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#also the hair- messier on the non-ambrose side; a reference to the whole monologue about the haircuts they got
averlym
·
8 months
Text
"now, doesn't that look nice?" [insp]
#*chanting* skask skask skask skask-
#vincent aurelius lin
#adamandi
#hello. let's talk about what's going on here! i've been tossing the idea about here wrt skin translucency ever since that post came out
#(it's linked above fyi. but to quote it.) 'attempting to pursue this unachievable white ideal of the young academic; maybe leading to gory
#representations of mimicry; replacement; taking on someone else's skin; altering the self'
#this is primarily key in vincent and the skask; in the actual show iirc they used a jockey mask or smth? but i was thinking about the
#delightful way skin is semi-transparent. and so a literal layer of skin alone would be unlikely to provide the whiteness pursued-
#the under layer of the original tone would be there. so smth about the failure and unattainable.
#additionally; at this point of the show the skin would have been likely yellowing or greying due to post-mortem development? so even more
#Not white. from observations (as a kid;comparing skin tones?) white people have a pinker undertone (this might be. a generalisation but.)
#here the lighting is yellowish to further push the difference + give the super harsh lighting that if you suspend disbelief has some hair
#appear as blonde to further the ambrose-ness.
#also the hair- messier on the non-ambrose side; a reference to the whole monologue about the haircuts they got
#we bring to you also another episode of <i like drawing fabric folds> in the jacket symbolism! from bottom right to top left; it tracks
#vincent throughout act two: the initial long jacket for standing out (nonchalance?) at ardess is removed; the yellow coat is put on- aided
#here by ambrose's ghost which is represented by the hand! (it is very very slightly transparent- you can see the jacket pattern through it)
#(if you look close) and then the satchel goes over it; this mimics the clothes in <oh ms reporter>
#and then the Actual Ambrose jacket goes above along with the skask; following the outfit from the pyre scene at the end.
#the spark/star thing is partially foreshadowing for the upcoming stabby eye trauma thing (@quincy) and partially just so i could highlight
#the eye of the mask/ the place where vincent's eye probably is Behind the mask. because i liked the idea of merging faces; intersection.
#back to the translucency of skin - you can kind of make out where the rest of his face is from the darker bit? aka it's not the same colour
#as the skask. smth smth limited effectiveness...
#tldr? face skin. jacket skin. altering appearance over time; unfeasibleness
#when i was doing this i suddenly remembered covering my skin in talcum powder as a kid... hm. i'd forgotten about that.
#anyways! when i posted my first ever adamandi thing i had the thought of 'this musical makes me want to paint' and surreally enough
#that has proved to be so so true. and ngl i am really enjoying it? love it when the motivation to create is there haha
#i will add as a disclaimer that i'm literally chinese and if the colours look off.. i did not mean to make a caricature. please be nice
#that said because stage lighting tends to shift colours about a Lot i essentially used my own skin as a reference under yellow light?
#so hopefully that checks out. <disappears>
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