinely believe that Willow is being deliberately written this way? If you’d asked me, say, two months ago, I’d have said probably not - as far as queer representation in kids’ cartoons has come, it has a ways to go, and focusing on transgender characters seems like a more obvious (and equally invaluable) route to go down. I can name maybe five explicitly aspec characters off the top of my head, two of whom have been written as alloromantic and/or sexual in adaptations or continuations of the source material (I have...some grievances with 2005 Doctor Who). But the emergence of Raine, an explicitly nonbinary character on Disney Channel, has given me a little spark of hope, and so, even if it’s never confirmed, it’s comforting to be able to see a character with such strong elements of aspec coding and think to myself, just maybe, that there might be some intent behind it.

I also...really want to see interesting things done with Willow. We’re halfway through Season 2, and despite some promising setup for her arc in the Season 1 finale, she’s sort of been left by the wayside lately in favour of developing the more “plot-relevant” characters, such as Luz, Amity, Eda, and Hunter. Frankly, I think it’s a disservice to her Season 1 development, despite how much I adore all the characters I just listed - beyond any personal motivation, the prospect that Willow could be aroace adds a lot of sorely-sought depth to her, and, as detailed, a lot of this has already been set up in her earlier episodes. I just...I think it’d be neat. Rarely do you get a kids’ show so brazenly queer in its themes as Owl House, and aspec people deserve to be included in that.

Willow would also be great aroace representation because, well - those five or so aspec characters I mentioned being aware of are all white or “raceless” (...also written as white, basically), and so an aspec Asian character would be a really lovely step forward in this area. Additionally, all the characters I referred to are also conventionally skinny, and Willow is not only fat, but written in a way that doesn’t treat this feature as a caricature. People who are more knowledgeable on these topics than I are absolutely free to make additions, as is anyone who feels like I’ve left certain details out.

tl;dr: Willow’s association with plants could be read as a cool nod to aspec humour, her “late bloomer” narrative is eerily reminiscent of some common aspec experiences, her palette speaks for itself, and it’d be really cool if we could diversify the so-far fairly bland sphere of aspec representation.

I’m going to conclude this by linking Rose by The Oh Hellos, because they’re my favourite band, they share The Owl House’s initials, and I also think it’s a good Willow song. Peace out.

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#the owl house #willow park #pspspspsps you will read my 1.5k word aroace willow essay #hooting #meta #willow #aroace willow manifesto #fuck it. this is getting posted

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