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#but this isnt out of character
catmask · 6 months
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with that said there are characters that a fat maybe not canonically but they are spiritually. to me. they may not be drawn that way but i know whats true. ive seen it like a sort of prophet
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the-nefarious-vampire · 6 months
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"you only say you're autistic because you want to feel special and different" actually finding out i was autistic made me feel significantly less special and different. before i was autistic i was Strange and Unpredictable in some sort of Unknowable way which Surely meant i was Predestined for Greatness (like storybook character). now im just some fuckin autistic guy like any other. i significantly prefer it this way btw
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i call this one "queer silence" or perhaps "slightly judgemental stare"
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stere0typical · 9 months
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they should invent gay people that can effectively communicate with each other
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puppyeared · 1 month
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littlest furth shop
@laikascomet
#i think i had a little too much fun with this lol#i also wanted to draw road boy and other characters but maybe when they actually get introduced#i do have a sketch of him with a lil chainsaw.. im not gonna be normal when he gets introduced man he looks so sillygoofy#if you squint laika's eye marking is a clover yue's is a crescent moon and mars' is a star ^_^#i wanted to give laika an accessory too but i couldnt think of anything.. maybe a stack of pancakes??#im curious to see the apocalypse side of the story too.. like so far we have an idea of the comet fucking everything up#and im assuming that lead to a ripple effect causing the apocalypse but exactly how bad?? i cant wait to find out#rn im kinda piecing stuff together.. larkspur delivers mail in a beat up van so that might mean all transportation is grounded#the buildings we've seen so far are intact like the observatory and turnip's house but idk if thats the same for big cities#laikas playlist only includes songs downloaded on yue's computer and there hasnt been internet in 20 years.. but radio signals might#still work.. if yue grows his own food we can assume that mass production and distribution also isnt a thing anymore#sorry im a sucker for worldbuilding.. and the furth puns are fun to me. i like to think toronto would be clawronto.. and vancouver wld#be nyancouver.. barktic circle.. mewfoundland and labrador.. canyada....#christ i have so many drawing ideas. willow if youre reading this im so sorry youre probably gonna expect to see a lot of drawings frm me#like. i wanna draw laika in the akira bike pose so sosososo bad. IT WOULD BE SO AWESOMECOOL. ill teach myself to draw bikes if i have to#i also wanted to animate laika leekspin.. man#my art#myart#fanart#laika's comet#laikas comet#laika#mars#yue#furry art#fur#littlest pet shop#lps
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kuraijen · 1 year
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Jump in the cadillac, princess
One more month!
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errorwarblesrr · 7 months
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I know it's a comedy manga, but the ww manga probably has one of my favorite manga interpretations of Link. Mainly because he feels accurate to his games. He's quiet, he can talk, but he mostly just communicates his thoughts through his actions and body language. He's also just a silly little guy.
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wolfythewitch · 5 months
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Just a heads up. I know a lot of my audience came from mcyt so it skews a bit younger but I will be drawing very varied content that may or may not end up suggestive! I won't draw like anyone fucking or anything but like. Ya know. You may see an ass every now and then idk
I like drawing tasteful nudity it's fun and you gotta keep in mind that the body isn't inherently sexual. I will tag if it's got like outright genitalia (though I doubt I'd be drawing any of that lol)
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whomst-the-hell · 1 year
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“Tammy Thompson,” says Robin, voice choked.
“But Tammy Thompson is a girl?” says Steve, feeling the full effect of Russian drugs and not seeing what Tammy Thompson has to do with him being rejected right now.
“Steve.”
“Oh.”
So maybe he does see what Tammy Thompson has to do with him getting rejected right now.
Ok.
“Did you OD over there?” fear is audible in Robin’s voice.
He steels himself.
“You know… I was never looking back. At Tammy, I mean.”
“That doesn’t really- Thanks, I guess,” Robin sighs.
“No, I- hm. I wasn’t looking at Tammy because… because Eddie Munson sat in front of me in Ms Click’s class.“
“Steve?” Robin looks confused, but there is a hesitant kind of hope blooming on her face.
“And he always wore those rings, you know? And they’d, like, shine in the light. And he had all those fucking chains so even when he managed to shut the fuck up, he was never quiet and- and- fuck. “
“Steve.” Robin’s eyes are wide, understanding dawning on her face.
They sit, facing one another across a bathroom stall, smelling of blood, sweat and vomit. They aren’t alone anymore.
They never will be again.
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rubydubydoo122 · 3 months
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I’m just gonna say this, the main reason people don’t like Damian Wayne as a character is the same reason people didn’t like Jason Todd back in the 80s
People don’t like either of them because their favorite Robin (Tim Drake and Dick Grayson) got replaced by them.
Damian and Jason are both really interesting and complex character, objectively more complex than both Tim and Dick, but some people (cough, obnoxious Tim fans, cough, and Dick fans who over sexualize him, cough) don’t see that and just want their little blorbos to never grow into their own character apart from Batman.
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eggsploded · 3 months
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i never posted this lol
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bottombaron · 5 months
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oh ok so its the usual no-homo bullshit you always hear, good to know.
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real-life-cloud · 1 month
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was pondering why marcille is my favorite character thus far and have come to a conclusion .
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thewhizzyhead · 6 months
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WAIT I WANNA BRING UP ANOTHER THING ABOUT HOW BULLYING IS ADDRESSED IN NERDY PRUDES MUST DIE. one thing I really liked about how Max is shown as a bully is his talk with Pete at the Pasqualli's parking lot. When Pete tries to stand up to Max, Max pushes him down and emphasizes that Pete isn't a loser because of his own qualities - rather, Pete is a loser because Max simply said so.
Of course we can attribute this to Max's god complex but I think that this point in particular is less than often really brought up in teen-centered media featuring bullying: that bullying exists not because of nerdy behavior or whatever the fuck, but because bullies will it into being. And to have a BULLY of all people say that out loud - to have the main villain point out the root of their behavior without showing any kind of shame whatsoever - showcases just how much of a menace Max is.
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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puppyeared · 5 months
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wanna see a magic trick? 🪄🎩
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