ouuughh early deancas vs late seasons deancas
asterism of an f-series ford pick up
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So I figured out what was still bugging me about the Sisters of Dorley series
Which, to be clear, I have been reading and enjoying slowly over the last month and more, often with my breakfast tea or at cafes. I'd fully expected to try them and bounce off them quickly, but they've been a very positive presence in my life over the past little while and have helped me unearth a few things. I've reccomended them to loved ones, but always with hedging and qualifications that I couldn't quite fully articulate.
Recently, friends who adore the series have been warning me about chapter 24. "It's a dark chapter." "Brace yourself, read it through in one sitting and then read chapter 25 for emotional closure."
I took their advice, braced myself and sat down to read it. A few paragraphs in, a voice in my internal peanut gallery spoke up: "finally, meat."
I took my time with chapter 24, spent most of a week slowly savouring it, was sad that this storytelling would be "over with" like my friends had said when the chapter finished.
I hadn't realised until I started on this chapter how missed I'd felt by so many trans coming of age stories in books and comics. For the first time in years, maybe even a decade, I felt seen. It was a spotlight on pains that consumed years of my life, that I barely talk about with my friends and loved ones of today. It was proper catharsis. I was recently reminded of that line about good fiction comforting the disturbed and disturbing the comfortable, and this chapter certainly did the job for me.
I can understand how such a story would be too much for a lot of people. I can understand how hard it must have been for Alyson Greaves to write it, and I commend her for doing so. But now that I've read it, and since that little voice spoke up in my head early on in the chapter, I've understood why I'd felt a little emotionally wrong-footed by Dorley up to this point.
To paraphrase a homestuck thing I haven't read, the meat to candy ratio of this story is pure fucked.
This is the first time in a while that I feel like the story has fully delivered on the emotional stakes of the premise promised, where I've felt previous chapters pulled their punches or softened their blows at the last instant.
I really hope to come across more of these moments as I keep reading, even though I doubt many of them are going to be as personal.
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wait. why are you sexy gengar
Oh, so this is some kinda story! And I guess now y'all are gonna hear it.
The truth is I've been holding out on most of you because back on my birthday @zerozeroren gifted me with an incredible piece of art that is going to require a bit of explanation.
So here we go.
Being a lover of So Bad It's Good Media and a watcher of Booktube videos, it was inevitable that I would hear about the supposedly spicy, supposedly deadly fantasy trainwreck that is Lightlark by Alex Aster. For anyone who might not have seen the liveblogging I did of that, I thoroughly enjoyed the book for a bunch of reasons Aster never intended and had to pause listening to the audiobook several times because I had to stop and laugh at the ridiculously poorly thought out shit going on. For anyone who's the sort to indulge in So Bad It's Good media, it gets my recommendation. (The sequel Nightbane does not; that was both utterly stupid AND horrifying in its unintentional implications. But I digress.)
Anyway, this piece of art came about from talking to Ren about some of the characters, particularly our main character Isla Crown and her love interest Oro.
There's been a lot of confusion on how to say Isla's given name. Before I listened to the audiobook, I would have assumed it would have had a pronunciation similar to island with a silent s. But no, according to the audiobook narration, her name is pronounced Ice-la. Upon hearing this, Ren declared that a "Pokemon-ass sounding name." And that's when I realized that Isla is implied to be humanoid but it's never actually specified. The people of Lightlark are divided into six different types of beings, and Isla is a Wildling. But the only actual descriptions we get of her are that she's got brown hair and she looks like her mother. So in defiance of the obvious setup to picture her looking like an ice-type Pokemon, I chose to picture her looking like my favorite purple ghosty boy Gengar.
But that's only the part of the picture I've been using for my icon. I haven't shown most of you the other part of the picture that has Oro. Oro is a Sunling. (I swear these names are killing me.) The big conflict of Lightlark is that all of these fantasy races have been cursed and they're trying to complete a ritual according to a prophecy in order to undo them. Sunlings in particular are cursed by being harmed by the sun, the very thing that would normally give them power. Oro is also something called an Origin, meaning he has powers from the other fantasy races, though the primary one we see him use besides his own power is the Skyling ability to fly. Between being harmed by sunlight, the implied nocturnal existence that comes with that, and his ability to fly, Ren and I decided he was basically a vampire. And I was like, "We need to pick a dorky vampire to represent him. I know! He should look like Alucard! Not sexy new Castlevania animation Alucard but like what Alucard looks like in Captain N: The Game Master!" (For the record, they are technically the same character. Alucard in Captain N is the same Alucard from the Castlevania series. But the character designs in Captain N: The Game Master are...questionable.)
And that led to this:
Take it in. It is a thing of cracktastic beauty. I couldn't have asked for a better birthday present. What else can I say but Ren has done it again.
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I'm gonna liveblog the new Ari Aster film.
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