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#concertino
gasparodasalo · 1 month
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Johann Wenzel Kalliwoda (1801-66) - Concertino No. 5 for Violin and Orchestra in a-minor, Op. 133, I. Allegro moderato. Performed by Ariadne Daskalakis, violin, and Michael Alexander Willens/Kölner Akademie on period instruments.
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forgottenbones · 2 months
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BEHEMOTH - OPVS CONTRA CVLTVRAM (Live Atop The Palace of Culture)
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Lars- Erik Larsson (1908-86) - Horn Concertino, Op. 45, No. 5: I. Allegro moderato
Per Goran
Orchestra: Camerata Romana
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supercantaloupe · 1 year
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top 5 oboe concertos 👀
kalliwoda. yes i am counting it even though it's labelled a concertino. idc. it's great and i love it
mozart. yes i know this answer is Basic. but if it was good enough for flutes to steal it's good enough for this list
marcello. i have a soft spot for baroque, sue me. also if this counts then the kalliwoda definitely does. play it in c minor if you're a real one
strauss. idk i just like strauss
vaughan williams. honestly not my thing to play but with the orchestra accompaniment it really is something special to listen to
also honorable mention has to go out to the grunge concerto by scott mcallister. i heard someone play two movements of this at oboe camp a couple summers ago and it's like...the concentrated essence of contemporary composition. it is So
[ask meme]
#sasha speaks#ask meme#sleepover saturday#nablah#ty!#limited myself to oboe and excluded EH here but if i didn't know that the fiala EH and clarient concerto would be on this list#this was tough! i don't actually listen to or play concerti that much. i am very much not a soloist#(<- says the person playing kalliwoda for her recital next month. and played the donizetti EH concertino for the competition last fall.)#(well the rest of my recital material is chamber music. and i have a collab piano major accompanying the kalliwoda.#so i won't be alone up there. i always play better when i have someone to play with anyway)#and tbh once you push past like. the 1840s. a lot of solo oboe rep starts to lose me...#idk i just do not stylistically Get a lot of late romantic and modern stuff from a musicality pov#like it's lovely to listen to but i have such a hard time interpreting it in my own playing#i had a haaard time learning the vaughan williams. i gave up on it ngl. not for me#and i'm not really into a lot of modern concerti. i think they tend to prioritize crazy technique over like...sounding good#and i'm in it for the musicality anyway not the technique. no one will call me a virtuoso by any stretch and i am fine with that#anyway. the grunge concerto gets an honorable mention cause it kind of broke my brain when i first saw it performed lmao#the third mvt is titled 'headbanging' and when i heard it i was like. wow. someone invented metal for oboe. finally#anyway albrecht mayer has an album called Lost And Found that's just a bunch of lesser known 18th century oboe and EH concerti#and i'm obsessed with it. i would list all of those here but that's cheating since...i mean they're Extremely Classical and they all#kiiind of sound the same lmao. but idc!! classical is my bread and butter i LOVE that shit#i really ought to get the sheets to some of those and learn em myself. and the strauss too. finally a late romantic i can get behind...#well my eyes were on something fiala next i think. so we'll see#oboeposting#LONG RAMBLING IN THE TAGS. sorry lmao. i have a lot of thoughts#sorry goossens but i don't care about you <3 idc if you win competitions i'm keeping kalliwoda
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daily-classical · 2 years
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airenyah · 2 years
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hello! 🎶✨when u get this u have to put 5 songs u actually listen to, publicly. then, send this ask to 10 of your favorite followers (non-negotiable, positivity is cool)🎶
as in... publicly post songs that i have in my playlists and don't skip or as in songs that i listen to in public in front of other people?
i'm this super weird person that doesn't really listen to music a lot, so when i actually do listen to music i have some kind of emotional attachment to a lot of the songs (....yeah mostly they're connected to fandom lmao)
surprise surprise songs that i actually listen to include
แค่เพื่อนมั้ง (Just Friend?)
จะไม่บอกใครละกันว่าเธอชอบฉันก่อน (SECRET)
เพลงที่เพิ่งเขียนจบ (OUR SONG)
sometimes the emotional attachment also comes from friends having these songs in their playlist and putting them on when we're hanging out and me just enjoying these songs enough to save them myself. but then everytime they come on shuffle they'll make me think of my friends hahaha. anyway some examples would be
Drop In the Ocean - OMI, AronChupa
Prima Ballerina - Flip Capella, Emedy
as for songs i would listen to in front of other people.... i have no idea actually???? i usually let other people put their playlists on bc i care so little about music
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cannot believe the sqa had the balls to play hamilton in the music exam but not include timbre in question 6 unbelievable
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Concertino "Quê Que A Gente Faz?" de Jorge Antunes para violão, orquestra e sons pré-gravados
A obra “Quê que a gente faz?” é uma composição de Jorge Antunes para violão, orquestra de cordas e sons pré-gravados. Ela será disponibilizada nas plataformas de streaming como o Spotify, Apple Music e YouTube Music a partir de 20 de janeiro pelo link https://ffm.to/quequeagentefaz Inspiração: A obra foi inspirada na violenta desocupação da comunidade Pinheirinho, ocorrida em 22 de janeiro de…
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asterargureo · 2 years
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Ho realizzato solo ora che Maria Elisabetta Casellati Serbelloni Mazzanti Viene dal Mare non sarà più presidente del Senato.
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courtbard · 2 years
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Recital Preparations - 15 Days Until Recital
For my upcoming recital, I am playing the Hora-Hatikvah of George Perlman's Israeli Concertino. I am already quite comfortable with the piece itself, so now I got a little over two weeks to work on the details.
Three things I want to work on (excluding intonation because when is that ever not a thing you want to work on):
Bowing: At the moment, my bowing tends to be a bit arbitrary. Especially, bow speed is a big thing I am working on. Instead of adjusting to what makes sense musically, I tend to bow faster at the beginning of phrases which, sure, works in some cases, but sounds very weird in others.
Chords: The piece ends with some big finale chords and well... they are a lot more impressive when they are in tune. I am currently practicing them in pairs with the goal of slowly putting them together in the next week.
Thinking ahead / being more aware: I tend to get a bit lost in the music and stop thinking about what comes after the note / phrase I am playing. Since I know this piece by heart, it doesn't end up being a problem in practice, but I fear that with the nervousness of a recital, it might be a problem. So now when I practice, I want to actively pay attention to what part of the piece I am in.
Those are my three things, I want to work on before the recital. Of course, there are many other things that I could also work on, but I want to focus on fewer so that I have a chance to actually improve the chosen focus points.
I will keep you updated (unless I forget again that tumblr is a thing that exists). Musically, Anka
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gasparodasalo · 4 months
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Franz Schubert (1767-1828) - Concerto ("Konzertstück") for Violin and Orchestra in D-Major, D. 345. Performed by Ariadne Daskalakis, violin, and Michael Alexander Willens/Die Kölner Akademie on period instruments.
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illimitablespaces · 2 years
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Dear Reader, do you recall those moments when you return to the work of an artist (it matters not his mode of artistic discipline) and instantly and effortlessly, you inhabit the same intensity of feeling as when you first experienced the aforementioned work of art?
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Gaetano Donizetti (1797 - 1848) Concertino in B flat major for Clarinet and Chamber Orchestra 1/2
Andante sostenuto (4'16)
Clarinet : Fabrizio Meloni
First Violin : Alberto Martini Orchestra "Accademia I Filarmonici" di Verona
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oconnormusicstudio · 2 years
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Flute Concertino in D major, Op. 107 by Cécile Chaminade from Concert for Ukraine
Flute Concertino in D major, Op. 107 by Cécile Chaminade from Concert for Ukraine
    Cécile Chaminade’s Flute Concertino in D major, Op. 107, was composed in 1902 for flute and piano and later arranged by herself for flute and orchestra.The piece remains a standard and popular part of the flute repertoire.   Helen Haeun Kim is an active flutist, her performances appeared on premier venues such as London’s Royal Albert Hall, BBC Radio 3 & 4, TBN UK, and Prague’s Církev…
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supercantaloupe · 8 months
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YESSSS VIOLIN CONCERTO BRACKET START FISTFIGHTS !!! also more generally a concerto bracket would be so fun. rach piano 2 vs shostakovich cello 1. fight -lexi
the thing is if you tried to do a concerto bracket for all instruments the violins would sweep anyway no matter what LOL. so much of it is a numbers game in this case. like i remember the music festival i played one summer with a concerto competition with separate sections for "violins" "young violins" "lower strings" "literally everybody else"...maybe someone could run a bracket like that, do separate prelim brackets for violins, pianos, lower strings, and wind/brass, and then put the winners from those individual brackets together in a final? no matter what i think it would be Hilarious to see the violin players of tumblr ripping each other to shreds over like. brahms vs tchaikovsky or whatever
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visual-sandwich · 7 months
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Giampaolo-Ghisetti-Concertino
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