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#and the whole ambrosius/gloreth always being in the light and ballister/nimona always being in the dark
alpacahat67 · 10 months
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the idea of gay dads post-nimona movie ending is so funny to me because imagine you're ambrosius and you and your husband adopted this little shapeshifter that just found your husband one day and your child looks at you and tells you that she had a baby gay relationship with your great-great-great-great-great-etc-grandmother about a thousand years ago like id be so distraught /hj
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nikoisme · 10 months
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Okay so I rewatched Nimona again and I need to rant about a few things:
1.
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This shot absolutely broke me. Imagine seeing a whole kingdom, something so grand and complex - built on the hate for you. Every single thing built on hate (watch the names of buildings, like Vanquisher Square and Slayer Aide). When Nimona (in her shadow form) is moving through the kingdom, you see her stumble on and then watch the Kwispy ad. The kids are saying "I killed a monster! I killed two!". Pair this up with Nimona's "Kids. Little kids. They grow up believing that they can be heroes if they drive a sword into the heart of anything different." Imagine hearing cheerful, happy ads with children - but they talk about how they will kill you. Little kids - the ones who are pure and innocent - are taught to hate you.
2. Gloreth. During Nimona's backstory scene, you can see that Gloreth always looks back before she makes any decision (before letting her hair down, before walking up to Nimona after seeing she's a shapeshifter). And when the village goes against Nimona, you can see that Gloreth is constantly looking at her parents, especially when they tell her that Nimona is a monster. She always glances back. Like she can't decide for herself, can't think for herself. Quite symbolic for how hate is taught (like I talked about above). (Also her name is literally Glory plus that -(e)th that was used in English in the past).
3. Ballister and Ambrosius' roles are quite symbolic. (For Nimona) Ballister represents your loved ones, family parents and their relationship with you. Ambrosius represents society, the government. That scene where Ballister presents Nimona the scroll is such an on point scene about your loved ones finding about the fact you're different (trans in this case). Just watch the dialogue closely. It was one of the last straws for Nimona - the pain of having the only person who cares about you suddenly turn on you. And then she goes into her shadow form - to end her life. And when Ballister sees Nimona he says "What have I done?". Represents the realization of parents about how much their words and actions actually mean.
Nimona tells Ambrosius "Come on, man. Do the right thing." Asking society to do the right thing by not hating and discriminating anyone who's different. Ambrosius says "What are we doing?". The realization of how damaging the hate of society is to an individual.
Ambrosius' design is light, while Ballister's is dark. Ambrosius is the pinnacle and peak of society's expectations (descendant of Gloreth). Ballister is the pure opposite, everything that breaks tradition and society's expectations.
And Ballister and Ambrosius' relationship is also interesting. You can see their motives when they act - Ballister acts out of feelings, morals and love. Ambrosius acts by law, tradition but also love. And their love might represent that society and every individual person can work and live together for the better.
4. Nimona's symbolism of shadow and light. When Nimona shifts, she does so in a form of light. She is a being of pure light. Her heart is made out of light. She often shifts to a child, someone innocent and pure. But her "monster" form is pure shadow. And she goes to pierce her heart of light through the sword. Represents that all the hate got to her - one can take so much hate before it gets to them, before it shapes them. Nimona pretty much acts cool about her shape-shifting: she spray-paints the dude who calls her a freak, unplugs the kid's toy about destroying monsters (destroying her), jokes about it etc. But it must have piled up over the course of 1000 years. And by destroying her heart, the only remaining source of light, she takes away the hope and love she had left. When she sacrifices herself, her remainings are little sparks of light. And in the end, when Ballister goes to their lair, it's a shadowy place. But he opens the windows, turns on lanterns - letting light pour in. Because Nimona was a person full of light, love and hope.
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