#Unfortunately for my family it was kind of necessary since we've moved around so much we can't really keep much stuff with us

[vallygirl285]

Alona's Interview With Mako

Interview from Mako. May be a little off since it's translated from Hebrew... LOL like Seal Team is translating to Sea Lions and it's so damn cute I'm leaving it.

"I'm afraid because I really want to do it, and do it well"

For a long time now, Alona Tal has been maintaining an international career, and in fact, it has been no less than six years since she began acting in the American series "Sea Lions". This week, the sixth season of the series came to an end - and for Tal, it was a little more exciting than the others. In a conversation with mako, she talks about the challenges she experienced as a pregnant woman on set, the separation from her partner on the screen - and the plans to direct in the future, despite the fear

And, of course, speaking of Tal's success overseas, it is impossible to ignore her role in the military drama series "Sea Lions", in which Tal has played the image of Stella since she came on the screen in 2017. This week, the sixth season of the series came to an end. "It's sad, dramatic, but necessary. It's a bit heartbreaking for me from this episode, and from this whole season," Tal admits in a conversation with mako.

"I filmed this season when I was pregnant, so it all kind of moved me, because I was very hormonal," laughs Tal. She says she wasn't afraid to shoot while pregnant, as her colleagues on "Sea Lions" had done so before: "In season five, we had three pregnant cast members," she says, "so I knew it wasn't going to be a problem. The bosses in the series know how to work around it. I wasn't afraid: I just got pregnant, that's the way it is." Still, Tal admits that the pregnancy did complicate the situation: "It was not the most comfortable, because I don't like pregnancy clothes - and also the very fact that you have to hide your belly, because my character is not pregnant," the actress explained. And, as mentioned, the pregnancy also made Tal more emotional than she is used to being.

Separation from a partner, a kind of

But that wasn't the only reason why emotions were at their peak this season. At the end of the season, "Sea Lions" parted from one of its most notable actors, not to mention the most prominent: Max Thiriot, who embodied the image of a Bravo crew member, Clay Spencer. For Tal, the departure of Thiriot was particularly difficult, since he is not only the star next to her - but also her partner on the screen.

"It was a farewell to a central figure who is very close to me," says Tal. "Everybody took it very hard, saying goodbye to him, partly because his character is very much loved - and also because everyone loves the actor. He is truly one of the most amazing people I have worked with. I had a relationship with this guy for six years. We've been playing a couple for six years, except for the third season, which was the break."

"I'm very afraid to direct: the fear is not there because I don't want to do it, but because I really want to do it, and do it well"

Not only the cast members and crew of the "Sea Lions" found it difficult to say goodbye to the character of Clay, but also fans of the series. According to Tal, most of the comments she received from viewers at the end of the season were angry comments protesting his resignation. "The fans or viewers of the series are very angry about the move made with Clay's character, and I hope people understand that there was no choice, that it was the best thing for the continuity of 'Sea Lions'. The way he ended his participation in the series will open up an opportunity to tell more stories from the side of the families who are left without the fighters, who die in battle. At the moment the viewers who respond do not understand, but that is because people are going through a kind of mourning. I get it."

Thiriot's retirement is unfortunate, but Tal says it wasn't surprising, neither for her nor for the production and other actors of the series. "He's moved on, it's something we've been worried about for a long time," she says. "We knew he was developing a series, we knew it was progressing very quickly and we knew who was involved. Everyone who knew this was the case anticipated this situation, including the main boss of the series." And although their professional paths are separate for the time being, Tal is confident that she and Thiriot will continue to talk: "We are very good friends," she says, "we are still in touch."

"As I always say, I am open to jobs in Israel"

Although "Sea Lions" has not yet been renewed for a seventh season, Tal believes that it will happen soon – and she is imbued with a purpose and determined to fulfill her next goal: directing. "I hope, nothing is set in stone, as they say - but it will go there," she says. "I don't know if next season, I'm waiting to hear. The boss of the series knows I'm waiting for that confirmation."

Do you feel ready? "Yes and no, I'm very, very scared of it. Mostly because I think I really want to do it. Anything I want to do and don't want to fail at, I'm afraid: the fear is not there because I don't want to do it, but because I really want to do it, and do it well. And it's also something new for me, it's a lot of responsibility. And I think if I've taken this step of directing, this series is the best home I can do it in. I know the team, I know the language of the series. I'm in a very good and open relationship with the boss, so I'll have good guidance and a lot of support. I very, very much hope that it will be carried out."

Apropos directing, are there any other proposals on the agenda in the field? "I've received offers, there's talk to my partners about a romantic comedy that they want me to direct. Until you do that, no one really takes you seriously, so you have to get through the first time – and then more doors will open."

What's your next project as an actress? "Right now I'm shooting a movie, right now at these moments. It's an independent film, an unexpected thriller. I play Chabadnik. I'm waiting for them to put the wig on me. It's the first day of filming now, and it's weird. I play an American Jew, and it's very different (from a Jew from Israel, G.M.). When you think of someone who is religious, I immediately go more in the direction of someone I know - an Israeli, who speaks Hebrew, but she doesn't. So it's a bit strange. It's different."

And what about projects in Israel? "There was a role that I was offered in some series, but I couldn't confirm my arrival, because the filming was supposed to be when I was in advanced pregnancy. Unfortunately, nothing has been said since then. But as I always say, I'm open to jobs in Israel."

okay so she’s filming a movie and mentioned a wig so I’m guessing that’s the wig 🤣🤣🤣

#alona tal #seal team cast #seal team paramount plus #mako

[say-narry]

The Tonight Show

>> Versão em PT-BR

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Sorry, english isn't my first language! Hope you all like!

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"Ladies and gentlemen, let's hear it for our friend and singer Harry Styles and his friend and new Marvel's actress, Y/N Y/LN!" Jimmy raised his arms pointing to the stage entrance and Harry and Y/N entered side by side.

They smiled and waved to the audience, who returned the whistling and clapping.

Harry greeted Jimmy with a brief hug and Y/N did the same, giving kisses.

Jimmy pointed to the two dark armchairs next to his table and Y/N sat down next to Jimmy and Harry next to him.

The whistling and clapping ceased. They were both smiling for the cameras and sure enough, The Tonight Show with Jimmy Fallon was scoring very high ratings.

"Great to have you here, everybody! " Jimmy started "We've been on this marathon interviewing friends in the business world and you're closing with a bang!" there was some applause "How long have you been friends?"

Y/N and Harry looked at each other and posed as if they were thinking.

"About three years, right?" Y/N looked at his friend, who agreed. "I wasn't so well known yet, I was participating as a co-star in This is Family, Harry was very nice to send invitations to everyone to his show. From that moment on, we started our partnership."

"Very nice that! And you must hear this question a lot..." a chill went through their stomachs, they knew what it was going to be "Nothing ever happened between you?" Jimmy let out a chuckle and their cheeks flushed.

It was more the discomfort of the question than the act that never happened. They were very close friends, nothing more than a tight hug and kisses on the cheek.

On social media, it was clear that Harry was the friend every woman would want to have, and to S/N fans, there was nothing going on between them since she had a few quick flings with Chris Evans, but only one person knew how much Harry was in love with his best friend, ever since he saw her in the sitcom she acted in, it motivated him to give input to the cast. He himself was that person. He wanted to see if the energy she conveyed on the small screen was the same, but it wasn't. It was simply much better. Y/N was Harry's fit, he had known that since they had spoken in person and Harry had already pulled strings to keep her around.

"No, we never had anything." Harry answered.

"Okay!" Jimmy joked making a funny face. "Kidding guys, it's uncomfortable this kind of question, but I think that just like me, your fans also think that you would make a cute couple."

"We see this a lot on twitter, I often take screenshots and send them to Harry, we laugh a lot, but we have a mutual respect. " Y/N tried to close the subject.

"And about your new song, Harry..."

"We are back with our guests, guys, and they agree to play our "hit the target" game!" Jimmy pointed to three dolls with the picture of himself, Y/N and Harry. There were scores written on part of each one's body.

"It's just a game, but we want to test your aim!" Jimmy continued "As you can see, there are points on every part of our body. Whoever manages to get the five arrows with the most points can choose a charity to donate 50 thousand dollars!" Harry and Y/N clapped side by side again "The loser will have to answer a question from our little box." Jimmy waved a dark red cube and his friends agreed.

The game began with Jimmy aiming at the head height of his paper doll. He fired all five plexiglas and accumulated 100 points.

The next player was Y/N, who ended up taking off her heels to make her move firmer, being assisted by Harry, who made the audience gasp for the act of affection when he held her to take off her shoes.

Y/N shot the first one, hitting the heart of her dummy, starting with 300 points. The next two missed, and the last one hit his dummy's forehead, adding another 100 points.

Harry just looked at her amused. She was good at this, sometimes you guys played this at his parties, it was a game that got on his nerves, because he wasn't good at it.

"Come on, Harry!" The host handed the little arrows to Harry and he positioned himself as Y/N did, maybe if he followed her way, he would be able to hit more points.

Big mistake.

The first arrow hit his wrist, starting with ten points. He made a snapping motion of his neck, drawing a few laughs from the audience. Harry shot two more arrows, one of which hit his arm, and the other fell before it hit the dummy.

"I think it's those rings." He complained loudly and took them off, giving them to Y/N who put them on, showing his fingers to the cameras, making a joke to the home audience.

Harry pointed to the heart of his dummy. If he got it right, he wouldn't have to answer the question.

And he shot. The arrow made a turn and unfortunately stopped in his arm, giving him another 50 points.

Harry would have to answer the damn question.

He groaned in despair as Jimmy and Y/N celebrated their victory.

The announcer walked away and picked up the red box and waved it at Harry. Who pouted in disappointment, sure all his fanclubs would be commenting on his cute expression.

"Take a little paper and read it to us, Harry." Jimmy held out the box and Harry put his hand inside, feeling some papers on his fingers.

He moved his hand a little and brushed at a piece of paper. He unfolded it and read.

His breathing had suddenly become heavier. It seemed as if he was out of breath, his fingers holding the small paper trembled.

"Er... Your challenge is: declare yourself to your crush!" The audience let out a few shouts and Y/N, always very expressive, opened her mouth and her eyes widened. Harry denied it with his head, laughing sideways, trying not to show his nervousness.

As close as they were, Harry didn't mention his girlfriends. She followed his fans that were also Harry's fans and sometimes she saw news about him dating some woman, but if he didn't say anything, it could be just his friends and if it was, she wouldn't invade his intimacy, she would wait for him to say something. Nothing had to be heavy in that friendship, she was aware of that, sometimes they would rather spend their time talking about random things like constellations and signs than their boyfriends and that was fine with her.

"Is this really necessary?" Harry asked in a playful tone.

Jimmy laughed and nodded positively.

They had formed a sort of open wheel on the stage.

"Come on, H! You can do it, because that's what I want to know too!" Y/N teased him.

He looked at her, closing his eyes as if she had failed in some secret plan of theirs.

"Okay... The person I like is very special..." He took a breath, playing with the paper in his hand "I won't say the name, but I will tell the situation we lived."

Y/N squatted down next to Jimmy, who hugged him in a friendly way while they listened to Harry.

"We were at a party among friends. We drank a lot, which we never did. It was on our friend's yacht, it was really an exciting day. I remember that we drank so much that this person... vomited a green liquid on my feet." Jimmy made a face of disgust and the audience murmured with disgust as well, Y/N remained static, because she knew this story. She had been there. She had vomited on him, which got a good laugh when she sobered up. "It's disgusting, I almost followed this person, but seeing this person so vulnerable, so sensitive in my arms... It made me see how much she was the perfect person for me, showed me how completely in love I was with her."

Y/N's heart soared, but as an actress who had conquered Hollywood, she made the best expression of curiosity, pretending not to know what it was all about.

"Do you have any idea who it is, Y/N?" Jimmy asked.

"I have no idea, I wish I could use my mind reading powers right now." She joked, referring to her character.

On the other side of the stage, there was an embarrassed Harry. His heart was tight, because he knew his best friend wasn't stupid and hadn't forgotten that day on the boat, when he took care of her, so much so that she slept on his lap and thanked him for it. He knew how spontaneous she was, he was dying for her to run out of Jimmy's side and jump on his lap and kiss him in front of everyone.

On the social networks, there was no other talk. Both of their names were at the top of the world trends topics, and in the news of the famous as well.

Y/N had donated the amount to the institution that cared for homeless people in New York. In a game of scenes, she returned the rings to Harry and didn't look at him, just went along with Jimmy's antics, leaving her friend completely out in the cold.

She didn't want to even think about it. Harry had never given the slightest sign of interest, he had gone out with a woman in the last few days... She was just another friend, no?

Jimmy thanked them both for their presence. They posed for some pictures with the host and the fans in the audience, both of them swallowing dryly and not looking at each other.

Soon the Y/N's accessory called her over and they left. She couldn't look at Harry, couldn't imagine that her favorite teenage singer, her current best friend, was in love with her, a foreigner new to show business.

It had been 15 days since the show had aired. There was still some murmuring on the social networks, Harry and Y/N had come in to check what they were talking about and most had picked up on Harry's words, they had even gotten pictures of them both from the day of the party on the yacht. It was clear from the whole thing.

But they hadn't exchanged a word, their friendship was shaken and Y/N couldn't stand it anymore.

On her day off in London, she took a coat since it was autumn and considerably cold in the late afternoon. She had always been a person who liked to dot the i's and cross the t's. Why was she running away this time? It was Harry there. It was Harry declaring that he was in love with her. What was the problem? She had been in love with him since she was a teenager, the Hollywood world was attractive and fantastic, but to whom could she be sincere, be herself, be the Y/N who left Brazil in search of opportunity and conquered the world? Except for her family, Harry was the only person fit for the job. Him. Only him.

Harry lived a few blocks away, she closed the apartment door and left the condo, there were no paparazzi, not that she had seen.

She pulled up her black hoodie and put her hair over her face, walking quickly through the cold streets of the chic neighborhood.

Braving some closed pedestrian signals, she arrived after a few minutes at the brown stone wall and black gate.

She had the key, they were so close at that point. They trusted each other.

Entering and closing it quickly, she saw some lights on. Y/N hadn't wondered if Harry was accompanied by someone else, his producers or his family.

Her finger slid between the detailed gold knob and opened the door, the wind and the smell of Harry's perfume went straight to her nostrils, filling her lungs.

She stepped inside and took a deep breath. Her heart seemed to throb close to her throat, and as cold as it was, she was sweating.

"Harry?" She called out. "H?"

No sound, no "I'm here!" The alarms hadn't gone off, he could be in the shower or in the studio composing something.

"Harry! It's Y/N, we need to talk!" She said a little louder "If you're with someone, I'm leaving..."

She walked to the center of the huge decorated room, there were some golden items, it was Harry's face. Y/N smiled as she touched a beautiful vase on the table. She couldn't lose him. She loved him, loved his way, his voice, his everything.

"Y/N." She heard Harry's husky voice, behind her between two sliding doors. It was his home office.

Harry was wearing a robe, his face had a sad, tired expression. His hair was not as she was used to seeing it. It was just the way it was. His nose was red, as if he had just cried.

That was it.

"Hazza!" Y/n murmured, walking slowly over to him, who bowed his head in shame.

"What was it?" Without denying his Aquarius side, Harry answered short.

The woman took a breath of air, until she walked more quickly in front of her best friend, stretching her hands until she held his face and joined their lips.

If you could see their stomachs, it would be something similar to fireworks in Copacabana on New Year's Eve.

Harry pushed the doors aside and took his best friend by the waist, pressing her against him.

How much he had dreamed of this. How much he wished it would happen. Their lips were warm, their tongues met, caressing each other, the sighs were audible, Harry couldn't help but smile at that.

"Forgive me." Y/N pulled away minimally whimpering, stroking between his best friend's jaw and neck. "I'm not afraid when I'm the superhero, but in real life... I'm a coward."

Harry shook his head negatively.

"I shouldn't have exposed us like that." Harry passed his hand over his girl's face "But I had to tell the truth."

Y/N agreed, putting her arms around her best friend's neck, hugging him tightly.

"I'm glad you came." Harry murmured. "I couldn't stand another day without talking to you."

"Not anymore, babe. I'm yours from now on."

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Any suggestions?

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To @leeroysdancer ;)

#harry styles #imagine harry styles #harry styles fluff #harry styles x reader #harry styles x you #harry styles fanfic #fanfic #imagine #harry styles writing #harry styles one shot

[katnissmellarkkk]

Gravity

Hi! Okay, so here’s chapter two of my growing back together story, inspired by the prompt “I won’t hurt you” @rosegardeninwinter sent me. I also posted this fic on AO3 under the title Gravity (like the Sara Bareilles song), if that’s where you prefer to read. And here’s a link to chapter one of this fic if you wanna read and haven’t yet.

Also I know I said in my first author’s note that there will be three chapters, but there might be a bit more.... we love an over-writer, right? 🤷🏼‍♀️🤦🏼‍♀️

I don’t know if you’re “supposed” to post every part of a multi chapter fic on here? Or just post the link to it on AO3? But for now I posted it in its entirety on here 😊.

Anyways, hope you like it! And thanks to anyone who reads! 💖💖💖

/

A couple months later.

We slide back after that. I don't know if that night-the night he had a nightmare that I died and we slept locked in each other's embrace-moved too quickly for Peeta or if he thought he was protecting me from him, but when morning light came, he was gone from the bed.

I didn't see him again until the following evening, helping Haymitch feed his rambunctious geese in the yard. He didn't speak to me for four more days after that, and when he did, it was to ask what kind of bread I wanted him to bring for lunch the next day.

I pretended to his face that it didn't hurt. That waking up in a cold, empty bed, in a house he all but abandoned until I had evacuated, that sleeping in his arms and awaking so abruptly alone, didn't hurt. I did what I had taught myself to do as a child and I turned my features into an indifferent mask, shutting off all access to my emotions. Destroying any possibility of anyone witnessing my vulnerabilities.

But I knew deep down, it did hurt. It hurt badly.

I didn't speak to him directly the first week he showed up for lunch and to work on the memory book again. I got by fine without addressing him directly, as Haymitch somehow sensed the bubbling tension between us and stayed sober just enough to remain alert for all our shared meals. He helped with the memory book, helped by adding in a snarky comment here or there to reel our focuses onto him instead of each other.

I wanted to say thank you but I never knew how. I doubt Haymitch needs me to verbalize it anyway. One night, as he follows behind Peeta to leave, his hand grazes my shoulder and gives it a squeeze and I know he's much more aware of the dynamic between his old tributes than he leads on.

But weeks after the night in question, the night that set Peeta and my friendship back months, we receive a telegraph from Effie. A telegraph that shakes the small amount of stability we've managed to build in the time since the war.

Apparently President Paylor has decided to move forward with arena destruction, an idea mentioned a few times by Plutarch on Caesar's talk show. An idea I didn't take seriously until now.

Paylor has decided to build a memorial for each of the arenas, for each year the games ever took place, to immortalize our history, so Panem can never forget how cruel and inhumane things once were. But first, she wants to eliminate the actual Hunger Games arenas, once and for all, before putting the memorials in their place.

My initial thought, months ago when Delly showed me Plutarch and Caesar discussing the idea, was that this would takes years to happen.

I was, once again, so clearly wrong. The plans have been expedited and the order in which each arena will be decimated has been swiftly decided.

All that alone doesn't sound terrible. I'd like to see those death pits crushed, burned, torn down, eradicated, or all of the above, by any means necessary. Only downside, initially, is that this will extend me—and Peeta and potentially all the other victors—remaining in the forefront of the public's mind.

Since the war, all I've ever wanted was for everyone in the country to forget who I am. I don't want to be known anymore. I just want to be left alone, to a quiet and peaceful and relatively simple life, without anyone ever recognizing me again. Without anyone thinking of me as the girl on fire, as the Mockingjay, as the sixteen-year-old who volunteered for a sister who was doomed to death anyway.

But, of course, there's a catch. There's always a catch.

Plutarch thinks it would be great to have the living victors be there—televised—in the Capitol and see the arenas before they're bulldozed.

Even with this dreadful proposition, I thought I had time to think of a way out of it. When Effie first sent the telegraph, I thought that I would have years before having to worry about going back to the places where my nightmares started.

Well, some of my nightmares, that is.

After all, it takes time to destroy something as large and as vast as an arena-excluding the way I destroyed the one in the Quell, that is. I figured-I rationalized, really-that by the time they got to number Seventy-Four, I would have a solid excuse to get out of attending.

I guess though they wished to start with the big years and the first decade of the Hunger Games wasn't very eventful, apparently—lucky them—so the first arena they wish to bid farewell to is the one from the second Quarter Quell. The Fiftieth Hunger Games. The one that was so strikingly beautiful and almost entirely poisonous.

The year Haymitch Abernathy, from the lowly District Twelve, won.

And being also from Twelve, my presence, along with Peeta's, suddenly became of the utmost importance as well.

At first, I still try to opt out of the event. Even after Effie chastises me over the phone, like not a day has passed since she was my escort, and even after my mother claims in her letter that it could be cathartic for me, I do not relent.

Delly and Thom and a few of the others in the community, like Kanon who runs the candy shop two stores away from the bakery, and Greta, who helps with the dusting and mopping all over town, try to say that it could be good for me. Greasy Sae claims it can't be worse than actually living through the games, and I silently appreciate her much more blatant statement than the comforting platitudes others try to provide me.

But it all falls on deaf ears in the end.

Because the only person I truly listen to is Peeta. Even bitter and wounded, the only person I really hear is him.

Unfortunately, as irritating as it is sometimes, his voice will always reach me when others can't.

But we don't ever have an actual conversation about it. Five days after Effie calls to announce the news, to tell me unequivocally that my presence is requested, Peeta sways me to go with just a look.

He comes over later than usual and brings extra bread and pastries to go with the deer meat I hunted. We feast silently, the air between us still incredibly awkward, when, without warning, our old mentor comes crashing through the door unceremoniously.

I don't know how much alcohol he consumed, but it's enough to knock even someone with Haymitch's tolerance off his feet.

By the end of the hour, the older man is practically beating his head into the wall of my dining room, screaming the names of dead children and about force fields and axes. And from across the kitchen table, Peeta touches my arm—the first time he's voluntarily touched me in weeks—and my eyes meet his, blue pouring into gray, and silently he begs me to go for the goodbye ceremony to Haymitch's arena.

And I give in. Not just for him. But also, in large part, to repay the caustic, miserable drunk that kept us alive. To support the unpredictable, temperamental man that I do consider my family somehow.

The ceremony is set to take place weeks later and the time does little to alleviate my anxiety. Peeta and me still don't speak much, but come time for lunch or dinner, there he is, in my house like clockwork.

When I point out, a few days before we're due at the train station, that there's a very realistic possibility that the Capitol won't let me go to the ceremony, Peeta casually says, "I already cleared that with Effie and Plutarch."

I shoot him a look of surprise. "You did?"

Shrugging nonchalantly before turning back to the rabbit on his plate, he murmurs quietly, "Thought it'd give you one less thing to worry about."

The ceremony is nothing like I expect. Somehow I figured there would be an obnoxiously large television crew, loud speakers, prepared speeches on written cards, awkward directions and crowds upon crowds of people surrounding us, asking pointed questions, shooting invasive stares and pressing for reactions to their nosy accusations. I expected those accusations to be directed at me and Peeta especially.

Instead, there's none of those things. There's no crowd at all, it's just us victors. Just Enobaria, Johanna, Annie, the three of us from Twelve and Beetee—who I still can't make myself so much as look at, reminded of my sister's absence and his role in it every time we so much as stand in five feet vicinity of each other.

The camera crew consists of Mitchell, Pollux and Cressida, along with two unfamiliar, but seemingly non-threatening faces. There's no directions, no prompting, not close ups or reshoots.

All that happens is Paylor makes a statement that the crew films, stating that the arenas will be destroyed one by one, and in the place of each there will be an individual memorial made, as we victors stand in an unorganized, crooked line that will surely make Effie cringe when she sees the footage on television later.

It's almost peaceful, I think to myself in surprise, as I look around at the location. The sky is a stunning cobalt, even more brilliant in person than in the video Peeta and I watched on the train so long ago. The meadow looks like the grass is fresh, like it was just watered yesterday. The mountain is so breathtaking I have to physically tear my eyes away from it and even the woods look rather cozy. Or maybe that part is just me.

There's also arraignments of flowers, just like in the footage we watched, that spill every which way, filling our noses with soothing, floral scents. It feels unnatural to say about a place set up for murder, but with the deadly poisons lurking at every turn eviscerated, I almost can find this arena truly beautiful.

Of course though, it's not my arena.

It's Haymitch's and he looks like he's about to be sick. He's white-knuckled it for a few days without any sort of drink—to my, Peeta's and, even Effie's, visible shock—and I can see plainly now that he's absolutely regretting it. His eyes are hallow and wild at the same time and I can see his shaking palms beneath the sleeves of his jacket as he stares out at the source of his every nightmare for the last quarter century.

It shocks me that he didn't find a way out of this. Actually, it shocks me still that these ceremonies are even possible.

I never knew they kept arenas after the games were over each year. I never realized they kept all seventy-four death pits, haunted by child sacrifice, the way you keep old vases on a shelf.

At this point though, it's just another thing to add onto the growing list of horrific and unthinkable issues that the Capitol doesn't even grasp. Keeping the haunted graveyards of children as souvenirs shouldn't sit right with anyone, I don't care how you're raised.

I tell myself to not be so quick to judge, as I can't know who I'd be if I had been born in the Capitol instead of the districts. Still, the idea of condoning the things they have without remorse or shame seems unthinkable.

I'm torn out of my thoughts when Cressida speaks. "Is there anything you'd like to say, Haymitch, before we finish filming?"

Once again, catching me off-guard entirely—he's full of all sorts of surprises evidently—Haymitch clears his throat and looks down at his leather boots before speaking. "Ardor. Garnett. Dolan. Silver. Ryker. Artemis. Slayte. Pistol. Lex. Mac. Lumen. Gig. Brook. Aqua. Mary. Ripley. Lyme. Watt. Rocky. Gio. Belle. Raven. Kia. Mecko. Barker. Jack. Holly. Briar. Essie. Stitch. Coco. Paul. Mira. Miller. Coop. Harvey. Butch. Cutter. Bea. Skinna. Basil. Sunny. Rip. Spring. Oaker. Terra. Maysilee." He lists off the names in a way that is so matter-of-fact that it would almost be robotic if it weren't for the hoarseness in his tone that grows stronger with every name he utters. He hesitates for only a moment before adding, "Corentine. Alannah. Alastar."

There's a long stretch of silence, where no one speaks, no one blinks, no one even breathes. We all know instinctively who these people are—I know solely from Maysilee Donner's name being called—but we still wait until Haymitch speaks again, to confirm our assumption.

"Those are the names of all the people this arena killed." His eyes grow glassy and his brow furrows in anger as he fights desperately to repress his emotions, and suddenly I have the strangest urge to hug my mentor, to make him feel better like he tried to do for me once when Peeta was stuck in the Capitol and I was distraught. But I know it wouldn't be appreciated or wanted, and quite honestly I'm glad for that, because I don't even know what to say.

The last three names Haymitch said stick in my head for some reason I can't explain other than an odd gut feeling. But then he speaks again, an in a voice growing gruffer by the second, he says right into the camera, "that's every single person who was killed because of the second Quarter Quell."

And, like I should have known all along, it hits me the last three names are the names of his family who were murdered to punish him for the stunt with the forcefield.

The last three names are the murders of the last people he loved. Until me and Peeta came along.

As if his thoughts matched mine, Haymitch suddenly shakes his head and his eyes widen again as he stares past all the rest of us, as he continues to take in the exact place in which life as he knew it, twenty-six years ago, was altered forever.

His reaction is more understandable and genuine than I imagined he would ever allow it to be, especially on camera, and I want to say something but me and him both aren't good at saying anything, and I find myself looking to Peeta, hoping he'd know what to do.

Peeta doesn't meet my gaze though. He's solely focused on our mentor and just when he opens his mouth to speak, the older man to suddenly shake his head in our general direction and clears his throat.

"I'm done. Tell Plutarch I'm done with this crap. Just hurry up and bulldoze this place so I can go back to Twelve," is all he says to Cressida as he storms off, but his voice is rough and caustic once again, and I can only hope he recovers from this event soon enough.

Somehow, witnessing Haymitch relive his games, even through the shield he so obviously puts up to the outside world, triggers me though. For some reason, I feel my eyes begin to water as I look around at the meadow, at the mountain, at the golden cornucopia, and wonder how anyone could build a place where kids would eventually go to die? How could anyone have ever been so inhumane? How could a country just accept it? How did we live for so long with the Hunger Games overtaking our lives and still remained complicit? I don't understand. The more time passes, the more days I'm separated from the war and from the old world and the old way of life, I just can't comprehend anymore how we ever lived in a place so horrific.

I feel my eyes spill over and I'm grateful that Cressida has stopped filming already, because if Plutarch saw any tears on film, he would make certain it ended up on television.

I wipe my tears with the heel of my hand, trying to go about it as subtly as I can, hoping no one else notices. For the most part, I'm golden. Enobaria is already exiting, with Beetee following not far behind. Jo's back is to me while she speaks to Annie, though as per usual, she seems to be irritated.

Of course, it's too much to ask for everyone to remain oblivious to my waterworks. Even as I rid myself of them before they become widely noticeable, I feel Peeta's eyes train on me and know, despite the distance between us for the last few weeks, he isn't going to ignore my upset.

To my surprise though, he doesn't speak. He doesn't utter a single syllable.

Instead, I feel his large, warm palm slip into mine and squeeze tightly, lacing our fingers together, in a way we have done thousands of times before. Like two puzzle pieces coming together to complete a picture, like two indivisible teammates that will fight against anything that is thrown their way, like two halves of a whole finally finding each other, his hand grasps mine with a vengeance and I know I won't be the one who let's go.

He's still holding my hand when we board the train, hours later.

//

A couple weeks later.

"Yes, Mrs. Greenstead, I will get the chocolate nut loaf and a platter of the cranberry cookies wrapped up for you... Yes, it will be ready by the time you arrive... No, I promise they won't be cold," Peeta assures through the bakery telephone—a new addition that Thom and his wife thought was necessary to run a proper bakery. So necessary they bought it for Peeta as an opening gift.

It's not that the gesture wasn't nice or that Peeta didn't deeply appreciate it. I personally saw that he did, wholeheartedly.

But seeing it on the wall every day was just another reminder to me of my own personal vendetta against the integration between the Capitol's way of life and the districts'.

The only place telephones used to exist, outside of the Capitol limits, was the houses in Victor's Villiage, and if I'm being honest, I wish it would have stayed that way.

Maybe I'm being selfish, as I happen to still reside inside a house that once belonged to the said village, therefore I already had experienced this luxury prior to the new world. But I just can't make myself break the association between the items that had recently become readily available for all and the horror that was the Capitol.

Still though, the change was inescapable Telephones, cameras, heating pads, curling irons, quick bake ovens, cars and so many other items, were all growing in popularly across each district. Not that I was able to see a lot of these changes personally. But letters from Annie and my mom, and the occasional—unprompted and yet still begrudged—call from Jo, all kept me informed. Sometimes more informed than I wished to be.

Maybe I would feel entirely different if these inventions were brand new to me. But they aren't. I'd seen and used every one of them before. Their novelty had always been lost on me, perhaps because my only experience them was while inside the Capitol, surrounded by tacky colors and strong rose scents and itchy materials, headed for a death match, my life and the lives of those I cared always at great risk.

Of course, the new item in the bakery did make some things easier. Days like today are a perfect example.

Harvest Day is only one day away and everyone is coming in for their breads and their desserts. Peeta says it was always one of the most popular days, for as long as he can remember. Only difference is, before the war only Peacekeepers and town folks could afford to purchase anything. And generally, most citizens who even did come in, could only purchase a limited amount of items.

Not now. I don't know where everyone in Twelve was coming up with the money or if Peeta's prices are just a drastic drop from that of his mother's, but today, I swear I've seen every citizen in town inside the bakery.

Makes me glad that the portrait of me is hanging in the back, where no one else can see it. As pretty as it may be, as talented as Peeta is, I don't want a giant version of me displayed for all to see.

"Here you are," I politely say, handing two loaves of warm bread to a man who must be new to Twelve, as I've never seen him before. I'm debating on asking if he moved here recently when he passes a bill to me over the top of the pastry display.

"Thank you, hon." He smiles at me, looking at me a little too closely for my liking, as he swiftly walks out the door. His exit is met with the arrival of Val, a boy Peeta and I went to school with, who definitely was more Peeta's crowd than mine.

Val is a regular customer at the bakery, having always genuinely liked the Mellark family. His parents owned a small carpentry shop four spaces down from the bakery, and even with both them dead, he and his two sisters rebuilt the store, taking over their parents' legacy.

Peeta though is more focused on me now than Val's order. "Give me a second," he calls to his old friend, a little less polite than he had been all morning. "Katniss, what's wrong?" He asks urgently, seeing the look in my eyes.

I shake my head and push away the anxiety threatening to close in on me. "Nothing, just..." I hesitate, not even wanting to say it. Peeta's gaze refuses to lessen though and I sigh before finally mumbling, "That guy. He creeped me out. The way he was looking at me so closely..."

Peeta's hand touches my arm for a brief moment before pulling it away, making it obvious that he regrets the small act of even so much as touching me. But his words are still calming and they relax me a little. "He's gone now, Katniss. And if he scares you, I won't let him come back, okay? There's nothing anyone can do to you or me anymore. We're safe."

I nod, knowing the words like the back of my hand at this point, as it's the same mantra we always repeat to each other, every time one of us begins to panic or flail. But still, I open my mouth to refuse his offer. I don't want Peeta to turn away any sort of business. Not with the unpredictability and uncertainty this new world still rests on. We never know if the bakery will sell anything tomorrow or if all sort of income will soon dry up.

And we're the lucky ones, financially speaking, who were rich before the war and allowed—in a generous declaration by President Paylor—to keep the entirety of our money after. I don't have to imagine the anxiety others in the country must be in, knowing the curse of poverty all too well. I wouldn't wish that feeling on anyone.

"I don't want you to turn away people," I say quietly. "Not on my account. You need business to keep this place afloat."

"I have plenty of money, Katniss," he reminds me, a little darker than I expect. "And I'd rather you feel safe than own a popular shop."

His words unexpectedly touch me, unexpectedly cut right down to the depth of my bones, exposing my soft underbelly. I'm about to do something stupid, like touch his hand, when Val makes his presence known again. "Your shop is already the most popular in the district," he points out, not even a little ashamed for having listened to our conversation. "And besides, why don't you just look at the guy's name? Maybe you can look him up, see if he's alright or not."

Peeta gets a glint in his eye. "That's a good idea, Val, thank you." As he moves towards the register to, I can only suppose, look for the man's receipt with his name and signature, he gestures to his school friend. "Katniss can get your order."

I shoot him a glare, only half kidding. I did come to help out, here and there, today but I did not intend to be an actual expected employee. For free, no less.

Instead of saying anything though, I just grab Val his three cinnamon rolls, his two snack cakes, four bagels, white chocolate donut and a loaf with raisins and cranberries.

Val, like Delly Cartwright, was always one of the few people in Twelve who had a few pounds to spare.

Peeta has a type of friend.

"Found it," Peeta now calls, bringing over a slip of paper to where I'm handing Val his three bags of treats. "His name was Rod Catamaran."

Me and Val, for the first time perhaps, exchange a look between us. "That's an odd name for Twelve."

"I've never even heard that name before."

"He may not even be from Twelve, guys," Peeta says.

I roll my eyes. "Because a bombed out district is really a tourist attraction."

"Hey, none of that," Thom calls as he walks through the front door of the bakery, with Kanon Bagley on his heels. "We've rebuilt this place beautifully and negativity is not appreciated here."

"Yeah, Katniss," Peeta chimes in, teasing me. I'm about to kick him in his only real leg, as we're the only two behind the counter and no one else will see, when Kanon speaks up.

"Can I buy a couple of pastries?"

"Of course," Peeta says kindly, walking around me to personally grab the two items Kanon requests.

Kanon is new to Twelve. One of the few new additions this place gained after all that went down. He's a large man in his early twenties, with dark skin and dark hair and eyes to match. But the only times I've ever interacted with him, he's quiet as a mouse, his eyes a little forlorn at all times and he offers more discounts then he should at the candy shop he recently opened next to the bakery.

He's from District Eleven originally and it takes no real critical thinking to realize he had a hard life, even before the war.

I'm far too familiar with the look of scars etched across the eyes. So is Peeta.

That's why, when Kanon looks down at the money in his hand and realizes he doesn't have enough to afford both pastries, Peeta immediately brushes it off. "That's okay, they're on the house," he instantly promises, handing the small bag over to Kanon with a gentle smile.

"No, I don't want to take it without-"

"I made way too much," Peeta insists, lying outright to make it appear Kanon would be doing him a favor. I know he didn't make too much, because we've been flying through everything today and keeping the ovens hot in case more is needed.

Still though, I back up the fib. "He did. We've been wondering all day how we were gonna sell enough stuff so we don't have to feed the leftovers to Haymitch's geese."

Kanon glances between us shyly, before taking the bag from Peeta's hand and slipping the few dollars he does have into his pocket again. "Thank you," he says softly and turns to leave.

Thom pats Kanon on the back as he passes him, before turning to follow. When the other man isn't looking, he turns back to us subtly and mouths, "thank you."

I wanted to tell him not to thank me. I only watched Peeta make this food, I didn't assist by any stretch of the imagination. I didn't own the bakery or do anything with the money or finances. It was not my choice to give things away for free.

But I'm far too focused on the boy in front of me to say any of that. The boy with the bread, the boy who isn't really a boy anymore. The boy who just gave away food for no reward at all, even on the most demanding and strenuous day all year for his business. The boy who just showed Kanon Bagley the same kindness I begged someone-anyone-to show me at eleven-years-old and not one single person did.

Except for him. He did for me all those years ago what he did for Kanon just now, and I suddenly have the most inexplicable, irrepressible urge to kiss Peeta right then and there, in the middle of the bakery.

I don't, however, and it's for once not because I lost my courage. It's because the door swings open again, just as Val exits right behind Kanon and Thom.

It's the same man from earlier. "Hi," Peeta greets, this time not at all sweet. Clearly recognizing the man as the one who made me nervous before. "Can I help you?"

"Yes," the man affirms, his tone brighter than you'd expect given our chilly reception. And our blatant wariness for anyone new. "I forgot to get a pecan butter cake before?"

There is a beat where me and Peeta exchange a look, before I awkwardly move towards the display case and begin to pack up his item. Peeta waits for me to decide to help the man before starting to ring him up.

"That was a nice thing you both just did," the man says as he patiently watches me fold the white waxy paper over his pastry. "For that guy."

"You were watching?" Is the only thing that comes out of my mouth.

"Only for a moment," he explains, his tone still friendly. Either he doesn't know how to read people at all or he's the most even keeled person in Panem.

Because I know I'm being rude, to a man who maybe doesn't even deserve it, I force myself to say one thing conversational. "This is my mom's favorite dessert," I offer, gesturing to his cake.

The man raises his eyebrows in an act that looks almost feigned. "Really?"

I instantly regret trying to be even slightly pleasant. Even his mannerisms seem fake. I'm contemplating if I should say anything else or go hide in the back room with the warm ovens and my portrait, when Peeta presses a button and the register dings.

He's about to say the total when the strange man shakes his head and hands to me directly an unfamiliar bill over the display case. "Have a nice day, you two," he calls, grabbing his cake and swiftly walking out.

It's not until he's gone, not until I have a moment to process the second weird encounter with the odd person, that I even glance down at the crisp bill he handed me.

It's a bill with a larger number on the back than I've ever personally seen before. I knew these kinds of dollars existed—I'm sure I could have gotten plenty after my first games—but I'd never seen one in the flesh.

Peeta sees my reaction. "What is it?" His voice sounds alarmed and he's stepping closer to me, but all I can do is gasp out his name.

"Peeta, look." I hold up the bill and point to the number on the back.

His eyes widen too, taking in the amount with a dizzy smile. Of both relief that nothing's wrong and excitement at the digit.

"Do you think it was a mistake?" I ask suddenly, looking over my shoulder towards the window, wondering if we should track the man down and give him his money back, before he evaporates into thin air.

"No?" Peeta shakes his head, the wheels in his mind turning quicker than mine. His face turns to that of elation, as the large bill takes some pressure off the bakery's sales. "No, he said he saw us give Kanon a break. He was giving us something in return."

I'm about to say something else, I don't even know what, but it all flies out of my head when Peeta suddenly wraps his arms around my waist and swiftly pulls me into his embrace.

My entire body goes into lockdown and hypervigilance at the same time. I can't move an inch but it feels like every nerve in my body is abruptly tingling and on fire.

My sweater lifts up slightly and his bare arms graze my lower back, eliciting a shiver to run involuntarily down my spine as his face buries into my hair.

I wrap my arms around his neck after a beat when I can make myself move again, and I feel him smile against my skin. I'm so glad at that moment he's holding me up, because if he wasn't supporting my weight I'd probably crash to the floor, unable to even feel my legs beneath me.

And, as a rush of heat shoots out from the place where Peeta's lips brush my collarbone, I suddenly feel only gratitude, not irritation, at the strange Rod Catamaran.

//

Four days later.

The world surrounding me is green. Green and brown and fire-bitten and scorched. Every which way I spin, there's embers soaring from that direction too, waiting to lick me with their burning flames, ready to decimate me once and for all.

But through the smoke and haze, I still can see between the trees two blonde braids. I still can see a small figure standing on the other side of the fire. I still can see her shirt that's come untucked in the back, creating a duck tail that I desperately want to fix.

Just as I notice her, she whirls around to face me, her blue eyes big and bright and terrified. "Katniss!" She screams, the same way she did the last day she was alive. "Katniss, help! They're coming!"

I don't know who's coming or what's happening or where we even are, but all I feel is relief somehow. Relief that she's here, that I'm in her presence again, that she's almost within my reach. Instinctively I call out, "Prim!" Just so I can finally get a response to the name I've been shouting into oblivion for almost a year now.

"Katniss, help me!" She cries again and then looks over her shoulder. She's not talking about the fire between us, as it doesn't seem too intent on heading towards her.

I don't know what's coming or who she's afraid of, but my instincts now go into overdrive. My body suddenly snaps into alert and I whip my head around, to see if I can find an opening in the fire closing in on me, if I can find a way to get to the sister I lost what feels like only yesterday, if I can find a way to save her this time.

There's no gap in the fire though. It's crowded around me, front, back and side to side. The more seconds that pass by, the closer the fire folds into my proximity, and I have to brace myself before making a split-second decision.

But it's not really a decision at all. Prim needs me and I cannot fail her. I have to save her this time.

I take a bold step directly into the fire, with every intention of running through it somehow. Of running past the wild embers, scorching myself no doubt, but still making it over to my distressed, frightened little sister. But it doesn't work like I expect.

But really, does anything?

These flames are nothing like the fires I've encountered before. And I've been around more fire in my life than anyone ever should.

No, these flames don't burn me. They don't hurt me or put me through agony or singe me to pieces. They don't melt off my makeshift coat of skin and they don't further decimate it either.

Instead the fire feels like almost nothing. Like something almost itchy, something almost irritating, something almost painful. Something that make me want to squirm and scream and escape all at the same time.

Which is real ironic considering what else it seems these flames do.

They seem to hold me into place. The second I'm in their hold, instead of the horrific pain I thought I'd be in, I'm trapped in a series of almost nothing.

I'm not in excruciating pain physically, but seeing my sister standing ten feet from me, and not being able to move any closer, not being able to protect her from whatever she's terrified of, is worse than any amount of injury this fire could have inflicted.

"Katniss!" Prim screams now, her voice only growing in its frantic nature. "Help! Why won't you come help me?"

I try to scream, try to tell her I want to but I can't move. But it turns out that these flames also paralyze vocal muscles.

"Peeta's dying!" Prim yelps out, looking behind her again, her hands beginning to shake in a way she almost never let them in life. She always tried to keep it together, to remain calm and rational in a crisis.

Her words elicit something entirely new inside of me though. "Peeta?" I yell in confusion, my voice suddenly no longer paralyzed.

"They're killing him! Katniss, please, why won't you come here? We need you!" Prim is close to hysterical now and frankly, so am I.

"I'm trying! I just," I move my hands down my body, trying to push the flames away as they rises up to my chest, trying to just break free from these fiery chains once and for all. "The fire, Prim! I can't get out of the fire."

Prim's voice drops then, loses all source of fear, every ounce of panic. Loses any semblance of emotion. "Katniss, there is no fire," she states blankly, her eyes looking directly at the embers covering my stomach and legs. "There's nothing there."

I just look at her for a moment, completely speechless. Her words are inconceivable, her eyes are haunted now, her facial expression is unrecognizable. Even her voice doesn't sound like hers anymore.

Before I can comprehend what's happening, in the distance a gunshot goes off.

Prim delicately glances over her shoulder now, her blue eyes cold as ice. "He's dead," she informs clinically, before sighing deeply, her tone almost disappointed. "And so am I."

I don't know what happens next or how it occurs, but I fly upwards in my bed with such a start, I give myself whiplash.

I hear a loud screeching noise hanging in the air, a hoarse trepidation that almost makes me feel better. I don't know why but someone else screaming in the middle of the night gives me hope, as sick as that may be.

Only it's not someone else, I realize, as my throat burns raw. I realize with startling clarity that I'm the only making all the noise. I'm the one shaking so tremendously. I'm the one who is sobbing.

"Shhh," a voice whispers against the darkness, and I flail involuntarily at the shock. "Sorry, sorry," Peeta instantly apologizes, his hands gripping my arms with a little too much intensity, trying to still my shaking. "It's okay, Katniss, you were just having a nightmare."

His words do precious little to calm me down though. "She was there," I cry, the image, the feeling, of Prim standing only ten feet from me and not being able to reach her too painful for me to unsee.

"Who was there?" He asks tenderly, his hand coming up to cup my cheek. "Katniss, breathe."

I don't even bother listening to his advise. I haven't exhaled since I was eleven. "Prim was there. She was begging me to save her and then I couldn't, I was trapped but-but," I cut myself off, unable to form coherent words and thoughts any longer.

Peeta gets the gist though. "Come here," he whispers and pulls me into his arms, like he used to on the train, when my nightmares woke us both three times a night. "I'm so sorry, Katniss," he says softly now, and rubs my back in a way that elicits goosebumps. His way of trying to soothe my shaking. "I'm sorry you had to see that."

"You died too," I blurt out then. I don't even know why I feel inclined to tell him.

"What?"

"I was stuck and I couldn't speak and then Prim said you were going to die and I got scared enough that I could talk again and I thought-I thought," I stumble breathlessly, my tears pouring out against his shoulder now.

I feel his lips touch my cheek and I'm too upset to revel in the feeling of blood rushing there. "It was just a nightmare," he promises.

But my sentiment is unfinished. "I thought I could break free, that I could-"

"Katniss," he halts, still holding me in his embrace, rocking me slightly. "It wasn't real. I promise you, it wasn't real."

Those words, the words so often said to him by me, ring a bell that I didn't want to ring. It snaps me back into reality abruptly and without warning, I feel like my chest is going to collapse.

Because this means Prim wasn't really there, that she still is as dead as she was yesterday, that I still watched her explode into pieces all over the bombsite in the Capitol.

I still failed to protect her.

Peeta pulls back slightly then and rests his forehead against mine. "It's okay, Katniss," he says again, trying to calm my trembles by rubbing my arms up and down.

"How are you in my house?" I realize, with an intense sudden clarity. "How are you here? Are you real or am I still-"

He quickly puts me out of my misery. "You gave me a key, remember? A long time ago? We gave each other keys to our houses."

Oh. Right. I forgot all about that when he had his nightmare, didn't I?

Good thing he's an idiot who keeps his door unlocked at night.

He's explaining further before I can think to ask. "I heard you having a nightmare from my house. That's why I rushed over here."

I'm caught between embarrassment and gratitude. "Sorry, I really don't know what brought it on."

"Hey," he quietly reprimands, lifting my chin now to meet eye contact. "Don't apologize. No one understands nightmares like me."

I nod, accepting his words, though still a little uncomfortable with screaming for all the district to hear at two in the morning.

Then again, our entire neighborhood is Haymitch and the two of us, and our mentor was drinking like a fish last night so really, the only person who could have heard me is already sitting directly in my eye line.

To punctuate his words, when I don't respond verbally, he lifts my hand up and brings it to his lips tenderly.

And I don't know what comes over me or why. I don't know if it's because we've been growing closer again lately or if I just haven't felt his arms around me since days ago in the bakery and I miss the feel of it desperately, but I find myself abruptly throwing my body around his before I can talk myself out of it.

He catches me easily, like he anticipated my reaction and sways me for a long moment, until my breathing begins to even itself out.

"Will you stay?" I rasp into his neck, as I feel his hand tangles in my matted locks.

"Always."

#everlark #thg #the hunger games #everlark fic #fanfic #prompt #everlark fanfic #fanfiction #growing back together #userreese #i think thats what you meant when you said to tag you???? #gravity ♥️ 🌅 🥖