#Tony defranco

[pretty-little-fools]

#the defranco family featuring tony defranco #tony defranco #benny defranco #marisa defranco #nino defranco #merlina defranco #70's #save the last dance for me #mid 70's #album #1974

[jumpsbetweeninterests]

Tag your favorite teen idols

#david cassidy #donny osmond #bobby sherman #andy gibb #shaun cassidy #leif garrett #Tony defranco #jack wild

[helloparkerrose]

Heartbeat It’s A Love Beat (1972)

The DeFranco Family

The DeFranco Family featuring Tony DeFranco

20th Century Records

#the defranco family #1970s music #bubblegum pop #teen pop #canadian #italian-canadian #family singing group #benny nino tony marisa merlina #tony defranco

[danieljreboot]

#bubblegum pop #70s #70s music #Spotify

[iamkenlee-blog]

토니 스콧과 뉴에이지

취미 생활로 아마추어 윈드 오케스트라에서 클라리넷을 불다 보니 다른 사람들보다는 클라리넷 연주자에 친숙한 편이다. 어느 날 재즈 클라리넷 연주자는 누가누가 있었나 찾아 봄. 베니 굿맨, 자니 도즈, 아티 쇼, 피 위 러셀 같은 친숙한 이름 외에 버디 데프랑코(Buddy DeFranco), 에디 다니엘즈(Eddie Daniels), 아나트 코헨(Anat Cohen) 같은 낯선 이름도 있었다. 토니 스콧(Tony Scott)도 그중 한 명임. '탑건' 등등을 만드셨던 영화 감독(=리들리 스콧 동생)과는 동명이인이다.

토니 스콧은 젊은 시절엔 재즈를 연주했지만 스윙에서 비밥으로 재즈가 변화하며 클라리넷이 색소폰에 밀려 존재감을 잃자 이 바닥을 떠나 세계 여기저기를 돌아니며 구도자 같은 행적을 남겼다. 그 시절은 히피 문화가 절정인 때라 이런 사람들이 꽤 있었을 것이다. 아무튼 그 결과 1964년 'Music for Zen Meditation'이란 음반을 발매했는데 최초 뉴에이지 장르 음반으로 평가하는 것 같다. 조금 과장하면 토니 스콧이 뉴에이지 장르의 창시자랄 수도 있는 것. 음반 명에 'Zen'이 들어있는 것에서 짐작할 수 있듯, 일본 전통 음악에 바탕한 불교 음악이다. 이 음반이 나름 잘 팔렸는지 뒤이어 인도 명상 음악을 다룬 'Music for Yoga Meditation'과 부두교 음악 'Music for Voodoo Meditation' 등 총 3장을 발매했다. 이쯤에서 그쳤어야 했는데, 시간이 흐르며 맛이 가셨는지 '블��홀 속으로 여행(=Voyage Into a Black Hole)'이라는 괴작(?)도 발매.

[thriftstoresisyphus]

The DeFranco Family featuring Tony DeFranco "Save The Last Dance For Me."

#lpcoverart #lpart #lp records #lp covers #lp #record albums #records #record #record cover #defranco #defranco family #ugly #they're all ugly #well at least there's one cute one anyway #defaced records #deface the music #deface value #tiger

[voidsentprinces]

Why do people who disagree with Kanye West, Elon Musk, etc. keep commenting and watching videos about them? Its a slow moving train wreck in the middle of a crossing intersection and the light just turned red. The internet is nothing if not drama hounds getting their next fix. If Tony Hawk snapped and went on a murder rampage, do you think people wouldn’t be turning into “The fall of...”, “The dark secrets of...”, “Philip Defranco presents...” videos?

This isn’t the dunk they think it is.

[closertotheheart]

Tony DeFranco.

[mobiblackout]

Music recs? Got several (one of each with the genres I mentioned actually)! :)

Diplomat's Son by Vampire Weekend -> this song is just. So good. It's more "world music" (not that I like that term very much) inspired pop than anything else but it's a trip. Also the lyrics. Sobbing.

She's a Jar by Wilco -> a song literally so good I have never listened to the whole album this is on because I keep playing this song on repeat when I get to it LOL. Lyrics on this one are great too! When I forget to talk, I sing...

Lunar Lunacy by the Buddy DeFranco and Tommy Gumina Quartet -> I assume that if you like classical you're okay with purely instrumental tracks, so have this nearly seven-minute bebop jazz track with clarinet and accordion! It's honestly wild they were able to have their instruments sound like this, esp. at the time.

Brick Body Complex by Open Mike Eagle -> I'm not sure if you like hip hop at all, but the album this is on is one of my faves of all time. This was not my fave song on the album but it's a really good single that introduces the themes pretty well!

He tours with Queen? Good for him!

We are in agreement there ;) Should we talk wrestling now, by the way? What promotions (past and present) do you watch these days?

Wow, I love discovering new music and this made me sooo happy!! I love you, this is like a gift to me ^^

I'm a university student and I barely have time to watch wrestling, but i love old pwg and roh stuff, mostly consuming them through matches that I didn't get to watch at the time, and sometimes I randomly watch some indie stuff, it's so fun to discover new talents! That's how i came to know mjf, Kris Stat, Danny and Tony Storm before they became more well known. I love stardom because of that reason, too.

I used to watch a lot of New Japan's tournaments(old or new) when I was in high school and couldn't stand wwe.

#ask

[bamboomusiclist]

11/19 おはようございます。Roy Ayers / Vibrations pd-1-6091 等更新完了しました。

Teddi King / A Girl and Her Songs lpm1454 Dinah Shore / Dinah Sings Previn Plays t-1422 Tony Bennett Count Basie / In Person CL1294 Ann Burton / Ballads & Burton S52807 Ann Burton / Blue Burton s52791 Gullie Gradin / Gullie Sings Jazz Ggep001 Ella Fitzgerald / Tribute To Cole Porter V-4066 Bobby Hackett / At The Embers T1077 Buddy DeFranco / in a Mellow Mood mgn1079 Charlie Parker / Night and Day mgc5003 Tete Montoliu Trio / Tootie's Tempo scs-1108 Mighty Sam / Fannie Mae - Badmouthin' 0016 Johnny Otis / Harlem Nocturne - Midnight In The Barrelhouse 45-815 Bar-Kays / Do You See What I See VOS-8001 Boz Scaggs / Down Two Then Left JC34729 Mandrill / Mandrill 24-4050 Funk Inc / Hangin' Out prt-10059 Coke Escovedo / Comin' At Ya Srm1-1085 Incredible Bongo Band / Bongo Rock DJLPS452 Roy Ayers / Vibrations pd-1-6091

~bamboo music~

[email protected]  

530-0028 大阪市北区万歳町3-41 シロノビル104号

06-6363-2700

[c-40]

A-T-3 176 Double Dee & Steinski - Lesson 1 (The Payoff Mix)

One month after the release of Play That Beat Mr DJ Tommy Boy launch their Down By Law Switch The Licks Mastermix Contest. Shep Pettibone was (and still is) the king of the Mastermix, his innovative mixes for 98.7 Kiss FM in New York were extremely popular and influential. There were others of course, Tony Humphries was given his big break when he stood in for Shep on Kiss FM, the Latin Rascals were getting their mastermixes aired on New York City dance radio WKTU, and in Chicago there was the Hot Mix 5 on WBMX's Saturday Night Live Ain't No Jive mix show (here's an example from 1983). In addition to these DJ only bootleg edits were being circulated by the likes of Danny Krivit and others, and Ron Hardy was making his equally revolutionary edits

Tommy Boy's mastermix contest offered the grand prize of $100, a custom Tommy Boy t-shirt, and records. They would also put the winner on a Disconet comp, which was a record sent out to club and radio DJs, and a guarantee of getting play on radios across the country. 75 entries were submitted, 10 made it to the second round which would be played to a panel of industry experts

"[Shep] Pettibone and [John "Jellybean"] Benitez were part of a blue-ribbon panel who downed pizza and beer at a listening party where the winner would be chosen from 10 finalists. The hot dance track of the moment, Shannon's "Let the Music Play," saw heavy action in the early going--since both songs are addressed to DJs, there was even a thematic connection. But the ninth entry didn't come from a DJ, and it didn't dip into Shannon's well, either. It did glance off hot dance tracks by Yaz, the Peech Boys, Herbie Hancock, Culture Club, and Indeep amid rap, disco, funk, and rock and roll classics too numerous to mention--as well as less melodic material from Humphrey Bogart, Dr. Saint, Betty White's dance instructor, and the National Aeronautics and Space Administration. When the tape was through, the judges broke into applause. They knew instantly that Double Dee & Steinski had taken mastermixing into new realms--or appeared to, which was good enough for openers."

Quote from Village Voice, Mar. 25, 1986

The winning entry came from Double Dee & Steinski. Both of them worked in commercials, Doug DeFranco (Double Dee) as an engineer for radio commercials and Steve Stein (Steinski) as a producer and ideas man. The kind of sound collage they produced wasn't entirely new. Cut and paste techniques and tape loops had been around for a while, as novelty by Buchanan & Goodman (The Flying Saucer, 1956), avant-garde by Steve Reich (It's Gonna Rain Pts 1+2, 1965), experimental non-music of Negativeland, and hip-hop (The Adventures Of Grandmaster Flash On The Wheels Of Steel, 1981 - to be fair this should really be Lesson 1, with a mix of Buffalo Gals as lesson 2). Lesson 1 is somewhere in between all these examples, it has novelty but isn't just a novelty record, it has the technical experimentation of process music, and it has breakbeats and blends that will be familiar to hip hop DJs

"So, one weekend we gathered up ten crates of records and camped out at the studio until the evening, and again the next day. And that was it, just the two days. After all there was no random access that computers gave us, you really had to work linearly from start to finish. We picked something to begin with (the top of the record) and kept asking “what next?”

"It was a real back-and-forth, and a true collaboration between the two of us - a beautiful creation from our hearts and rumps. Otherwise Lesson One wasn’t different from the work I was doing on a daily basis. But it was new territory and it sparked the discovery of Steve's unique production talents." - For two people working on something as abbreviated and ephemeral as commercials Double Dee & Steinski have been all over documenting their legacy in exhaustive detail. Here's DD writing about making the Lessons https://ddski.com/double-dee-making-the-lessons/

WBAI's Peter Bochan had a significant influence on Steinski, he produced spoken-words-and-music collages Shortcuts which he put out on tape

DJs love this record because Steinski is an obsessive record collector and he has incredible knowledge of records. Two more Lessons followed, 1984s excellent James Brown Mix, and people's favourite History Of Hip Hop Mix in 1985. The Lessons have charm and humour which you can't say for all of the hit records it inspired, such as Paul Hardcastle's global hit 19 in 1985, or M|A|R|R|Ss global hit Pump Up The Volume in 1987

Although not the first in hip hop the Lessons are probably the most influential and celebrated example of the cut-up style, taking cut-up to the next level, they really were an education for producers and DJs (later known as turntablists). In 2002 Strachild records put out The Ultimate Lessons compilation which contained all three of the original lessons along with another three: Lesson 4 by Dj Shadow, and 5 and 6 by Cut Chemist. The follow-up compilation The Ultimate Lessons 2 (the ultimate ultimate) has Coldcut's 1987 debut single Say Kids? on it. I remember this being the number 1 hip hop record in the UK on Mike Allen's National Fresh show for weeks. Say Kids? is directly influenced by the Lessons, it has the same wit to it and the samples have never been cleared. Coldcut would collaborate with Steinski in 1997. Say Kids? leads to Eric B. & Rakim's Paid In Full (Seven Minutes Of Madness - The Coldcut Remix) and the Double Trouble (Norman Cook and the awful Dancin Danny D) mix of Eric B. & Rakim's I Know You Got Soul, both from 1987. A year later the Dust Brothers produced Know How by Young MC would be released, and the first Prince Paul produced De La Soul singles would come out (on Tommy Boy to bring things full circle)

Cut-up wasn't confined to hip hop. For example Adrian Sherwood and Tackhead mixed the cut-up style with dub and funk, and Meat Beat Manifesto used the technique with an industrial sound. There are Negativeland's undefinable albums Escape From Noise and Helter Stupid. Arthur Baker, a judge for the Tommy Boy contest, would use cut-up on dance records like Criminal Element Orchestra's  Put The Needle To The Record (with Wally Jump Jr), and in the UK cut-up was used by L.A. Mix with Don't Stop (Jamming') and S'Express, Bomb The Bass, etc... And how can I forget Deee-Lite

Back to 1983 and the Tommy Boy contest. As part of their grand prize Double Dee & Steinski's winning entry was pressed up on Disconet Volume 6 Program 7 for DJs in January 1984 as Play That Beat, Mr. DJ (Master Mix First Place). The duo went back into the studio, this time for two whole weekends, and came up with the James Brown Mix which they called Lesson 2. Double Dee & Steinski privately pressed up 500 copies of a disco with these first two Lessons on it. In 1985 they made Lesson 3 (The History Of Hip Hop) which Tommy Boy put out as a promo with the other two mixes, I think this was the is when their mix of Play That Beat, Mr. DJ is renamed Lesson 1 (The Payoff Mix). In the UK Island records (I'm assuming using the sub label 4th + Broadway) made an effort to put out the Lessons officially, they cleared all the samples but the rumour is they couldn't come to a deal over the Herman Kelly sample and the project fell apart. In the early 2000s the Lessons were put out on a comp and now they are available direct from Double Dee & Steinski on their bandcamp https://ddsteinski.bandcamp.com/track/lesson-one-the-payoff-mix-2016-remastered

#1983 #double dee #steinski #cut-up #cut and paste #hip hop #new york #usa #80s music

[pretty-little-fools]

#the defranco family featuring tony defranco #tony defranco #benny defranco #marisa defranco #nino defranco #merlina defranco #70's #save he last dance for me #1974

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 7 / 10

Título Original: Alien Nation

Año: 1988

Duración: 96 min.

País: Estados Unidos  

Dirección: Graham Baker

Guion: Rockne S. O'Bannon

Música: Curt Sobel

Fotografía: Adam Greenberg

Reparto: James Caan, Mandy Patinkin, Terence Stamp, Peter Jason, Kevyn Major Howard, Leslie Bevis, Conrad Dunn, Jeff Kober, Roger Aaron Brown, Brian Thompson, Michael David Simms, Ed Krieger, Tony Pérez, Francis X. McCarthy, Tony Simotes, Earl Boen, Don Hood, Harri James, Abraham Alvarez, Edgar Small, Keone Young, Bebe Drake, Robert Starr, Frank Collison, Angela O'Neill, Kendall Conrad, Tom Morga, Brian Lando, Seth Marten, Tom DeFranco, Thomas Wagner, Tom Finnegan, Regis Parton, Doug MacHugh

Productora: 20th Century Fox, Pacific Western. Distribuidora: 20th Century Fox

Género: Action; Sci-Fi

https://www.imdb.com/title/tt0094631/

TRAILER:

[helloparkerrose]

#1970s #the defranco family #photoshoot #benny nino tony marisa merlina #tpny defranco #nino defranco #benny defranco #marisa defranco #merlina defranco #sibings #italian-canadian #teen idols #canadian

[danieljreboot]

#bubblegum pop #70s #70s music #Spotify

[doraemonmon]

The DeFranco Family - Save The Last Dance For Me

#The DeFranco Family #Tony DeFranco #Save The Last Dance For Me #Write Me A Letter