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#Team Delusional
battleswanofciya · 6 hours
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Me: *goes to save pin*
Pinterest: you have already saved this pin 15384739 times
Me: -_- *saves anyway*
The pin in question:
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frangipanilove · 1 month
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Full Circle Apple Symbolism; Rick's "Resurrection" in TOWL
From TWD 10x13 What We Become to TOWL 1x6 The Last Time
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Apple symbolism was always tied to Rick and Michonne specifically, but in a more general sense, it tells a story about reunion, rebirth and resurrection.
In TWD 10x13 What We Become, Michonne went with Virgil to his island, because he insisted there were weapons to be found there, and Michonne needed weapons for the Whisperers war.
Once there, things took a turn. There were no weapons, and Virgil wasn't in a great place, psychologically speaking. He was confused and traumatized after the loss of his wife and children. He trapped Michonne in a room, and poisoned her by mixing Jimsonweed into her tea.
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My favorite way to decipher symbolism in TWDU is through etymology. Almost everything in TWDU has multiple layers of symbolism, and an etymology search is helpful in most cases. This one was no exception; the name Jimsonweed is ultimately derived from a Hindi name which translates to "thorn apple".
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Yup. Jimsonweed is ultimately an apple reference. In fact, "Jimsonweed" goes under the name "thorn apple" in many languages, my own included.
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The first apple reference of the episode came as we watched Virgil pick the hallucinogenic plant immediately after the opening credits. There would be more to come later...
Michonne did not have a pleasant reaction to the drug. She hallucinated herself in a series of alternate existences, such as being one of the Saviors, and not being around her real family. After the drugs wore off, she overpowered Virgil, and scolded him for putting her in a drugged out state where she experienced having temporarily lost her family:
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Then she asked him about his hallucinations:
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And this is where we start to touch on the true meaning behind the symbolism around apples. Because, unlike Michonne, Virgil experienced that the hallucinogenic thorn apple brought his family back to him:
"What do you see when you're tripping anyway?"
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"Lisa with that damn camera pointed at everyone.
My babies.
Bobby and me lying on the roof of that Annex, looking up at the stars."
It brought his family back.
Virgil wasn't primarily evil, he was broken from the trauma of losing his family.
There's a parallel with Rick there. Where Rick survived in the CRM by meeting up with his loved ones in his dreams, Virgil got to be with his family by taking hallucinogenic herbs. They both found ways to stay close to their loved ones through an altered state, Rick through his dreams, Virgil through the thorn apple tea.
On a surface level, it's clear that Michonne had a bad trip from the thorn apple, and that she was shook by what she experienced as a temporary loss of her family. She was rightfully angry about having been drugged. Virgil, more confused and traumatized than evil, explained that he had wanted to help her because he could tell she was in pain over having lost loved ones, much like himself.
Michonne was not impressed, but at the very least she didn't kill him.
However, under the surface, the apple symbolism heralds "reunion, rebirth and resurrection", something which she was about to discover:
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Virgil took her to a boat marked with the numbers 672, in which she found Rick's boots and an Apple iPhone with etchings of herself and Judith. It was the same boat we later saw in 11x24 Rest In Peace, when we saw Rick throw his backpack onboard, before being recaptured.
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This is the first "proof of life" both we, the audience, and Michonne got from Rick, and it was the apple symbolism that led us here. Because, apple symbolism is about reunion, resurrection and rebirth.
As we know, finding the Apple iPhone and his boots was what convinced her Rick could be alive, it was what encouraged her to leave to search for Rick.
We recently watched her succeed at finding him in TOWL, but not without some resistance from a deeply traumatized Rick.
In TOWL 1x4 What We, which is the episode where Rick fully "came back", the episode where he finally broke free and chose "life" with Michonne over staying "dead" in the CRM, we learned that he had initially gotten through the days in the CRM by meeting up with Carl in his dreams.
Then that had stopped, Carl had stopped coming to him in his dreams.
Michonne had gotten an iPhone with an etching of Carl, and implored Rick to do what Carl would have wanted him to do, which led to a psychological breakthrough for Rick.
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This was Rick's true "resurrection", this was when he fully "surrendered" to Michonne, to his family, to "life". It was the Apple iPhone with Carl's picture that truly made Michonne able to reach through to him, through all the layers of trauma and isolation accumulated over time.
On a symbolic level, the apple symbolism and the Apple iPhones were what facilitated this reunion between Rick and Michonne. He had survived in the CRM by "being dead", then the Apple iPhone with Carl's picture "brought him back to life".
This symbolized Rick's "resurrection", this was the true purpose of the apple symbolism all along. Apple symbolism is about "reunion, resurrection and rebirth"!
Similarly, it was the Apple iPhone Michonne found in the boat on Virgil's island that made her believe that Rick could truly be alive, it was the Apple iPhone that convinced her he was out there, that made her go out searching for him.
Apple symbolism as something that heralds reunion, resurrection and rebirth had started with Virgil picking the white thorne apple flower in 10x13 What We Become, and was fulfilled with Rick's "resurrection" in TOWL 1x4 What We.
In 1x6 The Last Time, we see Rick utilize this new insight during Major General Beale's Echelon briefing:
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"He brought me back".
The Apple iPhone with Carl's picture brought him back. Back to Michonne, back to his family, back to himself, back to life.
Just like how the thorn apple tea brought Virgil's family back to him, the Apple iPhone with Carl's picture brought Rick back to his family.
Then finally, we see the apple symbolism fulfilled one last time:
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We see Michonne holding the Apple iPhone she originally found on Virgil's island, the one that convinced her that Rick could be alive, the one that prompted her to go out searching for him. We see this phone, with etchings of herself and Judith just as the apple symbolism comes full circle:
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The final reunion, resurrection and rebirth!
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brokentofuthinks · 8 months
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✨Domestic Bethyl (AI) Pt. 1✨
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bethgreeneprevails · 20 days
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47,000 likes and everyone in the comments shipping Bethyl 😭🩷
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bethiscomingsoon · 1 month
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Official twd account new post ..
Are they trolling or teasing at this point ?
@twdmusicboxmystery @angelthefirst1
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emsee22 · 8 months
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Reasons I believe Beth and Daryl were intended to be a romantic pairing
30 Days Without An Accident 4x1, Daryl's "It's a damn romance novel" comment. Sure, can be played off like teasing, a little bit of jealousy. But the point is, he notices Beth's relationship with Zach. And for some reason cares enough to comment on it.
30 Days Without An Accident 4x1, the hug. Not just that there was a hug, but that they didn't end the scene with the hug. They ended the scene with Beth's sleeve falling off her shoulder and show her putting it back on, and end with their eye contact after that. If this was meant to be brother/sister, or platonic, vibes then why emphasize an erogenous zone like that? That would be creepy. The writers intended it to be romantic.
I don't find Still 4x12 to be a romantic episode, necessarily. I think that one is just building on their intimacy as friends. I do appreciate their openness with each other on the porch and there are elements of that conversation that I view as romantic (namely, Daryl's expression and nervous fiddling with the knife). However, I can understand how people view their pairing as platonic if they only base that view on this episode.
Alone 4x13 is where they really start hammering in the romance. For starters, Daryl's reaction to Beth stepping in the bear trap. Yes, of course you can say he just didn't want her to get eaten by the walker, but compare how he gets down to the ground with her, rubs her foot, and gives her his body for support - even giving her a piggyback ride - to Carol's foot cramp in 10x18 Find Me. He first eliminates the threat, then he checks on her and shows genuine concern for her injury, and offers her physical support. Daryl loves Carol, she's his best friend, but in Find Me, he just teases her and tells her that she shouldn't have come along.
Alone 4x13 when Beth stops to look at the "Beloved Father" grave, Daryl compassionately picks some flowers and lays it on top of the grave for her, to commemorate Herschel. That is not inherently romantic. He also compassionately gave Carol a Cherokee Rose when she lost Sophia. I just think it is sweet. In the same scene, Beth and Daryl hold hands (admittedly, a little awkwardly, but that is primarily on Daryl) and Beth puts her head on his shoulder.
Alone 4x13 when they are looking at the bodies that are made to look very human (although they're walkers) and Beth argues back at Daryl's joke about dolls with why it's beautiful. She looks at him and asks "Don't you think that's beautiful" and all he does is pensively stare back at her. It's a romantic cliche and the pause with the intense eye contact seems to imply that his thoughts are that she is beautiful. At the very least, he sees something in the way she thinks about the world that is beautiful.
Alone 4x13 Daryl breaks his silence thinking about telling Beth that she's beautiful with the shiptease after action patch-up tv trope with "C'mon, let's get you patched up." She sits on the table and he wraps her foot up from the bear trap.
Alone 4x13 how he watches her sing in the doorway, and then how he pushes her buttons about the music "Well there ain't no jukebox, so... keep singing"
Alone 4x13 the bridal carry romance trope into the kitchen for the cute little redneck dinner Daryl set up for Beth. Plus his excitement to show it to her, hence the "I'm going as fast as I can" before he picks up her heard outside the doorway.
Alone 4x13 dinner conversation about what changed Daryl's mind about there still being good people. Beth changed his mind. If it wasn't romantic, why couldn't he just say "you're gave me hope / you showed me there are still good people." But the teasing, the repeated asking, the smile and eye contact, the nervousness from Daryl and then the self-realizing "oh" that is more like a romantic confession than anything else. Plus the fact that the confession is interrupted, another TV trope in romance. Plus the fact that in Alone, Daryl & Beth are foils to Sasha & Bob - who we know for a fact were canon. Difference is Sasha & Bob are reunited by the end of Alone, while Beth & Daryl are separated.
Alone 4x13 he chased after her for hours, from night to day.
Alone 4x13 he was ready to kill Len for disrespecting her "Some bitch must have got you all worked up" "You lost yourself a piece of tail" "I bet it was a little one too, they don't last long out here." If Joe didn't stop the knife, I bet Daryl would have ended Len a whole lot sooner.
In 5x8 Coda, when she starts rushing back to Dawn, to say goodbye to Noah, Daryl tries to stop her.
Coda 5x8 he cries over her body
Coda 5x8 he bridal carries her body out of the hospital, sobbing
Them 5x10 he shuts down with the group. Carol knows there is more to his sadness and she is trying to understand it. She assumes Beth saved him (she did, in a way). Rick knows that Daryl lost something deeper than a friend, hence "I know you lost something back there"
I am going to stop there because that is just the freshest for me.
People don't like this ship because of the age gap, or simply because they ship Daryl with someone else. Here's the thing, I don't believe Daryl was written to be the same age as Norman in season 1. He looks between 26 - 32 in the first season; and he can pass for that until the latter half of season 4, where he starts to really look more Norman's age. I don't think he is meant to be more than 36 in season 4. And honestly, I don't have a problem with the age gap when Beth is a legal adult and it is the flipping apocalypse. With all that said, I think if they were really intending this to be a brother / sister pairing, then it is creepy and there was too much tension and chemistry to make it platonic / familial.
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galadrieljones · 10 days
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Family Units and Foreshadowing in "Too Far Gone" (TD)
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I'm not entirely sure what is happening, symbolically, in episode 4.8 "Too Far Gone," but looking back on it now, it is providing a lot of very interesting foreshadowing for the remainder of the series. What happens in 4.8 essentially symbolizes a massive schism in the prior established "family unit," ie: the patriarch, Hershel Greene, is beheaded, and all of his children, devoid of home and purpose, scatter to the wind, forming smaller, separate family units. The "way" in which they scatter is important, as is everything in Scott Gimple's first season as showrunner, and that's what I want to talk about today.
The family units we see escaping the prison foreshadow in many ways the formation of similar units and dynamics going forward, mostly. That "mostly" is important. Here are the groups, exactly as they leave the prison:
Maggie, Sasha, and Bob
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Tyreese, Judith, Lizzy, and Mica
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Daryl and Beth
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Rick and Carl
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Michonne
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Glenn and Tara
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Carol is not at the prison during the showdown with the Governor or when it falls. She has been driven away and exiled by Rick. Though she will quickly converge with Tyreese and the girls, it's important that, at the time of the prison's fall, she is not there.
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(Note that in this post, I'm ONLY going to discuss the original main characters who lived at the prison with Rick, under Hershel's guidance, and who lost their home in 4.8. I will not NOT be discussing the new characters who show up between 4.8 and 5.8, ie: Abraham, Rosita, Eugene, or Father Gabriel. I also won't really be discussing Tara, as even though she groups immediately with Glenn, she is not a part of the original family unit.)
We know that Gimple had very specific plans and choices for these groupings, or what I'm referring to as family units. In terms of the situations they encounter, symbolically, let's see what happened and what's still going on, with particular attention to the characters that we know are still alive:
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Maggie: Maggie tries to leave Bob and Sasha continuously during her search for Glenn after the prison falls. She searches for Glenn to the detriment of whatever connections she has left, and not once does she consider that her sister may also still be alive. She has a hard time relying on other people and doesn't want anyone else to feel responsible for her burden. Maggie's tendency to isolate herself from and even actively fight those who want to help, and her persistence at going it alone has only worsened over the seasons. Further, and perhaps most importantly, Maggie and Glenn each have a difficult time existing independently of one another in 4b. Maggie refuses to accept that Glenn could possibly be dead, and her lack of acceptance of the current situation, though it is romantic in some sense, foreshadows her current lack of acceptance and ability to move on. The entire fact that they're separated at all is foreshadowing for Maggie's entire future arc. She gets lucky in 4b, finding Glenn again, but she knows now that this is no longer a possibility, as she watched him die, and so her inability to move on, to move forward with her life and to let go of the past has become perhaps her most glaring flaw.
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Judith: Judith was just an infant in 4b; however, her situation, basically right up until the final moments of The Ones Who Live 1.6, has stayed almost exactly the same. Raised by surrogates, with surrogate siblings, missing mother, missing father, setting down, then uprooted again and again and again. AND YET, she is somehow immune to mortal danger. Everyone around her is basically willing to die for her. Even when she IS in danger, she is saved and saved again, sometimes without even knowing it. A blessed and well-loved child.
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Rick: In "Too Far Gone," Carl saves Rick's life. When the two escape together, Rick is horribly injured and seems to "die." He is dreaming. Carl as Rick's savior, and Rick as the sort of sleeper king is a theme that crops up in both AOW and again in TOWL, when we learn that it was Rick's dreams of Carl that kept him sane and alive for so long while held captive by the CRM. Carl's encounter with the dead canary in "After," I believe, foreshadows his death. The dead canary is a nod to the old adage "a canary in a coal mine," meant to warn coal miners of the deadly presence of carbon monoxide. Carl's death in season 8 is a grave warning for Rick. Losing his dreams of Carl while at the CRM is also one of the main precursors to Rick's most suicidal moments.
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Michonne: Michonne escapes the prison alone, because Michonne, though she is a romantic, maternal character, defaults to an intense, very guarded form of safetyism when she loses someone she loves. She shuts down, eschews socialization and all alliances. We see this pattern repeat itself after Rick dies in season 9, and she cuts off Alexandria from both Hilltop and the Kingdom as a means of staying safe. She also initially eschews socialization after she leaves Alexandria and begins her search for Rick, once again, alone. But every single time, Michonne comes around at the behest of her children. After the prison, Michonne finds Rick by tracking Carl in the final scene of 4.9 "After." She then finds Rick again in The Ones Who Live, but only after she decides it's finally time to return home. Michonne, from the first time she shows up at the prison with the basket of formula, is the eternal mother character.
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Carol: Carol being outside the fray during the confrontation with the Governor, and seeming to come in from the cold at the perfect moment, is hugely formative for her characterization. Carol finds Lizzy, Mica, and Judith just in time in "Inmates." She also shows up at Terminus just in time in "No Sanctuary." After 4.4 "Indifference," Carol continuously tries to leave the family unit, but it's precisely her tendency toward the fray that often presents her with opportunities to help. In fact, it's precisely because Carol is trying to leave at the end of "Strangers" that Daryl sees the Grady car go by and is able to grab a lead on Beth. Carol also leaves at the end of season 6, which causes her to miss the second major confrontation of the series, with Negan, but it also drives Morgan and Rick to the Kingdom, where they are able to find help with their ensuing war. Carol has come a long way since these old and toxic tendencies toward self-preservation; however, we see now, once again, how she leaves home to go searching for Daryl. She still communicates as a kind of lone wolf, much more so than Daryl does, which is who I will be talking about next.
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Daryl: Why have I saved Daryl for last? Well, because of all the characters who are still certainly left from the fall of the prison in season 4, Daryl's characterization has been the least intuitive in terms of how it relates to his prison escape scenario. Though Daryl fights most of the battle alone at the prison, in the end, he is found by Beth. Daryl is rarely found. In fact, he's never found. Usually, it's him doing the finding, which is why I believe that his core desire as a character is, actually, to be found again, ie: I belong with you. Find Me, calling back to the original story he tells to Andrea in "Bloodletting" about the time he got lost in the woods as the child. This has yet to take place.
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"Find Me" is actually a great episode to look at in terms of how Daryl's character has unfolded over the course of many seasons. "Find Me" communicates Daryl in a similar time in his life to what happened after the fall of the prison. He's lost a major member of his family, blames himself, and has lost his home because of it. He is wandering around, searching for some sign of Rick, with zero luck at all. HOWEVER, in "Find Me," Daryl is alone. This lasts, of course, until he finds Leah, a poor replacement for Beth, even though, as we learn in season 11, she does kind of look like her. After the Commonwealth situation, Daryl leaves home, once again, alone. Many people thought that he was going to leave with Carol; however, he didn't.
Daryl has never had sustained sexual tension with another character since Beth, and if we count Leah, we should consider that main themes communicated in "Find Me" are confusion, disorientation, and memory loss. The episode also lacks the innocence and Edenic beauty of "Still" and "Alone." It is not about finding love or some light in the darkness. It's entirely about loss.
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This could be traced back to season 4, in which Daryl does lose Beth. However, the exact circumstances for him running away from the burning prison with Beth and going on a sacred quest for her at a country club, then going to the backcountry moonshine shack, ending in a screaming match and a physical embrace, a warm, tipsy conversation on the porch, and literally lighting the past on fire does not track with any future situation he goes on to encounter. What I'm saying is, whatever all that was foreshadowing, it hasn't happened yet. The warmth, intimacy, and innocence has been gone from Daryl's life since he lost Beth in "Alone."
To use Norman's own words, there was a "taste" of romance "in the air" from the moment they escaped together, for as long as they were together on the road, and even when they part. The rabbit and the strawberries in the aptly titled "Us," keep the feeling of love and possession and the romantic tension alive between them.
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I often think of "Alone" as a love episode. Sasha and Bob, who more obviously kindle a romance and kiss on the train tracks, while Maggie and Glenn search for each other with desperate abandon, are obvious foils for Beth and Daryl. It would not make sense to create an entire episode surrounding finding, losing, and searching for love, and to have only one of those stories be about platonic love. It makes sense because they are all different stories of romantic love.
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(For the record, I don't acknowledge people who argue that Bethyl is platonic, or sibling-coded. I don't care how loud they are. There is zero evidence for that sort of dynamic in the actual show, while the evidence to the contrary, re: holding hands using the soulmate grip, Daryl's bridal carry, how he looks at her while he lies in the coffin, his confession, her confused and subtle "Oh"...regardless of how it might make some people feel, is overwhelmingly obvious. Sorry, haters.)
Anyway, on a more "meta" note: Season 4 ends with Beth off-screen, in another dimension. She is out of sight, and nobody knows whether she's dead or alive. Meanwhile, in "A," Rick reunites with his family, and they are at the precipice of a war with the Termites, a group that seems to, in many ways, foreshadow the CRM. This looks a lot like what's going on now, or what's just happened. Daryl is alone, about to reunite with Carol. Rick just reunited with his family. Major General Beale, a nice Gareth proxy, has been defeated.
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Many speculated at the time of 4.16's release that Beth might have been taken by the Termites, just as we all speculate now that Beth may be, somehow, with CRM. I believe this means there's something much more complicated going on in season 5, in terms of the Termites, Grady, and their possible connection to the CRM. Since many TDers do actually believe that Grady was a covert research initiative started or at least sustained by the CRM, the foreshadowing, which holds that, while all this other stuff is going on with Rick's group, Beth is somewhere hidden over the rainbow, feels very much in waiting.
So much of season 4b-5a has been rehashed and repeated over the years and was most recently repeated via Rick and Michonne's reunion in TOWL, that it's bizarre to also look back and say, Hey, how the hell does Daryl fit into all this? Daryl, who actually isn't alone in 4b? Daryl, who actually finds and chooses potential for a relationship? Daryl has, over the course of the series, made friends with compatible women. I am talking about Denise, Connie, Leah, Isabelle. However, not a single one has ever maintained sustained romantic or sexual tension with Daryl. Not one has yet to change his mind about the goodness of people. Each of them, he either leaves or loses, and even if he decides to stay (re: in France), it's due to obligation and inertia, not choice. Daryl has not once consciously chosen to settle down or to make a. home, specifically with a woman, since Beth. He has never run away with a woman into a time of innocence and tabula rasa, starting over for the sake of moving forward, finding peace, and burning the past. He has never found peace. He has never let go of the past.
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All of this is to predict that he will, of course. He will get his happy ending, which we've basically been told is the thesis for his spin-off, amidst a flurry of hints that this is related to finding a wife and having a family of his own. Not Rick's family. His own family. And when Carol arrives, fresh from her latest escape attempt, and self-destructing via whatever it is she's running from, she will help him get there, just as he will help her find her faith again. So much like what happens in "Consumed" and, to an inverse degree, "Find Me." In both episodes, it's Carol's attempt and desire to run away which drives Daryl to the mysterious location of a missing blond with whom he once shared a dalliance in the woods.
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battleswanofciya · 1 month
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@archangelofzion look what you’ve done to me😭😭😭
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frangipanilove · 2 months
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Pharmakon; Fighting Fire With Fire
...or should I say "fighting wildfire with fire"...
(Part one, read part two here, and part three here)
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...in that the virus responsible for the zombie apocalypse is called "wildfire"...
In TOWL 1x3 Bye, we hear the term "pharmakon" used in TWDU for the first time. As Major General Beale explains, "it's an ancient Greek word, meaning both poison and the cure".
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In the next episode 1x4 What We, we see Rick and Michonne escape in that yellow hybrid truck, loaded up with cans of ethanol in the back, making it an electric/bio-ethanol hybrid:
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We know from season 4 of FTWD that "ethanol" symbolizes "the antidote", or simply a "cure"...
I went into great detail on that here.
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What is the connection between the ethanol and Major General Beale's pharmakon?
TOWL 1x4 What We had so many callbacks to TWD 4x12 Still and 4x13 Alone, we all were stunned. Quick question, where would the ethanol (which, according to Morgan Jones, is just a fancy word for alchohol) in the back of Richonne's truck have been produced?
In a still. It would have been produced in a still. Ethanol is produced through a process of fermentation and destillation.
In a still.
Hence all the references to TWD 4x12 Still and the moonshine shack, a shack where ethanol was produced and consumed.
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In the series pilot, 1x1 Days Gone Bye, we are introduced to the physical laws of the TWDU.
We follow Rick, who wakes up from a three week coma in the hospital. The world has ended, and he doesn't know anything about what happend, how it happened, or why. He doesn't know what a walker is, and he doesn't know how to neutralize one. Neither do we, the audience. Morgan becomes the charachter who introduces us to the rules:
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He checks Ricks temperature and finds it to be "cool enough", meaning he's willing to believe Rick on that he's not been bitten, he's simply been shot.
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Pleased by this, he then goes on to explain to Rick, and us, the audience, how the virus works:
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"The fever burns you out. But after a while, you come back"
He later elaborates on how relentless the fever was to his wife:
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"Her skin gave off a heat like a furnace".... meaning the fever burns like fire...
It's the fever that kills. It burns you up. Then you come back.
(also, read about Sirius symbolism here)
In 5x1 No Sanctuary, we hear Eugene explain the scientific basis behind his alledged cure for the virus. Of course, Eugene wasn't a scientist, and he was never going to find a cure for the virus. However, he was knowledgeable, well read, and able to put together a plausible lie:
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Fighting fire with fire. A poison and a cure. Pharmakon.
In TD, we were many who at one point believed in the bite/cure theory, that Beth got bit right before she was taken by the Grady car in 4x13 Alone, and that the treatment she was subjected to involved experimental medical testing, somehow resulting in her surviving the bite without developing an infection/fever. The jury is still out on that one, but in FTWD season 7 we did see a representation of the bite/cure theory that was suspiciously close to our old theories:
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Alicia at one point got bit, and proceeded to amputate her arm. As we know, this has so far been the only way a person can survive the bite; by cutting off the affected limb immediately, before the infection has the chance to spread. This is how Hershel survived getting bit in season 3, this is how Lydia survived after her walker bite in season 11.
Alicia, by her own account, wasn't quick enough. The infection spread, and she developed the fever. Of course that's not something anyone can verify, theoretically she could have cut off her arm quick enough, and the following infection could have been a reaction to the amputation itself rather than the virus. However, the assumption given by TPTB is that she wasn't quick enough, and that's also her own belief.
According to Morgan's rules from 1x1, that should have been the end for her. There's no surviving that. She developed the fever...
...and fought it for months...
...way longer than anyone else we've seen in TWDU so far. In 1x6 TS-19, Dr. Jenner explained that the longest time between bite and reanimation at that point was 8 hours. Alicia went months without reanimating...
In 7x15 Amina, we watch her struggle with the fever. She's closer to dying than ever before. She has dreams of herself as a walker, she has hallucinations, she thinks she's talking to a little girl, who in reality is a representation of herself. Alicia is preparing to die in this episode, but the girl, who is Alicia herself, explains that she was once bit, and she survived just fine.
The girl brings up an excellent point:
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This is a fair question. This is the role fever normally plays in infections. Fever raises the body's temperature in an attempt to burn the infection out. Fighting fire with fire. But as we know from Morgan's commentary in TWD 1x1, this fever is different:
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"Bites kill you. The fever burns you out. Then after a while, you come back".
And Alicia is well aware:
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...but the girl, who is a hallucination of herself as a young girl, insists that's she's going to survive.
Throughout the episode we watch Alicia's struggle to avoid giving up. The episode is packed with symbolism we already know and love, such as bird symbolism and stairwells as representations of metaphorical passages between the realms. At one point she's in a stairwell, trying to reach the top of Strand's Tower. She says she's not going to make it, then the girl replies over radio that she will. She then sees a bird, which guides her through the burning tower.
By following the bird, we see Alicia reach the top of the tower. We later see her wake up, her fewer gone, the bird by her side.
She's the first person in TWDU to get bit, develop fever... and then subsequently recover from the fever.
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She's the first person to survive a bite and the following infection! That is, if she really was too late with amputating her arm, as she believes herself. If she really was infected, she represents something completely new in TWDU, a complete shift, a paradigm shift, away from the old rules that Morgan laid out in 1x1. The end of the beginning, and the beinning of the end?
A cure?
Last but not least, Alicia's confirms that the bite/cure theory that TD were discussing after Slabtown, could be real. Hypothetically, it could still be what happened to Beth in season 4-5.
What set Alicia's case apart from others we've seen bitten in TWDU, that potentially allowed her to survive the bite, infection and fever, was that she had been exposed to high doses of radiation around the time of her getting the bite. This is where the potential "cure" part of the bite/cure theory comes into play. And this is where "radiation" ties into the pharmakon/"fighting fire with fire" framework.
And this is also where things get interesting for TD, because Beth would have had access to radiation therapy at Grady, in fact, there was a whole storyline about an oncologist, Dr. Trevitt, who Dawn desperately wanted to have saved. Oncologists deal with radiation therapy. And to make matters even more interesting, he had previously worked at St. Ignatius Hospital, and as I explained here, the name "Ignatius" is derived from the latin word for "ignite", which refers to "ignite/spark a fire"...
...fighting fire with fire...
Radiation goes under the "fire" symbolism, because electromagnetic radiation, in the form of everything from UV rays from the sun, to X-rays as well as other types of radiation used in radiation therapy, has the potential to burn your skin. When you get a sun burn, that's the UV rays from the sun burning your skin.
In fact, we saw this theme revisited in the last season of FTWD:
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(Thanks @wdway for these screenshots)
We learn that June, inspired by watching Alicia survive for as long as she did after her bite, started experimenting with treating walker bites with radiation therapy. She didn't have massive success, and the patients experienced burns from their treatment and eventually died, but we did see her treat Dwight and Sherry's son Finch after he was bitten. And while he ultimately didn't survive, they were able to extend his life with one week, likely due to the radiation therapy. So while a full cure might be a way ahead, Finch's response to the radiation therapy could be concidered legitimate medical progress.
And as a fun fact, I will mention that after we saw Rick survive his little death fake-out back in 7x12 Say Yes, when he survived by hiding in the yellow carnival ride car which I discussed here, we did see this:
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No, I'm not talking about the infamously bad CGI deer, I'm talking about the ER sign behind it. ER for Electromagnetic Radiation? As in radiation therapy? In a death fake-out scene?
If it turns out that radiation therapy in some way, shape or form could help treat walker bites, or potentially create some kind of cure/vaccine/immunity, that would be fighting fire with fire, or should I say fighting wildfire with fire. It's a poison and a cure. It's pharmakon.
Ok, so back to the ethanol. How does it tie in with the radiation, how could it represent a cure, and what does it have to do with Beth and TD?
Well, one clue came in TWD 10x16 A Certain Doom. The Whisperers war was at its height, and Whisperers had surrounded Team Family, who were sheltering in a place called the Tower (interestingly the same location as the one used for Grady Memorial back in season 5) with thousands of walkers.
In order to escape and survive, Team Family mounted loudspeakers on to a wagon, and blasted music to draw the walkers away. The song they went for was an interesting choice; Talking Heads with Burning Down The House:
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...whose lyrics include this line: "fighting fire with fire"...
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Keep in mind, the walkers in TWDU are what they are because of a virus specifically called "wildfire", they're a threath to humanity because of the wildfire virus...
If that's not a representation of "fighting fire with fire", I don't know what is...
And how do we tie ethanol to the symbolism around "fighting fire with fire" and "burning down the house"?
Because of TWD 4x12 Still, in which houses were definitely, decidedly burned down...
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Burning down the house. Fighting fire with fire... And how did they set the house on fire again?
Ethanol. They used ethanol. Moonshine.
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Which is why it's so darned interesting that TOWL 1x4, with all the references to TWD 4x12 Still, ended with Richonne escaping in a yellow electric/bio-ethanol hybrid truck, supplied with cans of ethanol in the back. Ethanol, which would have had to have been produced in a still, and is famous for burning really well, even well enough to burn down houses.
And let's again appreciate Daryl's immediate response after learning the truth about the wildfire virus back in TWD 1x6 TS-19:
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It's like he knew... He couldn't have known that ethanol/alcohol would be involved in a cure all the way back then, but I have a sneaking suspicion TPTB knew a thing or two about it...
I recently wrote about the resurrection symbolism from the sorghum barn from TWD 6x10 The Next World. In that episode, we saw Eugene endorse sorghum as though it was a miracle grain, and maybe it is, because sorghum can be used to manufactor ethanol.
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In TOWL 1x1 Days, we saw a similar type of entusiasm over a different grain, millet, when we learned that Okafor was growing millet in his study/appartment, and was constantly on the look-out for the perfect strain of millet. Millet can also be used to produce ethanol.
In TWD season 9, we saw Daryl oversee an ethanol production plant at the Sanctuary. They made it from corn, which they grew on the premises. As the Sanctuary was a factory rather than fertile agricultural land, the crops weren't exactly thriving, and the ethanol production was at the center of many of the conflicts in 9A.
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Nevertheless, we saw Daryl convert bikes and cars to run on bio-ethanol. His current bike, which we saw Carol drive in the sneak peak for DDTBOC (which apparantly needs work on its transmission), runs on bio-ethanol. We saw Maggie, chief of food production at Hilltop, trade produce for bio-ethanol.
It was used as fuel, and now we've come full circle with that, in that we saw the yellow electric/bio-ethanol hybrid truck in TOWL 1x4 What We.
This is already a massive post, so I'm saving the rest for part two.
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drewmoll03 · 16 days
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Soo, I think I found something super interesting for us TDers..
Basically the article goes on and on to say that fans were excited about Daryl finally getting a love interest after experiencing a lot of heartbreak, yet they ended up hating Leah and the whole thing they had going on.
Then the article mentions... BETH😏 mentioning the fact that it appeared they might have become romantically involved, and mention what Norman had to say about it.
Then they also mention that he grew close to Conny3 but that he then dated Leah, so nothing else happened. Also, not even a slight mention in the article of the dark ship lol
There's also two comments at the end of the article mentioning the dark ship, nothing much really. And another one that mentions Leah was too old for him and they should've picked a younger woman.
Thoughts?
@angelthefirst1 @twdmusicboxmystery
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brokentofuthinks · 8 months
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Daryl and Beth Napping (AI)💖
It can't get Emily's face right and im kinda pissed but look how cuteee
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guardian-angel12 · 16 days
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i feel like we’re all rowing along in our little Bethyl boat, shamelessly raising our middle fingers at the Caryl cruise-ship as we pass by.
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bethiscomingsoon · 1 month
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The amount of people replying « Beth » under the last insta post of twd make me laugh so hard , almost 10 years after her last episode , she still has a HUGE fandom yet haters say that she was useless and that nobody love her .
And we are the delusional ones ? 🤣
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angelthefirst1 · 3 months
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Umm...
So...♾️♾️♾️
I just realised that the last episode of The Ones Who Live will air on RESURRECTION Sunday 🧐😵✝️
That is not a coincidence!
They could have picked any day to release the last episode, but chose that day!
The end (episode 6) of Rick's story beginning again (TOWL season 1 ) is on the same day that Christ's resurrection is being remembered...
The beginning is the end ♾️
When Rick is revealed at the beginning of the season, he is called Christ...
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Christ, is that him? Michonne nods yes...
Is it a play on words? Yes.
But it's also an eclipsed/hidden but very deliberate way to mark Rick as Christ.
The last episode will air on Resurrection Sunday. Fulfilling the beginning and end.
Beth and Rick's stories are intertwined often reversed, so this is intriguing to me!
I'm truly starting to think that this is the year we get Beth. Too many things are lining up including the fact that Beth (in real time) has been gone 10 years, while Rick (in show time) has been missing 10 years.
10.10 get well soon.
Do I think we will see Beth or a clue to Beth in episode 6 of TOWL?
Maybe...it's actually very possible due to resurrection Sunday.
Maybe we get a hidden coda, like Morgan, but this time the mask stays on.
Who knows... I'm excited to see, but what I'm more interested in is this beginning end pattern because what comes next (after TOWL ends) in TWD universe will be another resurrection.
Enter The Book of Carol.
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I pine for Summer ☀️
The last episode (episode 6) of TOWL, airing on RESURRECTION SUNDAY, is called The Last Time...
Emily released a song called Last Chance not long after she finished on (ended) TWD.
Many who heard the song Last Chance thought it sounded like Emily was writing it about Daryl and Beth, and she was.
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Emily's very first album (first = beginning) was released just after she left (ended) The Walking Dead, and Last Chance (which really indicates both Beginning and end) was a single on it. So, could the episode "The Last Time" be the signal for Beth's return or beginning?
It's all starting to line up.
The album, the song "Last Chance," is off, is called This Is War.
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In the comics, Andrea wakes from a gun shot to the head during the war with the Governor.
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The bullet just gazes her but knocks her unconscious. I am convinced Emily was referencing this war in the title of her album.
No doubt, the end of season 1 of Rick and Michonne's story will also lead to a declaration of This Is War with the CRM. I guess we will wait and see for that one, but we know war is building.
Now Rick wasn't the only one marked as Christ, in fact he was the second or "last" one marked as Christ in TOWL Gone.
The first one to be marked as Christ is...
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The sister that was left behind aka a representation of Beth.
Beth was marked as Christ here first (at the beginning of Gone) in the timeline, while Rick was marked as Christ last (near the end of Gone).
We see Rick on-screen before he gets marked as Christ, but Beth gets marked as Christ before we see her.
The time to finally see her again has to be close. Very close.
I also want to add one other extremely unusual thing I discovered, and it's in relation to the X eclipse that is coming up a week and one day after resurrection Sunday on April 8th.
For those who don't know, there will be a solar eclipse on April 8th in the US, and it's been nicknamed the X eclipse, because the path that the eclipse will take, makes an X in conjunction with the path of the last solar eclipse of 2017.
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How is this related to Beth and Daryl?
Well, remember the episode "Find Me" with Leah?
And the solar eclipse they look at together, while Leah all but repeats Beth's line of "Don't you think that's beautiful?"
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The eclipse in "Find Me" is the twin eclipse related to the upcoming eclipse the week after resurrection Sunday.
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Leah was a shadow of Beth, I would now even be bold enough to say she was a blocked or eclipsed version of Beth.
Eclipse means an obscuring of the light from one celestial body by the passage of another between it and the observer or between it and its source of illumination.
In other words, the light or reality is hidden from view.
Well... I spent some time figuring out the timeline of this moment where we see the solar eclipse with Leah and Daryl.
And I'm not kidding you. They are looking at a solar eclipse in 2017.
Most commentators on TWD timeline place Rick's disappearance and being taken by the CRM at the 2013 mark.
The episode "Find Me" actually gives us a good calendar to work by in finding out how much time passes from when Rick goes missing up until this eclipse that Daryl and Leah look at.
First, we see Carol say to Daryl...
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It's been 2 years of Daryl looking for Rick.
OK, so Rick went missing at the 2013 mark, and now it's 2015 (two years later)
We then see additional time jumps marked, adding up to 2.5 years...
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Placing us in 2017!
Leah and Daryl's story was a shadow of finding Beth.
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I've talked a bit about how 10's and X's are symbols of Beth's return, so this is an interesting, albeit odd addition to the X symbolism.
10.10 get well soon flipped ♾️ is 01.01 which represents the beginning and end.
Jesus said
‭‭Revelation 22.13
I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
He also said
Revelation 22.12
Look, I am coming SOON!
X is 10 in Roman numerals, obviously, and we are also coming up to the ten year mark from when Beth "dies."
The current walking dead timeline for Daryl Dixon season 1 places us somewhere in 2023, so a question I have is...will we, at some stage in the future, see Daryl and Beth looking at the X eclipse of 2024 in a fulfillment of the 2017 eclipse...
Emily also wore this hat and posted a caption with it, "Don't F with me today Zombies".
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She posted this back when filming was taking place for season 5, but we never saw the footage reported on from that time.
The crown on the hat is made up of X's that make diamonds, and it combined makes the upside-down pyramids, all of which are related to Beth and Sirius returning.
Make of that what you will.
I'm working on a future post to lay out how both Consumed and Find me are road maps to her return.
Both those episodes focused heavily on Daryl and Carol off together.
She is coming soon... Beth means house of, and she's marked as Christ.
House of Christ.
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hiro--aoki · 5 days
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Can I just say that both Beth and Daryl were created for the show and AMC had full reign of what happened to them. They chose this. Why may I ask? Because they can't let anyone be too happy for too long.
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galadrieljones · 2 months
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Daryl's Arrows: Symbolism, Pt. 1 (Green and White)
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It has been a while since I've made a TD post. I'm hoping to make a comeback these days, and in my first attempt to do that, I'd like to talk about a topic I've been paying attention to for several years now: the symbolic nature of Daryl's arrows.
Daryl's arrows change color over the course of the series, as I'm sure you've noticed. In the past, we've seen colors and color combinations including red, yellow, green, white, and black. Sometimes they're dirty. Sometimes they're tattered. Sometimes they're pristine. Sometimes they're seen and not used. Colors in TWDU always mean something, and Daryl's arrows are no exception. In this series of posts, I want to look at how Daryl's arrows are used as foils for his psychological state, and how they often reflect his relationship and symbolic proximity to Beth. As one of the most visually compelling characters in the series, Daryl and his vast inventory bear many clues in terms of how he feels and where he's headed. With Daryl, who is a stoic character, what we see is often much more important than what we hear.
First, just for reference, in case you're unfamiliar with the anatomy of an arrow, I'll be referencing two key parts in these posts: the FLETCHING (or feathered "wings" around the back of the arrow), and the NOCK (the, often colored, slotted tip at the end of the arrow, opposite the arrow point, aka the arrow tip, or arrowhead).
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The changing color of Daryl's arrows is not confined to just the fletching. His nocks change color as well and are equally important.
The Prison: Green
As is everything with Team Delusional, this analysis originates with Scott Gimple, and like so much else we are still striving to understand, episode 3.12 "Clear."
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If you look closely at the shot from above, you'll see Daryl's *new* crossbow, leaning against the gun rack on the righthand side of the screen. Daryl begins the series with a much simpler design. The pictured more advanced compound crossbow is given to him by Michonne and Rick, after they bring it back from Morgan's cache, which is like Gimple's magical well full of hints and symbols. Beginning in the very next episode "Arrow on the Doorpost," Daryl trades his old crossbow for the new one, which he will use *almost* (more on that later) exclusively for the remainder of the series, and which he still uses now (or did up until recently, when he lost it in Portland, ME).
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Daryl's *new* crossbow (pictured above) is special, because when it's given to him, it contains arrows with special, alternating green and white fletching, as well as green nocks. It's important that this crossbow and, more specifically, THESE arrows, are gifted to him, as opposed to being choices he made for himself, and I will talk more about choices soon.
"Clear" immediately follows the mini-arc in season 3 in which Daryl leaves the prison with Merle and then returns. The theme of coming "home" is pervasive in TWDU, particularly with Daryl, who, for much of his character arc, has seemingly been without one. Further, the act of making a decision to settle down, to stay in one place, to commit himself has unabashedly occurred to Daryl only two times over the course of the series: 1.) In the episode "Home," when he chooses to return to Rick and the prison, even if it means leaving Merle behind, and 2.) in the episode "Alone," when he chooses to stay and to "make it work" in the funeral home with Beth.
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Every other time Daryl has decided to "settle down" or to "stay" somewhere, such as Alexandria, the Commonwealth, and the Nest in France, it's either been because of inertia, coercion, obligation, or some combination of the three.
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Perhaps you can see by now that Daryl and decision-making are important factors to this character analysis. The truth is, Daryl is a passive character. He doesn't make many decisions that are driven by a strong internal motivation or code. He makes decisions because they're easy, because they're what he *should* do, or because they're what someone else told him or asked him to do. Very rarely does Daryl make a choice based on his own desires or his own code. He is reactive at times, ie: He makes emotional decisions driven by rage, revenge, annoyance, etc.. But these are not deliberate choices. They are passionate, in the heat of the moment, and he may even come to regret them or to change his mind.
We can see this clearly at the end of Daryl Dixon season 1, in which we really have no idea whether Daryl desires to stay in France or if he desires to go home. We don't know if he's going home simply because he thinks he should, or because he truly wants to, or because he just has some chip on his shoulder about staying. We don't even know if he considers the Commonwealth, or Alexandria for that matter, to be home, because he didn't choose either of those domains for himself. They were chosen for him, and he's just sort of been drifting in and out ever since. If anything, in the first season of DD, we learn that Daryl seems to be a man without a home, and a man without strong motivating factors to make choices, or to act.
We learn in Daryl Dixon that one very important potential motivational factor for Daryl that is entirely missing from his life is that of a family of his own. And no, I don't mean friends, or found brothers and sisters, or nieces and nephews. I mean a wife and children (his OWN children, not Rick's children).
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SO what does this have to do with Daryl's new crossbow? Well, first of all, Daryl's crossbow is gifted to him, a bit of "supernatural aid" to help him along on his hero's journey. The arrows, as well, are a gift. In the second half of season 3 and the first half of season 4, we see Daryl display unprecedented feelings of happiness and a focused purpose. He is given this chance, but ONLY once he chooses to stay.
In 3.10 "Home," Daryl makes his first major choice, which is to return to the prison, aka to return home. Once he starts using his new crossbow, he will then use the green and white arrows exclusively for the rest of season 3, all of season 4, and some of season 5 (until the episode "Spend"). The one major common denominator to this run is his proximity to Beth.
The color combination in these arrows is green and white, which parallels clothing and jewelry worn by Beth in the first half of season: Beth's earrings and her outfit in 4.1 "30 Days Without an Accident," and Beth's outfit in 4.2 "Infected."
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The "Beth lookalike" dead girl in "Infected" shows an interesting juxtaposition as well.
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In 4.4 "Indifference," one of my favorite examples of foreshadowing for Daryl and Beth, in a scene in which Daryl's arrows look very green against the verdant landscape, Daryl finds a rare piece of green jasper on the ground. As he's cleaning it off, Michonne initially responds suggestively, smiling, as if she knows something we don't. She says, "It's a good color. Brings out your eyes."
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Daryl responds quickly, correcting her to say that it's for Mrs. Richards, who has become ill. But this surprises Michonne. That's clearly not who she thought it was for.
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The piece of green jasper that Daryl finds looks suspiciously like the stone Beth wears in her earrings. Toward the end of the episode, Daryl can be seen studying the jasper pensively in the car while the rest of the team gets ready to go. This moment is rarely discussed, but I believe he is actually thinking about Beth when he holds the jasper that day, ready to return home from a long, hard journey. I also think Michonne might have known that something was going on. Of course, we may never know the truth on that, but Michonne is a romantic character, and if anyone was going to notice Daryl's feelings for Beth, it might just be her.
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Remember that green jasper is rare. It was chosen here for a reason. It is viewed as containing powers of protection and healing, as well as relief from obsessive behaviors and compulsions. You can read more about the properties and historical significance of green jasper here.
In any case, the color green is, of course, easily attributable to Beth, whose last name is green. This is specifically true when it's seen around Daryl. When it's seen around Rick, we might alternatively associate green with Hershel. But while Hershel might be Rick's "Greene," Beth is Daryl's "Greene." And when Daryl's arrows "trend" green, that means that her story and her relationship to him is creating psychological friction with his character on screen. It means, not only that she is "with" him, but that he accepts her there, and he is still the man he was trying to be at the time that he first chose the prison, and the time after the prison that he spent with her.
The connection between Daryl's arrows and Beth begins literally, but after "Coda," the connection becomes symbolic. We'll get there soon.
I also do want to point out that though this connection is somewhat subtle in season 3, once we get to season 4, with Gimple at the helm, the connection becomes much clearer and more overt. This supports the hypothesis that Beth and Daryl are Gimple's "pet" creation, something he always wanted to explore but never could, because they and their relationship are not a part of the comics. But via Daryl's arrows, he is able to keep their relationship alive in the background.
After the Prison: White
After the prison, when Daryl and Beth are physically together, and then we transition into Daryl's search for Beth in Atlanta, Daryl's arrows remain the same: alternating green/white; however, some unique shifts occur, in terms of emphasis.
Here's a shot from "Inmates," as Daryl pulls an arrow out of a walker's head near the train tracks.
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This shot is from "Alone."
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And here's one from "Consumed." This is one of my favorite shots of Daryl in the entire series.
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In all of these shots, the arrows, which alternate green AND white for fletching, are specifically arranged in front of the camera so that the fletching looks entirely WHITE. White arrows are angelic in nature, protectors. They accompany Daryl and Beth’s discovery of the deceased innocents from the bus, imploring faith that not all hope is lost, as some of the children lived. They accompany Beth as she shoots Daryl’s crossbow near the cemetery, once again calling on us to "have a little faith," as even though Beth is caught in a trap, she is rescued by Daryl. And as you can see in the shot above from “Consumed,” the two white arrows literally resemble the wings of an angel, balanced delicately on Daryl's shoulder as he gazes out over the city, eventually seeing the Grady van in the distance, a major clue.
Note that per the "Consumed" shot, we see this same arrangement, double-white, from two separate angles, showing its purposeful nature. The first, just Daryl from the side (above), the second, both Carol and Daryl, head-on (below). Though they mirror one another in body language, Carol looks down, unsure of her fate. Daryl looks straight ahead, a man of conviction.
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In "Consumed," Daryl is communicated as a hopeful, motivated man, helping Carol through her crisis of faith and disconnection from her purpose and identity as the two of them search Atlanta for signs of Beth. He finds and takes the book about overcoming child abuse, a clue that he is making conscious choices to get better, and he is entering a real path to renewal and self-improvemet, all thanks to his time with Beth. Note, too, that angels do not only flock to Daryl via his arrows. He is also protected in the falling van, by the crucifixes on the back windows, and the holy Mother Mary, watching over him from the dash. In the shot below (right), you can also see, once again, the duality of body language between Daryl and Carol. Daryl is braced, staring straight ahead, ready for anything, while Carol, in her crisis of faith, breathes heavily and cowers in fear.
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Carol endures bad injuries from the crash, which are worsened when she is hit by a car. Daryl, however, emerges without a scratch. This theme of protection and indestructibility, for Daryl, will return in the future. In the episode, Carol tells Daryl that he has "become a man" now, and we see him perhaps as driven and committed to any cause as he will ever be. That cause is finding Beth. You can see this once more very clearly in the final shot of the episode, in which even Noah notices, looking at him like “WTF did I just walk into?” For the third time, too, we see Daryl noticeably squared up, facing straight ahead in the shot, showing commitment and determination, while Noah's expression is unsure.
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Also, if you look closely at the shot above, you can see, one more time, a single white, angelic arrow, perched just above the dash.
Daryl shoots one more white arrow over the course of the series, but it's not for a very long time. In 6.15, "East," just before the group is ambushed by the Saviors, Daryl, angry about Denise, having had his crossbow stolen by Dwight in 6.6 "Always Accountable," goes out searching for Dwight to take his revenge. In the scene, Daryl wanders a clearing as the bright sun shines down upon him, directly reminiscent of the sun coming through the trees in "Them." So reminiscent, in fact, that it is the same exact shot, just inverted both horizontally and vertically and adjusted with a red filter. Quick aside: Below, you can see the original two shots, the lefthand shot from "East," the righthand shot from "Them."
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Now, here are the shots again, with the shot from "East" on the left, inverted once, horizontally and vertically. You can also see the red in how it colors the light filtering through the trees. This communicates that since Beth's death, which he was directly morning underneath the tree in the shot on the right, Daryl's character has been "upside down." He's messed up. What was right is now wrong, and what was wrong is now right, and his descent lies ahead.
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Michonne, Rosita, and Glenn come after him, to try and dissuade him. When they do, Daryl shoots an arrow right past Rosita's face and into a tree. That arrow, the last of the green/white arrows we will ever see, appears entirely white in his hand and foretells that in the confrontation to come, Daryl, unlike two of his brethren, will be spared.
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In my next post, I'll move on to Daryl's red arrows, focusing on Noah's death, 5.15 "Try" and 5.16 "Conquer," as well as 6.6 "Always Accountable," Denise's death and what this all means. I believe that, over the seasons, Gimple has found small ways in which to show that Daryl has been continuously protected by Beth's presence, but that, in his darkest hours, he is not always eager to accept it. 💫
I'm going to tag some other TDers in these posts, just for reference. If you'd like me to tag you in future posts, please just comment here to let me know, and I will! ❤️
@wdway @twdmusicboxmystery @frangipanilove @angelthefirst1
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