#and managing production budgets is insane work

[pynkhues]

I get your thoughts about what retta said, but it’s just that she is fall out wrong for blaming Manny. That’s not how network tv works. They don’t just cancel a show because 1 side character won’t take a pay cut or renew his contract. That person gets replaced or written off. I grew up in the industry and Good Girls had been looming on the cancellation needle since season 2. It was supposed to get canceled after season 3, but the pandemic gave them a Hail Mary. They were down 20% in viewership from season 3 after an increased budget so of course it was going to get cancelled. That’s basic tv math. Just because the 3 main leads were willing to take a pay cut and have a shorter final season doesn’t guarantee that NBC or Netflix will agree during the negotiations. The real culprit for the show getting canceled is the poor writing, but everyone knows that if you try to blame production you get blackballed. If your show isn’t making networks money then you get the axe plain and simple.

I appreciate your opinion, and I agree on some points, but I really do disagree on others.

Look, quite frankly, I've deliberately not been wanting to wade into this conversation. I'm more out than in with the GG fandom these days, and when I do engage, I'd rather talk about things I enjoyed than get embroiled in a year(s)-old drama.

So I'll say this: I agree with you that Manny wasn't the sole reason for cancellation, but I disagree that he wasn't a core part of it.

The show had already been cancelled by NBCUniversal and it was being picked up by Netflix who's notoriously cheap and usually operates on backend deals - something I know, because I also grew up in the industry (both my parents are producers, and my sister works in costume); sure, I know it's different in Australia, but not that different.

While it shouldn't have been, pretending Manny and Christina's chemistry wasn't a huge draw for the show is silly, and to pretend the network and Netflix didn't know that is even sillier. We saw that all the time with how they played into it and utilised Manny as a core part of promo, so to pretend his departure wouldn't have changed things feels like willingly turning a blind eye.

On top of that, Netflix already had world rights to Good Girls. NBCU was the production company + US distributor, and Netflix had literally the rest of the world. I cannot emphasise this enough: this is a shit deal for producers. It used to be the case that a show made in America like, say, Friends, would balance production budgets based on territory sales. In other words, every individual country Friends sold to would pay for it, and the producers would use that to fund production of the show. Due to the increased stranglehold of 'international' aka American streamers, they're becoming their own world distributors which is great for the streamers and for capitalism, but terrible for production companies, the artists who work on them (it's why no one gets paid residuals anymore), and actually terrible for countries too as Netflix loves not paying tax, but that's a whole other issue.

Basically you no longer get paid per territory. You just sell to Netflix, who can pay you whatever the hell they want.

And like I said, Netflix pays like shit, and usually only pays after the show's been made. They very, very rarely outlay cost in advance, which means producers have to find that money elsewhere to cashflow production.

What I suspect happened was Netflix renewed on a drastically reduced budget that required cuts from the production to the cast to the writing, and were likely only paying at the back what NBCU used to pay up front. This alone was probably already making s5 precarious, and then when Manny pulled out - something that would've required the re-write of a series that had seemingly been drafted already aka sent the writers back to the writer's room resulting in more time and more writing fees, delayed production and contract extensions across the board aka cashflow problems because they have to be in production for Netflix to pay, the budget became unworkable.

In that sense, Manny alone isn't the 'reason', but he's a part of a broader problem that meant production fell through.

Yes, I agree the series was on the bubble for years - in fact, I'd argue since s1, not s2, but I disagree the reason for cancellation was bad writing. If shows got canned for bad writing, Riverdale would've ended a long, long time ago.

Production is a lot more complicated than any one actor, I agree, but to pretend Manny could be written out easily negates a much larger picture.

I think s5 was a house of cards, and Manny was an ace of hearts flicked out, and so the whole thing came tumbling down, and I still don't blame Retta for being upset about that, just like I don't blame Manny for saying no.

The fact that so many people are still big mad about aspects of this show in the tag when they didn't even work on it - - you think they'd understand her being upset about this one when she did.

#producers do not actually get enough credit for the volume of work tha they do #and managing production budgets is insane work #and it's in no way shape or form as easy as just taking manny out #which you should probably know if you grew up in the industry #fuck it i'll tag this one #nbc good girls #welcome to my ama #gg asks

[cgtg]

Randy help… My dad’s been making me watch Adam Sandler movies the whole weekend, as he often does. We’re watching Anger Management and it is infuriating. Im typing out an angry review as we speak >:[ Yes there’s a fuck ton of homoerotic tension but come on, it’s Adam Sandler. The aspect of being yaoiful is canceled out by the horrid… Sandler factor of the entire movie. Im emitting a vast psychic scream. I tell you this because I’m pretty sure we have similar opinions on Adam Sandler and his films. So I need someone to verify that I’m not insane for despising this movie that my dad loves. Dane Cook? Pretty charming, Dave was wrong about him. Adam Sandler? Your Dave is completely RIGHT. I’m rereading the Sandler rap to decompress but this fucking movie refuses to attempt a pastiche of dignity and END ALREADY. Jack Nicholson terrifies me also. Hope you have a good rest of your 4/13, sorry for the long ask im in pain

god gives his greatest battles to his strongest soldiers bro...

i rewatched a sandler movie the other day 2, i wanted to slm my head thru various walls. what a guy

well i heard from a gud friend that he was actually rlly fun 2 work with though, like he kinda just let u do watever u wanted & it was a very lax production whenever he was in charge? which... i kinda respect? the idea that the ppl therewere just having fun with a big budget is kinda gr8 2 me, but i havent looked this up or anythig...

dat being said i actually havent seen anger mgmt yet. *sigh* anuther 4 the list.... rofl

[intosnarkness]

I know absolutely no one needs more SOC modern AUs but my personal brand of insanity is plotting a backstage AU where Kaz has decided to start his own theatre company and brings in the heavy hitters to staff the thing:

Founder and director Kaz Brekker, a control freak with a vision that no one can deny. After being blackballed by his mentor Per Haskell, he’s decided to start his own company and prove once and for all why the way call him the Bastard of Broadway.

Set designer Wylan Van Eck, estranged son of the great Broadway producer Jan Van Eck. Theatrical royalty who just wants to be left alone to draw ever since his spectacular staging of Paradise Lost that almost burned down three city blocks of Chicago.

Fight choreographer and special effects designer Jesper Fahey, known for his avant guard staging inspired by Restoration Spectaculars and Inigo Jones and also for his slight problems with sticking to budgets.

Costume designer and intimacy coordinator Nina Zenik, hotly pursued for her talents after the stunning threepete Tony wins for her work. But that was before she got abducted and held for ransom.

Front of house and marketing whiz Matthias Helvar, a man with the internal precision of a Swiss timepiece and a mysterious tie to Zenik’s ordeal.

Inej Ghafa, production stage manager and all around enigma. No one knows where she came from of what else shes’s done, but Kaz insists she’s the damn best and no one has been able to control him yet, so they might as well let her try.

Can this rag-tag group of young professionals stage the infamously un-performable “Ice Court” or will their fledgling Crow Company go up in flames?

#soc #six of crows #AU #someone please make me stop this #I cannot #I will not #there will be no stopping if you leave me alone #take these characters away from me before I hurt myself or others

[nevertheless-moving]

I posted 162 times in 2022

66 posts created (41%)

96 posts reblogged (59%)

Blogs I reblogged the most:

@nevertheless-moving

@phoenixyfriend

@willowcrowned

@lullabyknell

@twinterrors29

I tagged 139 of my posts in 2022

Only 14% of my posts had no tags

#star wars - 68 posts

#murderbot - 21 posts

#nevertheless meta - 17 posts

#my au - 13 posts

#kenobi spoilers - 12 posts

#kenobi - 11 posts

#murderbot diaries - 11 posts

#tbobf - 10 posts

#stone soup - 9 posts

#ask - 9 posts

Longest Tag: 136 characters

#if you ever feel like singing or danceing or drawing or any of the things you really truly dont have to be good at them for it to be fun

My Top Posts in 2022:

#5

1,026 notes - Posted February 14, 2022

#4

today we celebrate Esther for being nasty hot and sleeping with the right dude. thank u for risking your sugar daddy and also your life. from the bottom of my heart, you fucking rock. now, please join me in doing a shot in her honor.

1,178 notes - Posted March 16, 2022

#3

sorry not sorry but murderbot dropping ‘i was going to kill all humans until i saw sanctuary moon and then i decided i’d rather watch that instead’ on the sanctuary moon team like a space future atom bomb is exquisite.

assistant sound director going home like ‘yeah your other son might be a doctor but guess who stopped a mass murder?’ a couple lead actors developing even worse diva/god complexes than they already had. the insane stress on the production team ‘if we don’t get the next season out when we promised it might snap and kill thousands of innocent people. it probably won’t. but it might.’ the overwhelming preening desire to work it into ad campaigns, acceptance speeches, casual brunches, etc, balanced out by marketing weeping ‘people do not like SecUnits! we can NOT advertise ourselves as the preferred serial for serial killers!’ crossed with that one extremely paranoid dude in accounting going ‘shutupshutup it can and will hear you and it can and will find you and it can and will kill you stoptalkingaboutit.’ the studio allocating a 5% budget increase for next season instead of the planned 5% budget decrease just—just in case. the odd relief the secondary love interest’s actor feels: ‘well when the robot revolution comes i’ll be one of the last to die’. the odd nervousness the primary antagonist actress feels: ‘it knows this is fiction right? it’s not mad at me, right?’ One of the writers who had been increasingly phoning it in over the last few years suddenly quitting drinking and turning their life around because their work has meaning dammit their work has MEANING.

1,898 notes - Posted February 7, 2022

#2

alright so people learn to express themselves through observation, right? it’s one of the reasons facial expressions and perception there of vary country to country, why people might end up more expressive/stoic depending on your parents/guardians pattern of behavior. and murderbot didn’t acculturate itself watching people around it, it hates watching real people. murderbot developed it’s sense of self watching soap operas. tens of thousands of hours of soap operas. We already know it’s face is painfully easy to read, and while murderbot attributes it to not having practice controlling it’s expression without the benefit of armor:

Then she added, “You know, you can stay here in the crew area if you want. Would you like that?” They all looked at me, most of them smiling. One disadvantage in wearing the armor is that I get used to opaquing the faceplate. I’m out of practice at controlling my expression. Right now I’m pretty sure it was somewhere in the region of stunned horror, or maybe appalled horror.  Mensah sat up, startled. She said hurriedly, “Or not, you know, whatever you like.”  I said, “I need to check the perimeter,” and managed to turn and leave the crew area in a totally normal way and not like I was fleeing from a bunch of giant hostiles.

I would argue that it’s not just lack of practice being neutral—due to it’s particular set of formative experiences, it’s default facial expressions are, in human terms, almost absurdly overexaggerarated. That look of horror is the same one the sanctuary moon terraforming supervisor had when she discovered her twin sister was sleeping with her second husband, and they were both planning on framing her for the death of the colony representative.

2,308 notes - Posted February 25, 2022

My #1 post of 2022

There is — god I don’t know how to put this — there is something profound and tragic and senseless in the fact that the disappointment I feel in JK Rowling so closely mirrors the disappointment Harry and the rest of us felt for his role models. Dumbledore saved the world, Dumbledore was manipulative. Snape was cruel, Snape protected Harry. The Marauders bullied, the Marauders loved. 

Rowling’s failure of empathy and the hurt she’s inflicting cuts so deep because I feel immense, inescapable love for the world she gave us all. How can I still love what comes from someone hateful? How can I stop? If I continue to sing praises of her art does that make me hateful?

Stories are important, especially the stories we’re told as children. They shape our character, they form the framework of how we understand the world, they do. And Harry Potter was the story, it can not be understated, and those of you who feel the same don’t need me to explain. And now when I lean on that to understand this sorrow I’m left with a recursive sort of remorse.

It’s a very raw and painful feeling.

3,052 notes - Posted January 1, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review

[arthoure]

For the Nintendo uncle: what would you say is the aspect of game development most players don't understand/don't think about?

First, a caveat: a lot of the inner workings of how games are made are obscured, both on purpose and accidentally, so I don't think it's a player's fault for not knowing any of this.

But as for my answer -- I thought about this a lot, and there was a lot I could've said, but ultimately I think the answer is "Scope."

You don't just get free license to Make A Game. It has to be done on a budget, with a set number of people, in a specified amount of time (or God help you all). There are countless moving parts to manage in that time, all of which are intertwined in multiple ways. Even external factors, like which games are getting released by other companies around the same time, matter immensely. A lot gets changed. A lot gets switched around at the last minute. A lot gets cut.

Everything you've thought of that would've been cool for a game to include, I promise the devs thought of it too and were SUPER BUMMED when it inevitably had to be axed. It's actually pretty common for more to be cut from a game than actually makes it into the game. That's part of making art professionally! Art can always be perfected; that's an endless process. Doing it for a career means knowing what you have to let go in order to get something out the door, let alone under insane pressure from investors so you can keep paying your rent.

But besides all that, arguably the biggest piece of scoping is in marketability. Raw passion and deep psychological knowledge about the human brain and the nature of fun are unfortunately not enough to make money. Games make more money than Hollywood. Even smaller-sized games can easily be multi-million dollar enterprises. And there is a LOT riding on whether the game can make those millions of dollars back, let alone at a profit.

That means The Market, and What Is Proven to Sell, gets to control a lot of what actually makes it into the final product. And in my personal experience, gamedevs have very little control in comparison. We make the game, but we make it to certain specifications and within various constraints.

#violettduchess #sorry this took so long!

[genlossneg]

Any short film or media project can be submitted to film festivals pretty much off the bat so long as you appropriately own all the copyrighted material or have permission to use it

There's hundreds of smaller film festivals that ranboo could've submitted genloss too, including film festivals with focuses on experimental media like genloss is. But ranboo ran straight for an Emmy, the cream of the crop and literally nowhere else

It's both a mix of a massive ego and ignorance. Obviously I go to film school so this information was given to me by professors and it was discussed pretty extensively in class, but if Ranboo was genuinely trying to make genloss into anything, I don't think it's crazy to assume he should've submitted genloss to these film festivals that are much more in the lane of what genloss is

Also what peeves me off is because film makers have a crazy stupid amount of passion. I'm surrounded by them in my classes, my profs, we learn about them. And most of these people also have huge egos, and honestly what I've found is that very rarely can this ego be backed up by any substance.

But at the very least, they have an ego and they're trying to do something with it and actively putting in so many hours

Ranboo quite simply hasn't put in any time to make genloss, much like his extraordinarily misplaced budget, he didn't use his time where he shouldn've (don't worry one day I'll jump into your inbox and talk about the incredibly misplaced budget)

The way my particular program works is we all produce a short film at the end of each semester. We get a crew and actors and locations all on a college student budget and one of my classmates actually submitted their work for a film festival and got nominated for their category (very proud of them)

I didn't because I know my film wasn't very good. Am I proud of it, yes! I'm insanely happy with how it came out. But I have the self-awareness to know overall, it isn't this amazing thing that everyone needs to know about

Ranboo lacks this self-awareness, which along with any art, is absolutely critical for growth. Ranboo has never spoken about how he wishes he had done genloss differently or any regrets he had (aside from time crunch or things they couldn't make work) and that's how I know he didn't actually learn anything from this first run of genloss

Because the reality is, genloss wasn't good. And like my film, Ranboo can be proud of what he did as well as critical of the final product

An artist should always be their own worst critic because then they can see what the did wrong and then try and improve

Ranboo's biggest problems from my very limited perspective is a lack of understanding of how to tell a story, the lack of a backbone. He rushed genloss for an arbitrary reason. The production management was a joke too

To go for an Emmy, you're saying you think you are good enough for the highest prestige and that you believe that you've put in the appropriate amount of time and hours and that your work is worthy of gaining international recognition. And if Ranboo submitted it for the meme, that makes it worse. It shows his complete and utter lack of respect for the craft

Now, do bad movies exist, yes. Do I love some bad movies, also yes. But never have you heard of these directors hyping up these movies the way Ranboo has. And yeah, sometimes movies are cashgrabs. But again, the attitude ranboo carries as the director of genloss rubs me and so many other people so wrong as well as the attitude of boobers who think genloss is peak media. I can easily admit a movie I really like is objectively terrible but I still find enjoyment but boobers would flay you for daring say genloss isn't good (shout out live action Scooby Doo movies. They're absolutely terrible but they're fun to watch and I have fond memories of them from my childhood)

Apologies for the essay

-film student anon

film student anon this essay is wonderful. theres so much here i don't think i could reply to it all, and i really appreciated your takes on film festivals and passion projects vs the emmys. some of my favorite bits:

There's hundreds of smaller film festivals that ranboo could've submitted genloss too, including film festivals with focuses on experimental media like genloss is. But ranboo ran straight for an Emmy, the cream of the crop and literally nowhere else

To go for an Emmy, you're saying you think you are good enough for the highest prestige and that you believe that you've put in the appropriate amount of time and hours and that your work is worthy of gaining international recognition.

so big brain here. i would just keep quoting your ask in my reply because you make a ton of great points of effort not equaling quality.

i think the thing that gets me is that your first try of something is never going to be perfect. even with all the practice in the world your first try always is a bit messy, and that's how you get experience. but by submitting it for an emmy, it implies this first try was perfect, or at least close enough to be considered for such a high award. and like.. it wasn't horrible but it certainly had flaws.

i'll be so curious to see what happens with all this when the nominees get announced and what the fandom does with whatever happens

#gen loss neg #gen loss crit #ask #emmyloss

[studentofetherium]

okay but like. seriously. please stop using "budget" as the be all end all of anime visual quality. animators are paid like shit no matter what. what matters more than money is the amount of time being given, the conditions animators are working in, and who is leading the team. a production where the animators are treated well, aren't being rushed by an insane deadline, and are being led by someone who is good at their job will do better than a team being forced into crunch mode from the start, being led by someone who can't manage teams well. budget doesn't change these factors

the reason why so many anime these days look bad is because they're not being given enough time. with the industry being busier than ever, companies would rather make two shows that look bad than one show which looks fantastic

[twopoppies]

Cause I'm nosy I did some asking around about tour finances 🤣

On a very basic level the label will have a set amount of funds for the whole tour usually broken down into a budget per show. Typically worked out by a previous tour plus a little bit if it's bigger

If then the artist wants to do something to the production itself that isn't already included in that (think pyro) - theres either negotiations or the artist themselves covers it as part of the tour payout & then has an extra bit back outside of performing costs.

For unlabelled new artists this is why tours are practically unheard of. & For established unlabelled artists (think composers) they tend to go all out and then nothing for a few years or curate shows so the overall production cost is less - either funding it themselves or via a production company

Ignoring the cost, touring is massive for any artist and more often than not does wonders for the artist and enables them to carry on but also provide funds to go bigger and better next time

Honestly, when I think about the scale of a tour like what Harry is mounting each night, it’s insane that there’s that much money floating around. But also, it really makes sense why some artists would push to play stadiums. I have no idea how tiny artists manage it.

In reference to this

#touring #touring industry

[niuniente]

Oily skin face treatment tips for a sensitive skin are welcomed! Preferably allergy friendly though some of them cause issues with me, too.

The IUD changed my Sahara desert skin to very oily. It’s insane to go from “Oh no, my skin is so dry I can peel gigantic pieces of dried skin off from my nose and forehead daily” to “Oh no, my skin is so oily I need to clean it 3 times a day and it’s still greasy”.

I’ve already changed my face lotion to an oily face (managed to find one that doesn’t irritate my skin). I hope I wouldn’t need to change my face wash as there are only 2 face washes I’ve found I can use.

Whamisa seems to be a brand that works for me but do they have anything for oily, sensitive skin? The brand is a bit too much for my budget so I don’t want to just try it out to see it doesn’t work...

Any good cleaning and moisturizing Korean or Japanese stuff for oily but sensitive skin? I’ve noticed those tend to be gentler than European and American sensitive skin friendly products (I’ve got a sensitive skin, allergy tested and approved Danish serum which flares up my skin).

#niu's life #I assume this might get easier and better as the time passes

[nar-nia]

the aftermath

warnings: none <33

word count: 1.8k

The past three weeks had been the most productive of your whole life. If lying in bed, regretting every life choice and crying counted as productive. Three weeks where you couldn't motivate yourself to do anything, not even picking up Sunoos or Heeseungs calls. You couldn't. Not if everything about them reminded you of the fact that you finally got your first role - only to lose it hours later. And all because of a stupid kiss.

There really was no rule against dating on the set - just "concerns". Especially concerns about what would happen if the dating eventually ended, and the effects it would have on the show. To say it more clearly: someone was convinced that you and Heeseung would break up sometime over the course of filming, turning the whole filming process into a disaster, and that someone apparently was very convincing. So, the show was stopped, you and Heeseung were jobless, and everything felt like failure. You felt like a failure.

Your phone was ringing again. You didn't bother to pick up, hoping that it would stop ringing soon, but it didn't. It kept on going, not caring about your unwillingness to pick up, until you sat up with a groan. You grabbed your phone to see who so desperately wanted to reach you - Sunghoon. No. You let yourself fall back on the bed, turning away from your phone, sighing in relief when it stopped ringing. But then it started again, once again not stopping.

"Just leave me alone!" You pulled your blanket over your head, hoping to drown out the noise, but to no avail. Sunghoon tried it again, and again, and again, until finally you had enough and picked up.

"Finally! I thought you were avoiding me or something."

"What do you want, Sunghoon."

He was silent, no noise being heard for such a long time that you wanted to hang up again.

"I have a job."

"What?"

"I have a job for you."

"I don't understand."

"I didn't like the way the studio managed everything with you and Heeseung but there was nothing I could do. Taehyuns mind was settled."

You let out a sigh. You were tired of this topic, tired of talking about it, tired of thinking about it.

"I really don't want to-"

"I cut ties with them. This show will be the last I'll be doing with the studio."

"What? Just because of this, Sunghoon, that is insane."

"Not just because of that. I didn't like a lot of things, and there was always so much pressure coming from them… but anyways, I've decided to make my own little production studio."

"I need a minute to process this, I'm sorry."

You sat up, your head resting in your hands. This whole thing made your head spin.

"Okay, so you have your own studio now. And you want me to join your new show?"

"Exactly. It's going to be very low budget of course, but I'm confident that we can pull it off."

"Why me?"

"Because you're good, y/n, and you deserve a chance to show that."

You felt tears welling up. "I can't be that good if I get fired because of a simple kiss, can I."

"That has nothing to do with your skills. You're really good, y/n, and I would like you on the team."

"I- okay. Send me all the information and I'll think about it. I promise."

"Thank you, y/n. That means a lot." It was quiet again, and you could almost hear Sunghoon hesitating.

"What is it?"

"I thought that maybe… what do you think of Heeseung as your acting partner?"

Oh. "I haven't actually talked to him since you've fired us."

"I know, he told me. He's really worried about you, y/n. Sunoo too."

"I'm sorry," you whispered. "I just couldn't…"

"It's okay. But maybe you will find time to reach out soon, they'd be so happy."

"I will. And I would love to act with Heeseung."

"Oh, I'm glad! Thank you, y/n. I'll send everything to you, okay? Thank you!"

He hung up, and you just stared at your phone. Did you really think this through? The answer was no, obviously, but now you had already agreed to do it. And if you were honest you wanted to do it. You had worked so hard to become an actress, and you didn't really want to stop now, and especially not just because your co-star kissed you. Heeseung… You gripped your phone tighter, your fingers hovering over it. You should call him. You-

The doorbell rang. Seemed like the phone call had to wait. You swung your legs out of your bed, stumbling towards the door, hoping that whoever it was might leave soon. But that hope was destroyed when you opened the door - not that you were upset about it when you saw Heeseung and Sunoo, widely grinning at you.

"So you accepted."

You looked at Sunoo, brows furrowed in confusion. "Did Sunghoon call you?"

"We were actually already waiting to either congratulate you or to force you to accept… but we're glad it's going to be congratulating you."

"Thank you," you mumbled, eyes quickly meeting Heeseungs but avoiding him right after.

"Are you going to let us in?" Sunoo grinned, not even waiting for an answer and instead already pushing inside. "Why is it so dark in here?"

"Can I come in?" Heeseung was more hesitant, eyes scanning the hallway but never settling on something for long.

You nodded, making room for him to enter before you followed Sunoo, who was on a mission to open all the blinds in your apartment.

"How long have you been living in this darkness?"

"When did we see each other last?" It was supposed to be said like a joke, concealing the fact that it had actually been the truth, but when you saw Sunoos' concerned face it was clear that you had failed.

"I'm sorry."

You could barely hear Heeseungs mumble, too focused on Sunoo who now went on to open the windows too.

"For what?"

"Everything. For ruining the show, for not trying harder to reach out…" He trailed off, a pained expression on his face. "You're hurt and I'm to blame."

"No, you're not." You furrowed your brows, turning around to look at him. "You're not to blame at all."

"But- isn't that why you refused to talk to me? I tried to call you so many times, I thought you were mad at me."

"I couldn't talk to any of you, I didn't even pick up Sunoos calls. I'm really sorry."

"Don't be." Heeseung looked like he wanted to hug you for a second, but something made him hesitate. You made him hesitate.

"They would have found out sooner or later. It was their decision to stop the show, and neither of us is to blame." You stopped for a second, your own words settling in. "We're not to blame."

Now he really hugged you, his head resting on top of your head, one hand drawing circles on your back.

"No, we're not. I missed you."

"I missed you too." You took in a shaky breath, looking up at Heeseung who pushed a strand of hair behind your ear. His eyes were searching your face, looking for some sort of consent.

"Can I-"

"Yes," you whispered, eyes closing when you finally felt his lips on yours again. You had really missed this.

"Glad to see you two are getting along again." Sunoo was leaning in the doorway, this time looking content instead of disturbed. But then again you were only kissing once this time, and not making out. Heeseung just nodded, pressing another kiss on your forehead while he pressed you closer.

"I'm sorry to you too. I should have picked up your calls."

"Don't worry about it. I'm just glad that you're alright."

"I am now that you are here," you grinned. "I love you two."

Sunoo pouted, making his way over to you to trap you and Heeseung in a big hug. "I love you too."

"So, what do you think? Will we try again?"

"To star in a show? I think we're going to ace it."

 *4 months later*

 "Heeseuuuung!"

Sunoos' voice sounded through the apartment, excitement clearly visible in it. "You're gonna miss your own show!"

"I'm coming, I'm coming." Heeseung entered the living room, two bowls full of snacks in his hands that he set down on the table in front of you. "I wouldn't dare to miss my girlfriend's big moment."

"Ha ha. We all know you're only going to drool over seeing yourself," you grinned.

Instead of an answer Heeseung just bowed down to kiss you before he sat down next to you.

"I'm really-"

"Shut up, there's me!" Sunoos' shout interrupted Jake, his eyes glued to the screen. "It's me."

"Seems like I'm not the only one drooling. When's your show coming out again?"

"Next week," Jake smiled, watching the trailer with the same interest as Sunoo. Well, maybe a little less interest.

"We're doing a group watch for that too, right? I can't wait to see your apartment."

"If you want to? I would be very happy."

"Of course! Sunoo has already told me so much, I'm so excited for this show."

"And I'm for yours! So quiet now because it's starting!"

You let out a chuckle, leaning against Heeseung. Your show started but your eyes were focused on the people next to you. The four of you had grown even closer over the past few months, and it was nice to be able to celebrate your successes together now. Especially now that you actually all managed to finish your shows after all this drama.

"I really love you guys."

None of them heard you though, too focused on the show in front of you. At least that's what you thought, but when Heeseungs hand found its way into your hair, softly massaging your head you could hear a whispered "I love you too."

before | masterlist

well... this is it. i'm really gonna miss the story and the characters, they've slowly stolen their way into my heart and refuse to leave.

i'm so grateful for everyone that left a like or even send an ask. i was happy about each and every one and i'm glad that you enjoyed reading the story as much as i enjoyed writing it. thank you for everything and maybe you'll be back for the sunoo spin-off <33

in the meantime you might be interested in my 100 followers special?

taglist: @cyuuupid @softforqiankun @a1sha7 (let me know if you want to be added!)

permanent taglist: @maeum-your @sunoona @hoonsmarsbar @soobin-chois @sjyuniverse @taekbokki @axartia

#heeseung #lee heeseung #heeseung fanfic #heeseung fanfiction #lee heeseung fanfic #lee heeseung fanfiction #heeseung au #lee heeseung au #enhypen #enhypen au #enhypen fanfic #enhypen fanfiction #heeseung x reader #lee heeseung x reader #enhypen x reader

[thebananwithaplan]

Others of the Cast (Guest Muses)

The Announcer 🎙️

• Despite usually being a 'disembodied voice' to most, he is probably actually a sentient microphone, as he is usually depicted as 🎙️when he talks. The closest thing to a cryptid this show has to offer as he's either always away in a recording booth or either too hidden/far in the distance in photos. (*Any interactions with him will very likely be little-to-no icons). •Around the same age as the Dancing Banana, but is bigger in comparison. Also the closest thing to a BFF Banana ever had thus far -they're willing to take jabs and jokes at each other both in-show and public but for the most part it's never too malicious -Announcer usually calls the Dancing Banana by his full name whenever they're live on the show, but calls him 'DB' outside of work hours. Banana also sometimes calls him ' 'Nouncey' in return for the same reasons. -Announcer is also currently the only one whom Banana confided about his 'mishaps'. What, you thought everything he said is part of the surprise dark humor sprinkled in? •Has the equal amount of toon-like powers and sense of humor as Banana, but lacks most of the snark and ego and is slightly more clumsy in comparison (results in getting bullied and heckled more often). Does not share the insane level of stamina for most things, unfortunately. • Has a ""friend"" who has arachnophobia. *He is actually that friend. •Not much of a dancer. His talents instead are more on the vocal end - impeccable voice acting, mimicking sounds effects, and secretly good at singing (despite Banana's jokes about his singing being otherwise) •In charge of trying to find prizes within budget, announcing the questions, and also writing the questions. He only wishes Banana had a better grasp at finances as it affects everyone's paychecks, though - including his own. •Said to be from New Orleans, Louisiana. Moved to Hollywood to work at Shovelware's Studios, but still has a place at the former.

The Banana Nephews (Oldest, Middle, and Peel)

•The young nephews of the Dancing Banana. Oldest is the one on the left with the banana cellphone. Middle is the one sitting down in the, well, middle. And Peel is the one on the right with the clipboard and the occasional attitude. Remember that, now. -They're all related to each other, sharing the same set of (currently unknown) parents. As far as they know, their relation to their uncle supposedly comes from their father's side of the family. -Equivalent ages of each are as follows: Oldest is 13, Middle is 10, and Peel is 8. -Oldest is considered as the 'most chill'; Middle is the 'most average'; Peel is 'the one that takes after his uncle the most'. •What happened to their parents? Well, as you see here below: - [REDACTED] -[I AM ERROR] -[404 NOT FOUND] -So that's why they currently live with their uncle. •They were the ones to actually offer to help with the show. DB makes sure to give them each the easiest of tasks as possible. -Oldest operates the cameras. -Middle pulls the curtains to present Boardy and the prizes. -Peel is the production manager who guides the studio audience members and the contestants to their respective spots. Is also the one who doesn't hesitate to go up and rescue his uncle whenever he gets taken for the Shovelware's Barrel Game segment, much to his uncle's secret worry. -He also wants to learn what he can to take over the family business that's the entire studio. -Their uncle still makes sure they do their homework on time and spoils them with a lot of care and money as much as he possibly can, don't worry! •They all likely share DB's abilities, but so far the only ones they've all been able to do properly are the high jumps and that they share his ridiculous energy to go on with recordings day after day, hour after hour. •They're currently the only thing Dancing Banana has to a family and he really hadn't realized how lonely his entire existence was until they finally came into his life and boy if anyone ever makes a single threat of harm to these kids- -They're all probably why the Dancing Banana isn't quite as terrible of a fruit as he used to be at one point. Baby steps, at least.

Dancing Hot Dog 🌭

•Self explanatory of a name. A toon hot dog of very few words. •One of the few 'dancing gif clones' to actually had a decent mutual-status with Banana prior to the Shovelware Studios days, even if he wasn't one of the more popular ones. Hence why Banana allowed him to be on the show as a 'prize', much to the Announcer's confusion the first time it happened. •Also plays baseball with DB and the Announcer on occasion. •Can, in fact, play the rock n' roll guitar that comes along with him. The guitar that probably has no importance of any kind. Totally. •Pretty chill guy, for the most part. Consider him a free buddy to vent to or vibe with if you 'win' him.

Cherry 🍒

•A pair of conjoined cherry siblings. Cherry 1 is the one on the left, and Cherry 2 is the one on the right. Both go by they/them. •Part of the studio audience. •They sure LOVE to heckle a lot. Most of the show's content and the Announcer are the main victims of their heckling. •They do have some choice words, but got chewed out by the Banana for letting a curse slip once. As long as they're inside the Studio, they won't make that same mistake twice. •They usually end their remarks with an "Ohohoho!" laugh. Sounds familiar?

The "Dancing Banana"

"To help commemorate the fresh overhaul of the park, a new meet & greet mascot suit of the Dancing Banana was designed! This new costume better captures the essence of Shovelware's founder, and is intended to make its debut greeting guests after the park officially re-opens. Check out the podium to the left of the display to find out how you can suit up! It's also worth noting that this new mascot costume is much more on model, not to mention a heck of a lot less creepy, than the old one. In fact, from now on we shan't speak of the old one. If you ever see the old one while out and about, like say in a creepy back alley somewhere, ignore it. Ignore it, then run."

Bahn Anna

•Yes, that's an actual Cruel Smash Mii from the Smash Mansion grounds. Or at least, that was the original idea... - Original name was "GUEST M-4011". Ended up with 'Bahn Anna' trying to spell 'Banana' on her name tag for the first time. She wears that tag underneath the suit while she sometimes wears the actual "Dancing Banana" tag over the costume instead. - May sometimes go as "Anna" when she's not in costume, though it is VERY rare. - Roughly 5'7"-6'4". Looks like a giant compared to the regular DB and all the other food & object toons. •Created by Guest F, but was supposed to be sent to train under Guest B instead for reasons unknownst to her. Due to miscommunications and unexplained circumstances, ended up far, FAR away from the manor and somehow ended hired immediately on the same day Shovelware Studios Hollywood opened in 'Way Too Early' access mode. •No one who works at Shovelware Studios has seen her without the Dancing Banana mascot costume on since she joined. Not even DB himself. Everyone else thinks she's probably a human college student desperate to make ends meet. •She thinks Banana is supposed to be 'Guest B'. As in, 'B' is short for 'Banana'. He thinks she's just very dedicated to being in character for a costumed character version of himself. •May or may not be getting influenced with slightly toonier abilities and antics thanks to being there. Stretchy limbs and whatnot. ((*Based on & inspired by the 'Mii Lore' that @/emptyzone and @/thetravelershub worked on. This is a WIP))

Name: Mud Species: Mudkip Gender: Male Height: 1' 04" Nature: Calm Known Moves: Water Gun, Rock Throw, Yawn

•A Mudkip that DB found following him in the studio at Sound Stage 7. He's not sure how one got inside in the first place, but thankfully he already had an empty Pokéball to catch him with. •Likes to pick up things and scatter them around. If you leave something unattended, it will make you go on a scavenger hunt for it. •Surprisingly calm despite the hectic shenanigans of the entire theme park.

#guest muse list #behind the scenes (headcanons) #out of the studio (ooc)

[resinfish]

Not to be Texan on main...

I don’t know who in Texas needs to hear this, but

- There is no such thing as “fentanol”

- There is a prescription drug called fentanyl, but like meth, it’s mostly a domestic issue

- Kids are getting it by stealing it from their parents or buying from neighborhood dealers who obtained it fraudulently, not from phantom border smugglers

- The biggest drug product coming over the border is, has been, and will likely always be cocaine, given the quantities in which it can be produced in South America

- You can google how much of that is seized a year, and see that it is actually quite an impressive quantity (which is why I”m guessing the Abbott campaign came up with the fictional “deadly fentanol”)

- The federal government has 3 separate agencies working the border: CBP, Homeland Security, and ICE. 2 of these 3 are superfluous but we have them anyway. The federal government isn’t just “doing its job,” it’s doing its job x3

- The State of Texas also has 3 separate agencies working the border, Parks and Wildlife, State Troopers, and the Texas Rangers, all of which have the same authority under the law

- The continuing flow of cocaine across the border from South America is largely down to the invention and proliferation of the “narco sub,” which is what it sounds like

- Operation Lone Star is widely regarded as a joke, a waste of time, money and effort, pretty much by everyone who isn’t either Greg Abbott or hearing about it for the first time from his campaign

- Human trafficking can only be effectively combated by people who regard those being trafficked as human. That means not Greg Abbott or much any conservative for that matter

- “Defund the police” does not mean “disband the police” 

- It means take money out of the tank and chemical weapon budget and put it into services the police are no longer trained to provide but dispatched to handle anyway, like crisis management and emergency interim health care

- Were police still properly trained in these things, they would be able to keep that money... but they’re not, so they shouldn’t

- I think we can all agree that you shouldn’t get paid for a service you don’t provide--I mean I’m not out here drawing a salary as a brain surgeon, and statistically speaking, neither are you

- “Defunding cities that defund the police” is idiotic and shows a fundamental lack of understanding of how city budgets are devised, also it hasn’t actually been done, just talked about

- Any talk of budgeting control from someone who not only let the power grid collapse but refused to fix it after the fact is not only ridiculous, it’s offensive

- Melissa Denis is insane, full stop

- Her website and public statements are totally incoherent

- Texas deserves better

#debunking shitty ads #fucking conservatives #same stupid scare tactic every year #you would figure the people of this great state would've had enough by now

[mariacallous]

“The markets will react as they will,” said the chancellor in the House of Commons, as he launched the tax cuts that sank the pound and sent borrowing costs soaring. And so they did. As sterling plunged again, the Treasury reported he was “sanguine”, promising yet more tax cuts for the rich, this time to let them accumulate fatter, tax-free pensions. Liz Truss has arrived in office without any significant poll bounce – which makes her unique in polling history. YouGov’s associate director, Patrick English, tells me to expect further plunging numbers. A panicky Treasury promise of a “new fiscal event” in November sounds more of a threat than a promise.

Here ends the arrogance, the self-regard, the cultish obsession with economic fantasies that failed and failed again. Here dies the nonsensical Laffer curve, the theory that tax cuts for the rich yield more than they cost. This should render the Tories unelectable for a generation, because this crash is all their own.

Who pays? The shock hits home as people realise what it means for everyone: those with the least will hurt most. Public sector workers, having fallen behind in terms of pay since 2010, will be crushed for another two years, as Truss is reported to have abandoned her promised spending review. That leaves all services with their present budgets against the headwinds of rising prices – every school and hospital left throttled by inflation. The Treasury spokeswoman had the nerve to say: “It’s more important than ever that departments work efficiently to manage within existing budgets, focusing on unlocking growth and delivering high-quality public services.”

A massive real pay cut all round won’t and shouldn’t be tolerated. There can be no summoning “we’re all in it together”, belt-tightening when the borrowing that broke the bank was only to give the rich extra Caribbean holidays. There will be no solidarity after tax cuts are rewarded to corporations that are already enjoying the lowest tax rates in the G7, which they hardly use for investments, preferring share buybacks and dividends to raising productivity. The full enormity of what this generation of Tory Ukippers has done to the country is now glaringly obvious to voters in all its arrogance and folly.

In the Labour camp, no secret glee erupts, no midnight drinks at the Liverpool conference toasted the Asian markets opening with a crash. They are aghast at what they will inherit. Derelict public services and a crippled economy gives any possible victory a bitter taste. It was already plain that Labour was on track to win the next election before this fit of tax-cutting insanity. Already those on the party’s sober frontbench were credited as the only grownups, in contrast to the out-of-control political theatre of the absurd ruining, not running, the country since 2019.

The trenchant speech by the shadow chancellor, Rachel Reeves, at conference on Monday, full of vim mixed with indignation, ripped into the catalogue of economic catastrophe caused by Tory policy over the year. Who wouldn’t rather trust this former economist at the Bank of England than the chancers in charge now? Her promised national wealth fund defines the difference between the two parties: Truss and Kwarteng borrow to blow on millionaires, Labour borrows to invest in wind, solar, tidal, battery and nuclear projects, yielding real returns in energy independence. That’s a difference people understand – between borrowing to binge and borrowing for a mortgage or business startup.

Naturally a party that is so often dashed at general elections, out of power for more than two-thirds of the late Queen’s reign, dare not quite trust that this time they really are about to govern. Keir Starmer ventured to say that hope was turning to belief, but if you tell Labour people in Liverpool that they are destined to win, they hold up the garlic and cross to ward off any dangerous complacency. The party doesn’t make much noise, facing the storm-force blast of an overwhelmingly Tory press. Some have grumbled about Labour’s lack of eye-catching pizzazz and Starmer’s stolid quietude, yet beneath the surface, largely unobserved, a sea change has taken place that feels just like the years before 1997.

Here’s what the far-from-left-favouring Economist reports: the Labour Treasury team has had about 250 meetings with CEOs of major companies, who are now so eager to talk to the opposition that tickets sold out in July for a business meeting with the shadow cabinet, months ahead. “This is the most professional in terms of business engagement of any leadership since Tony Blair,” says Miles Celic of TheCityUK, representing financial and professional services. The Economist continues: “What they say to each other trickles down to the electorate … Labour describes business as a solution to Britain’s problems, rather than a problem to be solved … Calls are taken; emails are returned; draft speeches are shared. ‘They are being very clear about where they agree with us and disagree,’ says a bank executive … while businesses despair of the Conservative party.” They are calling it Labour’s “smoked salmon offensive”, after Blair and Brown’s famously successful prawn cocktail business campaign.

Nonetheless, everywhere the mood is extreme caution. Shadow ministers and their aides evoke Roy Jenkins’ description of Tony Blair carrying that famous Ming vase across a slippery floor towards election victory in 1997. The risk is that nervousness makes their policies too tame, too careful. Instead there was much celebration among delegates after Reeves’s speech: mid-crisis, many dared not expect to hear her pledge to raise the number of new doctor training places every year to 15,000 (this year the government cut 3,000 places), but pledge she did. Together with thousands more district nurses, midwives and others, it would be the biggest increase in medical school places in British history. And it’s to be paid for by reinstating the top income tax rate. Then there’s Wes Streeting’s national care service, elevating care workers to the same pay and career path as NHS staff. And Bridget Phillipson, the shadow education secretary, is due to announce on Tuesday a “completely reimagined” childcare system. Add to this Reeves’s genuine living wage promise, with fair pay agreements across whole sectors, and there can be no more talk of, “Where are their policies?”

Cue panic among the Tories at Labour’s rising lead in the polls while Truss has outraged everyone, including the farmers, the RSPB, National Trust and Wildlife Trust with her deregulation talk. Enjoyable wild gossip circulates, saying that frightened Tory MPs will oust Truss and Kwarteng with another round of those letters to the 1922 Committee chair. Then what? Bring back Boris Johnson? Or else, or maybe as well, an early election? We now know that on their benches absolutely anything is possible. The only thing that looks impossible is that they could win the next election. But whisper it – as it spooks old Labour hands who have been here before.

[tamanna-sarker]

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[genlossneg]

Film student anon back here. First of all, I'm loving all the different industries/students of said industries that ranboo's managed to upset, it's really funny to me. I always forget to add this but I'm a bit of a writer too. Sorta, I do fanfic so I never studied it formally but I'm very happy with my works! (But I'll always defer to the actually writers who pop in here cause fanfic is a very different ballgame)

Second of all, a *million* dollars, wtf

Ok so like, obviously a million is a lot, but it's both more and less than you think for media/film projects. And actually since it's an indie project, it's way more

There's different tiers of film budgets, starting at micro to big, I had a whole class on it (fun fact, pirates of the Carribean 3 was the most expensive movie ever produced it I remember correctly)

But a million dollars for an indie project is insane. And what's more insane is how poorly that million was used. He could've had access to so much good lighting, actually good costumes (full offense to ranboo those costumes were so incohesive), a good camera for those shots in the second stream

The Blair Witch Project, one of the most successful indie films ever, cost a mere 200k to produce (a lot for us but the film world gets very expensive very fast, renting a decent camera can easily set you back a few hundred a day, so multiply that by however many days you shoot and the camera alone can be thousands of dollars). And that was back in the 90's with a fraction of the tech we have now.

Wait sorry, I'm just reading the wiki article for the Blair Witch Project since I had to google the production cost and it gets better. Most of it was actually done by improv and one of the actors was chosen on the basis that he could use a camera. That's actually so cool. Sorry I got sidetracked there

Anyways ya, so that's a lot of money that ranboo had access too, and a lot more when you consider the average cost of most indie projects, and even with all that, he blew it

omg film student anon <3 thank you for the lovely information on budgets! im learning so much by running this blog lmao. very insightful as always

#ask #gen loss neg #gen loss crit

[thelandscapingemployeetrap]

The Best Landscaping Business Advice I Ever Got! | from Mowing & Gardening to 6-Figures

In this episode, Keith Kalfas shares his experience and advice on starting and scaling a landscaping business. He emphasizes on the importance of undertaking larger jobs for higher profit, dealing with the administrative side of business including taxes and employing help, and making strategic investments back into the business for growth. The podcast discusses the challenges associated with raising rates, losing customers, and managing the administrative side of the business, offering tips for getting through these problems. He advises on getting on top of billing, collections, and administrative tasks, raising prices for more profitability, and dealing with the emotional difficulties of establishing a successful business. He also highlights the importance of tracking the data to steer the business effectively.

"Drive and be the leader and drive everything forward and make sure that production is happening at a very efficient rate"  

 - Keith Kalfas

Topics Covered:

Introduction: The Importance of Business Growth

The Struggles of Starting a Landscaping Business

The Reality of Running a Business

Resolutions and Business Strategies

The Challenges of Scaling a Business

Decision Making in Business Growth

The Journey to Business Success: Personal Experiences

Pricing and Customer Relationships

The Role of Data and Systems in Business Growth

Conclusion: The Reality of Business Growth and Success

Takeaway: 

 "You have to draw hard lines in the sand and make decisions you've never made before. I used to repeat to myself all the time, Albert Einstein said, the definition of insanity is to do the same thing over and expect a different result. So just working harder or trying harder or mentally trying harder, being more frustrated or being more committed doesn't make the difference." - Keith Kalfas

Connect with Keith

Instagram: https://www.instagram.com/keithkalfas/

Facebook: https://www.facebook.com/thelandscapingemployeetrap

Website: https://www.keithkalfas.com/resources

Youtube: https://www.youtube.com/@keith-kalfas

    Resources and Websites: 

🙋♂️Get My Free Landscaping Business Startup Video Series Here👇  Here https://www.keithkalfas.com/Landscaping-Series

  Landscaping Course https://keith-kalfas.mykajabi.com/store/8bFERMcs

  LANDSCAPING BUSINESS  How to Guide: https://www.keithkalfas.com/16

  Get Jobber: https://getjobber.com/im/ambassador-referral/?gspk=a2VpdGhrYWxmYXM4NTIx&gsxid=Rs6pwtznLDcs

  Get Ballard: https://www.ballard-inc.com/

  Easy Budgeting Blueprint: keithkalfas.com/budget

      Check out this episode!

#Landscaping #windowcleaning